It was the sister ship of the infamous Titanic...and its final destiny was the same. Experience the true untold story of Britannic a tumultuous epic voyage of human passion courage and betrayal aboard an ill-fated ocean liner bound for a shattering demise. With the world at war an undercover British agent (Amanda Ryan) embarks the Britannic in search of a German spy believed to be on board to sabotage the ship. Posing as a governess the undercover agent finds herself falling in love with the ship's chaplain (Edward Atterton Man In The Iron Mask). In a stunning discovery the lovers suddenly find themselves enemies of war. And when a massive explosion deals a deathblow to the ship their battle becomes one for their own survival. With a dynamic international cast and story line that hosts a chilling tale of espionage politics and romance Britannic brings one of history's most devastating events to riveting new life.
From director Joe Dante comes a family-friendly adventure that explores the fears and secrets buried in the mind of kids. After moving into a new neighbourhood brothers Dane (Chris Massoglia - Vampire's Assistant) & Lucas (Nathan Gamble - Marley & Me) and their neighbour Julie (Haley Bennett - The Haunting of Molly Hartley) discover a bottomless hole in the basement of their home. They find that once the hole is exposed evil is unleashed. With strange shadows lurking around every corner and nightmares coming to life they are forced to come face to face with their darkest fears to put an end to the mystery of The Hole.
Not much is going right for meek misfit Willard Stiles. He's constantly screamed at by his overbearing mother, ruthlessly bullied by the boss who stole his father's business and mercilessly laughed at by his co-workers. Willard eventually turns to a colony of rats for friendship and with training they will soon do anything for their new friend. It's time for Willard to get even. Ben Danny Garrison, a lonely young boy with a heart condition finds a friend in Ben, a rat once trained by misfit Willard Stiles. Danny's new best friend protects him from bullying and keeps his spirits up through hard times. But all is not well in Ben's colony and the other rodents terrify the town with a series of violent attacks. The police are determined to wipe them out. Can Ben survive? Willard Features: New 4K scan of the original camera negative Audio commentary with Actor Bruce Davison Interview with Actor Bruce Davison Theatrical trailer, TV spot, Radio Spot Stills gallery Ben Features: New HD transfer and restoration using the best surviving archive print Interview with Actor Lee Montgomery Audio interview with Actor Lee Montgomery Theatrical trailers TV Spots Willard / Ben double feature trailer and TV spot Radio spot Stills Gallery Additional Extras: LIMITED EDITION BOX SET 2,000 UNITS NEW ARTWORK BY GRAHAM HUMPHREYS EXCLUSIVE TO BOX SET POSTER OF NEW ARTWORK EXCLUSIVE TO BOX SET
Conceived by the legendary Italian producer Alfredo Bini, the multi-director portmanteau film Let's Wash Our Brains: RoGoPaG (Laviamoci il cervello: RoGoPaG) brought together four esteemed directors of European cinema to contribute comic episodes reflective of the swinging post-boom era. The resulting omnibus collectively examines social anxieties around sex, nuclear war, religion, urbanisation - and the promise of a modern cinema.Roberto Rossellini's Illibatezza (Virginity) follows an airline stewardess plagued by an obsessed American tourist whose 8mm camera enables the indulgence of a personal, and solipsistic, vision of the Ideal. Jean-Luc Godard's Il nuovo mondo (The New World) takes place in an Italian-dubbed Paris beset by nuclear fallout, and wittily chronicles the changes that take place in the lives - and medicine cabinet - of a handsome young couple. Pier Paolo Pasolini's scandalous La ricotta (Ricotta, as in the curded cheese) presents the goings-on around a film shoot devoted to the Crucifixion and presided over by none other than Orson Welles (playing a kind of stand-in for Pasolini himself); it is this episode that landed Pasolini with a suspended four-month prison sentence. Lastly, Ugo Gregoretti's Il pollo ruspante (Free-Range Chicken) depicts a middle-class Milanese family flirting with the purchase of real-estate and engaging catastrophically with an antagonistic consumerist infrastructure.
