Classic John Ford directed Americana based on the stories of Irvin Cobb. A small town judge in the old south stirs up the place with stinging humour and common sense observations as he tackles prejudices and civil injustices in this warm affectionate and funny look at a slice of American life.
The Naughty Nineties: Set aboard the River Queen showboat Bud and Lou perform their legendary ""Who's on First?"" routine. The Time Of Their Lives: Two ghosts who were mistakenly branded as traitors during the Revolutionary War return to 20th century New England to retieve a letter from George Washington which would prove their innocence.
The Good The Bad And The Ugly Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. The Magnificent Seven Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic 'Seven Samurai'. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Alamo At the Alamo a crumbling adobe mission 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle 'The Alamo' is a visually stunning and historically accurate celebration of courage and honour. John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history.
Pulsing with the rhythm of his greatest stand-up Chris Rock’s TOP FIVE takes things to the next level revelling in the high and the low and blending a star-studded comedic romp with an irresistible romance. TOP FIVE digs under the surface of show business politics rap and the exigencies of being black and famous today – holding it all up to the light in the way only Chris Rock can. Mingling echoes of Woody Allen and Dick Gregory with the energy of Kanye West and Jay Z TOP FIVE is an original and radically new kind of American movie. Written by directed by and starring Chris Rock TOP FIVE tells the story of New York City comedian-turned-film star Andre Allen whose unexpected encounter with a journalist (Rosario Dawson) forces him to confront the comedy career – and the past – that he’s left behind. Bonus Features: Commentary by Chris Rock and JB Smoove It's Never Just A Movie: Chris Rock and Top Five The Making of Top Five Top Five Andre Allen Standup Outtakes Top Five Moments You Didn't See In The Film Top Five Moments You Didn't See In The Film Deleted Scenes
Here is the historic 1971 Vienna concert of Mozart's most popular final work - a monumental drama of the end of time - conducted by the legendary Karl Bohm.
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
Wild and crazy teenager Zigs starts to rebel from her parents. In an attempt to curb her errant behaviour she is packed off to a Greek boarding school...
The definitive look into the deep and harsh world of high profile beefs told by the artists themselves
Film-makers David Hoffmann and Harry Wiland were allowed into New Yorks notorious Sing Sing prison not just to make a film themselves but to teach film-craft to some of the inmates. This relationship developed to such an extent that encouraged by the prisoners they persuaded the Department of Correction to allow the Thanksgiving Concert which is the subject of this film. Many acts were approached to take part and most refused but Blues legend B.B. King and veteran folk singer and activist Joan Baez recognised the importance of the venture and with enthusiastic support from The Voices Of East Harlem comedian Jimmy Walker and performances from a few of Sing Sings inmates a unique and never-to-beforgotten show was staged. This DVD is not just the film of an extraordinary concert however it is also a touching and enlightening documentary about the creation production and filming of that concert and equally works as a revealing tale of American prison life in the early 1970s.
Dave, Sam and Jeff are about to graduate from university with honours but the three college roommates have proudly scammed their way through the last four years. Then a socially inept nerd realises what they're up to and threatens to blow the whistle...
Focused lightning bolts, stigmata, possession, and ancient curses become secondary in Season 3 of The X-Files as more episodes are devoted to pursuing the increasingly complex story threads. "The Blessing Way" is an explosive start, introducing the Syndicate's well-manicured man (John Neville), while Scully's sister Melissa is shot and Mulder experiences Twin-Peaks-like prophetic visions. We learn of medical records of millions, including Scully, who have been experimented upon ("Paper Clip"): the fast-paced train-bound two-parter "Nisei" and "731" suggests the experiments are about alien hybridisation. Krycek turns out to be hosting an alien in the next double-act, "Piper Maru" and "Apocrypha", in which Skinner is shot by Melissa's killer. Two great one-offs outside the arc are "Clyde Bruckman's "Final Repose", a bittersweet tale of foreseeing death (featuring an Emmy-winning performance from Peter Boyle) and Jose Chung's " From Outer Space", a spoof of alien conspiracy theories through an author's investigations into abductees. --Paul Tonks
A successful novelist faced with writer's block invites a handsome young German poet into to his home to provide input for his troubled screenplay. However little does the author know that the guest had previously embarked on an affair with his wife and wishes to continue their relationship...
A former vaudeville impersonator ends up working as a lab assistant to a mad scientist who is attempting to bring the dead back to life. The impersonator kills the scientist and must hide his crime by undertaking one last impersonation that of the mad scientist!
Dr. Eric Vornoff (Bela Lugosi in his last speaking role) recruits twelve men for an experiment to create a race of atomic supermen. Assorted police reporters and a rubber octopus conspire to ensure that his quest fails - it just has to be another of Ed Wood's masterpieces!
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
Keep 'Em Flying: When a barnstorming stunt pilot decides to join the air corps his two goofball assistants decide to go with him. Since the two are Abbott & Costello the air corps doesn't know what it's in for. Ride 'Em Cowboy: Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch despite the fact that neither of them knows anything about cowboys horses or anything else.
At a New Years Eve party, Nico, a naive twenty year old boy is determined to lose his virginity. After midnight he finds himself alone and rejected until a middle aged woman invites him back to her apartment. What promises to be an epic sexual debut turns into his worst nightmare when he discovers that the woman has a mysterious occult agenda.
The long-defunct, Southern Californian band regrouped for an album, an expensive tour (expensive for ticket buyers, that is) and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colours old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. The band eventually gets off their stools and rocks out on "Hotel California" and other Eagles standards. All in all, it's an enjoyable and mellowing show. --Tom Keogh, Amazon.com
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