With a cast headlined by the legendary Bruce Campbell from THE EVIL DEAD series it is little wonder that MOONTRAP is considered to be a cult classic among sci-fi fans of the VHS era. In this alien invasion oddity astronaut and investigator Campbell leads the charge against an inexplicable extraterrestrial evil. Joining him on his jolting journey into outer space and a sustained interplanetary showdown is STAR TREK icon Walter Koenig - returning to boldly go where few men would ever dare! Mixing the shocks of ALIEN with the B-movie atmosphere of Roger Corman MOONTRAP is an otherworldly epic that only 88 Films could bring back to UK DVD!!
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
The unending battle of the city streets. When PC George Dixon is shot whilst on duty the Paddington Green police investigate the West London underworld to bring the culprit to justice...
From the producers of "Paranormal Activity" and "Insidious" comes writer-director Rob Zombie's most highly anticipated shocker to date - a brilliantly envisioned and haunting tale of witchcraft and Satanism.
This gritty, action-packed crime thriller pairs action legends Bruce Willis (Die Hard) and Frank Grillo (Captain America series) in a chilling tale of justice and revenge. After surviving a brutal bank robbery, Jacob (Grillo) teams with his ex-cop neighbor (Willis) to track down the ruthless thief and avenge the assault. Desperate for cash to help treat his diabetic daughter, Jacob plans to take advantage of the situation, but in doing so, puts his family in the crosshairs of a killer
Few early rockers were more gifted or less honoured in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits.Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late 60s and early 70s touring band. That astonishing line-up is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honour Orbison, not upstage him, resulting in a gratifying cohesion to the performances.Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue-chip admiration society came as much for the calibre of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman", Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely", or conjuring romantic trances through such gentle charmers as "Dream Baby". On this night, he handled all of them with fervour and finesse. --Sam Sutherland, Amazon.com
The Rolling Stones frontman Mick Jagger makes his dynamic screen debut in this explosive tale from the British Academy Award-winning director Tony Richardson. Based on the fascinating true-life story of the 19th century Australian 'Armoured Bandit.' When their mother is unfairly persecuted by police Ned Kelly (Jagger) and his brother Dan earn money for her defence by selling homemade liquor. But what begins as a simple moonshine operation escalates into a series of armed robbe
It was the sister ship of the infamous Titanic...and its final destiny was the same. Experience the true untold story of Britannic a tumultuous epic voyage of human passion courage and betrayal aboard an ill-fated ocean liner bound for a shattering demise. With the world at war an undercover British agent (Amanda Ryan) embarks the Britannic in search of a German spy believed to be on board to sabotage the ship. Posing as a governess the undercover agent finds herself falling in love with the ship's chaplain (Edward Atterton Man In The Iron Mask). In a stunning discovery the lovers suddenly find themselves enemies of war. And when a massive explosion deals a deathblow to the ship their battle becomes one for their own survival. With a dynamic international cast and story line that hosts a chilling tale of espionage politics and romance Britannic brings one of history's most devastating events to riveting new life.
From director Joe Dante comes a family-friendly adventure that explores the fears and secrets buried in the mind of kids. After moving into a new neighbourhood brothers Dane (Chris Massoglia - Vampire's Assistant) & Lucas (Nathan Gamble - Marley & Me) and their neighbour Julie (Haley Bennett - The Haunting of Molly Hartley) discover a bottomless hole in the basement of their home. They find that once the hole is exposed evil is unleashed. With strange shadows lurking around every corner and nightmares coming to life they are forced to come face to face with their darkest fears to put an end to the mystery of The Hole.