Soft-porn impresario Zalman King's Wild Orchid is supposed to be an "erotic drama", but it fails because there isn't the faintest semblance of chemistry between the three main players. "From the creators of 9 ½ Weeks comes the most eagerly awaited film of the year", trumpets the voice-over on the trailer, but therein lies the problem: in 9 ½ Weeks Mickey Rourke smouldered with Kim Basinger. In Wild Orchid, things have wilted before he even gets on screen. There is a vague semblance of plot: young, naïve, beautiful multilingual lawyer Emily (Carré Otis) is hired to help the obnoxious Claudia (Jacqueline Bisset), a big-time developer, to close a major property deal in Rio. Wheeler (Mickey Rourke) is the poor kid made good who proves the fly in the ointment. Bisset is supposed to have developed an obsession with the emotionally constipated Rourke after he rejected her. And Otis is supposed to be the one who eventually gets under his skin. But child-model turned actress Otis seems to be having trouble getting her swollen lips round a whole sentence at a time, let alone acting. The film dates from 1990 yet seems firmly stuck in the 1980s, from the obsession with all things commercial to the ludicrous fashion-sense (Rourke: big jacket, no shirt, lots of gold jewellery; Otis: virginal flowing dresses and tresses to match). And the sex scene, when it finally arrives in the dying moments, is brief and entirely unerotic. Brazil looks good though. On the DVD: Wild Orchid on disc has acceptable sound and picture, but the lack of any extra features is not impressive. When you get bored you can always amuse yourself by selecting from the substantial list of subtitles. --Harriet Smith
The jungle has never looked so lush and sounded so good! Now on Blu-ray for the first time Disney's song-filled celebration comes vibrantly to life with a new digital restoration and glorious high definition picture. Meet the most unforgettable characters and embark on a thrilling adventure with Mowgli as he journeys deep into the jungle and learns 'The Bare Necessities' of life from happy-go-lucky Baloo the bear. Meet Bagheera the wise old panther and crazy King Louie the orang-utan. But watch out for cunning Shere Khan the tiger and Kaa the ssssneakiest snake in the jungle! Bursting with wild fun toe-tapping music and beloved characters this timeless masterpiece celebrates the true meaning of friendship. Experience all the excitement of Disney's jumpin' jungle classic and share the wonder with someone you love. Special Features: I Wan'na Be Like You: Hangin' Out At Disney's Animal Kingdom Alternate Ending Growing Up With Nine Old Men Audio Commentary With Composer Richard M. Sherman Animator Andreas Deja And The Voice Of Mowgli Bruce Reitherman Plus Guest Archival Appearances Backstage Disney The Bare Necessities: The Making Of The Jungle Book Walt's Lasting Impressions Kings Of The Jungle Drawn To The Voices The Jungle Beat The Last Act Disney's Kipling: Walt's Magic Touch On A Literary Classic The Lure Of 'The Jungle Book' Mowgli's Return To The Wild Frank and Ollie: Frank Thomas and Ollie Johnston Discuss Character Animation Music and More Deleted Songs Composed By Terry Gilkyson Brothers All The Song Of The Seeonee The Bare Necessities (Demo Version) Monkey See Monkey Do I Knew I Belonged To Her In A Day's Work The Mighty Hunters 'I Wan'na Be Like You' Music Video Performed By Jonas Brothers Sing Along With The Movie Introduction By Richard Sherman (for Int'l Only)
A single season TV show, originally aired in 1966-7, The Green Hornet was produced by William Dozier as a stable-mate for his more popular Batman series. Originally a 1940s radio character (and the grand-nephew of the Lone Ranger), the Green Hornet was another masked crime fighter with a secret identity and a sidekick (not to mention a cool car, the Black Beauty, and a memorable theme, a jazzy riff on "Flight of the Bumblebee"). Newspaper magnate Britt Reid (Van Williams) dons a mask and slouch hat to fight corruption in the big city. In place of Robin or Tonto, GH has Kato (Bruce Lee), a martial arts expert-chauffeur whose name inspired Inspector Clouseau's assistant and who seems to blow the secret identity gaff by using his real name in both civilian life and masked adventuring. While Batman was a colourful exercise in camp, with over-the-top villains played for laugh and a pop art hipness, The Green Hornet was a mundane pulp adventure with very little humour and very little in the character and plot departments. After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity. Though an interesting curio, fans might have preferred a release of individual episodes. On the DVD: This letterboxed transfer is probably the best the film could ever be made to look, considering it was probably shot on 16mm, then blown up and cropped for widescreen release. The quality varies notably from scene to scene, suggesting that the source episodes were in wildly different shape. The extras include thorough cast notes on Williams, Lee and under-used heroine Wende Wagner, still-image and film photo galleries, a quarter-hour featurette on the Black Beauty (flawed by the fact that the current owner is one of the dullest speakers in America), some shots of the Black Hornet Corgi model (oddly available in the UK in the 1960s, though the show didn't air on British television), a solid essay on the history of the character, notes on "The Bruce and Brandon Lee Association" and a funky if incomplete trailer for Black Samurai. --Kim Newman
