WHAT WE DID ON OUR HOLIDAY is a hilarious journey through an unforgettable family holiday as a couple attempt to keep their impending divorce secret from their extended family. Doug and Abi and their three children travel to the Scottish Highlands for Doug’s father Gordie’s birthday party where it’s soon clear that when it comes to keeping their secret under wraps their children are their biggest liability. From 9 year old Lottie’s notebook to keep track of the lies so she remembers which ones to tell to 4 year old Jess’s perverse attachment to a brick named Norman signalling her maladjustment a mile off the parents are kept on tenterhooks and a week has never seemed such a long time. But it’s middle child Mickey and his granddad’s shared passion for Vikings which gives rise to the most far-reaching and unexpected consequences when a day at the beach turns to tragedy and the children take matters into their own hands.
The cinema remake of the classic sitcom Dad's Army . The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.
Julia Roberts heads the cast of this comedy about a Hollywood A-list couple have trouble promoting their new movie after the director does a runner with the print, and he falls for her personal assistant.
BILLY ZANE stars as THE PHANTOM in this thrill-a minute actioner based on one of the most successful comic series of all time! The story begins as an expedition lands on the island of Bengalla, seeking the legendary skulls of Touganda. Believed to harness an energy force of immeasurable power, the skulls could spell disaster for mankind. And that's exactly what ruthless tycoon Xander Drax (TREAT WILLIAMS) has in mind unless one man can save it. Now evil has met its match and great movie adventure has a new name THE PHANTOM!
The Beastmaster is an epic scale adventure - an extraordinary tale of a mythical hero in a life and death struggle with the forces of evil that unfolds in the distant mists of time. His amazing powers meant animals succumbed to his every order. From earliest childhood Dar finds the animals do his bidding. Then his idyllic life is shattered when an army of Jun barbarians led by the high priest Maax rides from the outlands on a crusade of destruction. All but Dar are slaughtered and alone he sets out to track the Jun warriors. His falling in love with a beautiful slave girl spells a warning to the evil sorcerer Maax.
A collection of three ITV adaptations of novels by Jane Austen comprising of Mansfield Park Northanger Abbey and Emma.
While "rock musical" remains a phrase used by sadistic parents to give their offspring nightmares the genre does occasionally throw up the odd gem, Purple Rain being perhaps the shiniest example. Given the theatricality of Prince's stage shows, it was only a matter of time before the diminutive pop potentate found himself a big-screen vehicle but few could have predicted that Purple Rain would become nothing less than a cultural phenomenon. The story, co-written by one-time Starsky & Hutch scripter William Blinn, may be a somewhat hackneyed tale with His Purpleness overcoming a troubled background and musical rival Morris Day to achieve his dreams of rock stardom. However, the cast, which also includes Prince protegée Appollonia, rises above the clichés to hand in a set of performances which, while never likely to trouble the Oscars, prove that all concerned can at least play a rough approximation of themselves with minimal difficulty. What really helped push the film's box-office receipts through the roof, however, was its soundtrack featuring a clutch of hit singles--notably "When Doves Cry"--and which cemented our pint-sized hero's position as one of the globe's premiere performing artists. Sadly, subsequent attempts to re-bottle this particular brand of lightning with Under a Cherry Moon and Graffiti Moon would prove substantially less successful but Purple Rain still looks--and, more importantly sounds--rarely less than funktastic. --Clark Collis
The cinema remake of the classic sitcom Dad's Army . The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.
Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--seemingly a very changed man. Gone is the selfish, nasty guy no one much liked. In his place is a friendly, sensitive and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: he may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine, Amazon.com
One of the best television adaptations of a comic book, The Incredible Hulk (1978-82) lent gravity and pathos to the fantastic premise--an experiment gone wrong causes a scientist to transform into a giant creature whenever he becomes angry--established in the popular Marvel Comics series. The network version stripped away the Hulk's outlandish foes (as well as his rudimentary speech) and instead focused on the loneliness of his human alter ego, David Banner (well played by the late Bill Bixby), as he traveled across the United States in search of a cure for his affliction as well as an escape from a prying reporter (the late Jack Colvin, also terrific). But despite its Fugitive-like premise, the TV Hulk never lost its comic book audience thanks to the plausibly ferocious performance by actor/bodybuilder Lou Ferrigno (whose growls were dubbed by actors Ted Cassidy and Charles Napier) as the Hulk, who handled the action portions of the show with plausibly superhuman brawn. The Complete First Season set contains both of the pilots that kicked off the series ("Pilot" was previously released on a separate single disc) as well as all 10 episodes from the first season; among the adventures encountered by David and the Hulk are a gambling scandal in Vegas ("The Hulk Breaks Las Vegas"), a meltdown at a nuclear facility ("Earthquakes Happen"), and a runaway plane ("747," which reunites Bixby with his Courtship of Eddie's Father co-star Brandon Cruz).Extras on the set have been the subject of much Internet debate--the commentary by series writer/producer/director Kenneth Johnson on "Pilot" is the same as on the previous DVD release of this episode (as well as the introduction by Ferrigno), and a proposed gag reel mentioned in promotional material has been moved to a future DVD release. The sole fresh bonus material is "Stop the Presses," an episode taken from the series' second season. --Paul Gaita
WHAT WE DID ON OUR HOLIDAY is a hilarious journey through an unforgettable family holiday as a couple attempt to keep their impending divorce secret from their extended family. Doug and Abi and their three children travel to the Scottish Highlands for Doug's father Gordie's birthday party, where it's soon clear that when it comes to keeping their secret under wraps, their children are their biggest liability. From 9 year old Lottie's notebook to keep track of the lies so she remembers which ones to tell, to 4 year old Jess's perverse attachment to a brick named Norman signalling her maladjustment a mile off, the parents are kept on tenterhooks and a week has never seemed such a long time. But it's middle child Mickey and his granddad's shared passion for Vikings which gives rise to the most far-reaching and unexpected consequences, when a day at the beach turns to tragedy and the children take matters into their own hands.
