Footloose: Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren whose father deserted him and his mother leaving them financially and emotionally strapped. But Bomont is a new setting a place for beginnings and Ren intends to give it every chance. He finds that the town is autocratically run by the local minister Rev. Shaw Moore who single-handedly manipulates the community sentiment and has had a hand in the banning of certain books all rock 'n' roll music public dancing and numerous other enjoyments that Ren had taken for granted in Chicago. From the moment he arrives in Bomont Ren is harassed and ostracized. He immediately finds himself in conflict with the community in a unique relationship with the minister's free-spirited daughter Ariel and involved in a feud with her bullying boyfriend Chuck. His greatest ally turns out to be Willard a good-natured schoolmate slow to wit but quick to fight. Eventually Ren galvanizes the youth of Bomont to confront the town's narrow-mindedness and in doing so he forces Rev. Moore to re-examine his own relationships with his daughter with his congregation and with his wife of 20 years. Flashdance:In Adrian Lyne's Flashdance a young woman Alex (Jennifer Beals) strives to achieve success as a classical dancer but economic forces require her to work as a welder by day and an exotic dancer by night. Standing in her way is an abundance of profound social obstacles not the least of which is her boss at the welding factory Nick (Michael Nouri) who is also her boyfriend. Alex strives to be accepted into a prestigious ballet academy and she is furious when she realizes that her boyfriend might be pulling strings for her behind the scenes. Along the road to self-discovery and independence Alex also struggles to accept love come to terms with her own stubbornness and find the inner strength to turn her lofty dreams into reality. Edited for maximum rhythmic impact Flashdance is full of glistening bodies and metallic surfaces powered by Giorgio Moroder's throbbing music and one hit song after another: Michael Sembello's Maniac Karen Karmen's Manhunt and notably Irene Cara's Oscar-winning theme song Flashdance...What a Feeling. Flashdance marks the first co-production between Jerry Bruckheimer and Don Simpson who geared the film toward the MTV generation...
Prepare yourself for a terrifying onslaught of monstrous, man-eating Graboids, flying Ass-Blasters, and heat-seeking Shriekers in this ultimate collection of all seven movies and the complete TV series. Throughout the years and many international locations, the Graboids have evolved and become ever more menacing and deadly. Only the gonzo survivalist Burt Gummer (Michael Gross) can stop them all. Product Features The Tremors Ultimate Collection includes: Tremors, Tremors 2: Aftershocks, Tremors 3: Back to Perfection, Tremors 4:The Legend Begins, Tremors 5: Bloodlines, Tremors: A Cold Day in Hell, Tremors: Shrieker Island and The Complete Series! Also starring Kevin Bacon, Reba McEntire, Jamie Kennedy, and Jon Heder, this cult classic horror-comedy collection is packed with eye-popping special effects and tense action sequences!
Wild Things is the kind of lurid, trashy thriller that you'll either dive into with unabashed pleasure or turn away from in prudish disgust; it's entirely your choice, but we suggest the former option since it's obviously much more fun. The plot's so convoluted it's hardly worth describing, except to say that it's set in humid Florida and involves a respected high school teacher (Matt Dillon--yes, Matt Dillon as a teacher!) who is faced with accusations of rape by a student (Denise Richards, from Starship Troopers) who had been giving him the kind of attention most people would consider improper for such a "nice" young lady. Another student (Neve Campbell) raises a similar charge against the teacher, and that's when a police officer (Kevin Bacon) begins to investigate the allegations. Just when you think the movie's gone overboard with its shameless sex and absurdly twisted plot, in drops Bill Murray as an unscrupulous lawyer (of course) to spice things up with insurance scams and welcomed comic relief. As directed by John McNaughton (who has a way of making just the right moves with this kind of film noir melodrama), Wild Things is a bona fide guilty pleasure--the kind of movie you may be ashamed to enjoy, but what the heck, you'll enjoy it anyway. --Jeff Shannon
SOME LINES SHOULDN'T BE CROSSED. Known for his impressively eclectic filmography and for helping to launch the careers of several young Hollywood stars of the 80s and 90s, Joel Schumacher (The Lost Boys, St. Elmo's Fire) tackles the existential question that, at one time or another, haunts us all: what awaits us after we die? At the University Hospital School of Medicine, five ambitious students subject themselves to a daring experiment: to temporarily induce their own deaths, hoping to glimpse the afterlife before being brought back to life. But as competition within the group intensifies and their visions of the world beyond increasingly bleed into their waking lives, they're about to learn that the greatest threat comes not from the spirit world but from the long-suppressed secrets of their own pasts Stylishly photographed by Jan de Bont (Basic Instinct) and featuring a cast of Hollywood's hottest