Director MARTIN SCORSESE's visual and aural masterpiece captures the heart soul and spirit of an entire generation. Arguably the best concert documentary ever this is the 1976 film account of the celebratory final concert of legendary group The Band at San Francisco's Winterland Ballroom. To make this an unforgettable farewell performance The Band's leader ROBBIE ROBERTSON called upon mentors friends and musical influences to join them on stage during a marathon concert that la
Elvis and JFK are living in a retirement home in LA when an ancient Egyptian monster named Bubba Ho-Tep starts sucking the souls of the residents.
Titles Comprise: Enemy At The Gates: While the Nazi and Russian armies hurl rank after rank of soldiers at each other and the world fearfully awaits the outcome of the battle of Stalingrad the celebrated Russian sniper Vassili Zaitsev (Jude Law) quietly stalks his enemies one man at a time. His fame however soon thrusts him into a duel with the Nazi's best sharpshooter Major Konig (Ed Harris) and the two find themselves waging an intense personal war while the most momentous battle of the age rages around them... Windtalkers:In 1942 several hundred Navajo Americans were recruited as Marines and trained to use their language as code. Marine Joe Enders (Nicolas Cage) is assigned to protect Ben Yahzee (Adam Beach) - a Navajo code talker the Marines' new secret weapon. Enders' orders are to protect his code talker but if Yahzee should fall into enemy hands he's to protect the code at all costs. Against the backdrop of the horrific Battle of Saipan when capture is imminent Enders is forced to make a decision: if he can't protect his fellow Marine can he bring himself to kill him to protect the code? Hart's War: Fourth generation war hero Col. William McNamara is imprisoned in a brutal German POW camp. Still as the camp's highest-ranking American officer he commands his fellow inmates keeping a sense of honour alive in a place where honour is easy to destroy all under the dangerous ever-watchful eye of SS Major Wilhelm Visser. Never giving up the fight to win the war McNamara is silently planning waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant enlisting the unwitting help of young Lt. Tommy Hart. Together with his men McNamara uses a hero's resolve to carry out his mission ultimately forced to weigh the value of his life against the good of his country. An epic World War II adventure from action-maestro John Woo!
For better and for worse, The Old Grey Whistle Test was probably the most resolutely serious music programme ever broadcast on television. During its 16-year run it showcased only the most earnest exponents of whichever musical style was currently popular, and given that the programme's heyday coincided with the early 70s, some of the footage included here will provide mirth as exquisite as only unintentional comedy can. The absurd prog noodlings of The Edgar Winter Group and the belief-beggaringly awful Focus now seem as unfathomable in retrospect as trench warfare or child labour. However, the good stuff collected here is very good, both in terms of performance (Tom Petty snarling "American Girl", a pre-irony U2 whooping up "I Will Follow") and historical interest, notably a shockingly youthful Elton John crooning "Tiny Dancer" and reminding us, in the process, of a time when he was regarded as a cool and hip singer-songwriter, rather than understudy to the Queen Mother. --Andrew Mueller On the DVD: Wonderful performances all captured in remarkably pristine picture and extraordinarily vivid sound, regardless of vintage (it doesn't even crackle during "Hocus Pocus"!). However, the menu is pretty clunky and won't allow direct access to the individual songs (other than selecting the "Random play" option). Instead, you can only jump into the programme year by year, not song by song. The track listing itself is unhelpfully hidden behind the discs in the gatefold packaging. --Mark Walker
Billy Bob Thorton is a Father Christmas with a difference in this outrageous festive comedy.
This true life tale tells of a reporter drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.
