Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
WI T N E S S T H E B I R T H O F A C I N E M A T I C L E G E N D For the first time on Blu-ray, featuring new restorations and scores, experience 10 of Alfred Hitchcock's early works. From the silent film era to the first talkies, this 11-disc set also contains a newly commissioned, full-length documentary, Becoming Hitchcock, exploring the director's first sound picture, Blackmail. In 1929, Hitchcock directed Blackmail, the first British sound feature, hailed as a film which used sound and dialogue with more flair and imagination than any Hollywood or European film of the time. Hitchcock's inventive and expressionist use of sound demonstrated that the new technology opened a new realm of possibilities. The Ring (1927) The Farmer's Wife (1928)Champagne (1928) The Manxman (1929) (NEW SCORE) Blackmail (1929) - SILENT VERSION (new 4K restoration and NEW SCORE ) Blackmail (1929) - TALKIE VERSION (new 4K restoration) Juno and the Paycock (1930) Murder! (1930) The Skin Game 1931) - REMASTERED FOR 2024 Rich and Strange (1931) Number Seventeen (1932) (new 4K restoration) BRAND-NEW DOCUMENTARY - BECOMING HITCHCOCK THE LEGACY OF BLACKMAIL (2024) Directed by Laurent Bouzereau, Narrated by Elvis Mitchell, Produced by Studiocanal in association with Nedland Films, 72min.BECOMING HITCHCOCK THE LEGACY OF BLACKMAIL, a brand new 72-minute documentary from award-winning filmmaker Laurent Bouzereau (Faye, Music by John Williams, Five Came Back) and narrated by historian, critic and filmmaker Elvis Mitchell, reflects the development of Alfred Hitchcock's signature style, through the making of one of his benchmark films, Blackmail (1929). The documentary highlights the birth of the Hitchcock Touch at a period when talking pictures first emerged and explores his trademark themes, such as murder, suspense and cool blondes. While focusing on Blackmail, the documentary reveals how this film also foreshadows the director's later masterpieces, from Psycho to North by Northwest and from The Birds to Frenzy. / runtime: 70 mins
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
Corvette K-225 is a stirring salute to the heroism of the Corvette crews and commanders who steered Allied convoys through the treacherous, U-Boat-infested Atlantic ocean throughout WWII. The story follows a particularly perilous voyage from Halifax, Nova Scotia to Britain. The nail-biting tension is heightened by our knowledge that the film uses actual historic sea combat footage! Better known previously for his tall in the saddle' Western roles, Randolph Scott brings dignity and restraint to the role of a heroic Canadian Navy commander in what's possibly his finest performance. In addition to the thrilling battle scenes, as the doughty Corvette strives to protect the convoys from attack after attack, the film has far greater emotional maturity and depth than most Hollywood wartime action films.Not only is there a terrific supporting cast including Barry Fitzgerald (The Quiet Man), Ella Raines (Hail the Conquering Hero), Thomas Gomez (Key Largo), Noah Beery Jr. (The Rockford Files) and even a glimpse of a young Robert Mitchum (The Night of the Hunter), there's also room for a romantic sub-plot!
Irish comedy and based on the novel ‘Rooney’ written by Catherine Cookson. Set in 1950’s Dublin John Gregson is the irrepressible James Ignatious Rooney….the hurling loving dustman. Landladies fall at his feet and it’s not due to the stench of rubbish from his daily collections………… Rooney is too much of a gentleman to bring his work home with him. No it’s the Irish Blarney his good looks and his dog. And don’t forget the hurling always at the hurling. Rooney teams up with Mr Doolan (Liam Redmond) a wealthy businessman and hurling fan and moves to a smart part of Dublin. Here he meets yet another widowed landlady and the cantankerous Grandpa (played brilliantly by the hilarious Barry Fitzgerald) who is always losing his teeth! Rooney falls for Maire (Muriel Pavlow) the landlady’s cousin and when he is selected for the Hurling Championship Final will he win both the Cup Final and the girl?
The Bells Of St. Mary's (Dir. Leo McCarey 1945): This Going My Way sequel stars Bing Crosby reprising his role as worldly-wise Father Chuck O'Malley and introduces Crosby's beloved song Aren't You Glad You're You? Father O'Malley is transferred to the soon-to-be-condemned school run by Sister Benedict (Ingrid Bergman) and the two quickly match wits and stubbornness eventually finding a middle ground. A surprisingly light touch of sentimentality and humor gives this film by director Leo McCarey a glow of genuine feeling that effortlessly captures viewers' hearts. Going My Way (Dir. Leo McCarey 1944): Youthful Father Chuck O'Malley (Bing Crosby) led a colorful life of sports song and romance before joining the Roman Catholic clergy but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund winning over his aging conventional superior (Barry Fitzgerald). Songs such as Swinging on a Star sparkle and both Crosby and Fitzgerald do a fine job tugging at the heartstrings in a gentle irresistible way that will make viewers return to this lovely film again and again.
