This moving evocative and highly original drama recalls the mystery the doubts and the poetry that is childhood – as seen through the eyes of an isolated little boy whose life is turned upside down by the unwelcome arrival of his unruly nephew. Directed by BAFTA nominee Desmond Davis and featuring powerful performances from an accomplished British cast including Rupert Davies Brenda Bruce and Maurice Denham this rare highly acclaimed film is presented in a brand-new transfer from the original film elements. At just seven years of age Gus has been an uncle all his life. When his quarrelsome unmanageable nephew Tom comes to spend the summer holidays with him however he finds the responsibilities of his position almost too hard to bear... Bonus Features: Image Gallery Promotional Material PDF
Really good feature films about animals are as rare as hen's teeth. Based on the classic novel by Henry Williamson, Tarka the Otter is one of the very best. This is one of those highly unusual films told almost entirely from an animal's point of view, yet which refrains from Disney-style sentimentality and anthropomorphism. Set in 1920s England, the film simply follows the life of an otter, and shot over a period of two years captures the glory of the English countryside with some magnificent cinematography. Drama comes not just from the daily struggle to survive, but from the ever present threat of human hunters, and from the vicious otter hound, Deadlock. With narration by Peter Ustinov and a screenplay by the naturalist and author Gerald Durrell Tarka the Otter is a British film classic. While a family film, it is a realistic portrayal of the countryside, and as such contains some scenes that young children and animal lovers may find upsetting. The only other notable feature to star an otter is Ring of Bright Water (1969), while The Bear (1988) is another rare movie to tell its tale from the animal's perspective. --Gary S Dalkin
Jim Henson's fantasy epic The Dark Crystal doesn't take place a long time ago in a galaxy far, far away, but like Star Wars it takes the audience to a place that exists only in the imagination and, for an hour and a half, on the screen. Recalling the worlds of JRR. Tolkien, Henson tells the story of a race of grotesque birdlike lizards called the Skeksis, gnomish dragons who rule their fantastic planet with an iron claw. A prophecy tells of a Gelfling (a small elfin being) who will topple their empire, so in their reign of terror they have exterminated the race, or so they think. The orphan Jen, raised in solitude by a race of peace-loving wizards called the Mystics, embarks on a quest to find the missing shard of the Dark Crystal (which gives the Skeksis their power) and restore the balance of the universe. Henson and codirector Frank Oz have pushed puppetry into a new direction: traditional puppets, marionettes, giant bodysuits, and mechanical constructions are mixed seamlessly in a fantasy world of towering castles, simple huts, dank caves, a giant clockwork observatory, and a magnificent landscape that seem to have leaped off the pages of a storybook. Muppet fans will recognise many of the voice actors--a few characters sound awfully close to familiar comic creations--but otherwise The Dark Crystal is a completely alien world made familiar by a mythic quest that resonates through stories over the ages. --Sean Axmaker
Originally produced as a three-part miniseries for New Zealand television, this extraordinary film is based on the life of Janet Frame, an introverted, sensitive girl who was later misdiagnosed as schizophrenic and spent eight years in a psychiatric hospital. She would later become one of New Zealand's most celebrated poets and novelists, publishing her first books while she was still confined to a mental ward. She had endured over 200 electroshock treatments and had almost been lobotomized by careless physicians who took no time to understand that she was merely awkward and shy and suffered from little more than routine depression. From a solid screenplayby Laura Jones, director Jane Campion (The Piano) tells this story without soapy melodrama but rather as anexploration of a challenged creative spirit--a journey into a writer's mind, exploring the power of imagination as a mechanism of survival and self-defense. Three talented actors play Janet Frame at different ages throughout the film, with Kerry Fox giving a powerful performance as the young-adult Janet, whose own skill and creative tenacity would prove to be her salvation. Frightening, harrowing and ultimately a source of humanistic enlightenment, An Angel at My Table (titled after Frame's autobiography) is a film you won't soon forget.--Jeff Shannon
At Last Smith And Jones: Vol.1 (2 Discs)
A young man finds himself torn between two passionate women intent on fighting it out in the war for his affections in this new comedy.