talent including Kiefer Sutherland (Twin Peaks: Fire Walk with Me), Julia Roberts (Secret in their Eyes) and Kevin Bacon (Wild Things) Flatliners is the ultimate life-and-death thrill ride. Product Features Brand new 4K restoration from the original negative, approved by director of photography Jan de Bont 4K (2160p) UHD Blu-ray⢠presentation in Dolby Vision (HDR10 compatible) Lossless DTS-HD Master Audio 5.1 and 2.0 surround soundtracks Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by critics Bryan Reesman and Max Evry The Conquest of our Generation, a brand new video interview with screenwriter Peter Filardi Visions of Light, a brand new video interview with director of photography Jan de Bont and chief lighting technician Edward Ayer Hereafter, a brand new video interview with first assistant director John Kretchmer Restoration, a brand new video interview with production designer Eugenio Zanetti and art director Larry Lundy Atonement, a brand new video interview with composer James Newton Howard and orchestrator Chris Boardman Dressing for Character, a brand new interview with costume designer Susan Becker Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Amanda Reyes and Peter Tonguette
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Hang on tight for a suspense-filled action-thriller starring Oscar-winner Meryl Streep in a stunning performance that will take your breath away! Streep portrays a former river guide who arranges a white-water rafting trip to celebrate her son's birthday and salvage her shaky marriage. Her skills and courage are soon put to the test when three mysterious strangers threaten to turn their vacation into a living hell...
Titles Comprise: Gran Torino: Clint Eastwood returns to the big screen as Walt Kowalski a cantankerous veteran of the Korean War who catches his young Hmong neighbour attempting to steal his cherished 1972 Gran Torino urging him to try and reform the boy of his burgeoning criminal ways. Flags of Our Fathers: February 1945. Even as victory in Europe was finally within reach the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag some of whom would die soon after never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory. 'Flags of Our Fathers' is based on the bestselling book by James Bradley with Ron Powers which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Letters from Iwo Jima: The island of Iwo Jima stands between the American military force and the home islands of Japan. Therefore the Imperial Japanese Army is desperate to prevent it from falling into American hands and providing a launching point for an invasion of Japan. General Tadamichi Kuribayashi is given command of the forces on the island and sets out to prepare for the imminent attack. General Kuribayashi however does not favor the rigid traditional approach recommended by his subordinates and resentment and resistance fester among his staff. In the lower echelons a young soldier Saigo a poor baker in civilian life strives with his friends to survive the harsh regime of the Japanese army itself all the while knowing that a fierce battle looms. When the American invasion begins both Kuribayashi and Saigo find strength honor courage and horrors beyond imagination. Mystic River: Three childhood friends - Jimmy Markum (Sean Penn) Dave Boyle (Tim Robbins) and Sean Devine (Kevin Bacon) - are thrust together as adults when Jimmy's 19 year old daughter is murdered. Clint Eastwood's powerhouse drama secured Best Actor and Best Supporting Actor Oscars for Sean Penn and Tim Robbins respectively at the 2004 Academy Awards. Unforgiven: an exciting modern classic that rode off with four 1992 Academy Awards. Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey...
All five films in the sci-fi horror franchise. In 'Tremors' (1990) handymen Val McKee (Kevin Bacon) and Earl Basset (Fred Ward) are preparing to leave Perfection, Nevada, when their departure is halted by strange rumblings beneath the earth. When seismology student Rhonda LeBeck (Finn Carter) then reveals that the tremors have been caused by giant underground monsters, the unlikely trio soon find themselves in a battle to survive. In 'Tremors 2 - Aftershocks' (1995) Earl and Burt Gummer (Michael Gross) reunite to combat the burrowing monsters once again. Teaming up with scientist Kate Reilly (Helen Shaver), the group attempt to track down and destroy the killer worms in the oil fields of Mexico. In 'Tremors 3 - Back to Perfection' (2001) Burt returns to his hometown of Perfection to face down a group of corrupt property developers. However, things soon go from bad to worse when a third mutated strain of monsters makes its presence felt. 'Tremors 4 - The Legend Begins' (2004) is the prequel to 'Tremors' (1990). When workers in the remote mining town of Rejection, Nevada, fall victim to an unseen predator, the mine's owner, Hiram Gummer (Gross), hires a mercenary to destroy the carnivorous creatures before they swallow his profits. Finally, in 'Tremors 5 - Bloodlines' (2015), hardened survivalist Burt returns as he hunts down a supposedly isolated subterranean monster in the South African wilderness. However, the hunters soon become the hunted when Burt and the rest of his crew, including wildlife reserve worker Travis Welker (Jamie Kennedy), discover what they're really up against...