John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. The resulting fist-fight erupts into the longest brawl ever filmed followed by one of the most memorable reconciliation's in motion picture history!
There are eight million stories in the Naked City. This is one of them. Jules Dassin followed up his explosive prison picture Brute Force with another slice of hard-boiled crime fiction. Within a decade he’d make Thieves’ Highway Night and the City and Rififi thus confirming Dassin’s position as one of the all-time-great film noir directors. New York the middle of summer. A blonde ex-model is murdered in her bathtub and detectives Muldoon (Barry Fitzgerald) and Halloran (Don Taylor) are assigned to the case. Their investigation will lead them through the entire city from Park Avenue to the Lower East Side culminating in a thrilling climax atop the Williamsburg Bridge. Inspired by the work of the infamous tabloid photographer Weegee The Naked City was the first major Hollywood production to be shot entirely on the streets of New York making use of more than a hundred authentic locations. Both its editing and its cinematographer would earn Academy Awards while the film itself would be recognised by the Library of Congress as one of American cinema’s most significant motion pictures. Special Edition Contents: New high definition digital transfer of the film High Definition Blu-ray (1080p) and Standard Definition DVD presentation Original mono 1.0 audio (uncompressed PCM on the Blu-ray) Optional English subtitles for the deaf and hearing impaired Audio commentary by screenwriter Malvin Wald Jules Dassin at LACMA – a 40-minute interview with Bruce Goldstein in which the director discusses his career The Hollywood Ten – a 1950 documentary short on the ten filmmakers blacklisted from Hollywood for their refusal to name names before the House of Un-American Activities including The Naked City’s screenwriter Albert Maltz Gallery of production stills by infamous photojournalist Weegee Theatrical trailer Reversible sleeve featuring the original poster and newly commissioned artwork by Vladimir Zimakov Collector’s booklet containing new writing on the film by Alastair Philips Barry Salt and Sergio Angelini illustrated with original production stills
Master of film noir Jules Dassin directs this influential crime thriller starring Barry Fitzgerald and Don Taylor as two detectives trying to decipher the clues of the vicious murder of the beautiful Jean Dexter. With the tabloids following the story closely the two set to work with an army of detectives and forensic professionals. On discovering Jean's shady relationship with cheating Frank Niles they begin to unravel the clues that some stolen jewelry is leading them on. However with the killer still at large the detectives are in a dangerous position; as they get ever closer to the truth they begin to realise the threat they are putting themselves in.
A missionary tries to outsmart the U.S. Government and smuggle Chinese orphans into the country....
An Affair To Remember In this poignant and humorous love story nominated for four Academy Awards Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn. Love Is A Many Splendoured Thing William Holden and Jennifer Jones star in one of drama's most endearing and intelligent love stories. Nominated for eight Academy Awards this timeless classic follows the passionate affair of an American correspondent and a Eurasian doctor whose love for each other must overcome racial prejudice and the outbreak of war in Korea. How Green Was My Valley Sixty-year-old Huw Morgan looks back on his life as a boy (Roddy McDowall) in a small Welsh mining town. His reminiscences reveal the disintegration of the closely knit Morgans and his devoted parents (Donald Crisp Sara Allgood) while capturing the sentiments and issues of their time.
