Celebrate 25 years of midnight movie madness! The Rocky Horror Picture Show is an ""erotic nightmare beyond any measure."" Relive Richard O'Brien's sinfully twisted salute to horror sci-fi B-movies and rock music - a ""sensual daydream to treasure forever"" - starring Tim Curry (in his classic gender-bending performance) Barry Bostwick and Oscar winner Susan Sarandon. Do the ""Time Warp"" and sing ""Hot Patootie"" with Meatloaf again...and again...and again...at home or in a movie theater
Charles (Grant) is witty and charming but at the age of 32 is looking like a serial monogamist. His life has been full of girlfriends but he just can't commit to any of them. The more weddings he and his close circle of friends attend the less they want to get married themselves. Until one particular Saturday at one particular wedding Charles meets Carrie (MacDowell)... Instantly smitten Charles begins to pursue her only to learn that she is ready to take the plunge with som
ALL 37 PRODUCTIONS FROM THE BBC TELEVISION SHAKESPEARE SERIES William Shakespeare's repute spans the world the beauty of his language, his profound insight into human nature and the complexity and integrity of his characters, confirming him as the greatest ever playwright. These BBC adaptations, renowned for their loyalty to the text, utilise the best theatrical and television talent to bring the full glory of his plays to the small screen. In 1978, the BBC set itself the task of filming all of William Shakespeare's plays for television. The series beginning with Romeo and Juliet and concluding, nearly seven years later, with Titus Andronicus featured adaptations of all 36 First Folio plays, plus Pericles, Prince of Tyre. Ranging from traditional interpretations to adventurous, stylised approaches and featuring such great actors as John Gielgud, Jane Lapotaire, Claire Bloom, Derek Jacobi, Anthony Hopkins, Prunella Scales, Patrick Stewart, Helen Mirren and John Cleese the resulting productions form a magnificent and unique collection of the Shakespeare canon. THE SHAKESPEARE COLLECTION Titles arranged in alphabetical order ALL'S WELL THAT ENDS WELL ANTONY AND CLEOPATRA AS YOU LIKE IT THE COMEDY OF ERRORS CORIOLANUS CYMBELINE HAMLET HENRY IV PART I HENRY IV PART II HENRY V HENRY VI PART I HENRY VI PART II HENRY VI PART III HENRY VIII JULIUS CAESAR KING LEAR THE LIFE AND DEATH OF KING JOHN LOVE'S LABOUR'S LOST MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE THE MERRY WIVES OF WINDSOR A MIDSUMMER NIGHT'S DREAM MUCH ADO ABOUT NOTHING OTHELLO PERICLES, PRINCE OF TYRE RICHARD II RICHARD III ROMEO AND JULIET THE TAMING OF THE SHREW THE TEMPEST TIMON OF ATHENS TITUS ANDRONICUS TROILUS AND CRESSIDA TWELFTH NIGHT THE TWO GENTLEMEN OF VERONA THE WINTER'S TALE
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
Maurice Colborne (Gangsters) stars as Tom Howard recently made redundant as an aircraft designer who decides to ply his trade in the world of boats instead; taking the reigns at a run-down local construction yard. A family of considerable wealth and prestige the Howards struggle to come to terms with Tom's decision and the changing circumstances of their lives. Featuring all the episodes from Series 2.
Every episode from all six series of the BBC drama following the mixed fortunes of the Howard family. When Tom Howard (Maurice Colbourne) is made redundant, he decides to follow his dream of designing and building boats and uses his redundancy payout to purchase a struggling boatyard. His wife Jan (Jan Harvey) is not impressed with his risky new venture and his decision puts a strain on their relationship. Meanwhile in the coastal town of Tarrant, daily life is full of love, lies, secrets and scheming...
Competing with the time-tested, 1964 original Rudolph the Red Nosed Reindeer, with the abominable snowman, the misfit toys, the lovably clunky motion, and Burl Ives as narrator, is no easy task. So this feature-length, animated musical skirts a straight squaring-off of versions. The storyline is a bit more complex, with the abominable snowman's antagonist role played by the Whoopi Goldberg-voiced Ice Queen, Stormella, and Rudolph's running buddies depicted as a polar bear (excellently voiced by Bob Newhart) and, not surprisingly, a cutesy doe, Zoey. The animation is first-rate and completely convincing, making this new Rudolph ideal for the discriminating 3- to 7-year-old viewer. Stormella looks for all the world like a hybrid of King Triton and Ursula, the Sea Witch from Disney's The Little Mermaid. As for the story, none of it is either heavyhanded on the good vs. evil front for the younger set, or so sappy that it's intolerable for adults. As with so many animated features this decade, the presence of seasoned actors with experience in comedy makes for dialogue that's entertainingly nuanced. Since there are moments of tension and conflict, the comic relief is important and unmistakable, even for younger viewers. The themes are the same as the original, and the ultimate embrace by Santa (done well by John Goodman) of Rudolph's difference still packs a good lesson. --Andrew Bartlett
Meet the United States' secret and most beautiful weapon in the fight against tyranny: Wonder Woman! Season 1 of 'Wonder Woman' (the Pilot movie and 13 regular episodes) retains the World War II era of the super heroine's early comic book adventures. Also captured is the exuberant tone of a comic book come to screen life as the warrior princess (empowered by her sense of a woman's worth and by the mysterious substance Feminum that's found only on her remote native isle) battle
See It! Live It! Spread It! A young R&B singer returns home to find his father's once powerful congregation in disarray. With his childhood nemesis creating a ""new vision"" for the church he is forced to deal with family career and relationship issues that send him on a collision course with redemption or destruction...