Eureka Entertainment to release THE LAST WALTZ, Martin Scorsese's legendary rock documentary featuring some of the world's greatest musicians, on Blu-ray for the first time in the UK as a part of The Masters of Cinemas Series from 12 November 2018, presented with a Limited Edition Hardbound Case and a 100-page perfect bound collector's book [3000 copies only]. Perhaps the greatest rock documentary ever made, Martin Scorsese's The Last Waltz captures what was advertised as legendary rock group The Band's final farewell concert appearance. Joined on stage by more than a dozen special guests, including Eric Clapton, Bob Dylan, Neil Young, Muddy Waters and Joni Mitchell, The Last Waltz started as a concert, but it became a celebration. Interspersed with candid discussions between director Scorsese and members of The Band, The Last Waltz has been called the greatest rock concert movie ever made - and maybe the best rock movie, period, and The Masters of Cinema Series is proud to present this iconic documentary on Blu-ray for the first time in the UK. And remember, This film should be played loud! Features: Limited Edition Hardbound Case 1080p presentation of the film on Blu-ray PCM 5.1 Audio Optional English SDH subtitles Audio Commentary by director Martin Scorsese and Musician Robbie Robertson Audio Commentary by The Band members Levon Helm and Garth Hudson, journalists Jay Cocks and Greil Marcus, creative consultant Mardik Martin, producers Jonathan Taplin and Steven Prince, Cameraman Michael Chapman, Music Producer John Simon, Irwin Winkler and performers Mavis Staples, Dr. John and Ronnie Hawkins (includes optional subtitles identifying who is talking) Revisiting The Last Waltz [22 mins] Archival Outtakes Stills gallery PLUS: A 100-PAGE perfect bound collector's book including writing on the film by Adam Batty, Greil Marcus and Robbie Robertson; an abundance of extremely rare archival imagery; extensive notes, storyboards and sketches from the film's production [Limited Edition Exclusive]
Elvis and JFK are living in a retirement home in LA when an ancient Egyptian monster named Bubba Ho-Tep starts sucking the souls of the residents.
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
Steven Seagal needed a new approach to his standard head-busting heroics, so he teamed up with Keenen Ivory Wayans for this routine 1996 action flick. This time stone-faced Steve plays Los Angeles homicide detective Jack Cole, newly transplanted from New York and teamed up with Jim Campbell (Wayans). They're assigned to track down "The Family Man," a serial killer who earned his nickname by crucifying entire families and leaving religious graffiti as his calling card. The case heats up when the latest victim turns out to be Cole's ex-wife, and Cole is considered a primary suspect. That makes Seagal get really mad--you don't want to get Seagal too upset, y'know--but he still has time to quote Buddhist wisdom and crack wise with Wayans, who plays it relatively straight as the practical half of this partnership. Glimmer Man is typical Seagal stuff all the way, with obligatory fight scenes every 10 minutes or so, but Seagal fans will enjoy it and Brian Cox makes a suitably hissable villain. --Jeff Shannon
An audience of celebrities join Cliff Richard in celebrating his life and musical achievements. As usual the celebrities ask questions however with Cliff they also lend a hand to some of his musical numbers. The star studded audience includes the likes of Les Dennis Another Level Bobby Davro Elaine Page and many others. The show includes performances of: Move It Carrie Devil Woman Some People Dreamin' Living Doll The Young Ones Vita Mia Miss You Nights We Don't Talk Anymo
Previously unavailable in its full uncut length, Rainbow Bridge mixes the psychedelia of late 60s counterculture with its foremost musical hero, Jimi Hendrix. Shot a mere three months before the guitar god's untimely death in 1970, the story is built around Hendrix's final live performance at the Rainbow Bridge Occult Meditation Center on Maui. Straddling concert footage of Hendrix (backed by drummer Mitch Mitchell and bassist Billy Cox) is the story of actress Pat Hartley, as she travels to Hawaii and meets a group trying to establish a new alternative community. What should be immediately noted is that the actual footage of The Jimi Hendrix Experience fills only a fraction of the running time. That said, Hendrix and co deliver suitably exciting renditions of such classics as "Purple Haze" and "Voodoo Chile", which will more than satiate passionate Hendrix fans. Elsewhere, there's a plethora of trippy visuals and lots of hippie's droning on about higher consciousness while smoking marijuana (funnily enough). Still, the DVD version has the helpful option of excising all that nonsense. Otherwise, this is a satisfying if unfortunately padded glimpse of a true musical icon. --Danny Graydon
