My Favourite Brunette: Witness Bob Hope's own unique brand of film comedy as he teams up with the great screen beauty Dorothy Lamour (who later co-starred with him in many of the classic Road To... movies along with Bing Crosby). Co-starring Peter Lorre and Lon Chaney Jr. Hope romps through this yarn playing a bumbling photographer turned private eye and finds himself involved with a spy caper the mob and a dangerous brunette. Road To Hollywood: A fictional account
This extraordinary tale of hope, friendship and survival inside a maximum security prison celebrates the decade since its release with a new three disc special edition.
The African Queen The boozing smoking cussing captain of a tramp steamer Charlie Allnut saves prim and proper Rose Sayer after her brother is killed by German soldiers at the beginning of World War I in Africa. Many quarrels later the two set sail on the Ulonga-Bora in order to sabotage a German ship. Based on the 1935 novel by C.S. Forester the wonderful combination of Hepburn and Bogie (who won an Oscar) makes this a thoroughly enjoyable blend of comedy and adventure. Later came the book (and Clint Eastwood film) White Hunter Black Heart which chronicled screenwriter Peter Viertel's experiences observing Huston throughout the making of the picture. On Golden Pond Family tensions explode for a loving couple Ethel and Norman Thayer (Katherine Hepburn and Henry Fonda in Academy Award winning performance) at their New England summer cabin on Golden Pond. Their daughter Chelsea (Jane Fonda) has come to visit with her new lover Bill (Dabney Coleman) and his tough young son Billy (Doug McKeon). The three generations collide. But what begins as a stubborn battle of wills between Norman and Billy slowly turns into a relationship that Chelsea always wanted with her father and Norman discovers how much he has missed by denying his daughter's love. Iron Petticoat A US Air Force captain forces down a Russian MIG only to be confronted by a Russian fighter ace. The Captain is tasked with converting her to capitalism.
This is the life story of one of the most influential and controversial film directors in the history of Hollywood John Milius. From his childhood aspirations to join the military to his formative years at the USC Film School his legendary work on films such as ‘Apocalypse Now’ ‘Jaws’ ‘Conan The Barbarian’ ‘Dirty Harry’ and ‘Red Dawn’ to his ultimate dismissal from Hollywood due to his radical beliefs and controversial behaviour.
This film springs from a long-neglected script by the late John Cassavetes. The script was directed by his son Nick and stars Sean Penn, who was set to star before the elder Cassavetes died. Penn plays Eddie, an alcoholic ne'er-do-well who loves his young wife Maureen (Robin Wright Penn) too much. When she is brutalised by a neighbour, Eddie goes nuts--and lands in a mental hospital for 10 years. When he is freed, he finds Maureen remarried to contractor Joey (John Travolta), with whom she has two children. But Eddie's love is too strong not to draw him back to her and make one final plea for her affection. A great showcase for all of the actors involved (the cast includes James Gandolfini, Harry Dean Stanton and Gena Rowlands), with a particularly fine performance by Sean Penn. The film has the make-it-up-as-you-go feeling of John Cassavetes's work, as well as the kind of naked emotions that were his hallmark.--Marshall Fine
Bats, the result of a government experiment gone wrong, have suddenly become intelligent, vicious, and omnivorous, and are attacking people near Gallup, Texas.
Tina Turner lifted the roof off the amazing new Amsterdam Arena for three nights in September 1996 in front of 150 000 people as part of her record-breaking Wildest Dreams European Tour on which she performed over 150 shows to 3 000 000 people. Whatever You Want Do What You Do River Deep Mountain High Missing You In Your Wildest Dreams Goldeneye Private Dancer We Don't Need Another Hero Let's Stay Together I Can't Stand The Rain Undercover Agent For The Blues Steamy Windows Givin' It Up For Your Love Better Be Good To Me Addicted To Love The Best What's Love Got To Do With It Proud Mary Nubush City Limits On Silent Wings Bonus Track Something Beautiful Remains
A six-time achiever of the #1 position on the Billboard Jazz Chart innovative composer and keyboard artist Bob James still dazzles audiences today with the same kind of excitement that Quincy Jones first noted when he spotted James playing at the Notre Dame Jazz Festival in 1962. Enjoy this unique concert now on DVD as Bob James leads an all-star septet featuring Kirk Whalum live from the Queen Mary Jazz Festival. Selections include Taxi (theme for the Emmy Award winning TV show) Zebra Man Unicorn and Ruby Ruby.