A pulse-pounding love letter to 1950s creature features that delivers horror and humour in equal measure, Tremors is a bonafide cult classic that has grabbed audiences' affections ever since its release and spawned a successful franchise that continues to this day. Good-ol'-boy handymen Val (Kevin Bacon) and Earl (Fred Ward) are sick of their dead-end jobs in one-horse desert town Perfection, Nevada (population: 14). Just as they're about to escape Perfection forever, however, things start to get really weird: half-eaten = corpses litter the road out of town; the phone lines stop working; and a plucky young scientist shows evidence of unusually strong seismic activity in the area. Something is coming for the citizens of Perfection and it's under the goddamn ground! Bursting with indelible characters, quotable dialogue and jaw-dropping special effects, Tremors is back and bigger than ever in this 4K-restored and fully loaded special edition. Special Features New 4K restoration from the original negative by Arrow Films, approved by director Ron Underwood and director of photography Alexander Gruszynski High Definition (1080p) Blu-ray presentation Restored DTS-HD MA original theatrical 2.0 stereo, 4.0 surround, and remixed 5.1 surround audio options Optional English subtitles for the deaf and hard of hearing New audio commentary by director Ron Underwood and writers/producers Brent Maddock & S.S. Wilson New audio commentary by Jonathan Melville, author of Seeking Perfection: The Unofficial Guide to Tremors Making Perfection, a brand new documentary by Universal Pictures interviewing key cast and crew from the franchise (including Kevin Bacon, Michael Gross, Ariana Richards, Ron Underwood, Brent Maddock & S.S. Wilson, among many others) and revisiting the original locations The Truth About Tremors, a newly filmed interview with coproducer Nancy Roberts on the film's rocky road to the screen Bad Vibrations, a newly filmed interview with director of photography Alexander Gruszynski Aftershocks and Other Rumblings, newly filmed on-set stories from associate producer Ellen Collett Digging in the Dirt, a new featurette interviewing the crews behind the film's extensive visual effects Music for Graboids, a new featurette on the film's music with composers Ernest Troost and Robert Folk Pardon My French!, a newly assembled compilation of overdubs from the edited-for-television version The Making of Tremors, an archive documentary from 1995 by Laurent Bouzereau, interviewing the filmmakers and special effects teams Creature Featurette, an archive compilation of on-set camcorder footage showing the making of the Graboids Electronic press kit featurette and interviews with Kevin Bacon, Michael Gross and Reba McEntire Deleted scenes, including the original opening scene Theatrical trailers, TV and radio spots for the original film as well as trailers for the entire Tremors franchise Comprehensive image galleries, including rare behind-the-scenes stills, storyboards and two different drafts of the screenplay Reversible sleeve featuring original and newly commissioned artwork by Matt Frank
In Paul Verhoeven's Hollow Man, Kevin Bacon plays a bad boy egotistical scientist who heads up a double-secret government team experimenting with turning life forms invisible. How do we know he's a bad boy? Because he (a) wears a leather overcoat, (b) compares himself to God, (c) drives a sports car, and (d) spies on his comely next door neighbour while eating Twinkies. Sadly, this is the most character development anyone gets in this slightly undernourished action/sci-fi thriller, which does boast some amazing special effects along with some amazingly ridiculous plot twists. After experimenting rather ruthlessly on a menagerie of lab animals, Bacon finally cracks the code that will turn the invisible gorillas, dogs and so on, back into their visible forms. Does it work on humans? Faster than you can say "six degrees," Mr Bacon appoints himself human guinea pig, strapping down for an injection of fluorescent-coloured serum.Thanks to some phenomenal, seamless and Oscar-worthy computer effects, Bacon is indeed rendered invisible, organ by organ, vein by vein. And what's the first thing you'd do if you were invisible? Why, spy on your female co-workers in the bathroom and molest your comely next-door neighbour, of course! Soon, Bacon is thoroughly psychotic, and it's up to Elisabeth Shue (Bacon's co-worker and ex-girlfriend) and hunky Josh Brolin (her current snuggle bunny) to defeat the invisible man, who's picking off the science team one by one. You'd think this would be a prime opportunity for copious amounts of cheesy sex and aggressive violence--which Verhoeven served up so well and so exuberantly in Starship Troopers and Basic Instinct--but if anything, the director seems to tone down the proceedings, and really, who wants a muted Paul Verhoeven movie? Shue (who got top billing and a bad haircu! t to boot) and Brolin (who, yes, does take off his shirt at least once) generate little heat, and while Bacon does give an effective, primarily voice-oriented performance, his character is so underdeveloped that, well, you can see right through him. --Mark Englehart
Clint Eastwood's story of three men whose dark, interwoven history forces them to come to terms with a brutal murder on the mean streets of Boston.
