Twister was a mega-million-dollar blockbuster--helmed by a director (Dutchman Jan de Bont) hot off another scorcher hit (Speed)--that flaunted state-of-the-art digital effects and featured a popular leading actress (Helen Hunt) who would win an Academy Award for her next film (As Good As It Gets). But ask anybody who's seen it and they'll tell you who the real star of Twister is: the cow. Not to give anything away, but the cow is one of those inspired little touches (like, say, Bronson Pinchot's career-making cameo in Beverly Hills Cop) that adds a touch of personality to a gigantic Hollywood production. The story is blown out the window after an impressive prologue in which Hunt's character, as a little girl, witnesses her daddy being sucked into a tornado. Basically, Hunt and Bill Paxton are thrill-seeking meteorologists chasing twisters in order to study them (and help warn people of them, of course) with a new technology they've developed. If you thought the Kansas tornado in The Wizard of Oz was every bit as scary as the Wicked Witch of the West, then this may be the movie for you. --Jim Emerson
A purely tasteless, moronic, guilty pleasure. Director Harold Ramis employs a mixture of Mad magazine National Lampoon maturity and Saturday Night Live sarcasm in this goofball golf comedy set on the grounds of a posh country club. Somewhere buried in the slapstick antics, drug references, Marx Brothers-like insults, and gratuitous sex scenes are the intertwined, forgettable subplots of a poor caddie (Michael O'Keefe) trying to earn enough cash to attend college, and golf-tournament and class battles between rich and even richer snobs. Mainly, Ramisjust lets his colourful group of eccentrics crash into each other, relying on several inspired performances to create several hilarious moments of sketch comedy. Most come from the trio of Bill Murray (playing a vile, obsessed groundskeeper engaged in a one-man war with a charismatic and very stuffed gopher), Rodney Dangerfield (basically recreating his crude stand-up routine), and Chevy Chase (who looks bemusedly stoned throughout). Quotable favourites include Murray's acted-out fantasy of winning the Masters, his tall tale about caddying for the Dalai Lama, an overreaching priest's rain-soaked golf game, Dangerfield's verbal assault on the club's uptight dining patrons, and Chase's lesson on the essence of golf ("Be the ball, Danny"). A perfect double feature with other comparably crass films such as National Lampoon's Vacation or Stripes. --Dave McCoy
Saban's Power Rangers follows five ordinary high school kids who must become something extraordinary when they learn that their small town of Angel Grove and the world is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover that they are the only ones who can save the planet. But to do so they will have to overcome their real-life issues and band together as the Power Rangers before it is too late. The film stars Dacre Montgomery (A Few Less Men) as Jason the Red Ranger, RJ Cyler (Me and Earl and the Dying Girl) as Billy the Blue Ranger, Naomi Scott (The 33) as Kimberly the Pink Ranger, Becky G (Empire) as Trini the Yellow Ranger, Ludi Lin (Monster Hunt) as Zack the Black Ranger, Elizabeth Banks (Pitch Perfect, The Hunger Games franchise) as Rita Repulsa, Bryan Cranston (Godzilla, Breaking Bad) as Zordon and Bill Hader (Trainwreck, The BFG) as Alpha 5.
Set in the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London a group of gay and lesbian activists decides to raise money to support the families of the striking miners. But there is a problem. The Union seems embarrassed to receive their support. But the activists are not deterred. They decide to ignore the Union and go direct to the miners. They identify a mining village in deepest Wales and set off in a mini bus to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.
