Titles Comprise:Meet The Parents: First comes love. Then comes the interrogation!Male nurse Greg Focker (Ben Stiller) is poised to propose to his girlfriend Pam (Teri Polo) during a weekend stay at her parents' home. But here's the catch... he needs to ask her father first. Alas, the fur flies as Jack Byrnes, Pam's cat-crazy, ex-CIA father (Robert De Niro), takes an immediate dislike to her less-than-truthful beau. Greg's quest for approval gets seriously sidetracked as Murphy's Law takes over and a hilarious string of mishaps turn him into a master of disaster and total pariah in the eyes of the entire family... all except for his shell-shocked girlfriend, who can't believe she still loves her one-man wreaking crew.'Meet The Parents', from the director of Austin Powers, is an uproarious blockbuster hit that bombards you with one laugh after another, as true love tries to conquer all, against all the odds!Meet The Fockers: And you thought your parents were embarrassing.Domestic disaster looms for male nurse 'Greg' Focker (Stiller) when his straight-laced, ex-CIA father-in-law (De Niro) asks to meet his wildly unconventional mom (Streisand) and dad (Hoffman). It's family bonding gone hysterically haywire in this must-see comedy!Little Fockers: Greg Focker (Ben Stiller) has finally begun to earn the respect of his ex-CIA father-in-law, Jack Byrnes (Robert DeNiro) but one important test still lies ahead: will Greg prove that he has what it takes to be the family's next Godfocker ... or will the circle of trust be broken for good?Returning co-stars Owen Wilson, Blythe Danner, Teri Polo, Dustin Hoffman and Barbra Streisand are joined by newcomers Jessica Alba, Laura Dern and Harvey Keitel in this hysterical family affair.
Multi-award winning, The Messenger is a timeless story that examines universal themes of redemption, hope and the resilience of the human spirit. The first film directed by Oren Moverman, a combat veteran of the Israeli army, whose earlier screenplays include the Bob Dylan biopic I'm Not There (2007) and Jesus' Son (1999), The Messenger follows two officers (Ben Foster and Woody Harrelson) faced with the unenviable task of notifying the loved ones of fallen soldiers. The two men form an unlikely bond that is threatened when one of the officers finds himself drawn to a young widow (Samantha Morton), setting off an ethical dilemma that plays out in touching and surprising ways. The film is a deeply moving tale about the complex and unexpected ways that people reach out to and gain strength from each other, offering a unique and inspiring vision that deftly balances strong emotion with humour, compassion and empathy.The Messenger won the Silver Berlin Bear for Best Screenplay and the Critics Award and Grand Special Prize for Best Film at the Deauville Film Festival, whilst Woody Harrelson garnered Best Supporting Actor Academy Award and Golden Globe nominations and won the Best Supporting Male Independent Spirit Award for his portrayal of Captain Tony Stone.
Granada Television's adaptation of The Forsyte Saga achieved the seemingly impossible in Spring 2002, matching the BBC's 35-year-old black-and-white classic version with a richly cast and superbly directed take on John Galsworthy's first two novels. The success of these six 90-minute episodes proved that despite the current emphasis on mini-series and dramas developed around the "hot" actor of the moment, our appetite--and attention span--still craves ensemble pieces which are given the space and time to develop in todays focus-group-led scheduling. It also demonstrates that nothing generates television gold like a compelling family drama crammed with lust, rape, class conflict and the insuperable power of money. The Forsyte Saga is nothing if not superior soap opera. It could all have gone horribly wrong, haunted by the spectre of its BBC predecessor--a television legend for anyone over 40. Instead, it succeeds entirely on its own merits with scarcely a weak link; from Stephen Mallatratt's taut and fluid script to David Moore's carefully measured, seamess direction. Risks were taken to banish the old ghosts, particularly in the casting. In the event, Damian Lewis' repressed Soames and Gina McKee as his ill-matched bride, the enigmatic Irene, are inspired choices delivering complex portraits of unhappy, damaged human beings who deserve our sympathy. In a sea of marvellous cameos and splendid acting, the top honours go to Corin Redgrave and Rupert Graves for their hauntingly sensitive interpretations of Old and Young Jolyon, as well as to Amanda Root's increasingly exasperated Winifred; and Gillian Kearney's sharply intelligent and worldly June. All rounded characters without a weakly written cipher in sight. --Piers Ford
Slasher horror flick from director Brett Simmons. A group of teenage friends are taking a drive when they are hit by a murder of crows causing their truck to spin off the road and into a cornfield. After stumbling into an eerie scarecrow watching over the rows they soon begin to realise they are stuck in the middle of nowhere.... and an evil force seems to be picking them off one by one.
Ben Affleck plays a professional thief who falls for a bank manager (Hall) after a dangerous heist. He struggles with this newfound relationship whilst evading a tenacious FBI agent (Hamm) looking to catch him and his crew before they rob another bank.
