Waking from a coma in a deserted London hospital, bicycle courier Jim (Academy Award®-winner Cillian Murphy, 2023 Best Actor, Oppenheimer) takes to the deserted city streets in a state of mystified confusion. Joining forces with another group of survivors, Jim soon learns that a deadly virus was released. Is there still a glimmer of hope for humanity or has the deadly rage virus found its way to foreign shores and infected the entire planet?
A virus accidentally released from a research facility has devastated the entire planet and the human race is faced with extinction. Only a handful of survivors are left to salvage a future from the apocalypse.
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: Saving Private Ryan on disc comes in a good-quality anamorphic 1.85:1 transfer with a suitably dynamic Dolby Digital 5.1 sound mix in which bullets fly all around your living room. Extra features are pretty minimal, with a standard 30-minute "making of" piece called "Into the Breach" and two trailers. There are text notes on the cast and crew as well as the production, and a brief message from Mr Spielberg himself about why he decided to make the movie. --Mark Walker
From Blumhouse (Insidious and The Purge franchises, Get Out) comes a chilling tale of childhood and repressed memories of the past. After Jessica (DeWanda Wise) moves back in to her childhood home in Louisiana with her family, the reappearance of an imaginary friend from her youth sets in motion a threatening scavenger hunt with Jessica's stepdaughter, Alice (Pyper Braun). As Jessica's memories begin to surface aided by cryptic stories from an elderly neighbor (Betty Buckley) about a portal to the spirit world she realizes the imaginary friend she left behind is very real and very unhappy she left.Meet Your New Imaginary Friends Frills and Thrills Crafting the Beasts of Imaginary Bringing Nightmares to Life
Oscar-nominee Casey Affleck* (Interstellar, Gone Baby Gone) stars as Lee, a man whose spare existence is suddenly ruptured when the death of his brother Joe (Kyle Chandler, Carol, The Wolf of Wall Street) forces him to return to the hometown he abandoned years before. Rocked by contact with his estranged ex-wife (Oscar-nominee** Michelle Williams, My Week With Marilyn) and the revelation that Joe has made him guardian of his teenage son (Lucas Hedges), Lee is forced to face up to painful memories and new-found levels of responsibility as he reconnects with his family. Nominee, Best Actor in a Supporting Role, The Assassination of Jessie James by the Coward Robert Ford, 2008 Nominee, Best Performance by an Actress in a Supporting Role, My Week With Marilyn, 2012
By now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot. The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighbourhood yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes. It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and colour co-ordinates their wardrobes for cocktail parties. --Sam Sutherland
Sandra Bullock stars as a briliant lawyer with a sharp mind, with Hugh Grant as her handsome charming and undeniably self-absorbed millionaire boss.
Five friends travelling through rural Texas stumble across what appears to be a deserted house, only to discover something sinister within. The group soon find themselves picked off, one-by-one, by a masked madman with a chainsaw. Product Features 2 disc edition A new presentation featuring additional restoration work Audio tracks include new Dolby Atmos, stereo and restored original mono mix produced by Second Sight Films New Audio commentary by Amanda Reyes and Bill Ackerman Audio commentary with Writer-Producer-Director Tobe Hooper Audio commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, Sound Recordist Ted Nicolaou Audio commentary with Writer-Producer-Director Tobe Hooper, Cinematographer Daniel Pearl, Actor Gunnar Hansen Audio commentary with Actors Marilyn Burns, Allen Danziger and Paul A. Partain, and Art Director Robert A. Burns The Legacy of The Texas Chain Saw Massacre - a new feature length documentary produced by Second Sight Films Behind The Mask: Alexandra Heller-Nicholas on The Texas Chain Saw Massacre The Shocking Truth documentary, plus outtakes Cutting Chain Saw with Editor J. Larry Carroll Granpaw's Tales with Actor John Dugan Horror's Hallowed Grounds Flesh Wounds: Seven Stories of The Saw Off The Hook with Actor Teri McMinn The Business of Chain Saw with Production Manager Ron Bozman House Tour with Actor Gunnar Hansen Tobe Hooper interview Kim Henkel interview Deleted Scenes Outtakes Trailers TV and Radio Spots Stills Gallery
Miss Congeniality Sandra Bullock stars as a bumbling female FBI agent assigned to go undercover as a participant in the Miss United States beauty pageant when it is discovered that one of the contestants is being targeted for murder. Benjamin Bratt leads the undercover team while also playing the reluctant love interest. Candice Bergen and William Shatner manage the pageant and hire Michael Caine to turn Bullock from rough and tumble agent to stunning beauty queen. The physica
Five friends travelling through rural Texas stumble across what appears to be a deserted house, only to discover something sinister within. The group soon find themselves picked off, one-by-one, by a masked madman with a chainsaw. Product Features A new presentation featuring additional restoration work Presented in Dolby Vision HDR produced by Second Sight Films Audio tracks include new Dolby Atmos, stereo and restored original mono mix produced by Second Sight Films New Audio commentary by Amanda Reyes and Bill Ackerman Audio commentary with Writer-Producer-Director Tobe Hooper Audio commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, Sound Recordist Ted Nicolaou Audio commentary with Writer-Producer-Director Tobe Hooper, Cinematographer Daniel Pearl, Actor Gunnar Hansen Audio commentary with Actors Marilyn Burns, Allen Danziger and Paul A. Partain, and Art Director Robert A. Burns The Legacy of The Texas Chain Saw Massacre - a new feature length documentary produced by Second Sight Films Behind The Mask: Alexandra Heller-Nicholas on The Texas Chain Saw Massacre The Shocking Truth documentary, plus outtakes Cutting Chain Saw with Editor J. Larry Carroll Granpaw's Tales with Actor John Dugan Horror's Hallowed Grounds Flesh Wounds: Seven Stories of The Saw Off The Hook with Actor Teri McMinn The Business of Chain Saw with Production Manager Ron Bozman House Tour with Actor Gunnar Hansen Tobe Hooper interview Kim Henkel interview Deleted Scenes Outtakes Trailers TV and Radio Spots Stills Gallery
Sandra Bullock is an FBI agent who goes undercover as Miss New Jersey at a national beauty pageant after a terrorist group threatens to bomb the event.
