Robert Redford made his Oscar-winning directorial debut with this highly acclaimed, poignantly observant drama (based on the novel by Judith Guest) about a well-to-do family's painful adjustment to tragedy. Mary Tyler Moore and Donald Sutherland play a seemingly happy couple who lose the elder of their two sons to a boating accident; Timothy Hutton plays the surviving teenage son, who blames himself for his brother's death and has attempted suicide to end his pain. They live in a meticulously kept home in an affluent Chicago suburb, never allowing themselves to speak openly of the grief that threatens to tear them apart. Only when the son begins to see a psychiatrist (Judd Hirsch) does the veneer of denial begin to crack, and Ordinary People thenceforth directly examines the broken family ties and the complexity of repressed emotions that have festered under the pretence of coping. Superior performances and an Oscar-winning script by Alvin Sargent make this one of the most uncompromising dramas ever made about the psychology of dysfunctional families. There are moments--particularly related to Mary Tyler Moore's anguished performance as a woman incapable of expressing her deepest emotions--when this film is both intensely involving and heartbreakingly real. No matter how happy and healthy your upbringing was, there's something in this excellent film that everyone can relate to. --Jeff Shannon
This rousing romantic adventure Robert Redford plays ex-world champion cowboy reduced to huckstering breakfast food in a suit studded with flash lights. Jane Fonda is a chic sharp member of the electronic media a TV newswoman who'll do anything to get a good story. When Redford rides out of Las Vegas casino into the desert astride his sponsor's living symbol a multi-million dollar racehorse Jane is determined to discover why. She does one step ahead of a posse of pursuing police. But by the time they reach a remote rendezvous high in the Utah mountains she is in love with both the Cowboy and his convictions...
Steve Martin takes his wild and crazy persona and splits it into an hilarious battle of the sexes within the same body. Ambitious attorney RogerCobb is assigned to alter the will of ailing millionaire Edwina Cutwater (Lily Tomlin), who wishes to bequeath her estate to a healthy young woman (Victoria Tennant)--after Cutwater's guru transfers the old eccentric's soul to her healthy body. No one believes for a second it will actually work until Ms. Cutwater awakens in Roger's body and he becomes, literally, a man possessed, fighting for control of himself. Martin delivers a hilariously animated performance as a body torn between two masters as it wrestles with itself in a spastic walk down a city street. Directed with comic aplomb by regular Martin collaborator Carl Reiner, All of Me combines the best of Martin's self-scripted films--anarchic moments of inspired physical comedy--with a solid (if somewhat silly) narrative holding the scenes together. Screenwriter Phil Alden Robinson went on to script and direct Field of Dreams. --Sean Axmaker
In an American West just coming to terms with the end of World War II Jane Fonda stars as a Colorado rancher struggling to keep her independence from ruthless local land mogul Ewing. Fonda teams up with another independent rancher and war veteran Frank and Frank's partner is killed. Frank and Ella develop a romantic relationship as they battle to save Ella's land but more than the land is at stake for Ewing. His desire to expand his ranching empire must come to terms with a force e
Adapted from author Whitley Strieber's best-selling book about his contact with an alien race Communion is an intriguing and compelling work of science fiction - or should that be science fact? Suffering from writer's block New Yorker Strieber (Christopher Walken) heads to a cabin in the woods to focus on his latest work. There he undergoes a series of strange experiences which he blocks from his memory. Later under the influence of hypnosis Strieber realises that he has been in contact with beings from another world...
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