In March 2001 some of the world's greatest lyric voices assembled in the cavernous Teatro Padiglione Palacassa in Parma for a Verdi Gala to commemorate the centenary of the composer's death. The works included in this concert are generally taken from his most famous operas, but there are one or two surprises too: it's not often you get the chance to hear the gorgeous "Dieu nous separe" from the Parisian grand opera Jerusalem (1847), for example, or arias from Il Corsaro (1848). The singing is mostly of a very high standard: Barbara Frittoli uses her glorious voice with intelligence in the excerpt from Il Trovatore, and Daniela Dessi is stunning in "Pace, pace" from La Forza del Destino. Older singers like Carreras and Domingo are also still on superb form, too, and both men manage to sound heavenly while packing a mighty dramatic punch. But there are also some weak links: Mariella Devia is a little too slippy-slidy in her coloratura to be a convincing Violetta, and Leo Nucci simply shouts his way through Il Trovatore. Despite the familiarity of the material, Zubin Mehta conducts with a beguiling freshness of approach and plenty of warmth and wit: the playful phrasing in "La donna e mobile" is simply charming On the DVD: Verdi Gala comes with fine picture quality, but the recording balance favours the singers over the orchestra and leaves some details of the ensemble inaudible. Each number is introduced with a personal comment from the singers, leading to some old ham from Jose Cura and some silly journalese from the others: "And thus La Traviata was born overnight", is one particularly vacuous example. The DVD also includes a slide-show of stills from the rehearsals, and subtitles in English, German, French, Spanish and Italian. --Warwick Thompson
'Il Matrimonio Segreto' is Cimarosa's most famous opera which is reputed to have won immense admiration from Emperor Leopold II at its first performance in 1792. T Austrian Emperor liked this masterpiece so much that he ordered it to be played again from the beginning! Domenico Cimarosa's opera about the amorous bumblings of Bolognese gentry is performed by the Cologne Opera at the 1986 Schwetzingen Festival.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Rauol Walsh's humorous western stars Clark Gable as fugitive Dan Kehoe, who is hiding out in a small ghost town where the only remaining inhabitants are the female members of the notorious outlaw McDade family: matriarch Ma MacDade (Jo Van Fleet) and the four young wives (played by Eleanor Parker, Jean Willes, Barbara Nichols and Sara Shane) of Mrs McDade's gunslinging sons, three of whom have been reported dead. The fourth son is expected to return home at any moment with the spoils of a recent stagecoach robbery, but as no one knows which of the four sons is still alive, all four wives turn their attention to the bemused Kehoe - and he in turn responds to their advances, hoping to get a share of the gold.
The House of Eliott is now the smartest most prestigious establishment in London and the Eliott sisters have to contend with the pressures of running their empire as well as the problems in their private lives. Beatrice's devotion to the business puts a tremendous strain on her marriage while Evie embarks upon a liaison which threatens to ruin both her life and the House of Eliott. Episode 1 The sisters are both offered a job by gilles Caranac who has just impressed them
Take a step back in time to 1970s England. The full force of Women's Lib hadn't quite filtered through to suburbia; Margaret Thatcher had yet to take over Number 10; and while living together wasn't the sin it once was - and women were free to both work and run the home - a girl still wanted a ring on her finger. At least this girl did.Sandy has started dropping hints to Oliver that she would rather be married than go on living together, and thus begins a hit comedy series that would run for three hilarious series.From birthdays and anniversaries, through wedding plans - both on or off - old flats that need repair, new flats that need furnishing, holidays away and dinners at home; for Sandy and Oliver nothing is as simple as it should be when a couple living happily together suddenly find themselves with Rings on their Fingers.This release features the Complete Series One to Three and the 1978 Christmas Special.
Acclaimed director Rob Marshall re-invents the traditional variety special in this groundbreaking event with show-stopping dance numbers and breathtaking stage production. Marshall and his Academy-award-winning creative team take the viewer on an emotional musical journey re-creating seminal venues of Tony Bennett's music career from the 52nd Street Swing Club to the early Columbia recording studio from the ""rat pack"" stage in Las Vegas to the famous Carnegie Hall. Tony performs live duets of his greatest hits with the greatest artists of today. The show features special appearances by Robert De Niro Catherine Zeta-Jones John Travolta Bruce Willis and Billy Crystal! Track Listing 1. Smile - with Barbra Streisand 2. Sing You Sinners - with John Legend 3. Because of You - with K.D.Lang (featuring Chris Botti) 4. The Best Is Yet to Come - with Diana Krall 5. The Shadow of Your Smile - with Juanes 6. Rags to Riches - with Elton John 7. Just in Time - with Michael Buble 8. For Once in My Life - with Stevie Wonder 9. Steppin' Out - with Christina Aguilera 10. I Left My Heart in San Francisco
Jerry Mason (Wayne) and his partner strike it rich but tragedy ensues when one is accused of murder...