Not much is going right for meek misfit Willard Stiles. He's constantly screamed at by his overbearing mother, ruthlessly bullied by the boss who stole his father's business and mercilessly laughed at by his co-workers. Willard eventually turns to a colony of rats for friendship and with training they will soon do anything for their new friend. It's time for Willard to get even. Ben Danny Garrison, a lonely young boy with a heart condition finds a friend in Ben, a rat once trained by misfit Willard Stiles. Danny's new best friend protects him from bullying and keeps his spirits up through hard times. But all is not well in Ben's colony and the other rodents terrify the town with a series of violent attacks. The police are determined to wipe them out. Can Ben survive? Willard Features: New 4K scan of the original camera negative Audio commentary with Actor Bruce Davison Interview with Actor Bruce Davison Theatrical trailer, TV spot, Radio Spot Stills gallery Ben Features: New HD transfer and restoration using the best surviving archive print Interview with Actor Lee Montgomery Audio interview with Actor Lee Montgomery Theatrical trailers TV Spots Willard / Ben double feature trailer and TV spot Radio spot Stills Gallery Additional Extras: LIMITED EDITION BOX SET 2,000 UNITS NEW ARTWORK BY GRAHAM HUMPHREYS EXCLUSIVE TO BOX SET POSTER OF NEW ARTWORK EXCLUSIVE TO BOX SET
Conceived by the legendary Italian producer Alfredo Bini, the multi-director portmanteau film Let's Wash Our Brains: RoGoPaG (Laviamoci il cervello: RoGoPaG) brought together four esteemed directors of European cinema to contribute comic episodes reflective of the swinging post-boom era. The resulting omnibus collectively examines social anxieties around sex, nuclear war, religion, urbanisation - and the promise of a modern cinema.Roberto Rossellini's Illibatezza (Virginity) follows an airline stewardess plagued by an obsessed American tourist whose 8mm camera enables the indulgence of a personal, and solipsistic, vision of the Ideal. Jean-Luc Godard's Il nuovo mondo (The New World) takes place in an Italian-dubbed Paris beset by nuclear fallout, and wittily chronicles the changes that take place in the lives - and medicine cabinet - of a handsome young couple. Pier Paolo Pasolini's scandalous La ricotta (Ricotta, as in the curded cheese) presents the goings-on around a film shoot devoted to the Crucifixion and presided over by none other than Orson Welles (playing a kind of stand-in for Pasolini himself); it is this episode that landed Pasolini with a suspended four-month prison sentence. Lastly, Ugo Gregoretti's Il pollo ruspante (Free-Range Chicken) depicts a middle-class Milanese family flirting with the purchase of real-estate and engaging catastrophically with an antagonistic consumerist infrastructure.
Unstoppable: Inspired by actual events, Unstoppable is an adrenaline rush fuelled by director Tony Scott's signature mark of propulsive action rooted in the reality of ordinary people placed in extraordinary circumstances. A veteran train engineer (Denzel Washington) and a young conductor (Chris Pine) race the clock to stop an unmanned runaway train - effectively a missile the size of a skyscraper -- and prevent disaster in a heavily populated area. Man On Fi...
Soft-porn impresario Zalman King's Wild Orchid is supposed to be an "erotic drama", but it fails because there isn't the faintest semblance of chemistry between the three main players. "From the creators of 9 ½ Weeks comes the most eagerly awaited film of the year", trumpets the voice-over on the trailer, but therein lies the problem: in 9 ½ Weeks Mickey Rourke smouldered with Kim Basinger. In Wild Orchid, things have wilted before he even gets on screen. There is a vague semblance of plot: young, naïve, beautiful multilingual lawyer Emily (Carré Otis) is hired to help the obnoxious Claudia (Jacqueline Bisset), a big-time developer, to close a major property deal in Rio. Wheeler (Mickey Rourke) is the poor kid made good who proves the fly in the ointment. Bisset is supposed to have developed an obsession with the emotionally constipated Rourke after he rejected her. And Otis is supposed to be the one who eventually gets under his skin. But child-model turned actress Otis seems to be having trouble getting her swollen lips round a whole sentence at a time, let alone acting. The film dates from 1990 yet seems firmly stuck in the 1980s, from the obsession with all things commercial to the ludicrous fashion-sense (Rourke: big jacket, no shirt, lots of gold jewellery; Otis: virginal flowing dresses and tresses to match). And the sex scene, when it finally arrives in the dying moments, is brief and entirely unerotic. Brazil looks good though. On the DVD: Wild Orchid on disc has acceptable sound and picture, but the lack of any extra features is not impressive. When you get bored you can always amuse yourself by selecting from the substantial list of subtitles. --Harriet Smith
The jungle has never looked so lush and sounded so good! Now on Blu-ray for the first time Disney's song-filled celebration comes vibrantly to life with a new digital restoration and glorious high definition picture. Meet the most unforgettable characters and embark on a thrilling adventure with Mowgli as he journeys deep into the jungle and learns 'The Bare Necessities' of life from happy-go-lucky Baloo the bear. Meet Bagheera the wise old panther and crazy King Louie the orang-utan. But watch out for cunning Shere Khan the tiger and Kaa the ssssneakiest snake in the jungle! Bursting with wild fun toe-tapping music and beloved characters this timeless masterpiece celebrates the true meaning of friendship. Experience all the excitement of Disney's jumpin' jungle classic and share the wonder with someone you love. Special Features: I Wan'na Be Like You: Hangin' Out At