Directed by Anthony Asquith (The Yellow Rose Royce We Dive At Dawn) and adapted from the seminal play by Terence Rattigan (The Browning Version The Deep Blue Sea Separate Tables) The Winslow Boy is a classic tale of standing up to bureaucracy and one family''s testing fight for justice. Based on real life events The Winslow Boy follows the tribulations of an Edwardian naval cadet who is accused of robbery then expelled from his academy. On returning home his father becomes determined to clear his name and prove his innocence after what he considers an unfair internal enquiry. During his pursuit for justice the case eventually reaches The House Of Commons to cause public outcry and a political furore. A thoroughly British searing drama about the conquest for truth and the sacrifices that come with it The Winslow Boy still retains its ability to move audiences with its poignant and powerful story telling.
Adapting a story by Edgar Wallace one of the twentieth century's most celebrated and prolific suspense writers this 1940 crime thriller centers on the attempts of Flying Squad officers to smash a London drug-smuggling ring. The final feature by leading silent-era director Herbert Brenon Flying Squad stars some of the era's most accomplished performers including Sebastian Shaw Jack Hawkins and Kathleen Harrison and is presented here in a brand-new transfer from the original film elements. Inspector Bradley is out to break a drug-smuggling gang which operates from an old house overhanging the Thames; the gang is headed by a murderer called Mark McGill. The disappearance of young Ron Perryman - whom McGill has shot and dumped in the river - gives the Inspector his ideal opportunity to begin asking questions... Special Features: Image Gallery Promotional Material PDF
The glowering brutality that is aikido head-banger Steven Seagal's substitute for a star persona at least gives us a rancid taste of authenticity in Marked for Death, a cookie-cutter action picture. This glum lug seems really to enjoy hurting people; he snaps limbs and shatters noses with visible relish. Pitted against a gang of Jamaican gangsters who invade his (white ethnic) Chicago neighbourhood and threaten his family, retired DEA agent John Hatcher sets out to solve the case with robotic efficiency, kicking butt in just about every scene. Not quite as pudgy in this 1990 outing as he became a few films later, Seagal looks like the genuine, lethal article in the fight sequences but like a hopeless amateur when he tries to act his way out of the waterlogged-paper-bag of a script. So what else is new? The one bright spot here is Basil Wallace, a mostly unsung actor who throws himself into the showy role of the Rasta gang-boss Screwface, a garishly scarred psycho with piercing ice-blue eyes. --David Chute, Amazon.com
Three Films By Somerset Maugham: Trio Encore and Quartet (3 Discs)
Will Hay - Convict 99
From the producers of Little Miss Sunshine - When an unusual classified ad inspires three cynical Seattle magazine employees to look for the story behind it, they discover a mysterious eccentric named Kenneth, a likable but paranoid supermarket clerk.
One of Will Hays brisker comic efforts, 1936s Convict 99 sees Dr Benjamin Twist, Hays clueless schoolmaster, caught in a case of mistaken identity and invited to head up a prison for especially hard-boiled criminals. Unable to believe his luck, Dr Twist celebrates his success with a few drinks, is still drunk when he arrives to take up his post and, confused with a new batch of inmates, ends up behind bars himself. There he makes the acquaintance of Moore Marriott as "Jerry the Mole", who has been digging an escape tunnel for nigh on 40 years and is only a fortnight away from his release date. When eventually reinstated as governor, Hay runs a loose ship, with inmates waited on by wardens, allowed to bet and even play the stock market. However, when a criminal on the outside attempts to defraud Twist, their indignation is naturally aroused. Convict 99 is a typical outtake from Hays bizarrely lawless universe, in which for all his harrumphing and bluster, hes unable to exercise any sort of discipline whatsoever over the men in his charge. Hay plays exactly the same character from film to film, one so ill-equipped for any situation hes equally suited for all. Whereas Twist is an incompetent who somehow muddles through, Hay the comic actor is a master of timing and double-takes who knows precisely how to create the air of a shambles. On the DVD: the original 1930s film stock has been well restored, give or take the odd crackle. But there are no extras, except scene index. --David Stubbs
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