An icon of the Hong Kong New Wave and mentor to Wong Kar-wai, Patrick Tam worked with icons including Tony Leung (In the Mood for Love), Leslie Cheung (Days of Being Wild), Kenny Bee (Armour of God) and others in these two inimitable classics. In Nomad two couples, equal parts rich and working class, bond and experience the frolics of youth. The arrival of a Red Army deserter brings violence and disruption prompting incredible plot twists and inspired set-pieces. My Heart is That Eternal Rose finds Tam in the more familiar Heroic Bloodshed genre. A young couple are torn apart by a botched Triad job that forces Rick to relocate to the Philippines and Lap to become a gangster's moll. Six years later they meet again but their reunion only reignites the danger that drove them apart. Stunningly shot by David Chung (Once Upon a Time in China) and Christopher Doyle (Chungking Express) both films are newly restored and made available on Blu-ray for the first time in the UK. LIMITED EDITION BLU-RAY SPECIAL FEATURES4K restoration of the Nomad director's cut, 2K restoration of My Heart is That Eternal Rose, UK premieres on Blu-ray presented on two discsInterview with critic Tony Rayns on Nomad (2024)Interview with assistant director Stanley Kwan on Nomad (2024)Interview with Nomad producer Dennis Yu (2024)A visual essay on Patrick Tam and the Hong Kong New Wave by author David Desser (2024)Audio commentary on My Heart is That Eternal Rose by Frank Djeng (2024)Interview with producer John Sham (2019)Two episodes of C.I.D. directed by Tam (1976, 49 mins each)TrailerNewly improved English subtitle translations by Dylan CheungReversible sleeve featuring original and newly commissioned artwork by Time TomorrowLimited edition booklet featuring an archival career-spanning interview with Patrick Tam by Arnaud Lanuque and a new essay by Kambole CampbellLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
The second best comedy ever made, Monty Python and the Holy Grail must give precedence only to the same team's masterpiece, The Life of Brian (1979). Even though most of this film's set-pieces are now indelibly inscribed in every Python fan's psyche, as if by magic they never seem to pall. And they remain endlessly, joyfully quotable: from the Black Knight ("It's just a flesh wound"), to the constitutional peasants ("Come and see the violence inherent in the system!") and the taunting French soldier ("Your mother was a hamster and your father smelt of elderberries!"). Not forgetting of course the migratory habits of European and African swallows... The film's mock-Arthurian narrative provides a sturdy framework for the jokes, and the authentic-looking production design is relentlessly and gloriously dirty. The miniscule budget turns out to be one of the film's greatest assets: Can't afford horses? Use coconuts instead. No money for special effects? Let Terry Gilliam animate. And so on, from Camelot ("it's only a model") to the rampaging killer rabbit glove puppet. True it's let down a little by a rushed ending, and the jokes lack the sting of Life of Brian's sharply observed satire, but Holy Grail is still timeless comedy that's surely destined for immortality. On the DVD: Disc One contains a digitally remastered anamorphic (16:9) print of the film--which is still a little grainy, but a big improvement on previous video releases--with a splendidly remixed Dolby 5.1 soundtrack (plus an added 24 seconds of self-referential humour "absolutely free"!). There are two commentaries, one with the two Terrys, co-directors Jones and Gilliam, the other a splicing together of three separate commentaries by Michael Palin, John Cleese (in waspish, nit-picking mood) and Eric Idle. A "Follow the Killer Rabbit" feature provides access either to the Accountant's invoices or Gilliam's conceptual sketches. Subtitle options allow you to read the screenplay or watch with spookily appropriate captions from Shakespeare's Henry IV, Part II. The second disc has lots more material, much of it very silly and inconsequential (an educational film on coconuts, the Camelot song in Lego and so on), plus a long-ish documentary from 2001 in which Palin and Jones revisit Doune Castle, Glencoe and other Scottish locations. Perhaps best of all, though, are the two scenes from the Japanese version with English subtitles, in which we see the search for the Holy sake cup, and the Ni-saying Knights who want... bonsai! --Mark Walker
Yoiks! Here be the Python's tale of good King Arthur (Graham Chapman) and his knights as they quest for the Holy Grail. Watch as they face great odds and silly sods. See them wage battle against the fierce Killer Rabbit (""Run Away! Run Away!"") and (oh horrors!) see them confront the dreaded Knights Who Say ""Ni!"". Oh these be trying times. Can these good knights pass the test of valour and cut down yon tree with herring? Or will they blow themselves to smithereens with the Holy H