The sensational follow-up to London in the Raw sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity - and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Cafe, cut some rug with obscure beat band The Zephyrs, witness a seedy Jack the Ripper re-enactment, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
Maurice Colborne (Gangsters) stars as Tom Howard recently made redundant as an aircraft designer who decides to ply his trade in the world of boats instead; taking the reigns at a run-down local construction yard. A family of considerable wealth and prestige the Howards struggle to come to terms with Tom's decision and the changing circumstances of their lives. Featuring all the episodes from Series 3.
First released in 1965 Primitive London is a once shocking mondo-style documentary that sets out to reflect societal decay through the sideshow spectacle of 1960's London depravity. Here the camera finds mods rockers and beatniks an obscure band called The Zephyrs seedy Jack the Ripper enactments flabby men in the sauna sordid wife-swapping parties and more. Shot just as the sixties was really starting Primitive London shows a Britain trying to find a way of transiting from the post war depression of the 1950's and the shiny brave new world of the mid 1960's.
If a musical sci-fi satire about an alien transvestite named Frank-n-Furter, who is building the perfect man while playing sexual games with his virginal visitors, sounds like an intriguing premise for a movie, then you're in for a treat. Not only is The Rocky Horror Picture Show all this and more, but it stars the surprising cast of Susan Sarandon and Barry Bostwick (as the demure Janet and uptight Brad, who get lost in a storm and find themselves stranded at Frank-n-Furter's mansion), Meat Loaf (as the rebel Eddie), Charles Gray (as our criminologist and narrator) and, of course, the inimitable Tim Curry as our "sweet transvestite from Transsexual, Transylvania". Upon its release in 1975, the film was an astounding flop. But a few devotees persuaded a New York cinema to show it at midnight, and thus was born one of the ultimate cult films of all time. The songs are addictive (just try getting "The Time Warp" or "Toucha Toucha Touch Me" out of your head), the raunchiness amusing and the plot line utterly ridiculous--in other words, this film is simply tremendous good fun. The downfall, however, is that much of the amusement is found in the audience participation that is obviously missing from a video version (viewers in cinemas shout lines at the screen and use props--such as holding up newspapers and shooting water guns during the storm and throwing rice during a wedding scene). Watched alone as a straight movie, Rocky Horror loses a tremendous amount of its charm. Yet, for those who wish to perfect their lip-synching techniques for movie cinema performances or for those who want to gather a crowd around the TV at home for some good, old-fashioned, rowdy fun, this film can't be beat. --Jenny Brown
Boris Karloff's legendary performance has become a landmark in the annals of screen history. As The Mummy Im-Ho-Tep he is accidentally revived after 3 700 years by a team of British archaeologists. It is revealed in a flashback that he was a high priest embalmed alive for trying to revive the vestal virgin whom he loved after she had been sacrificed. Alive again he sets out to find his lost love. Today over 50 years after The Mummy was first released this brooding dream-like film remains a masterpiece not only of the genre but for all time.
The complete second season of Wonder Woman! Meet the United States' secret and most beautiful weapon in the fight against tyranny: Wonder Woman! Former Miss USA Lynda Carter stars as the heroine who hides her identity behind the oversized glasses of a War Department functionary. But when duty and danger call she transforms. And the wonders never cease! Episodes comprise: 1. The Return Of Wonder Woman 2. Anschluss '77 3. The Man Who Could Move The World 4. The Bermuda Tr
Exploring London's real ghost stories from Biggin Hill airfield to a haunted Underground station, including interviews with eye-witnesses
First released in 1965 Primitive London is a once shocking mondo-style documentary that sets out to reflect societal decay through the sideshow spectacle of 1960's London depravity. Here the camera finds mods rockers and beatniks an obscure band called The Zephyrs seedy Jack the Ripper enactments flabby men in the sauna sordid wife-swapping parties and more. Shot just as the sixties was really starting Primitive London shows a Britain trying to find a way of transiting from the post war depression of the 1950''s and the shiny brave new world of the mid 1960''s. Miller''s companion piece London in the Raw is also released this month.
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