The most famous the most acclaimed and the most intriguing of all classic television thrillers starring Patrick McGoohan as a man with no name but with only a number.... Number Six. Trapped in an inescapable village Number Six is discovering that life is a battle with the ever-changing Number Two and that there may never be an end to the nightmare. Episode 17 - Fall Out: The Prisoner has won he has earned the rights to be an individual and not a number. The Alternate Chimes Of Big Ben: This is the USA press release version of The Chimes Of Big Ben with alternative opening and closing credits different theme music and different scenes. The Prisoner Companion: This US produced documentary tries to explain the many unanswered question posed throughout the short series.
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
The second series of Farscape expands upon and develops the characters introduced in the ambitious first series. John Crichton's new nemesis is the deadly Scorpius, replacing Crais, who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking SF show on TV. The witty scripts, peppered with postmodern pop-culture references and movie in-jokes, are also a breath of fresh air. Despite some wildly erratic shifts in tone, this is exceptional TV science fiction that continually pushes the accepted boundaries of the genre. --Mark Walker
As a scantily dressed nurse goes to answer the phone a huge hairy hand reaches out and grabs her by the throat. The following morning she is found strangled having been brutally sexually assaulted. The telephone murders have begun. One after another young girls throughout the city meet the same stranger and the same fate. They all have two things in common they live alone and they are clients of Dr. Lindsay Gale. Somebody has decided it is quicker to kill than cure.
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
Having finally accepted that his daughter is married Stanley Banks (Spencer Tracy) has now to deal with the news that she is pregnant! The news leads to a dispute between both the maternal and paternal grandparents... A sequel to Father Of The Bride which also starred Spencer Tracy and Joan Bennett.
Episodes 6-10 of Farscape's fourth series continue the themes set at the start of the year while concentrating on one-off adventures. John Crichton is still upset that Aeryn Sun has not confided in him about her pregnancy; Aeryn is still trying to cope with the loss of his dead copy; Chiana is trying in her lascivious way to get them back together; Scorpius and Sikozu are gradually becoming integrated into the life of the crew, and John and the others are trying to learn to trust their former arch-enemy. In "'Natural Election"', the process of choosing which of the crew shall be captain becomes more urgent when the living ship Moya is attacked by a space-dwelling plant that hangs around wormholes; "John Quixote" has Crichton and Chiana trapped in a surreal gameworld full of old friends and enemies; in "I Shrink, Therefore I Am", Crichton has to rescue his friends from bounty-hunters who have shrunk them and hidden them in their heavily-armoured bodies. Aeryn finds herself compelled to homicidal violence in "'A Prefect Murder"' and time goes wonky on her; Crichton has to get into drag and Scorpius has to vomit a lot to save their crewmates from getting caught in the cross-fire of "Coup by Clam". These are enjoyable albeit routine episodes of the most imaginative space opera ever to hit the TV screen, though they only hint at the wonders that were to come later in this final series. On the DVD: Farscape 4.2 has a wealth of special features that include two deleted scenes--one of them a touching discussion of their love lives between Aeryn and Chiana--and a text guide to swearing in the Farscape universe. There is a documentary about the special effects and a prolonged interview with Claudia Black in which she talks about how the show stretched her as an actress. It is presented in widescreen with a visual aspect ratio of 4:3 and has Dolby Digital sound. --Roz Kaveney
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.Box Set 4 includes four episodes, another gallery of conceptual art, and video profiles of everyone's favourite Hynerian Dominar, Rygel, as well as a profile of Moya the living Leviathan transport ship and her pilot. The episodes are: "Durka Returns", in which the crew meet the beautiful Chiana for the first time, as well as Rygel's old tormentor, Captain Durka; "A Human Reaction", where Crichton finally gets back to Earth but with unfortunate results for the rest of Moya's crew; "Through the Looking Glass" in which the crew and Moya are thrown into a dimensional schism inhabited by a strange creature; and "A Bug's Life", in which an intelligent virus is released on the ship after an encounter with Peacekeepers. --Mark Walker