After serving as a bridesmaid 27 times, a young woman (Heigl) wrestles with the idea of standing by her sister's side as her sibling marries the man she's secretly in love with.
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life.
Oscar-nominee Casey Affleck* (Interstellar, Gone Baby Gone) stars as Lee, a man whose spare existence is suddenly ruptured when the death of his brother Joe (Kyle Chandler, Carol, The Wolf of Wall Street) forces him to return to the hometown he abandoned years before. Rocked by contact with his estranged ex-wife (Oscar-nominee** Michelle Williams, My Week With Marilyn) and the revelation that Joe has made him guardian of his teenage son (Lucas Hedges), Lee is forced to face up to painful memories and new-found levels of responsibility as he reconnects with his family. Nominee, Best Actor in a Supporting Role, The Assassination of Jessie James by the Coward Robert Ford, 2008 Nominee, Best Performance by an Actress in a Supporting Role, My Week With Marilyn, 2012
IN THE LAST GREAT INVASION, OF THE LAST GREAT WAR, THE GREATEST DANGER FOR EIGHT MEN WAS SAVING ONE. Internationally acclaimed by critics and audiences alike, Saving Private Ryan, directed by Steven Spielberg, is an unforgettable film achievement that has had a profound and lasting impact throughout the world. Winner of five Academy Awards including Best Director (Spielberg) Saving Private Ryan also garnered two Golden Globe⢠Awards for Best Motion Picture (Drama) and Best Director. Seen through the eyes of a squad of American soldiers, the story begins with World War II's historic D-Day invasion, then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan (Matt Damon), whose three brothers have been killed in combat. Faced with impossible odds, the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war, each man searches for his own answer and the strength to triumph over an uncertain future with honour, decency, and respect. SPECIAL FEATURES: An Introduction Looking into the Past Miller and his Platoon Boot Camp Making Saving Private Ryan Re-Creating Omaha Beach Music and Sound Parting Thoughts Into the Breach: Saving Private Ryan Theatrical Trailer Re-Release Trailer Shooting War
Ugly duckling turned beautiful swan FBI Agent Gracie Hart returns for another adventure in this comedy starring Sandra Bullock.
Will Ferrell and Nicole Kidman star in this comedy based on the beloved '60s sitcom.
This sensational, extremely influential, 1974 low-budget horror movie directed by Tobe Hooper (Poltergeist, Lifeforce, Salem's Lot), may be notorious for its title, but it's also a damn fine piece of moviemaking. And it's blood-curdling scary, too. Loosely based on the true crimes of Ed Gein (also a partial inspiration for Psycho), the original Jeffrey Dahmer, Texas Chainsaw Massacre follows a group of teenagers who pick up a hitchhiker and wind up in a backwoods horror chamber where they're held captive, tortured, chopped up, and impaled on meat hooks by a demented cannibalistic family, including a character known as Leatherface who maniacally wields one helluva chainsaw. The movie's powerful sense of dread is heightened by its grainy, semi-documentary style--but it also has a wicked sense of humour (and not that camp, self-referential variety that became so tiresome in subsequent horror films of the 70s, 80s and 90s). OK, in case you couldn't tell, it's "not for everyone", but as a landmark in the development of the horror/slasher genre, it ranks with Psycho, Halloween, and A Nightmare on Elm Street. --Jim Emerson
Most Wonderful Time Of The Year
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures.--Mark Walker
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