Daniel (Mark Lester, Oliver!) and Ornshaw (Jack Wild, Oliver! Robin Hood: Prince of Thieves), two mischievous schoolboys attending a south London comprehensive, strike up a trusting friendship despite their vastly different social backgrounds. But when Daniel falls head over heels in love with fellow pupil Melody, Ornshaw resents being neglected. Not only is their friendship compromised, but the dull, grumpy adult world that surrounds them is about to be turned upside down when ten-year-olds Daniel and Melody announce their plans to get married. Brilliantly and poignantly capturing the world of the pre-adolescent, Melody revels in the joys of youthful rebellion. Since its original release in 1971, it has gained an immense, international cult following and become one of British cinemas most cherished films. Not only was it Alan Parker's (The Commitments, Midnight Express) first screenplay, but also David Puttnam's (Chariots Of Fire, The Killing Fields) debut as a feature film producer. Melody features a fantastic, unforgettable soundtrack from The Bee Gees and Crosby, Stills, Nash and Young EXTRAS: New Interviews with David Puttnam, Alan Parker, Waris Hussian and Mark Lester and Stills Gallery
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
The Coen Brothers' award-winning film transforms into a new "true crime" story with new characters.all chilled in the trademark dry wit, voilent foul play and "Minnesota nice" of the original classic film. In SEASON ONE, Billy Bob Thornton stars as Lorne Malvo, a manipulative master criminal. Kirsten Dunst and Ted Danson co-star in SEASON TWO, a gripping saga that kicks off with bloodshed at a South Dakota Waffle Hut. Finally, in SEASON THREE, Ewan McGregor shines in dual roles as the "Parking Lot King of Minnesota," Emmit Stussy, and his brother, Ray, a potbellied parole officer with a chip on his shoulder.
The world's wildest boy - Dennis The Menace - and his fellow stars from The Beano comic are in sparkling cartoon animation action on this programme. As well as Dennis's dogs those toothy terrors Gnasher and Gnipper you can also enjoy the mischeif of Minnie The Minx classroom chaos with The Bash Street Kids way-out western fun from those greedy Three Bears high speed hilarity from Billy Whizz plus a little girl who's big trouble - Ivy The Terrible.
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
From producer James Wan (The Conjuring) comes a tale of an unknown terror that lurks in the dark. When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn't real when the lights went out and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger once the lights go out. Click Images to Enlarge
Robert De Niro and Billy Crystal return in this comedy sequel as a gangland boss and his put upon psychiatrist.
The very best of Billy Connolly's stand up comedy from 30 years of performances around the world!
The Man Who Sued God defies simple definition, managing to be several types of movie all at the same time. As a theological-romantic-comedy-drama, it's in a somewhat unique category all of its own. Perhaps only Billy Connolly could carry off a central role that combines slapstick with raging anger, puppy-dog disappointment and strong language delivered in his distinctive accent. These facets of performance are used and abused in a tale that feels like it really ought to be based on a true story, but isn't. Connolly's life as a fisherman is sunk by the destruction of his boat by a bolt of lightning. The insurance company won't pay up because it falls under that age-old excuse of being an "Act of God". So Connolly decides to sue the deity. The premise raises issues about how the law and the church have apparently conspired together. But at heart the film is a simple character study, so any pondering on legal or theological implications will have to be done on your own time; the screen is occupied with family issues, underhand dealings and a maybe-maybe romance with Judy Davis. Big Yin fans at least will enjoy the Connolly's composite character. --Paul Tonks
Larry Clark's controversial Kids is a film about New York City adolescents walking the AIDS tightrope, but it's also an unblinking look at the dehumanising rituals of growing up. It really doesn't add up to more than the sum of its various shocks--virgin-busting, skinny-dipping, male callousness--overlayed with middle-class disapproval. Clark is hectoring us for cutting kids loose at a terrible time in modern American history, but so are a lot of other people who also offer alternatives and ideas. The film does nothing to push us toward new thoughts, new solutions, new dreams. It is more like a window onto our worst fantasies about what our children are doing out there on the streets. --Tom Keogh, Amazon.com
Billy Bob Thorton is a Father Christmas with a difference in this outrageous festive comedy.