In The Mirror Has Two Faces Barbra Streisand stars as Rose a lecturer in Romantic Literature with no romance of her own. Jeff Bridges longs for a platonic partner he can respect yet maintain a safe physical distance from. Set up by Rose's sister they meet and intellectual sparks fly and they soon find unexpected passion getting in their way in this delightfully sparkling comedy.
For the first time ever, a live performance of a pantomime will be screened in cinemas! Starring Britain's Got Talent winner Ashleigh & Pudsey, the live screening of the family spectacular Dick Whittington will also feature Ben Faulks, AKA Mr Bloom from CBBC. Dick Whittington tells the wags to riches tail' of a young man on an exciting quest for fame and fortune, but will the evil King Rat thwart his plans or will Fairy Bowbells save the day? All will be revealed in this magical pantomime. Featuring all the traditional ingredients; sensational songs, a live band, magic, dazzling dance routines, magnificent slapstick comedy and bags of audience participation - Dick Whittington is guaranteed to be full of wonder to delight audiences of all ages. Dick Whittington will be shown live in cinemas ONE SHOW ONLY on Sunday 7th December at 5.00pm, via satellite from the renowned Bristol Hippodrome.
Cricket - the sport of gentlemen - takes on new dimensions in this cheeky British comedy about the foibles and follies of married life. Kevin and Maggie Costello live for the moment constantly expressing their affection for each other in outrageous ways. Roger and Mim Dervish on the other hand lead a quiet life reserving their passions for the seemingly more subdued activities of cricket and tea cakes. But when the Costellos and Dervishes meet at a cricket match the collision of opposing personalities serves as a prelude to a series of hilarious unpredictable adventures.
During the Nazi occupation of Paris in the 1940's a group of men are dragged off the street by soldiers. The twenty nine Frenchman are all quite innocent but the Germans have ordered that one out of every ten men must be executed. One such man a French lawyer named Chavel trades his material possessions for his life with a dying man when condemned to the firing squad. At the end of the war Chavel posing as one of the other prisoners returns to his home which is now occupied by t
Joanna is about to graduate from University with her whole life set up for her but she has decided to face up to a truth she has been avoiding her whole life. Since she was small she has had the desire to become a Nun. She is set on joining a closed order of Benedictines. Her best friend cannot believe it her boyfriend is devastated and her mother feels it's just a phase. The only encouragement she gets is from the family's religious housekeeper Consuela When she finally gets to the convent the liberalism of a politically active Novice Sister Ignatious and a bunch of women with border-line mental illness including a psychotic Mother Superior an alcoholic football fan in charge of the vineyard an over-pious floor mopper Sister Hilda to name a few at first makes her wonder if she's following the right path after all but as she gets to know the Sisters and the enormous community bond they all share and the spiritual love that connects them she starts to see glimpses of her own spiritual fulfillment. Several weeks into her vocation she discovers something in herself which brings a whole new series of secrets out into the open until eventually the bond she has with Sister Ignatious dictates and assists in her destiny.
Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life-of-the-party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time.
The success ofUnder Siege made a sequel mandatory according to Hollywood's rules of maximum revenue, and as sequels go, this one's not half bad. Steven Seagal returns as former Navy SEAL and skilled chef Casey Ryback, who's trying to spend quality time with his niece on a cross-country train trip. But as luck and action-movie formulas would have it, the train has been hijacked by a demented genius (Eric Bogosian) who is using the train as a moving platform to seize computerised control of a top-secret U.S. satellite that is capable of causing earthquakes from space. Seagal has to stop the train or the villain (whichever comes first), and the action is fast and furious on its way to a high-speed climax. He's not as wacky as Tommy Lee Jones in the first Under Siege, but Bogosian has got a delirious quality that serves the comic-book plot, and action fans get more than their fill of dazzling stunts and special effects. --Jeff Shannon
Irish director Jim Sheridan made The Field after scoring an art house hit and Oscar nominations for his previous film, My Left Foot. Set in Ireland during the 1930s, this ambitious and hard-hitting drama is about one man's obsession with a plot of land that his family has tended for generations. The results are decidedly mixed, and it's obvious that this kind of tragic allegory is better suited for the stage (where it originated as a play by John B Keane). What makes the film worthwhile is the Oscar-nominated performance by Richard Harris as "Bull" McCabe, the fiercely stubborn man who's nurtured a prime field of rented land for decades, only to lose it when the owner auctions the land to an unwelcome American (Tom Berenger). Rather than sacrifice his life's work to this brazen invader, McCabe wages a personal war with powerfully tragic results. It's unfortunate that this potent drama never really connects on an emotional level, but Harris is never less than fascinating in a role that virtually seems to consume him as an actor. His performance approaches greatness, even when the film falls somewhat short of its dramatic ambitions. --Jeff Shannon, Amazon.com
The first televisual adaptation of the P.D. James mysteries featuring Detective Adam Dagliesh.... Scotland Yard's senior murder detective Adam Dalgliesh is called to an isolated chalk quarry to investigate the murder of a young girl in the back of a derelict car. Could she be a victim of the back seat strangler? On his return to London Dalgliesh is called to another suspicious death at Hoggatt's government controlled forensic science laboratory. He soon discovers that the laboratory is a hot-bed of intrigue and jealousy making almost everyone a possible suspect. Whilst focusing on his investigations Dalgliesh battles to set aside the personal tragedy of losing his wife and their first baby in childbirth.