Enter At Your Own Risk! Step inside, we've been expecting you! Arrow Video is proud to present all four films in the classic House horror franchise, brought together on Blu-ray. Featuring a host of stars including William Katt ( Carrie) George Wendtt ( Cheers), Arye Gross ( Ellen) and Lance Henriksen ( Aliens), the frightfully popular House series brings together tales of vindictive supernatural beings, zombie cowboys, sadistic serial killers and even singing pizzas in a pleasing potpourri of tongue-in-cheek horror goodness! Returning in glorious new HD restorations, the House films come loaded with a host of exclusive special features- now that's a full house! Special Editions Content: High Definition Blu-ray ( 1080p) Presentations of all four House Films Original Mono/Stereo and 5.1 Surround Audio Options. Optional English subtitles for the deaf and hard of hearing. House Audio commentary with director Steve Miner, producer Sean S. Cunningham, actor William Katt and screenwriter Ethan Wiley Ding Dong, You're Dead! The Making of House brand new documentary featuring interviews with director Steve Miner, producer Sean S. Cunningham, screenwriter Ethan Wiley, story creator Fred Dekker, stars William Katt, Kay Lenz and George Wendt, composer Harry Manfredini and others. Vintage Making-of Still Gallery Theatrical Trailers, Teaser and TV Spots. First Draft Screenplay and Fred Dekker's original 15-page Twilight Zone-inspired story which served as the basis for House (BD-ROM Content) House II: The Second Story Audio commentary with writer-director Ethan Wiley and producer Sean S. Cunningham It's Getting Weirder! The Making of House II: The Second Story brand new documentary featuring interviews with writer-director Ethan Wiley, producer Sean S. Cunningham, stars Arye Gross, Jonathan Stark, Lar Park Lincoln and Devin DeVasquez, composer Harry Manfredini and others. Vintage EPK Still Gallery Theatrical Trailer House III: The Horror Show Uncut European Version Alternate US Theatrical Version Audio commentary with producer Sean S. Cunningham The Show Must Go On interview with actor/stuntman Kane Hodder House Mother interview with actress Rita Taggart Slaughter, Inc. brand new featurette with special make-up effects creators Robert Kurtzman, Greg Nicotero and Howard Berger Behind-the-Scenes Footage Deleted Scene Theatrical Trailer Still Gallery House IV: The Reposession Audio commentary with director Lewis Abernathy Home Deadly Home: The Making of House IV documentary featuring interviews with director Lewis Abernathy, producer Sean S. Cunningham, stars Terri Treas, and William Katt actor/stunt coordinator Kane Hodder and composer Harry Manfredini Theatrical Trailer Still Gallery
When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries. Click Images to Enlarge
A comedy thriller with a silken thread of romance, 1987s Stakeout stars Richard Dreyfuss and Emilio Estevez as a pair of undercover cops assigned to watch the apartment of the former girlfriend (Madeleine Stowe) of a violent escaped convict. Complications ensue when Dreyfuss cop poses as a telephone inspector to get in and bug the girlfriends phone and they strike up a relationship. Initially coming on a bit like a cross between Hitchcock's Rear Window and Porky's, Stakeout ends up falling between the two stools of mirth and suspense. Some half-amusing business involving a series of practical jokes between the cop duo and their relief partners doesnt add materially to the film. Emilio Estevezs sidekick role is under-developed and he brings to this none of the loose cannon mania he would later bring to Young Guns. Dreyfuss isnt entirely convincing as a tough, seasoned cop and Aidan Quinn as the villain comes across as a poor mans James Woods. Yet for all these flaws, director John Badham just about manages to cobble together a watchable caper. On the DVD: Stakeout on disc has no extras of any kind, not even a trailer. The feature is presented in widescreen 1.85:1 format with Dolby digital 5.1 sound. The dubbing briefly goes awry near the end. --David Stubbs
When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries. Click Images to Enlarge
In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
Artie (Billy Crystal) and Diane (Bette Midler) realise that they're the "other grandparents"--the ones their three grandkids barely know and dread seeing. So when they have a chance to take care of Harper (Bailee Madison), Turner (Joshua Rush), and Barker (Kyle Harrison Breitkopf), Diane jumps at it, dragging a reluctant Artie along. Naturally, their old-school approach to parenting clashes with the anxious, helicopter-parenting of their daughter Alice (Marisa Tomei) and her husband Phil (Tom Everett Scott). Which will win out? There's really no suspense--contemporary parenting is an easy target and every time Artie complains about how the kids are indulged, random strangers applaud him. However, as Artie's parenting technique yoyos between threats and bribery, movie audiences may find themselves on Alice's side. Parental Guidance is a flimsy movie built around cartoonish kids with cliché problems and jokes about poop and getting hit in the crotch. The plot eventually gets stuck in a mire of nostalgia and vanity (did Midler really have to have a musical number?). But along the way there are moments between kids and grandparents--and between parents and grandparents--that are genuinely sweet. Midler is just coasting through this, but Crystal, who remains a talented and charismatic actor, puts his heart into it. --Bret Fetzer
A Christmas Story takes us back to the innocent days of 1940s American,a time when all a young boy wants for Christmas is a BB gun. Young Ralphie has his heart set on getting one and he sets out on a full scale offensive to make sure his wish comes true. Product Features 4K: Commentary by Bob Clark and Peter Billingsley Blu-ray: Commentary by Bob Clark and Peter Billingsley A Christmas Story Featurette A History Deleted Scene Get a leg up The leg lamp spot Jean Shepherd original radio reading Theatrical trailer
A train crossing the Rockies in 1873 is bringing relief to a diptheria-stricken fort when some unnatural deaths occur... Based on the book by Alistair MacLean.