The classic science fiction novel by Ray Bradbury was a curious choice for one of the leading directors of the French New Wave, François Truffaut. But from the opening credits onward (spoken, not written on screen), Truffaut takes Bradbury's fascinating premise and makes it his own. The futuristic society depicted in Fahrenheit 451 is a culture without books. Firemen still race around in red trucks and wear helmets, but their job is to start fires: they ferret out forbidden stashes of books, douse them with petrol and make public bonfires. Oskar Werner, the star of Truffaut's Jules and Jim, plays a fireman named Montag, whose exposure to David Copperfield wakens an instinct towards reading and individual thought. (That's why books are banned--they give people too many ideas.) In an intriguing casting flourish, Julie Christie plays two roles: Montag's bored, drugged-up wife and the woman who helps kindle the spark of rebellion. The great Bernard Herrmann wrote the hard-driving music; Nicolas Roeg provided the cinematography. Fahrenheit 451 received a cool critical reception and has never quite been accepted by Truffaut fans or sci-fi buffs. Its deliberately listless manner has always been a problem, although that is part of its point; the lack of reading has made people dry and empty. If the movie is a bit stiff (Truffaut did not speak English well and never tried another project in English), it nevertheless is full of intriguing touches, and the ending is lyrical and haunting. --Robert Horton, Amazon.com
A young couple are torn apart by a botched Triad job that forces Rick (Kenny Bee, Millionaire's Express) to relocate to the Philippines and Lap (Joey Wong, City Hunter) to become a gangster's moll. Six years later, they meet again, but their reunion only reignites the danger that drove them apart. Co-starring Tony Leung (In the Mood for Love) as a gangster that further complicates their relationship, My Heart is that Eternal Rose sees Patrick Tam working within the classic Heroic Bloodshed genre, turning it inside out with tender drama, pitiless action and stunning cinematography by Christopher Doyle (Chungking Express).BLU-RAY SPECIAL FEATURES2K restoration of My Heart is That Eternal RoseA visual essay on Patrick Tam and the Hong Kong New Wave by author David Desser (2024)Audio commentary on My Heart is That Eternal Rose by Frank Djeng (2024)Interview with producer John Sham (2019)TrailerNewly improved English subtitle translations by Dylan CheungSleeve featuring newly commissioned artwork by Time Tomorrow
One of world cinema's most dynamic and highly regarded auteurs, Hou Hsiao-hsien has influenced entire generations of filmmakers and was once dubbed one of the three directors most crucial to the future of cinema. The Masters of Cinema Series is proud to present three films from early in his career, Cute Girl, The Green, Green Grass of Home and The Boys from Fengkuei, all making their worldwide debut on Blu-ray. Cute Girl (1980) A young bride-to-be falls for a laid-back land surveyor whilst visiting her family in the countryside. Conceived as a commercial vehicle for popular Hong Kong singer Kenny Bee, this romantic comedy was Hou Hsiao-hsien's debut feature. The Green, Green Grass of Home (1982) A substitute teacher (again played by Kenny Bee) moves to a remote village, where he falls in love with another teacher at the local school. The Boys from Fengkuei (1983) Three young men leave their fishing village for the city to look for work, where they face some harsh realities about growing up. The film which established Hou Hsiao-hsien as a leading figure of the Taiwanese New Wave, The Boys from Fengkuei was rapturously received in Europe and is often considered the director's first mature masterwork. Features: Limited Edition O-card [2000 copies First Print Run Only] In a 1988 worldwide critics' poll, Multi Award Winning Chinese Director HOU HSIAO-HSIEN was championed as one of the three directors most crucial to the future of cinema The Boys From Fengkuei Won the Golden Montgolfiere Award at the 1984 Nantes Three Continents Festival The Green, Green Grass Of Home Won the Golden Horse Award for Best Child Star (Pin-chun Chou) at the 1982 Golden Horse Film Festival Available for the first time in the UK and for the first time on Blu-ray anywhere in the world
Three full-length feature films from the popular 'Babylon 5' science fiction series. Third Space (1998) When a mysterious artefact found discarded in hyperspace is recovered and brought back to the station for analysis the crew aboard Babylon 5 face an unexpected threat. Sinister mind altering thoughts take hold through foreboding dreams of a towering structure and giant ships as questions fly surrounding the origin of their discovery. Scientists battle against the clock to
The Bee Gees reunited in 1997 for a One Night Only concert at the MGM Grand in Las Vegas Nevada. This was their only live concert in 1997 and first U.S. concert in nearly 10 years. Together they performed their greatest hits from the 60s 70s 80s and 90s including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves. With a special guest appearance by French-Canadian diva Celine Dion.