Daniel (Mark Lester, Oliver!) and Ornshaw (Jack Wild, Oliver! Robin Hood: Prince of Thieves), two mischievous schoolboys attending a south London comprehensive, strike up a trusting friendship despite their vastly different social backgrounds. But when Daniel falls head over heels in love with fellow pupil Melody, Ornshaw resents being neglected. Not only is their friendship compromised, but the dull, grumpy adult world that surrounds them is about to be turned upside down when ten-year-olds Daniel and Melody announce their plans to get married. Brilliantly and poignantly capturing the world of the pre-adolescent, Melody revels in the joys of youthful rebellion. Since its original release in 1971, it has gained an immense, international cult following and become one of British cinemas most cherished films. Not only was it Alan Parker's (The Commitments, Midnight Express) first screenplay, but also David Puttnam's (Chariots Of Fire, The Killing Fields) debut as a feature film producer. Melody features a fantastic, unforgettable soundtrack from The Bee Gees and Crosby, Stills, Nash and Young EXTRAS: New Interviews with David Puttnam, Alan Parker, Waris Hussian and Mark Lester and Stills Gallery
A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated Titanic.Collectors Edition Deluxe Set includes:Exclusive perfect bound hardcover coffee table bookExclusive detailed ship schematicCollectible reproduction movie prop premiumsSheet musicTitanic Remastered in 4K Ultra HDProduct FeaturesTITANIC: Stories From the Heart - NEW!, TITANIC: 25 Years Later with James Cameron, Behind-the Scenes presentation hosted by Jon Landau - NEW!, Trailer Presentation hosted by Jon Landau - NEW!, Fan Poster Art - NEW!, Reflections on TITANIC (4 parts), Deleted Scenes with optional commentary by James Cameron, Additional Behind-the-Scenes, Deep-Dive Presentation narrated by James Cameron, $200,000,001: A Ship's Odyssey (The TITANIC Crew Video), Videomatics, Visual Effects, Music Video My Heart Will Go On by Celine Dion, Still Galleries, Director Commentary by James Cameron, Cast and Crew Commentary, Historical Commentary by Don Lynch and Ken Marschall.
A simple man. A difficult choice.25 years after commiting an unthinkable crime, quiet Karl is finally returning home. Once there, the mentally disabled man is befriended by a fatherless boy and his mother. But when his newfound peace is shattered by the mother's abusive boyfriend, Karl is suddenly placed on a collision course with his past...Winner of the 1997 Oscar for Best Adapted Screenplay for Billy Bob Thornton who was also nominated for the Best Actor award.
From the producers of 'Robin Of Sherwood' and 'The Adventures Of Black Beauty' Richard O'Sullivan stars as the notorious highwayman in the complete second series of the 1978 London weekend television show. Episode titles: The Fox - Part One The Fox - Part Two Blood Money Deadlier Than the Male The Elixir of Life The Thief-Taker The Judge Sentence of Death - Part One Sentence of Death - Part Two The Godmother The Secret Folk The King's Shilling The Hanging.
Open Season: Boog (Martin Lawrence) a domesticated grizzly bear with no survival skills has his perfect world turned upside down when he meets Elliot (Ashton Kutcher) a scrawny fast-talking mule deer. They join forces to unite the woodland creatures and take the forest back into nature's control! Open Season 2: After falling head over hooves in love with Giselle Elliot's road to the altar takes a slight detour when Mr. Weenie is kidnapped by a group of pampered pets determined to return him to his owners. Boog Elliot McSquizzy Buddy and the rest of the woodland creatures launch a full-scale rescue mission for their sausage-shaped friend and soon find themselves in enemy camp: the world of the pets. Led by a toy poodle named Fifi the pets do not plan to let Mr. Weenie go without a fight. Can a toy poodle REALLY bring down a 900-pound grizzly bear? Will Elliot ever marry Giselle? Find out in Open Season 2. Open Season 3: Boog Elliot and all their forest friends return with an all-new adventure that is their fastest and furriest yet - this time in a Big Top Circus! When Boog's buddies can't make their annual guys-only getaway he decides to take a trip by himself. Stumbling across a visiting circus Boog switches places with a look-alike circus grizzly and takes over his part in the act. But when the circus decides to go back to Russia it's a race against time for Elliot McSquizzy Mr. Weenie and the gang to rescue Boog before it's too late!
When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the bestselling movie soundtrack of all time and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story and, although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and, like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon
Selina is a cop shot during a kidnapping. To keep her personality alive, computer expert Dr Sara transfers her memory to an advanced robot. Paired with another android, Ann (Amy Yip),they have to defeat an evil robot scientist out to destroy the world.Ann goes undercover as a prostitute, although her clients are unaware of her secret defensive capabilities.
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