An illicit rendezvous discovered in a park initially appears to be a clear case of adultery but on closer inspection a darker picture develops. A man abuses his position of trust to recruit young girls into his religious sect. Morality is turned on its head when an innocent young girl is 'punished' for the wrong doings of her 'priest'. Bearing all the symbolism of the serpent rearing its ugly head in the Garden of Eden a world of religious fanaticism hypocrisy and perversity unfolds. Appearances can be deceptive as Fitz attempts to unearth the most sinister truths behind the religious faade with spine-chilling consequences.
This eight disc box set features all 30 episodes of the first series of The Big Valley a lavish western drama starring one of Hollywood's greatest female stars Barbara Stanwyck. This action-filled Western adventure was set on the Barkley ranch in California's San Joaquin Valley in the 1870s.
After everyone thought he was 'missing presumed dead' John Porter is found alive albeit disorientated and distant. Margaret has to contend with his unpleasant mother and make an agonising decision.
The House Of Eliott continues with its reputation as the most elegant couture house in London and the Eliott sisters juggle with running their empire keeping the workroom seamstress happy and the bank at bay. Evie meets Lord Alexander Monford at Montford Hall and there is instant chemistry between them. Episode 5: The sisters are designing the costumes for a new abstract ballet and the workroom girls are excitedly making Till's wedding dress. A financial problem results in a
The Barbara Stanwyck Collection (3 Discs)
3 x John Wayne classics on 1 DVD. 'Lucky Texan' - The Duke's a tough easterner who travels out West and ends up in the middle of a range war. 'Randy Rides Alone' - Renegades take over a town and its up to Wayne to save the day (all by himself no less). 'Man From Utah' - The Duke visits the rodeo where he must deal with the murderous patron who has killed some performers.
The documentary Matthew Barney: No Restraint journeys to Japan with Barney and his collaborator Bjork as the visual artist creates a ""narrative sculpture"" telling a fantastical love story of two characters that transform from land mammals into whales.
A "two-plus-one" package from Siren, Comedy Greats features classics from the two greatest silent-screen comics, Charlie Chaplin and Buster Keaton, plus a rather dreary effort from Danny Kaye. Never the most scintillating of comedians, Kaye's personable talents are thinly spread in 1949's The Inspector General. Distantly(!) based on a short story by Russian satirist Nikolay Gogol, this tale of mistaken identity enables Kaye to indulge in obvious wisecracks and not-so-smart dialogue. Sylvia Fine's songs are mildly amusing, and Henry Koster draws capable support from Walter Slezak and Elsa Lanchester, but it's a long haul. When he made Tilli's Punctured Romance in 1914, Charles Chaplin had yet to perfect the "little man" routine which made him the most popular 1920s screen star. His loveable rogue is well displayed opposite Marie Dressler's formidable country maid, whose unexpected windfall becomes the real object of his desire. Mabel Normand contributes an attractively period chic, and if, in the hands of Mack Sennett, the humour tends to fall back on music-hall slapstick, the historical significance of the film is undoubted. Yet it's Buster Keaton's 1928 classic Steamboat Bill Jr which comes out on top here. Keaton is perfectly cast as the put upon student, whose bravery saves both his father and his steamboat-owning rival, and wins the hand of the latter's daughter. Solid support comes from Ernest Torrence and the winsome Marion Byron, with Charles Riesner getting maximum drama from the cyclone sequence, but it's Keaton's soulful expression and breathtaking stuntwork which are the most potent reminders of a talent only later to receive its due. On the DVD: Comedy Greats is acceptably remastered, with 1.33:1 aspect ratio and 12 chapter headings per film, and decently packaged, this is worth acquiring--even though Keaton's film is the only one you're likely return to often. --Richard Whitehouse
Peter Wintonick whose Manufacturing Consent: Noam Chomsky and the Media is one of the bestselling documentaries of all time has directed this unique 'documentary of documentaries' shot with lightweight equipment in vrit style in widescreen digital video. Rich in footage from classics such as Primary (J F Kennedy) Lonely Boy (Paul Anka) Jane (Jane Fonda) Don't Look Back (Bob Dylan) Nanook of the North and the Blair Witch Project
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