A groundbreaking screwball caper, 1978's National Lampoon's Animal House was in its own way a rite of passage for Hollywood. Set in 1962 at Faber College, it follows the riotous carryings-on of the Delta Fraternity, into which are initiated freshmen Tom Hulce and Stephen Furst. Among the established house members are Tim Matheson, Peter Riegert and the late John Belushi as Bluto, a belching, lecherous, Jack Daniels guzzling maniac. A debauched house of pranksters (culminating in the famous Deathmobile sequence), Delta stands as a fun alternative to the more strait-laced, crew-cut, unpleasantly repressive norm personified by Omega House. As cowriter the late Doug Kenney puts it, "better to be an animal than a vegetable". Animal House is deliberately set in the pre-JFK assassination, pre-Vietnam era, something not made much of here, but which would have been implicitly understood by its American audience. The film was an enormous success, a rude, liberating catharsis for the latter-day frathousers who watched it. However, decades on, a lot of the humour seems broad, predictable, boorish, oafishly sexist and less witty than Airplane!, made two years later in the same anarchic spirit. Indeed, although it launched the Hollywood careers of several of its players and makers, including Kevin Bacon, director John Landis, Harold Ramis and Tom Hulce, who went on to do fine things, it might well have been inadvertently responsible for the infantilisation of much subsequent Hollywood comedy. Still, there's an undeniable energy that gusts throughout the film and Belushi, whether eating garbage or trying to reinvoke the spirit of America "After the Germans bombed Pearl Harbour" is a joy. On the DVD: Animal House comes to disc in a good transfer, presented in 1.85:1. The main extra is a featurette in which director John Landis, writer Chris Miller and some of the actors talk about the making of the movie. Interestingly, 23 years on, most of those interviewed look better than they did back in 1978, especially Stephen "Flounder" Furst. --David Stubbs
Clint Eastwood's story of three men whose dark, interwoven history forces them to come to terms with a brutal murder on the mean streets of Boston.
Jumping with the spirit of freedom, dazzling dance numbers, and an electrifying '80s musical soundtrack, FOOTLOOSE comes to 4K ULTRA HD for its 40th Anniversary in this limited edition collectible SteelBook. Its the timeless struggle between innocent pleasure and rigid morality for city boy Ren McCormack (Kevin Bacon), newly moved to an uptight small town where dancing has been banned. Ren quickly makes a new best friend in Willard (Chris Penn) and falls fast for the minister's daughter (Lori Singer), but his love for music and dancing gets him into hot water equally as fast. Featuring a treasury of hit songs from Kenny Loggins, Shalamar, Deniece Williams, Bonnie Tyler, Quiet Riot, John Mellencamp, Foreigner, and more!