When British jocky Bob Champion is struck down with cancer in the prime of his career his desire to live is determined by a single promise; on successful recovery he will ride jump prospect Aldaniti in the 1981 Grand National... John Hurt gives a truly stunning performance as Bob Champion in this true story of courage dedication and the strength of the human spirit.
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
Life is like a hurricane when Huey, Dewey and Louie Duck discover their uncle is none other than trillionaire treasure hunter Scrooge McDuck! Unfortunately, Scrooge hasn't been adventuring in years. It's up to the nephews and their action-ready friend Webby to shake him out of his funk by stirring up some supernatural trouble in his home. They may even convince Scrooge to take them on the most epic family road trip of all time to the underwater city of Atlantis! Together, the team must survive dangerous foes, treacherous temple traps and their overprotective uncle, Donald Duck, to prove that family is the greatest adventure of all!
Double bill of biographical dramas. In 'Gandhi' (1982), Richard Attenborough directs the story of Mahatma Gandhi (Ben Kingsley) from his beginnings as a young Indian lawyer to his triumph as a revolutionary leader whose philosophy of non-violent protest helped gain India its independence. 'Lawrence of Arabia' (1962), David Lean's biopic, stars Peter O'Toole as T.E. Lawrence, the Oxford-educated British Army officer who aided the Arabs in their revolt against the Turks. Teaming up with Sherif Ali (Omar Sharif), Lawrence attempts to cross an inhospitable desert in order to join two separate Arab tribes together as a single fighting force, with the main goal of preventing the subjection of the Arabs to British colonial rule.
There's a kind of perverse marketing genius at work in this cheesy sci-fi hit from 1995 in which scientists create a half-human, half-alien woman named Sil (Natasha Henstridge) who's capable of morphing from a slimy, tentacled creature into a blonde babe with the body of a Playboy centrefold. This makes it easy for Sil to lure gullible guys who are only too willing to indulge her voracious mating urge, realising too late that sex with Sil is anything but safe. As the body count rises, a handpicked team of specialists tracks the alien's killing spree, but their diverse expertise is barely a match for the ever-morphing Sil. Borrowing elements of the Alien movies (including bizarre alien designs by Swedish artist HR Giger) and spicing them up with some tantalising nudity, Species is a wet dream for creature-feature fans--kind of like watching a sci-fi vampire fantasy while browsing through the Sports Illustrated swimsuit issue. --Jeff Shannon, Amazon.com
Twelve-year-old Owen has always wanted a dog but hasn't reckoned for Hubble, an interplanetary scout from the Dog Star Sirius!
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor
Master filmmaker Bernardo Bertolucci applies his considerable talent to this haunting adaptation of the Paul Bowles novel. John Malkovich and Debra Winger play Port and Kit Moresby, characters loosely based on Bowles and his wife Jane, who flee New York for North Africa, where they hope to find mystical truths that will reignite the spark of their marriage. But instead they lose their moral bearings (with help from a friend, played by Campbell Scott, who has an affair with Kit) while travelling deeper and deeper into the Sahara. Before long, what started as a vacation at exotic lodgings has descended into a tour of hell, as they stumble farther and farther into an unknowable spiritual territory. Though long and at times slow-moving, The Sheltering Sky features marvellously nuanced acting by Malkovich and Winger and visionary filmmaking that makes the landscape at once picturesque and threatening. --Marshall Fine
Catherine Cookson was born Catherine McMullen in 1906. Her life began in poverty and she grew up believing her real mother was her sister. In a life that could have been taken from any of her own novels Catherine aspired to achieve more than many of her time. From poverty to wealth she left the sadness behind to start a new life in Hastings where she was to meet her husband Tom Cookson. As a form of therapy Catherine began to write and never stopped and became one of the world's be
From director Roland Emmerich comes a sweeping odyssey into a mythical age of prophesies and gods, when spirits rule the land and mighty mammoths shake the earth.
Recently widowed Karen Tunny (Lori Heuring) and her two daughters Sarah and Emma move to a remote mountain home which Karen has inherited from the family of her late husband. However she is unaware that the home is situated near an old mine the site of an early 20th century tragedy in which many children were buried alive and still lurk within.
Thomas has a special delivery for the season - the Star of Knapford, a festive light that makes wishes come true! Celebrate the holiday season with Thomas - from building snowmen, preparing holiday surprises, and celebrating a Misty Island Christmas party. The more friends the merrier, so join the fun and see that winter wishes do come true with Thomas & Friends!
Thats what columnist Carrie Bradshaw sets out to discover in this first series of the most outrageous hit TV comedy show of all time. Using her three best friends - and herself - as guinea pigs Carrie investigates just what a thirtysomething girl has to do to have fun in a city full of seriously unmarried men who think that commitment is for guys who ought to be committed. So join Carrie Samantha Miranda and Charlotte in a sexy and sophisticated exploration of some of the hotte
Please wait. Loading...
This site uses cookies.
More details in our privacy policy