Disney's Animal Kingdom Alternate Ending Growing Up With Nine Old Men Audio Commentary With Composer Richard M. Sherman Animator Andreas Deja And The Voice Of Mowgli Bruce Reitherman Plus Guest Archival Appearances Backstage Disney The Bare Necessities: The Making Of The Jungle Book Walt's Lasting Impressions Kings Of The Jungle Drawn To The Voices The Jungle Beat The Last Act Disney's Kipling: Walt's Magic Touch On A Literary Classic The Lure Of 'The Jungle Book' Mowgli's Return To The Wild Frank and Ollie: Frank Thomas and Ollie Johnston Discuss Character Animation Music and More Deleted Songs Composed By Terry Gilkyson Brothers All The Song Of The Seeonee The Bare Necessities (Demo Version) Monkey See Monkey Do I Knew I Belonged To Her In A Day's Work The Mighty Hunters 'I Wan'na Be Like You' Music Video Performed By Jonas Brothers Sing Along With The Movie Introduction By Richard Sherman (for Int'l Only)
A single season TV show, originally aired in 1966-7, The Green Hornet was produced by William Dozier as a stable-mate for his more popular Batman series. Originally a 1940s radio character (and the grand-nephew of the Lone Ranger), the Green Hornet was another masked crime fighter with a secret identity and a sidekick (not to mention a cool car, the Black Beauty, and a memorable theme, a jazzy riff on "Flight of the Bumblebee"). Newspaper magnate Britt Reid (Van Williams) dons a mask and slouch hat to fight corruption in the big city. In place of Robin or Tonto, GH has Kato (Bruce Lee), a martial arts expert-chauffeur whose name inspired Inspector Clouseau's assistant and who seems to blow the secret identity gaff by using his real name in both civilian life and masked adventuring. While Batman was a colourful exercise in camp, with over-the-top villains played for laugh and a pop art hipness, The Green Hornet was a mundane pulp adventure with very little humour and very little in the character and plot departments. After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity. Though an interesting curio, fans might have preferred a release of individual episodes. On the DVD: This letterboxed transfer is probably the best the film could ever be made to look, considering it was probably shot on 16mm, then blown up and cropped for widescreen release. The quality varies notably from scene to scene, suggesting that the source episodes were in wildly different shape. The extras include thorough cast notes on Williams, Lee and under-used heroine Wende Wagner, still-image and film photo galleries, a quarter-hour featurette on the Black Beauty (flawed by the fact that the current owner is one of the dullest speakers in America), some shots of the Black Hornet Corgi model (oddly available in the UK in the 1960s, though the show didn't air on British television), a solid essay on the history of the character, notes on "The Bruce and Brandon Lee Association" and a funky if incomplete trailer for Black Samurai. --Kim Newman
Inspired by the beloved children's book Cloudy With A Chance Of Meatballs is the most delicious film for young eyes to feast on! When Flint Lockwood's (Bill Hader) latest contraption accidentally destroys the town square and rockets up into the clouds he thinks his inventing career is over. Then something amazing happens as delicious cheeseburgers start raining from the sky. His machine actually works! But when people greedily ask for more and more food the machine starts to run amok unleashing spaghetti tornadoes and giant meatballs that threaten the world! Now it's up to Flint with the help of weather girl Sam Sparks (Anna Faris) and Steve his talking monkey assistant to find some way to shut down the machine before the world is covered in super-sized meatballs!
As paranoid cop Del Spooner, Will Smith displays both his trademark quips and some impressive pectoral muscles in I, Robot. Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; I, Robot, the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan, Bruce Greenwood, and James Cromwell. --Bret Fetzer
The tagline states, "Only love can bring you to your senses." Well, your senses have to be pretty dulled to love At First Sight. On paper the story--based on the writings of medical writer extraordinaire Oliver Sacks (Awakenings)--is intriguing: a blind man regains sight after surgery yet can never connect with what he sees, including a lovely new girlfriend. Indeed, maybe blind was better. From such interesting stuff (and a talented cast) comes a tepid love story and an unconvincing drama. Val Kilmer plays Virgil, a serene resort worker who plays hockey in the dark and is the best masseur this side of the Catskills. Onto his table comes Amy, a bone-weary NYC architect (Mira Sorvino) who cries the first time Virgil does his magic. Instead of a voyage into the world of blindness, Amy's first instinct is to take Virgil to an eye doctor who can restore sight (Bruce Davison). Virgil receives sight, crumbling the trust between him and Amy. The clichés start building up and by the time Amy is wooed by her ex-husband (Steven Weber), her boss no less, one's patience wears thin. The medical curiosities of the story--Virgil can see an item but can't grasp what it is until he touches it--do not translate well on screen. The film's liveliest character is Nathan Lane as a teacher of the blind. A scene with Virgil that gets to the heart of his ailment is so filled with spontaneity, one wonders if it was scripted or simply Lane's own extemporaneous dialogue. After an admirable start as a director (Guilty by Suspicion), Oscar-winning producer Irwin Winkler has not been able to put cinematic highs or believable angst into his films (The Net, Night in the City). At First Sight may look good but it is blind where it counts. --Doug Thomas
Please wait. Loading...
This site uses cookies.
More details in our privacy policy