The tagline states, "Only love can bring you to your senses." Well, your senses have to be pretty dulled to love At First Sight. On paper the story--based on the writings of medical writer extraordinaire Oliver Sacks (Awakenings)--is intriguing: a blind man regains sight after surgery yet can never connect with what he sees, including a lovely new girlfriend. Indeed, maybe blind was better. From such interesting stuff (and a talented cast) comes a tepid love story and an unconvincing drama. Val Kilmer plays Virgil, a serene resort worker who plays hockey in the dark and is the best masseur this side of the Catskills. Onto his table comes Amy, a bone-weary NYC architect (Mira Sorvino) who cries the first time Virgil does his magic. Instead of a voyage into the world of blindness, Amy's first instinct is to take Virgil to an eye doctor who can restore sight (Bruce Davison). Virgil receives sight, crumbling the trust between him and Amy. The clichés start building up and by the time Amy is wooed by her ex-husband (Steven Weber), her boss no less, one's patience wears thin. The medical curiosities of the story--Virgil can see an item but can't grasp what it is until he touches it--do not translate well on screen. The film's liveliest character is Nathan Lane as a teacher of the blind. A scene with Virgil that gets to the heart of his ailment is so filled with spontaneity, one wonders if it was scripted or simply Lane's own extemporaneous dialogue. After an admirable start as a director (Guilty by Suspicion), Oscar-winning producer Irwin Winkler has not been able to put cinematic highs or believable angst into his films (The Net, Night in the City). At First Sight may look good but it is blind where it counts. --Doug Thomas
Dead Space: Dead Space is a feature length horror/sci-fi animated movie based on the much anticipated Electronic Arts video game set for release in the fall of 2008. When a deep space mining operation discovers a mysterious alien Marker some believe they have finally found evidence of our creators. However the removal of the Marker instead unleashes a horrific alien species which had been entombed within a remote planet and a desperate fight for survival ensues. The story follows a select group of miners and crew members as they confront a grotesque and lethal invasion unlike anything ever seen before. The Dead Space animation will serve as a prequel to the game and take adult animated horror to a whole new level. Dead Space 2: Aftermath: The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke but now also the USG O'Bannon the first responder ship sent to rescue them. Four crew members of the O'Bannon have survived. But what happened to the rest of the crew? What were they doing? What secrets are they keeping? All to be revealed... in the Aftermath! Dead Space: Aftermath is a fast paced horrifying thrill ride told through the perspective of the 4 survivors by several renowned international directors. Each vision unique and bold in its own way. Voiced by an excellent cast led by Christopher Judge (Stargate: SG-1) Peter Woodward (Babylon 5 Charmed) Ricardo Chavira and Gwendoline Yeo.
1978 American neo-noir, directed by Walter Hill (Warriors) and starring Ryan O'Neal, Bruce Dern and Isabelle Adjani. The Driver (Ryan O'Neal) is the best wheel man for hire. His work in driving getaway cars are exhibitions in excellence, works of art.The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job, the Detective lays in wait for him. But the Driver has already planted his alibi and is one step ahead of him.Product FeaturesMasterclass: Walter Hill Interview with Walter Hill Alternate opening sequence Trailer Teasers
Bruce Lee: A Warrior's Journey is an engrossing, in-depth 100-minute documentary on the martial artist and film star. It features material from Lee's personal archives and interviews with his wife, Linda Lee Cadwell and students and costars including Kareem Abdul-Jabbar, Taky Kimura, Bob Wall and Dan Inosanto. The undoubted highlight is the inclusion, for the first time ever, of the complete 34-minute finale to what would have been Lee's final film, Game of Death. Written, directed, produced, choreographed, photographed and designed by Lee, this was intended to be his most personal work and bears little relation to the shoddily assembled film released in cinemas in 1978 under the Game of Death title. Completed by a fitting new score from Wayne Hawkins, the dialogue may be corny but the well-shot action reveals Lee as a master of his art. Also featured are clips from The Big Boss (1971), Fist of Fury (1972), Way of the Dragon (1972) and Enter the Dragon (1973), as well as historic interview footage and excerpts from Lee's appearances in Marlow (1969) and Longstreet (1971). The only drawback is that almost all the movie clips apart from the Game of Death sequences have been panned and scanned, making it sometimes impossible to see the rapid action. Examining Lee's philosophy and motivation as well as his career, this serious, well crafted documentary presents a rounded portrait of a greatly loved star. On the DVD: the picture is presented in conventional television 4:3, with the footage from Game of Death letterboxed at its original 2.35:1 ratio within the 4:3 frame, though it would have been better presented separately in anamorphically enhanced form. TheGame of Death footage is in very good condition, though a handful of shots are either slightly out of focus or have not been colour corrected. The sound is essentially mono except for the new score for Game of Death in Dolby Digital 5.1. Extras are a new 18-minute dramatisation of sections of Lee's outline for the never shot parts of Game of Death, though this material does not include any fight sequences and the modern-day settings and 4:3 TV movie style fail to match the original. More interesting is the commentary by director John Little who adds a lot of background, particularly on Lee's relationship with various people seen in the film. The package is completed by a music video set to footage of Lee, a trailer and optional English subtitles and hearing impaired subtitles. --Gary S Dalkin
Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (the director in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colourful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full colour photography, documentary techniques and especially its uneasy connections between sex, violence and the cinema. We can thank Martin Scorsese for sponsoring its 1979 re-release, which presented the complete, uncut version to appreciative audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker, Amazon.com
The body count continues in this vivid thriller the fourth but not final story in the widely successful 'Friday The 13th' series. Jason Crystal Lake's least popular citizen returns to wreak further havoc in 'Friday The 13th Part 4: The Final Chapter'. After his revival in a hospital morgue the hockey-masked murderer fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers. Young Tommy Jarvis is an aficionado of horror films with special talent f
Samuel L Jackson & Tommy Lee Jones star in this drama about a US marine battling to save his career in a military courtroom.