Disc 1 - Bob Toski Teaches You: What you are about to see and hear is a totally clear and thorough demonstration of how to play golf properly. Bob Toski Dean of the internationally-known Golf Digest Instruction Schools and on of golf's greatest teachers here discloses the methods that have helped thousands of amateur and professional golfers since the schools began in 1971. Strong use of slow-motion close-ups and insets help make every instruction technique crystal clear. With a powerful weapon like this in your arsenal of golfing knowledge you can quickly grasp and remember the correct techniques required to lower your handicap and enjoy the game much much more. Disc 2 - Missing Impossible With Paul Trevillion: Championships are won and lost on the putting green that is why today the most repeated phrase after a round of golf is ""If only I'd holed my putts"". Today Ben Crenshaw Bernhard Langer and Nick Price are noted as outstanding putters. No one can argue with that for they have the Championships to prove it and yet not one of those names would claim he is infallible around the pressure putt area of 4 feet. To find such a golfer we have to look in the direction of Paul Trevellion who has spent 25 years of continuous research and analysis in perfecting a style of putting - split hand - which has made him the best pressure putter in the world. Trevellion never misses from 4 feet. With honesty and humour Trevellion covers the success story of split hand putting which has now gained acceptance throughout the world. He deals in depth with putting methods and talks at length on the great putters of yesteryear Vardon Walter J Travis and Co. He critically examines the present day Masters explaining why conventional putting methods fail. With personal anecdotes and candid close ups of such great stars as Jack Nicklaus Arnold Palmer Gary Player even comedian George Burns and the greatest fighter pound for pound ""Sugar"" Ray Robinson and many others. Instructive and entertaining practical unique and effective MISSING IMPOSSIBLE is one of the soundest investments any golfer can make on one putting in the pressure area. For the first time golfers will be able to say after each round ""I missed absolutely nothing on the greens."" Disc 3 - Play Golf With Mark James: Many golfers practise golf shots but few consider the value of strategy. The art of thinking your way round a course and considering the consequences and tactics of every shot before it is hit. This simple but often ignored technique is a proven method to lower scores. Golf professionals use it all the time. Here top Ryder Cup Professional Mark James with the help of TV star Patrick Mower and World Cup footballer Kevin Keegan shows you how to develop an instinct that curbs the natural excitement to hit the ball quickly and to think ahead to lower you score.
This value-for-money Zombie Double Feature is billed as "Flesh Creepers, Volume 1", and offers a double billing of George A Romeros classic Night of the Living Dead (1968) and Steve Sekelys rather less fondly remembered Revenge of the Zombies (1943). Night of the Living Dead is a masterpiece, but it has also slipped through a copyright loophole which means it has been issued on video and DVD by a great many distributors in as many variant versions. This one isnt ruined by colorisation or dodgy new footage as a couple of rival releases are, but it is soft-looking print, free of censor cuts but very washed-out-looking. The background notes inexcusably get the date of the film wrong, crassly tagging it "think Blair Witch 1964", and mention the existence of extras-filled special DVD editions, which rather rubs in the fact that this no-frills effort has none of the commentaries or documentaries found on other releases. Revenge of the Zombies is a sluggish hour-long wartime B-picture, with John Carradine underplaying for once as a Nazi scientist creating an army of zombies (ie: a handful of shuffling extras) in the Louisiana swamplands. Comedy relief Mantan Moreland has the best moments and the trudging-around-the-backlot zombies ("things walkin aint got no business to be walkin") are fun, but it isnt especially good of its kind. On the DVD: The Zombie Double Feature presents both films in "horrorscope", which means letterboxing and blurry image. The only extra is a list-like essay about the habits of flesh-eating zombies in Romero films.--Kim Newman
Soviet spies disguised as Middle Eastern terrorists hold the entire world hostage by threatening to annihilate a large portion of the planet's oil supply. With no-one else to turn to the US government enlists its best intelligence officer simply known as 'The Soldier'...
While camping Jean and her three friends are abducted by extra terrestrials. She returns to consciousness in a US Military Hospital especially designed to rehabilitate alien abductees. Her army interrogators soon resort to torture lobotomy and even the execution of uncooperative and mutated patients. Jean escapes only to discover the awful truth about the bloody conflict between humanity and the conquering forces of extraterrestrial evil.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
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