Friends since they discovered hip-hop as kids, a magazine editor and a record exec stumble into romantic territory.
To heck with the kids--this is one of the best Christmas presents you can give yourself. Adapted from the children's book by Dr Seuss, this charming story is one to watch every holiday season. It is just edgy enough to help you forget the more cloying aspects of Christmas. It is also sweet enough to remind you of the reason for all that holiday cheer. Animation genius Chuck Jones directed this 1966 television production featuring the voice of Boris Karloff as the mean greenie. Bitter and selfish, the Grinch decides to steal Christmas away from the Whos, sweet little folk at the bottom of his mountain that is his home. When little Cindy Loo Who returns his hateful act with kindness, she melts the old miser's heart. There are many reasons to watch this: inventive wordplay, Karloff's impressive narration and a very memorable soundtrack. --Rochelle O'Gorman
Designed as an offshoot from the legendary Armchair Theatre Out of this World was devised by television colossus Sydney Newman (Doctor Who The Avengers) and Irene Shubik (The Wednesday Play Rumpole of the Bailey) in 1962 to present the science fiction genre at its intelligent best to an adult audience. An anthology series produced by Leonard White dramatising the cream of literary science fiction from such writers as Isaac Asimov Clifford Simak and Philip K. Dick and using the considerable scriptwriting talents of Clive Exton Leon Griffiths and Terry Nation the show was a tremendous success paving the way for Irene Shubik’s later classic series Out of the Unknown. Hosted by veteran actor Boris Karloff each episode explored every aspect of the genre – from satire to suspense from tense drama to sparkling comedy with the greatest flair and invention that Sixties television could provide. This long awaited release presents the only surviving episode an adaptation of Isaac Asimov’s Little Lost Robot with Maxine Audley as the formidable ‘robopsychologist’ Susan Calvin. Also included are two audio recordings of otherwise lost episodes – Impostor By Philip K Dick dramatised by Terry Nation who devised the Daleks for Doctor Who the following year and Cold Equations Tom Godwin’s suspenseful tale featuring a very young Jane Asher the impeccable Peter Wyngarde and a screenplay by Clive Exton. Exton’s script for John Wyndhams’ The Dumb Martian which heralded the series is also included to download.
Meet The Killer: Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami). Jekyll And Hyde: Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby.
When a landlord is forced to pay a year's back rent ASAP he has to maintain a high turnover of tenants. To do this he has to be creative in 'disposing' of clients...
Black Sunday was such a huge hit that a follow-up was swiftly demanded, and horror maestro Mario Bava duly devised this three-part horror anthology blending modern and period stories. In the giallo-style The Telephone', a woman is terrorised by her former pimp after his escape from prison, and tries to escape him with the help of her lesbian lover, who has a dark secret of her own. In the Victorian-era The Drop of Water', a nurse steals a ring from the corpse of a dead spiritualist, which naturally tries to get it back. But it's the 19th-century Russian story The Wurdalak' that comes closest to Bava's earlier classic, with the great Boris Karloff as a much-loved paterfamilias who might not be entirely what he seems. Features: Bava's direction is as stylish as ever, and Black Sabbath is almost a compendium of his favourite themes. High Definition Blu-ray (1080p) and Standard Definition DVD presentation of two versions of the film; I tre volti della paura' the European version with score by Roberto Nicolosi & Black Sabbath' the re-edited and re-dubbed AIP version with Les Baxter score, on home video for the first time English SDH subtitles for English Audio and a new English subtitle translation of the Italian audio Audio Commentary with Bava biographer and expert Tim Lucas
Open Graves
Mad Monster Party
Dick Tracy's Dilemma: Super-sleuth Dick Tracy is hot on the trail of 'The Claw' a ruthless crook with a heart of stone. Dick Tracy Meets Gruesome: When a scientist's invention of a mysterious paralysing gas is taken by a villainous gang of robbers supersleuth Dick Tracy is called to the rescue. Dick Tracy vs Cueball: Cueball a monstrous bald-headed strangler is stalking Dick Tracy's girl.