A tenth series of investigations featuring gruff detective Frost (David Jason). Includes Hidden Truth Close Encounters and Held In Trust.
A disappointment after the superb two previous seasons, the final run of Babylon 5 found Claudia Christian departed and Ivanova replaced by Captain Elizabeth Lochley (Tracy Scoggins), who in a soap-opera twist turned out to be Sheridan's first wife. Sheridan was promoted to President of the Interstellar Alliance and the action moved to a group of telepaths seeking sanctuary from the PSI-Corp on B5. Giving a prominent role to Patricia Tallman's Lyta Alexander, a love story for her was woven with the leader of the telepaths, Byron (Robin Atkin Downs). Meanwhile the aftermath of the Shadow War was explored as the origin of human telepaths became clear in "Secrets of the Soul," and the appearance of PSI-Corp's Bester (Walter Koenig) brought the plight of the refugees to a powerful close in "A Tragedy of Telepaths" and "Phoenix Rising." This was immediately followed by a rare episode not written by J. Michael Straczynski. Much was expected of "Day of the Dead," penned by Neil Gaiman, the British creator of DC's landmark Sandman comic and graphic novel series. Yet despite a change of tone including a guest appearance by Penn & Teller as 23rd-century comedy favorites Rebo & Zooty, the story proved an incongruous side trip into an unexplained twilight zone of fantasy. As usual the season picked up toward the end, with a string of fine political episodes leading to "The Fall of Centauri Prime" and the haunting "Objects at Rest," in which Sheridan and Delenn leave Babylon 5 for new quarters on Minbar. The final episode, "Sleeping in Light," was directed by J. Michael Straczynski and made an epilogue to the series. Set 20 years later, after all the sound and fury this quiet, elegiac tale is the apotheosis of the love story that proved the balance to the tragedy of the preceding darkness. A personal story resolved against a background of the epic, at once transcendent, deeply human, and profoundly optimistic, "Sleeping in Light" is as moving as any hour in the history of television drama and a thoroughly satisfying conclusion to one of the greatest series ever made. --Gary S. Dalkin
At the dawn of the 20th century, a multi-generational family in the Gullah community on the Sea Islands off of South Carolina - former West African slaves who adopted many of their ancestors Yoruba traditions - struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from the roots. This is a new 25th anniversary restoration of director Julie Dash's landmark film. The first wide release by a black female filmmaker, Daughters of the Dust was met with wild critical acclaim and rapturous audience response when it initially opened in 1991. Casting a long legacy, Daughters of the Dust still resonates today, most recently as a major influence on Beyonce's video Album Lemonade. Restored (in conjunction with UCLA) for the first time, complete with the correct colour grading overseen by cinematographer Arthur Jafa, audiences will finally see the film exactly as Julie Dash intended. Special Features: Fully illustrated booklet with new writing on the film and full credits Other extras TBC
Join Littlefoot Cera Spike Ducky Petrie and shy newcomer Ali on their most exciting adventure ever! It's an all-new song-filled animated classic on the continuing story of The Land Before Time. A herd of migrating Longnecks has important news of weather changes in the regions beyond the Great Valley. What was once dry land has become 'The Land of Mists'. Strange new creatures have begun to appear in these rainy marshes while still others have moved into the high trees f
Richard Gere is pretty convincing as a severe manic-depressive whose episodes of euphoria sometimes find him dancing on a two-by-four far above the street or climbing onstage during a symphony performance to "conduct" the orchestra. When the pendulum swings the other way, he is practically catatonic. As a character study, this film by Mike Figgis (Leaving Las Vegas) has its truly compelling moments, but Mr. Jones isn't just a character study. Inexplicably, the film ushers in a preposterous romance between this poor fellow and his psychiatrist (Lena Olin). Delroy Lindo has a nice part as a sympathetic construction worker who tries to help Gere's character. --Tom Keogh
Ash has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead until a Deadite plague threatens to destroy all of mankind and Ash becomes mankind's only hope.
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