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and film in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 5: these four episodes lead up to the climax of the show's first season. "Nerve" and "The Hidden Memory" make for a bold two-parter in which Crichton is reunited with his Peacekeeper Tech girlfriend, Gilina, and emotions are strained as he infiltrates a Peacekeeper base to find a cure for Aeryn's wound. But the story's most important function is to introduce the dreaded Scorpius, who uses his Aurora chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. Scorpius, it soon becomes clear, is just not going to go away. In "Bone to be Wild" the crew is still on the run from the vengeful Scorpius and take refuge on a strange vegetation-covered asteroid where there's a deadly role-reversal of the beauty and the beast story taking place. Finally in "Family Ties" the season ends on a tense cliffhanger as Rygel plots with Scorpius, Crais intervenes unexpectedly, Moya's child turns out to be something of a handful, and Crichton and D'Argo must take a desperate gamble. Also on the disc is an interview with costume designer Terry Ryan and a profile of the Australian Creature Shop. --Mark Walker
Made with the full cooperation of the real-life Texas Rangers this sprawling historical western stars Fred MacMurray as Jim Hawkins one of three outlaws working the Lone Star State in the years following the American Civil War. Both Jim Hawkins and his partner in crime Wahoo Jones (Jack Oakie) decide to go straight but their bandit pal Sam McGee (Lloyd Nolan) has not quite seen the light as they have. Eventually Jim and Wahoo join the fledgling Texas Rangers an organization
Well over half way through its third season and Farscape has plenty more surprises in store. This box set concludes the cliffhanger of "Infinite Possibilities" with the extraordinarily brave "Icarus Abides", in which the battle between Crichton and his Scorpius clone is resolved, but with fatal consequences. Then, in a dizzying change of pace, we return to Moya and the "other" Crichton for "Revenging Angel", part of which is a madcap Farscape take on the Road Runner cartoons, with a furious D'Argo standing in for Wiley Coyote. Matters turn sombre again as Aeryn communes with the spirits of the dead in "The Choice", but the reappearance of her mum, the vengeful Xhalax Sun, creates problems for Rygel and Stark. Across these four episodes the action seesaws between the crews of Moya and Talyn until a reluctant and painful reunion takes place in "Fractures", setting the scene for the final quartet of episodes of this enthralling season. Anyone who has not followed Farscape extremely closely from the very first episode of season one should go right back and begin at the beginning. On the DVD: four uncut episodes are accompanied by the now-familiar gallery of extras. There are "Info Pods" on D'Argo and Pilot, some deleted scenes, "Farscape Facts", Sci-Fi channel promos and a picture gallery. --Mark Walker
In its fourth series Farscape is as much dramatic and romantic fun as it's ever been and it's even more stylish than ever before. A pity, then, that this series is also the show's last, following its abrupt cancellation by the Sci-Fi Channel. If at times the tone seems a little lighter here than in its gloriously doom-laden predecessor, that is because its story arc is the first half of what was intended to cover two series and some of the material is clearly here for the long run. It is, for example, probably no coincidence that the priests' chant in "What Was Lost" has been part of the show's signature tune from the beginning. There are five episodes here. In "Crichton Kicks", Crichton has been a castaway for months on a senile Leviathan which is waiting its time to die. He has worked out wormhole technology, trained an orchestra of DRDs to sing the 1812 Overture, and is generally content, until his worldly resignation is shattered by the arrival of the beautiful, bossy and untrustworthy Sikozu, a bunch of aggressive butchers and a somewhat battered Chiana and Rygel. "What Was Lost Part 1: Sacrifice" takes them to an archaeological dig where they join Jool, D'Argo and the mysterious, annoying old woman Noranti and start to uncover lost secrets that change everything. In "What Was Lost Part 2: Resurrection" Crichton, drugged into bed by the seductive evil Peacekeeper Grayza, regains his self-respect by helping save yet another world. "Lava's a Many-Splendored Thing" is a puzzle episode: how to rescue an amber-encased Rygel from the bottom of a pool of lava without getting crisped or shot by renegades and how to use D'Argo's ship to rescue him when it is keyed to his DNA. Finally, "Promises" takes everyone back to Moya to find a dying Aeryn Sun and a Scorpius she has promised to protect--the issue here is how to outwit both a Peacekeeper torpedo and an extortionist with a big ship and a taste for hiding behind holograms. On the DVD: Farscape 4.1 has a very useful guide to the show's back-story as well as an interview with Anthony Simcoe ( D'Argo) and various character profiles and galleries. The deleted and extended scenes are unusually interesting--there is an exchange between Scorpius, Braca and Grayza which turns out later in the season to have been especially important. The DVD is presented in 4:3 visual aspect ratio and has Dolby Digital 5:1 sound. --Roz Kaveney
Billy Byrne (Max Beesley) wants to be famous. He thinks he'll get eveything he wants when he's famous. He has a talent for selling himself for making people think he should be famous and he gets an agent who promises him the world. And then it all goes wrong. The world is indifferent to his talent. Billy's world is shattered and and he descends into a hostile 21st century version of a Victorian underworld squirming with all manner of thieves beggars and low lifes rejected by society...