This trio of classic 1930s horror filmsMurders in the Rue Morgue, The Black Cat, and The Ravenis also distinguished by a trio of factors regarding their production. Most notably, each film is based on a work by master of the macabre Edgar Allan Poe. Part of the legendary wave of horror films made by Universal Pictures in the 30s, all three feature dynamic performances from Dracula's Bela Lugosi, with two of them also enlivened by the appearance of Frankenstein's Boris Karloff. And finally, all three benefit from being rare examples of Pre-Code studio horror, their sometimes startling depictions of sadism and shock a result of being crafted during that brief period in Hollywood before the enforcement of the Motion Picture Production Code's rigid guidelines for moral content. Director Robert Florey, who gave the Marx Brothers their cinema start with The Cocoanuts in 1929, worked with Metropolis cinematographer Karl Freund to give a German Expressionism look to Murders in the Rue Morgue (1932), with Lugosi as a mad scientist running a twisted carnival sideshow in 19th-century Paris, and murdering women to find a mate for his talking ape main attraction. Lugosi and Karloff teamed forces for the first time in The Black Cat, a nightmarish psychodrama that became Universal's biggest hit of 1934, with Detour director Edgar G. Ulmer bringing a feverish flair to the tale of a satanic, necrophiliac architect (Karloff) locked in battle with an old friend (Lugosi) in search of his family. Prolific B-movie director Lew Landers made 1935's The Raven so grotesque that all American horror films were banned in the U.K. for two years in its wake. Specifically referencing Poe within its story, Lugosi is a plastic surgeon obsessed with the writer, who tortures fleeing murderer Karloff through monstrous medical means. Significant and still unsettling early works of American studio horror filmmaking, these three Pre-Code chillers demonstrate the enduring power of Poe's work, and the equally continuous appeal of classic Universal horror's two most iconic stars. Special Features: High Definition Blu-ray (1080p) presentations for all three films, with The Raven presented from a 2K scan of the original film elements Uncompressed LPCM monaural audio tracks Optional English SDH subtitles Murders in the Rue Morgue Audio commentary by Gregory William Mank The Black Cat Audio commentary by Gregory William Mank The Black Cat Audio commentary by Amy Simmons The Raven Audio commentary by Gary D. Rhodes The Raven Audio commentary by Samm Deighan Cats In Horror a video essay by writer and film historian Lee Gambin American Gothic a video essay by critic Kat Ellinger The Black Cat episode of radio series Mystery In The Air, starring Peter Lorre The Tell-Tale Heart episode of radio series Inner Sanctum Mysteries, starring Boris Karloff Bela Lugosi reads The Tell-Tale Heart Vintage footage New Interview With Critic And Author Kim Newman PLUS: A 48-PAGE collector's booklet featuring new writing by film critic and writer Jon Towlson; a new essay by film critic and writer Alexandra Heller-Nicholas; and rare archival imagery and ephemera
One of the most recognisable faces in horror, Boris Karloff (or simply KARLOFF', as he was often billed) has been described as to the horror movie what Fred Astaire was to the musical. Presented here are the six films he made for Columbia Pictures, a collaboration which produced some of Karloff's finest acting roles. In The Black Room, Karloff takes on a dual role as twin brothers in 19th century Europe. One of the twins inherits the family castle and suddenly the local women start disappearing The Man They Could Not Hang, The Man With Nine Lives, Before I Hang, and The Devil Commands form the Mad Doctor cycle, a thematically linked series of films where Karloff always plays a doctor whose obsessions inevitably lead them to murder! And finally, The Boogie Man Will Get You is a delightful parody of the Mad Doctor films, starring both Karloff and Peter Lorre. Eureka Classics is proud to present all six films in their worldwide debut on Blu-ray, this release is also the first time they have been available on home video in the UK Special Features O-Card Slipcase All six films presented in 1080p across two Blu-ray discs Optional English SDH subtitles Brand new audio commentaries on The Black Room, Before I Hang, and The Boogie Man Will Get You with Kevin Lyons and Jonathan Rigby Brand new audio commentaries on The Man They Could Not Hang, The Man With Nine Lives, and The Devil Commands with author Stephen Jones and author / critic Kim Newman Collector's booklet featuring writing on all six films by Karloff expert Stephen Jacobs (author of Boris Karloff: More Than a Monster); film critic and author Jon Towlson; and film scholar Craig Ian Mann
With Who-ville brimming with joyful anticipation of Christmas, high above in the chilly mountains, the Grinch shares no such warmth for the holiday. Why this green meanie has hatched a plan to do away with Christmas once and for all! Dr. Seuss' timeless classic, How the Grinch Stole Christmas, comes to life in 4K Ultra HD featuring animation by the legendary Chuck Jones and two Grinch Specials: The Grinch Grinches the Cat in the Hat and Halloween is Grinch Night! Special Features: Making Animation and Bring It to Life Dr. Seuss and the Grinch - From Who-ville to Hollywood Songs in the Key of Grinch Grinch Song Selections Grinch Pencil Test Featurette with Phil Hartman Two Grinch specials: The Grinch Grinches The Cat in the Hat and Halloween is Grinch Night!