In some ways The Old Grey Whistle Test Volume 2 is more interesting than its predecessor, as it covers the show's enjoyably uncomfortable period of transition from beard-rock to punk/new wave. Hence, the music ranges across the likes of Loggins and Messina (the frightful "The House at Pooh Corner"), the Who, Judee Sill, Argent (doing "God Gave Rock 'n' Roll to You", which all Bill and Ted fans probably think is a Kiss original), Roy Harper, the Adverts, the Undertones (not playing "Teenage Kicks", sadly), Patti Smith and Siouxie and the Banshees. There's also some arty stuff that doesn't really fit into either camp, including Kevin Ayers and Roxy Music at their uncommercially weirdest. There are a few nicely revelatory moments, too, such as the realisation that Thomas Dolby's "Hyperactive" was in fact a nu-jazz masterpiece born 20 years too soon and that Robbie Williams should cover Aztec Camera's wonderful "Walk Out to Winter" immediately. This is an enjoyable and diverse collection of music from a fairly fraught period in the history of more-or-less popular music, so it's good to be reminded just how much good stuff was actually happening amidst the melée. On the DVD: The Old Grey Whistle Test 2 comes on only one disc (the first was a two-disc set), but you still get 30 or so excellent tracks plus all the trimmings, so that's hardly a fault. The layout features the same kind of horribly overdesigned menus as its predecessor: there's no obvious chapter sub-menu, believe it or not; instead, you have to access individual tracks through the artists' gallery in the extras section! Aargh! Other extras include contributor profiles, additional linking material and the wonderful Old Grey Squirrel Test animation, which mere words would only spoil for those who have yet to see it. --Roger Thomas
Only true legends of rock music are known by one word. As with Elvis' everyone knows the name of the most creative and influential rock artist of all time: BOWIE. Whereas other artists remained constant in appearance, or gradually evolved their musical style, Bowie was in a state of permanent revolution: constantly re-inventing his persona and sound. From the 1960's mixture of psychedelia meets fantasy for Space Oddity, through to the ground-breaking, Ziggy Stardust, Bowie defied any label that the music industry tried to place on him. From Thin White Duke to soulful rocker; music, art, fashion and sexuality were Bowie's playthings - he was truly an artistic chameleon. Born David Jones in January 1947 he recreated himself as David Bowie, in 1966. For the next fifty years Bowie would carve out one of the most individual careers in music, film and the arts. Featuring contributions from those who collaborated with him and archive interviews with the great man himself, BOWIE is a fascinating exploration of the life and inspiration of a true rock and roll icon who inspired a whole generation to become heroes. First ever DVD release in the UK Full length feature on one of the world's most influential rock artists New interviews shot in HD with Bowie's collaborators and friends Produced by well-respected production company behind Billy Fury: The Sound of Fury
Isaac Hayes and Yaphet Kotto star in this powerful pull-out-the-stops crime thriller from director Jonathan Kaplan. It's a gritty action-packed tale of the streets pulsating with ultra-smooth soul high-octane energy and nonstop suspence. Truck Turner (Hayes) is a footbal star-turned-bounty hunter who's tracking a sadistic pimp on the mean streets of Los Angeles. Armed with his brute strength and ace cool partner (Alan Weeks) Truck closes in on his mark. But a tragic accident s
Set in the deep freeze of a northern Michigan winter when a group of college students volunteer to assist their psychology professor with his research their weekend retreat turns into a nightmare...
Enemy At The Gates: While the Nazi and Russian armies hurl rank after rank of soldiers at each other and the world fearfully awaits the outcome of the battle of Stalingrad the celebrated Russian sniper Vassili Zaitsev (Jude Law) quietly stalks his enemies one man at a time. His fame however soon thrusts him into a duel with the Nazi's best sharpshooter Major Konig (Ed Harris) and the two find themselves waging an intense personal war while the most momentous battle of the
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