Reprising his role from the 1950 release 'Father Of The Bride' Spencer Tracy rejoins Joan Bennett Elizabeth Taylor and Don Taylor in a charming sequel. Tracy portrays Elizabeth Taylor's father Stanley Banks who is still recovering from the effects of giving up his ""little girl"" Kay to Buckley Dunstan played by Don Taylor. Upon hearing the news that the newlyweds are expecting Tracy opposes the new arrival feeling the stresses of middle age and family life but he eventual
By now it's clear that the third season of Farscape is the show's most exciting but also the most convoluted to date. The story so far: the crew has been divided across Moya and her troublesome offspring, Talyn; Crichton is literally divided into two; and Scorpius is sometimes real (but with a Crichton clone in his head) and sometimes the neural clone "Harvey" inside Crichton's head. Confused? Better follow events closely as multiple plot strands diverge and intertwine, characters from previous seasons pop up when you least expect them, and weird stuff generally keeps on happening. The four episodes in this box set take the various story threads still further apart. "Incubator" has the real Scorpius showing his Crichton neural clone the tragic truth about his upbringing. Scarrans, it seems, are the real enemy after all. In "Meltdown", Talyn is captured by a Siren Sun and Stark becomes even more unhinged, while Chrichton and Aeryn just can't keep their hands off each other. "Scratch 'n' Sniff" provides some welcome comic relief with an episode shot like a kinky David Fincher pop video and co-starring Ben Browder's real-life wife as the incredibly annoying Raxil. Finally, the gripping and action-packed "Infinite Possibilities, Part 1: Daedalus Dreams" returns us to the season's primary story-arc: the search for wormhole technology and its potentially dire consequences. The cliffhanger ending will have you yelling at the TV for more. On the DVD: only four episodes instead of the usual five, it's true, but every one is a corker. There are a handful of extras, including more "Info Pods", some deleted scenes and fact files to round out the set. --Mark Walker
An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas such as the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds-in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.There are five more episodes from Season One on this third DVD box set. "They've Got a Secret" has D'Argo being accidentally ejected into space, as a result of which, secrets of his imprisonment are revealed. "Till the Blood Runs Clear" finds Crichton and Aeryn confronting bounty-hunters. In "The Flax", the crew get all tangled up with some Zenetan pirates. Blue-skinned Delvian priestess Zhaan meets more of her kind in "Rhapsody in Blue", but madness is the result. Finally, "Jeremiah Crichton" finds our human hero stranded on an earthly paradise where no machines will function; falling in love is just the beginning of his troubles.On the DVD: Special features here are a gallery of conceptual art and another star profile, this time of Anthony Simcoe's Luxan warrior character, D'Argo. --Mark Walker
The second season of Farscape expands upon and develops the characters introduced in the ambitious first season. John Crichton's new nemesis is the deadly Scorpius, replacing Crais who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking sci-fi show on TV. The witty scripts, peppered with post-modern pop culture references and film in-jokes, are also a breath of fresh air. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the genre. --Mark Walker