See It! Live It! Spread It! A young R&B singer returns home to find his father's once powerful congregation in disarray. With his childhood nemesis creating a ""new vision"" for the church he is forced to deal with family career and relationship issues that send him on a collision course with redemption or destruction...
One of the most sublimely silly products to emanate from Roger Corman's studio, The Raven has the very loosest of connections with the Edgar Allen Poe poem that gives it its title and which Vincent Price intones sepulchrally at the beginning. A retiring magician, Craven (Price) has opted out of the power struggles of peers such as Dr Scarabus (Boris Karloff) to brood on his dead wife and bring up his daughter. The arrival of Bledlo (Peter Lorre), an incompetent drunk whom Scarabus has turned into the raven of the title, involves him in everything he had renounced--life is complicated further by the arrival of Bledlo's son Rexford, played by a staggeringly young Jack Nicholson. The special effects are almost perfunctory, yet the culminating magical duel between Price and Karloff is inventive and charming; this is one of those films that looks as if the actors enjoyed making it; while the script by Richard Matheson has a blithe awareness of its own shortcomings that makes it hard to dislike. On the DVD: The Raven comes to DVD with very boxy remastered mono sound, but is presented in its original widescreen 2.35:1 ratio, formatted for 16:9 TVs. The only extra is the original theatrical trailer. --Roz Kaveney
All Time Fan Favourite! One of Jackie Chan highest grossing international hits to date ( proving to be a massive hit on rental when it was release by Imperial Entertainment ). 'Armour Of God' is an explosive heart pounding action extravaganza mixing martial arts with spectacular gunplay precision driving stunts and amazing stuntwork. Starring as ""The Asian Hawk"" a bounty hunter and martial arts expert with an insatiable taste for adventure Jackie is blackmailed by an
From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters: The Essential Collection showcases 8 of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man, Phantom of the Opera and Creature from the Black Lagoon. Starring Bela Lugosi, Boris Karloff, Lon Chaney, Jr., Claude Rains and Elsa Lanchester in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography, and groundbreaking special effects. Featuring over 12 hours of revealing bonus features plus an exclusive collectible book, each film has been digitally restored from high resolution film elements for the ultimate classic monster experience. 8 Movies in 4K & Exclusive Artwork by Tristan Eaton.
Beat The Devil (Dir. John Huston 1953): Beat the Devil is a wacky comedy that's played as straight as any film noir and is even funnier as a result. Five men (Bogart Lorre Morley Barnard and Tulli) are out to garner control over East African land which they believe contains a rich uranium ore lode. Billy Dannreuther (Bogart) is married to Maria (Gina Lollobrigida) the other four are their ""business associates"" and Jones and Underdown are added to the mix for some interes
The Sorcerers, the second film directed by the lost "wunderkind" of British cinema Michael Reeves, may not have the scope and visceral impact of his masterpiece, Witchfinder General (1968), but there's enough fierce originality here to show what a tragic loss it was when he died from a drugs overdose aged only 24. The film also shows the effective use he made of minimal resources, working here on a derisory budget of less than £50,000--of which £11,000 went to the film's sole "named" star, Boris Karloff. Karloff plays an elderly scientist living with his devoted wife in shabby poverty in London, dreaming of the brilliant breakthrough in hypnotic technique that will restore him to fame and fortune. Seeking a guinea-pig, he hits on Mike, a disaffected young man-about-town (Ian Ogilvy, who starred in all three of Reeves' films). But the technique has an unlooked-for side effect--not only can he and his wife make Mike do their bidding, they can vicariously experience everything that he feels. At which point, it turns out that the wife has urges and desires that her husband never suspected. Karloff, then almost at the end of his long career, brings a melancholy dignity to his role; but the revelation is the veteran actress Catherine Lacey as the seemingly sweet old lady, turning terrifyingly avid and venomous as she realises her power. The portrayal of Swinging London, with its mini-skirted dollybirds thronging nightclubs where the strongest stimulant seems to be Coke rather than coke, has an almost touching innocence, but Reeves invests it with a dream-like quality, extending it into scenes of violent death in labyrinthine dark alleys. By this stage, some ten years after it started, the British horror cycle was winding down in lazy self-parody. Reeves had the exceptional talent and vision to revive it, had he only lived. On the DVD: The Sorcerers DVD has original trailers for both this film and Witchfinder General (both woefully clumsy); filmographies for Reeves, Karloff and Ogilvy; an "image gallery" (a grab-bag of posters, stills and lobby cards); detailed written production notes by horror-movie expert Kim Newman; and an excellent 25-minute documentary on Reeves, "Blood Beast", dating from 1999. The transfer is letterboxed full-width, with acceptable sound. --Philip Kemp
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