Screwball sparks fly when CARY GRANT (Charade) and KATHARINE HEPBURN (The Philadelphia Story) let loose in one of the fastest and funniest films ever madea high-wire act of invention that took American screen comedy to new heights of absurdity. Hoping to procure a million-dollar endowment from a wealthy society matron for his museum, a hapless palaeontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile upa missing dinosaur bone, a leopard on the loose, and plenty of gender bending mayhem among them. Bringing Up Baby's sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director HOWARD HAWKS (Red River). Special Features: New, restored 4K digital transfer, with uncompressed monaural soundtrack Audio commentary from 2005 featuring filmmaker Peter Bogdanovich New video essay on actor Cary Grant by author Scott Eyman New interview about cinematographer Russell Metty with cinematographer John Bailey New interview with film scholar Craig Barron on special-effects pioneer Linwood Dunn New selected-scene commentary about costume designer Howard Greer with costume historian Shelly Foote Howard Hawks: A Hell of a Good Life, a 1977 documentary by Hans-Christoph Blumenberg featuring the director's last filmed interview Audio interview from 1969 with Grant Audio excerpts from a 1972 conversation between Hawks and Bogdanovich Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Sheila O'Malley
At the turn of the century in a Welsh mining village the Morgans raise coal mining sons and hope their youngest will find a better life. Huw is the youngest in a family of 6 brothers and 1 sister and the film centers on his struggle toward manhood amid conflicting demands of faith economics education and family loyalty in a Wales caught in an irreversible shift from a pastoral to an industrialized society. The story based on the novel by Richard Llewellyn is accented by an impre
Going My Way (Dir. Leo McCarey): When an old and fading St. Dominic's church gets a young new priest (Crosby) things are bound to change. For starters young Father O'Malley meets the crusty old Father Fitzgibbons (Barry Fitzgerald) who doesn't think much of him or his ideas. The two have their differences but O'Malley is able to inspire some neighbourhood roughnecks to open their hearts and minds in a way the old priest simply could not do. Once the change has begun the church starts to find its way back into the lives of those who live near its doors and its meaning to all involved grows dearer to their souls. The air is filled with music from the classic 'Ave Maria' sung by Metropolitan Opera star Rise Stevens to the Academy Award-winning 'Swinging On a Star'. Also winner of the Oscar for Best Film in 1945. The Glenn Miller Story (Dir. Anthony Mann 1953): The true story of an unassuming band leader and trombonist Glenn Miller (played by James Stewart) who got his first break playing his own arrangement of 'Everybody Loves My Baby' at an audition. He never looked back. He married his childhood sweetheart and everything he played became an instant hit...songs like 'Moonlight Serenade' 'String of Pearls' and 'Tuxedo Junction'. Hollywood beckoned and success piled upon success. But then came World War II. A war from which Glenn Miller never returned. He was on his way to Paris to entertain the American Forces when his plane disappeared. But the show had to go on...and Glenn Miller became a legend. The film features all of Glenn Miller's hits and there are many guest performances who make this film an all time classic. Winner of an Oscar for Best Sound in 1955.
When an old and fading St. Dominic's church gets a young new priest (Crosby) things are bound to change. For starters young Father O'Malley meets the crusty old Father Fitzgibbons (Barry Fitzgerald) who doesn't think much of him or his ideas. The two have their differences but O'Malley is able to inspire some neighbourhood roughnecks to open their hearts and minds in a way the old priest simply could not do. Once the change has begun the church starts to find its way back into the
This box set features a quartet of 'Der Bingle's' best-loved movies! A Road To Zanzibar (Dir. Victor Schertzinger 1941): Chuck and his pal Fearless flee a South African carnival when their sideshow causes a fire. After several similar escapades they've finally saved enough to return to the USA when Chuck spends it all on a ""lost"" diamond mine. But that's only the beginning; before long a pair of attractive con-women have tricked our heroes into financing a comic safari featur
Agatha Christie's ""Ten Little Indians"" has been turned into a film more than once but none can compare with Rene Clair's version. The film begins as eight strangers find themselves on a small boat heading to the island retreat of their mysterious host. The guests have diverse backgrounds but all harbour a dark secret. When they are joined by the cook and a maid they become ten. The host fails to materialize and when the maid plays a recording that accuses each of the guests of mur
A collection of films celebrating the outstanding iconic collaboration of actor John Wayne and director John Ford. Films comprise: 1. Stagecoach (1939) 2. The Long Voyage Home (1940) 3. Fort Apache (1948) 4. She Wore a Yellow Ribbon (1949) 5. Rio Grande (1951) 6. The Quiet Man (1952)
The Quiet Man (Dir. John Ford 1952): John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rio Grande (Dir. John Ford 1950): John Wayne and Maureen O'Hara are embroiled in an epic battle with the Apaches and each other in this John Ford classic. Lt Col. Yorke (Wayne) heads to the Rio Grande to fight a warring tribe. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court-martial. Locked in a bloody war he must fight to redeem his honour and save his family. Against All Flags (Dir. George Sherman 1952): In 1700 the pirates of Madagascar menace the India trade; British officer Brian Hawke has himself cashiered flogged and set adrift to infiltrate the pirate ""republic."" There Hawke meets lovely Spitfire Stevens a pirate captain in her own right and the sparks begin to fly; but wooing a pirate poses unique problems. Especially after he rescues adoring young Princess Patma from a captured ship. Meanwhile Hawke's secret mission proceeds to an action-packed climax. Rare Breed (Dir. Andrew V. McLaglen 1966): In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ranch even greater obstacles force them to summon up extraordinary courage if they and the prize bull are to survive... Our Man In Havana (Dir. Carol Reed 1959): Jim Wormold (Alec Guinness) a vacuum cleaner salesman in Havana is recruited by the British Intelligence Services. As he has nothing to report he invents facts and pretends to discover secret operations...with disastrous consequences. Carol Reed directs this adaptation of the Graham Greene story. Lady Godiva Of Coventry (Dir Arthur Lubin 1955): Fictionalized account of events leading up the famous nude ride (alas her hair covers everything) of the militant Saxon lady
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