When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa's team at the North Pole try-outs.
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
This Monty Python Movie Box Set contains all four Python movies: And Now for Something Completely Different (1971), Monty Python and the Holy Grail (1974)--the two-disc set--Monty Python's Life of Brian--including a 50-minute documentary--and Monty Python's The Meaning of Life.
Jackie Chan's wonderful Hong Kong variation of Frank Capra's ""A Pocketful of Miracles"" set in the 1930's. Full length Director's cut containing over 11 minutes of previously unseen footage. One of the most expensive Hong Kong movies ever made taking nine months to shoot and cost $HK 64 000 000 to make. Winner of the award for 'Best Choreography' at the 1990 Hong Kong Critics Awards.
Live performance from the famous Gibb clan at the Manhattan Center in New York City on April 27th 2001. Tracklisting: This Is Where I Came In; She Keeps On Coming; Sacred Trust; Man In The Middle; Massachusetts; To Love Somebody; I Started A Joke; Jive Talkin'; How Can You Mend A Broken Heart; I've Gotta Get A Message To You; Acoustic Medley; Wedding Day; Lonely Days; How Deep Is Your Love; You Should Be Dancing.
Monty Python goes to the movies in this DVD boxset packed with three of their classic cinematic adventures. Enjoy And Now For Something Completely Different', Monty Python and the Holy Grail' and Life of Brian'. And Now For Something Completely Different Monty Python's Flying Circus is regarded as a milestone In British Comedy, This, their first feature film, is an anthology of the funniest sketches from the legendary BBC television series. Pick one of your favourites from among many, including the famous Say No More, Nudge, Nudge sequence, the Hell's Grannies and The Dead Parrot. Monty Python and the Holy Grail After a chance meeting with a rather irate God, King Arthur and his Knights of The Round Table are set the sacred task of retrieving the all powerful Holy Grail. On their long quest they encounter a number of terrifying hazards the taunts of the abusive French Knight, disgruntled peasants, the Knights who say Ni' and the deadly rabbit with the big pointy teeth. (Double Disc Set) Life of Brian The Pythons deliver a scathing, anarchic satire of both religion and Hollywood's depiction of all things biblical with their third film. The setting is Judea 33 A.D., a time of poverty and chaos, with no shortage of messiahs, followers willing to believe in them, and exasperated Romans trying to impose some order. (Double Disc Set)
François Truffaut co-writes and directs this classic drama adapted from Ray Bradbury's novel. In the not-too-distant future, forbidden volumes of literature are burned regularly by the 'firemen'. Montag (Oskar Werner) is the man in charge of the burnings, but after meeting a revolutionary book-owner, schoolteacher Clarisse (Julie Christie), he begins to have doubts - both about his vocation and his dead marriage to pleasure-seeking Linda (also Christie). Curious about the draw of literature, Montag keeps forbidden volumes of books for himself, and soon embarks on a secret affair with Linda. The cast also includes Anton Diffring and Cyril Cusack.
Takumi (Chou) spends his school days in a daze about the flirty Natsuki (Anne Suzuki) his afternoons working at the gas station of best bud Itsuki (Chapman To) and his nights delivering tofu for his hard drinking dad Bunta (Anthony Wong). For five years 18-year-old Takumi has been delivering tofu in his father's obsolescent Toyota AE86 every morning. Not only has he become a good racer but he has also unwillingly perfected the art of drifting. Asked to drive this AE86 in a David an
Devised and written by its three principal cast Getting On is a funny refreshing and improvised look at the staff 'getting on with it' in an overlooked corner of the health service: care for the elderly. It may be the least glamorous area of the hospital but in this comedy of characters the staff are doing the best they can in a place where difficult choices are the order of the day. It's the scene that awaits all of us - whether we like to admit it or not.
In Our Own Time is the compelling story of the Bee Gees career. Following their roots in the North West of England their early career in Australia and then international breakthrough in the late sixties before global superstardom. Alongside the success there is the heartache of the tragically early deaths of first their younger brother Andy and then later Maurice. The story is told in their own words through in depth new interviews with Barry and Robin Gibb and through extensive interviews with Maurice filmed shortly before his death in January 2003.
From writer/director Katherine Dieckmann, the acclaimed filmmaker of "Diggers" and "A Good Baby", comes "Motherhood", starring Uma Thurman, Anthony Edwards and Minnie Driver.
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