The fourth volume of Farscape's fourth (and final) series does all those things that the later stages of any season should do: individual episodes play interesting games with how we think television works, while the tension of the overall story arc builds and builds. Of the individual episodes here, "Mental as Anything" is an ensemble piece for the male members of Moya's crew: D'Argo's back-story gets some sort of resolution and Scorpius puts John Crichton through hell for the best of reasons. "Bringing Home the Beacon" is rather more fun-- the women of Moya frustrate a Sebacean/Scarren peace treaty--but ends in stark tragedy. In "Constellation of Doubt", Moya picks up, and the crew obsessionally watch, a documentary from American television about their recent visit to earth: Crichton gets to see human paranoia and wishful thinking through cold, intelligent alien eyes. Finally, in "Prayer", Aeryn suffers terribly at the hands of her Scarren captors and Crichton makes a devil's bargain with Scorpius to save her. By this point the season is building to the surprises of its last episodes: Farscape was about to be cancelled, but it never lost its edge. On the DVDs: Farscape, Series 4 Vol. 4 includes a dictionary of alien slang and technical terms with illustrative clips from the show, as well as text files on the villainous Peacekeepers Braca and Grayza. The high point of the extras, though, is an interview with the wonderfully flakey Gigi Edgeley (Chiana) and a lot of deleted scenes from "Constellation of Doubt", with footage of Chiana, Aeryn and Noranti interacting with Crichton's family in bizarre and touching ways. --Roz Kaveney
Jack Barnes a tall handsome Texan once was part of a foiled bank raid and now works as a security guard in a sleepy Texas border town bank. His boss Ed asks Jake to moonlight and spy on his sultry and very sexy wife Rosalita who Ed suspects is fooling around. Ed owns the bank and is not adverse to handling a little money laundering for a drug cartel. He is expecting another money drop soon millions of dollars in unmarked bills that must be stored in his bank before being smuggled over the border. One evening Jack is crossing back over the border after a passionate liaison with his lover Rosalita when in the dark street he almost runs down Kristen a heart stopping blonde who tells him she has fought with her boyfriend and needs help. Kristen is really a set up. She is controlled by Barry a ruthless and violent man who has been following the drug money and is planning on robbing the bank the night the drop is made.
This last ever sequence of Farscape episodes is as effective and powerful a climax as those of earlier seasons. The three-parter "We're So Screwed" (a title censored by the BBC in the UK) starts with "Fetal Attraction", in which the crew of Moya attempt to rescue the pregnant Aeryn Sun from her Scarren captors and end up starting a dangerous epidemic on a space station. They get Aeryn back and lose Scorpius; in "Hot to Katratzi", the necessity of saving his worst enemy--who just knows too much to be left a captive--forces John Crichton to gate-crash the Sebacean-Scarren peace conference and bluff his way to success. Seemingly betrayed by Scorpius, John snatches victory in "La Bomba", striking another deadly blow against the Scarren empire. The title of the last episode "Bad Timing" refers both to the show's cancellation--the cast and crew felt real bitterness towards the SciFi Channel over this--and to the cliff-hanger ending; the crew of Moya have to prevent a Scarren ship finding its way through the worm-hole to Earth. Farscape was perhaps the best ever television space opera and certainly the most sexy, stylish, funny and dramatic; it will be greatly missed. On the DVD: Farscape, Series 4 Part 5 presents the shows in 16:9 format with impressively loud Dolby Digital 5.1 sound. The special features include a documentary about the cancellation of Farscape, in which the cast talk about their shock and grief and fans talk about the "Save Farscape" campaign. There are a couple of extended versions of scenes from these episodes and an extensive blooper reel, much of it hilarious. Also included is an illustrated glossary of terms from the Uncharted Territories and a collection of interesting facts about these last four episodes. --Roz Kaveney
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