Welcome to the infamous "boiler room" - where twentysomething millionaires are made overnight. Here, in the inner sanctum of a fly-by-night brokerage firm, hyper-aggressive young stockjocks peddle to unsuspecting buyers over the phone.
Tom Hardy (Inception, The Dark Knight Rises) stars as Ivan Locke, in the second film from writer/director Steven Knight (Eastern Promises, Hummingbird). LOCKE is the story of one man's life unravelling in a tension-fuelled 90-minute race against time. Ivan Locke has the perfect family, his dream job, and tomorrow should be the crowning moment of his career. But one phone call will force him to make a decision that will put it all on the line.Locke also stars; Ruth Wilson (Saving Mr. Banks, Luther, Jane Eyre), double BAFTA-winner Olivia Colman (The Iron Lady, Broadchurch, Tyrannosaur), BAFTA-winning actor Andrew Scott (Sherlock), Ben Daniels (House of Cards), Tom Holland (The Impossible, How I Live Now) and Bill Milner (Son Of Rambow, X-Men First Class).
Writer/Director Sam Raimi's relentless, gore-spattered debut is a landmark in horror cinema, a no-holds-barred onslaught of gruesome terror and nightmarish effects which has earned its rightful status as a legendary cult classic. Five college students travel to a remote cabin in the woods and unwittingly unleash a monstrous evil force hellbent on their total destruction. THE EVIL DEAD is truly the ultimate experience in grueling horror.
CASTLE ROCK takes viewers into the chilling world of acclaimed best-selling author Stephen King in this psychological horror series from J.J. Abrams' Bad Robot Productions in association with Warner Bros. Television. The drama series stars André Holland (Moonlight, Selma, 42), Melanie Lynskey (Togetherness, Up in the Air), and Bill Skarsgård (It, Atomic Blonde) with Jane Levy (Suburgatory, Shameless) and Sissy Spacek (Carrie, Coal Miner's Daughter) and special guest star Scott Glenn (The Leftovers). CASTLE ROCK airs July 25, 2018 on Hulu. A psychological-horror series set in the Stephen King multiverse, CASTLE ROCK combines the mythological scale and intimate character storytelling of King's best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland.
Linda Fiorentino is like a home-grown apocalyptic nightmare in The Last Seduction as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, a master of the double-cross, hooks up with naive Peter Berg, a nice guy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost her match. Definitely not a date flick, as this represents one vicious battle in the sex wars. --Rochelle O'Gorman
Movie critic Roger Ebert made this amusing observation about Malice: "This is the only movie I can recall in which an entire subplot about a serial killer is thrown in simply for atmosphere". He's referring to the fact that this hokey but highly charged thriller is so packed with plot twists and red herrings that you'll soon find yourself so confused that you just have to sit back and hope that it will all make sense by the time the credits roll. It never does make much sense, but the movie at least has the look, feel, and twisted momentum of a really good thriller, and the talent on both sides of the camera is pretty impressive. Alec Baldwin plays a hot-shot surgeon who meets up with an old med-school buddy (Bill Pullman), whose wife (Nicole Kidman) has no objections when Baldwin moves into the upstairs room of their New England Victorian home. The situation's ripe for intrigue, suspicion, temptation, emergency surgery, legal proceedings, and just about anything else you'd find in a movie that desperately struggles to out-Hitchcock Hitchcock. Talk about McGuffins--this movie's chock full of 'em! When the plot thickens to the consistency and clarity of quicksand, you can still enjoy the darkly stylish work of master cinematographer Gordon Willis--or you can check out director Harold Becker's more coherent thriller Sea of Love. With Kidman and Baldwin working up a steamy lather, this one's just fun enough to be an agreeable waste of time. --Jeff Shannon
Seven years ago Rory McHoan set out to visit his brother Kenneth. He never got there. And despite exhaustive police investigation it was as if he had vanished from the face of the earth. Rory's nephew Prentice takes on the task of uncovering the truth about his missing uncle's disappearance. But with only Rory's inaccessible computer disks and a ghost at his shoulder there are discoveries to be made about himself before he can exhume the dark secrets that lie buried in his family
Please wait. Loading...
This site uses cookies.
More details in our privacy policy