No matter how many sequels they've made or how big a hit it was in 1980, it's difficult to view the first Friday the 13th as anything but a quickie designed to cram in as many elements from horror movies that had been hits in the late 1970s--most obviously, Halloween and Carrie--while adding as little as possible to the formula. Director Sean S Cunningham has an archetypal plot at his disposal as a group of attractive, shallow teenagers out in the woods to reopen a once-cursed summer camp are murdered in manners designed to show off Tom Savini's gore effects. Kevin Bacon, killed early (arrow through the throat), is the only player who went on to have a career, and he hardly stands out from the strip-Monopoly-playing, goon-acting meat-on-the-hoof teens who fall prey to the mostly unseen murderer. That it's not a total write-off is down to a few neatly edited bits of classical suspense and, two decades on, a simmering nostalgia for a world of bouffant-haired bubbleheads in short shorts (and that's just the guys) observed by edgy subjective camera as the music hisses "kill kill kill". On the DVD: Friday the 13th may be the least worthy of all horror "classics", but it's still nice to have an edition that (unlike earlier video releases) offers a 16x9-enhanced 1.85:1 restored image and a healthy dose of extras. The hard-sell trailer gives away most of the big scares, and so should be sampled after the film. The making of the movie is covered by a 20-minute "Return to Crystal Lake" featurette and a commentary track with input from many of the creatives (Cunningham, composer Harry Manfredini, stars Adrienne King and Betsy Palmer, writer Victor Miller). Some anecdotes get repeated, but there's a lot of solid background material. --Kim Newman
A pair of ten-year-olds find an abandoned cop car in a field but when they take it for a joyride it seems like they could kill themselves at any moment. But things only get worse when the small town sheriff goes looking for his missing car. The kids find themselves in the centre of a deadly game of cat and mouse they don’t understand and the only way out is to go as fast as their cop car can take them. Bonus Features: Cop Car Tour (20m 16s) Their First & Last Ride: The Making of Cop Car (2m 57s)
Golden Globe winner and Emmy nominee Kevin Bacon and UK's James Purefoy (Rome) star in this terrifying new thriller from Kevin Williamson (The Vampire Diaries Scream). When notorious serial killer Joe Carroll (Purefoy) escapes from death row and embarks on a new killing spree the FBI calls former agent Ryan Hardy (Bacon) a psychologically scarred veteran who captured Carroll nine years earlier after Carroll murdered 14 female students on a college campus where he taught literature. Knowing Carroll better than anyone and close with Carroll's ex-wife Claire Hardy works closely with an FBI team which includes no-nonsense agent Jennifer Mason and sharp upstart Mike Weston and soon discovers that Carroll was not only communicating with a network of killers in the outside world but has much more planned than just a prison escape - and there's no telling how many additional killers are out there. As Hardy and the FBI team are challenged by the ever-growing web of murder around them masterminded by the diabolical Carroll (who's writing a novel with Hardy as his protagonist) Hardy will not only get a second chance to capture Carroll but another shot at redemption as he's faced with not one but an entire cult of serial killers.
Hit American sitcom Will and Grace is as perky as Friends and as wittily urbane as Frasier. The premise concerns Will (Eric McCormack), a mildly uptight lawyer who agrees to have as a flatmate his best friend, interior designer Grace (Debra Messing). Their relationship has all the hallmarks of one between lovers--emotional dependency, little things that get on each other's nerves, strong mutual interests and volcanic arguments. The only snag is that while Grace is straight, Will is gay. Though not shy of poking sharp fun at that situation, Will and Grace is among sitcom's most potent and sophisticated antidotes to homophobia. Though initially a little too pleased with its own camp pertness, the show grows and grows on you with successive episodes, finally becoming indispensable. It also benefits from secondary characters Jack (Sean P Hayes) and Karen (Megan Mullally), also gay and straight respectively, both outrageously and hilariously irresponsible characters: he's a free spirit and freeloader, she's "working" as Grace's assistant even though she doesn't need the money, having married some. Despite its diamond and rapid-fire punch lines, Will and Grace conveys enough sense of the lovelorn predicament of the main characters to prevent it becoming too cute. --David Stubbs
Charlie Chaplin entered the film industry in 1914 and by 1916 was the highest paid entertainer in the world after signing a contract with the Mutual Film Corporation for a salary of $670 000. Mutual built Chaplin his very own studio and allowed him total freedom to make 12 two-reel films during a 12-month period which have been brought together for the first time on this two-disc boxset. Chaplin subsequently recognised this period of film-making as the most inventive and liberating of his career. These twelve films demonstrate the breadth of Chaplin’s abilities as both a physical slapstick actor and a subtle endearing character actor. The collection includes the slapstick custard pie fights of Behind the Screen and his first minor masterpiece The Vagabond where he successfully combines pathos and comedy to create a lyrical love story. This limited edition collection of Chaplin films has been fully restored and features music by acclaimed silent film composer Carl Davis. Bonus Features: 12 films (1916-1917) with Carl Davis scores all presented in full High Definition: The Floorwalker The Fireman The Vagabond One AM The Count The Pawnshop Behind the Screen The Rink Easy Street The Cure The Immigrant The Adventurer Alternative scores for each film by a range of composers Audio commentaries for selected films Newsreel shorts: Chaplin Signs the Mutual Contract (1916 30 secs); Charlie on the Ocean (1921 5 mins) Carl Davis interview (9 mins) Extensive booklet with essays and full film credits
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