Stephanie Beacham takes the title role in a drama of intrigue set in the cut-throat world of the rag trade. Her performance as a feisty fashion entrepreneur led directly to her phenomenal success in The Colbys and Dynasty, and dominates a series bristling with razor-sharp humour and boasting a plot full of surprises. Also starring Pam Ferris, George Costigan and Brenda Bruce, Connie was originally screened in 1985, and features a theme song co-written by the Oscar-nominated Willy Russell (Blood Brothers, Educating Rita). Eight years ago, Connie 'retired' to Greece to run a taverna with a local Adonis. Now, her return to her native East Midlands and the industry she loves sends ripples of fear through the dingy offices of her former rivals; they all guess, correctly, that she wants a slice of the action. But who will give her the all-important toehold? Her family and friends are no help and what nobody knows is that although Connie came back on a first-class ticket, she got off the plane wearing a simple cotton dress, nursing a bandaged hand and clutching a handbag containing nothing but tissues, a lipstick and ten drachma. The people who cheated on her, in or out of bed, had better watch out!
Too Many Crooks (1958) boasts an intricate plot in which Terry Thomas is being blackmailed for the hoards he's stashed away as a renowned tax dodger. Driving around in a Jaguar XK 150, a desirable sports car of the period, his intricate private life unravels as his put-upon wife, Brenda de Banzie, draws on her expertise as a wartime PT instructress to turn the tables on him by marshalling the support of a band of crooks (George Cole, Sidney James, Bernard Bresslaw and Joe Melia). Look out for the very funny court scene, where TT makes three appearances on separate charges before a bemused magistrate, John Le Mesurier. On the DVD: Too Many Crooks is in 4:3 ratio and has a mono soundtrack. The only extra feature is a trailer. More TT tomfoolery can be found in the three-disc Terry Thomas Collection. --Adrian Edwards
The Girls' Night of the title refers to Friday night, the one time of escape from the daily grind for longstanding best friends and factory co-workers, Dawn and Jackie. And Friday night means bingo. One evening their dream comes true when Dawn (the cautious, caring one) scoops £100,000, but the savage twist in the tale is that even before she gets the cheque she discovers she has an inoperable brain tumour. Cue Jackie (the spontaneous, irresponsible one) fulfilling Dawn's lifetime ambition with a holiday in Las Vegas ("Come on, we've got an hour to get the plane"). And from then on it's a buddy movie with inescapable resonances of Thelma and Louise, though the difference here is that the protagonists are two ordinary middle-aged women. Brenda Blethyn and Julie Walters are a magical pairing, with both giving mesmerising moving performances (honorary mention should also be made of Cody, the one sympathetic male character in the film, magnificently played by Kris Kristofferson). Though death is ever-present, this is by no means a depressing movie; rather the opposite, in fact, with a remarkably upbeat ending. If there's a message to be found here, it's that even the most apparently ordinary people can be extraordinary given the right circumstances. On the DVD: As well as the original trailer, there is on-location feature
In a time when it seems that every other movie makes some claim to being a film noir, LA Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere and White Jazz)--a compelling blend of LA history and pulp fiction that has earned it comparisons to the greatest of all Technicolour noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson
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