Kiss the Girls is a thriller about a collaboration between two serial killers, and, coming after The Silence of the Lambs and Seven, it feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any one of dozens of similar thrillers. --Jeff Shannon, Amazon.com
Laura (Rashida Jones) thinks she's happily hitched, but when her husband Dean (Marlon Wayans) starts logging late hours at the office with a new coworker, Laura begins to fear the worst. She turns to the one man she suspects may have insight: her charming, impulsive father Felix (Bill Murray), who insists they investigate the situation. As the two begin prowling New York at night, careening from uptown parties to downtown hotspots, they discover at the heart of their journey lies their own relationship.
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
Based on a retro-styled comic book hit of the 80s, this Disney film was meant to launch a whole line of Rocketeer films--but the series began and ended with this one. That's too bad because this underrated Joe Johnston film has a certain loopy charm. The story centres on a pre-World War II stunt pilot (Bill Campbell) who accidentally comes into possession of a rocket-propelled backpack much coveted by the Nazis. With the aid of his mechanic pal (Alan Arkin), he gets it up and running, then uses it to foil a plot by a gang of vicious Nazi spies (is there any other kind?) led by Timothy Dalton. Jennifer Connelly is on hand as the love interest but the real fun here is when the Rocketeer takes off. There's also a nifty battle atop an airborne blimp. --Marshall Fine
A love story set in 1930s England that follows 17-year-old Cassandra Mortmain, and the fortunes of her eccentric family, struggling to survive in a decaying English castle.
While "rock musical" remains a phrase used by sadistic parents to give their offspring nightmares the genre does occasionally throw up the odd gem, Purple Rain being perhaps the shiniest example. Given the theatricality of Prince's stage shows, it was only a matter of time before the diminutive pop potentate found himself a big-screen vehicle but few could have predicted that Purple Rain would become nothing less than a cultural phenomenon. The story, co-written by one-time Starsky & Hutch scripter William Blinn, may be a somewhat hackneyed tale with His Purpleness overcoming a troubled background and musical rival Morris Day to achieve his dreams of rock stardom. However, the cast, which also includes Prince protegée Appollonia, rises above the clichés to hand in a set of performances which, while never likely to trouble the Oscars, prove that all concerned can at least play a rough approximation of themselves with minimal difficulty. What really helped push the film's box-office receipts through the roof, however, was its soundtrack featuring a clutch of hit singles--notably "When Doves Cry"--and which cemented our pint-sized hero's position as one of the globe's premiere performing artists. Sadly, subsequent attempts to re-bottle this particular brand of lightning with Under a Cherry Moon and Graffiti Moon would prove substantially less successful but Purple Rain still looks--and, more importantly sounds--rarely less than funktastic. --Clark Collis
Jim Gordon commands a unit of the famed Flying Tigers the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers. In particular he must handle the difficulties created by a reckless hot-shot pilot named Woody Jason who not only wants to fight a one-man war but to waltz off with Gordon's girlfriend too.
Lola Versus captures the obsessions, confusions, and neuroses of contemporary urban middle class consciousness. Lola (Greta Gerwig) thinks her life is perfect--until her fiancé Luke (Joel Kinnaman) breaks up with her mere weeks before their wedding. What follows is a comic floundering, what might be a 21st-century update to 1970s "finding herself" movies like An Unmarried Woman, only the men are just as sensitive and self-absorbed as the women. Fortunately, the filmmakers keep a sense of perspective and humour about it all, and just as fortunately the movie is grounded in the unusual presence of its lead actress. Gerwig is strikingly beautiful, a fusion of a 1920s movie star and a Renaissance Madonna, but projects ordinariness. When juxtaposed with typical movie stars, she seems awkward and goofy, but when she's the centre of a movie, it all becomes suffused with her sweet approachability. The rest of the cast gets in tune, including Bill Pullman and Debra Winger as Lola's earnest, supportive parents and Hamish Linklater as Lola's best friend, Henry. The ending feels a bit tacked on, as if suddenly trying to harness the movie to a particular agenda, but the rest of Lola Versus enjoyably spins and wobbles in ways that resist easy labelling. --Bret Fetzer
Police Academy The call went out. The recruits came in. No longer would police cadets have to meet standards of height weight or other requirements. Brains were optional too. Can't spell IQ? Don't know the number 911? No matter. Police Academy grads are ready to uphold law and disorder! Police Academy 2: Their First Assignment When the newly graduated misfits in blue tangle with these pinheaded punks the result is an open-and-shut case of nonstop hilarity!. Steve Gu
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