TV's iconic Dynamic Duo has been captured, along with a legion of abominable archenemies in a POW-erful 18-disc collection. Featuring ALL 120 original broadcast episodes, ever popular guest stars like Julie Newmar and Cesar Romero, complete episode guide - and exploding with over 3 hours of all new extras - you can bring home all the crime fighting action that won generations of fans! Includes: · ALL 120 Original Broadcast Episodes Fully Remastered ·OVER 3 Hours Of ALL NEW Extras: o Hanging with Batman - A true slice of life in the words of Adam West o Holy Memorabilia Batman! - A journey into the most sought after collectables through the eyes of 3 extraordinary collectors o Batmania Born! - Building the World of Batman - Explore the art and design behind the fiction. o Bats of the Round Table - A candid conversation with Adam West and his celebrity friends, chatting all things Bat '66. o Inventing Batman in the words of Adam West (episode 1 &2) - A rare treat for the fans as Adam discusses his script notes on bringing Batman to life in the first and second episodes o Na Na Na Batman! - Hollywood favorites stars and producers recount their favorite Batman memories
Batman: The Movie carries the high camp absurdity of the 1960s TV show to gleeful new heights. Shark Repellent Batspray, costume-removing Batpoles, a contraption that dehydrates political figures into coloured powder, and endless childishly easy conundrums. Bringing the primary-coloured show to the big screen was a natural move, since sets, costume and casting were all in place. But what elevates the movie above the series? Is it the wonderful new toys--the Batcopter, Batboat and Batbike? Is it the OTT direction, taking the Dynamic Duo on location far more than usual? Or is it the electrifying one-upmanship between Burgess Meredith (Penguin), Cesar Romero (Joker), Frank Gorshin (Riddler) and Lee Meriwether (a new Catwoman since regular Julie Newmar was busy elsewhere)? As Commissioner Gordon says, "The sum of the angles of that rectangle is too monstrous to contemplate!" Really, the best of the movie's magic is to be found in the sheer glee Adam West and Burt Ward exhibit in playing for the big screen. This was the most exciting event in their careers. And it shows in their colourful, zestful performances. On the DVD: Batman: The Movie on disc includes an affectionate commentary from the two stars ("Oh lookee!" says West repeatedly), after which the duo are heavily involved in the wealth of additional material, even recording dialogue for the interactive animated menus. Seeing them on screen in the 16-minute featurette might be a shock, though. In the restored 1.85:1 film print they look much better! Additionally there's a five-minute "Batmobile Revealed" featurette with designer George Barris, a trailer page with some very humorous inclusions and two large galleries of behind-the-scenes photos.--Paul Tonks
Intergalactic adventure with an interplanetary resistance group battling for survival against a totalitarian super-power. Roaming a universe of boundless space and restrictive discipline freedom-fighter Blake with the crew of spaceship Liberator is locked in combat with the all-powerful forces of the Federation. Episodes comprise: 1. Aftermath 2. Powerplay 3. Volcano 4. Dawn Of The Gods 5. The Harvest Of Kairos 6. City At The Edge Of The World 7. Children Of Auron 8. Rumou
From Here to Eternity offers a much more heartfelt interpretation of the event that propelled the United States into World War II than any film made in recent years. Here there are no angst-ridden scenes where "true love" returns from the dead, no costly CGI and definitely no Hallmark happy ending. This is a film about illicit sex, military machismo and tragic loss of love, friendship and ultimately life. The filmmakers did, however, have to make some compromises when adapting James Jones's novel: Alma becomes a "hostess" rather than a prostitute and the very downbeat ending, where Captain Holmes is essentially rewarded for his brutality by the military, was replaced with the morally acceptable punishment of his actions by a more self-aware army. Although Private Robert E Lee Pruitt's story provides the meat of the film, there are other subplots woven into the narrative, including a couple of doomed love affairs, which explore themes of adultery and social acceptance. Sergeant Warden (Burt Lancaster) begins a torrid affair with the commander's wife Karen (Deborah Kerr) leading to one of the most famous moments in movie history--the "clinch in the surf". From then on everything is challenged. Love, honour and eventually whether you should conform or stand up for what you believe in. At the end the couples are left wondering about the future of their relationship, but fate decides for them as the Japanese launch their attack on Pearl Harbor, leaving us with one of the most dramatic and moving endings of any war film. On the DVD: The black and white film is not anamorphically enhanced but presented full frame in its original aspect ratio of 1.37:1, although the transfer is well done and the picture is pretty sharp. Sound is 2.0 mono rather than the standard 5.1 reworking of the audio track, and it works. The dialogue is clear without any noticeable hiss. There's a 22-minute "making of" documentary, which doesn't really do justice to the film and contains very little information of interest. Along with this is Fred Zinnemann's As I See It, an extract from the director's home video footage from the shoot. You also get the theatrical trailer, but the best feature is the audio commentary, by Fred Zinnemann's son Tim and screenwriter Alvin Sargent, which has some fantastic detail about the struggle between director and studio-head Harry Cohn over casting, along with the run-ins with the censor and US military over the "inflammatory nature" of the film.--Kristen Bowditch
In 1879 the British Colonies in response to the perceived threat of the Zulu Nation deliver a deliberately unacceptable ultimatum to the King who responds by putting his people on a war footing. Confident in their weapons technology and organization's ability to crush the seemingly outclassed primitive enemy the British invade Zululand. General Lord Chelmsford sends in hundreds of British troops in order to squash the spear-carrying Africans with superior fire power. The sheer number of Zulus however overwhelms the British infantry.
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow; Burt Reynolds plays a strapping hunter-gatherer in urban clothes; Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighbourly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh, Amazon.com
A movie's lasting value can often be measured by its influence in the years and decades following its original release, and on that basis Run Silent, Run Deep is certainly a classic of sorts. It remains one of the seminal World War II submarine pictures, and its intelligent script and tautly executed action are clearly echoed in such later submarine dramas as Das Boot and especially Crimson Tide, which borrows liberally from this 1958 film. In one of his best and final roles (he appeared in only four films after this), Clark Gable plays a submarine captain without a command, having been saddled with a desk job after his previous ship was destroyed due to his overzealous pursuit of the enemy in dangerous Japanese waters. He finally gets another boat--this time with a vigilant first officer (Burt Lancaster), who stands poised to assume command if Gable puts his crew in unnecessary danger. The tension and mutual respect between these two principled men is superbly written and directed (Robert Wise was just two years away from his triumph with West Side Story), and the crucial inclusion of a strong supporting cast (including Jack Warden and Don Rickles) enhances the movie's compelling authenticity. Based on a novel by former submarine commander Edward L. Beach, Run Silent, Run Deep is rousing entertainment with the added benefit of paying honourable tribute to the men who navigated through the most frightening and claustrophobic channels of the Pacific cinema. --Jeff Shannon
TV's iconic Dynamic Duo has been captured, along with a legion of abominable archenemies in a POW-erful numbered limited-edition collection. Featuring ALL 120 original broadcast episodes, ever popular guest stars like Julie Newmar and Cesar Romero, The Adam West Scrapbook, complete episode guide - and exploding with over 3 hours of all new extras - you can bring home all the crime fighting action that won generations of fans!
This animated series about the adventures of the Dark Knight features the voices of Adam West and Burt Ward, who starred in the popular live-action series Batman.EC-0001|The Dark Knight Revisited - A look at Batman's journey from comic book darkness to the bright light of 1970s Saturday morning cartoons.|Featurette|19:09*
TV's iconic Dynamic Duo has been captured along with a legion of abominable archenemies in a POW-erful numbered limited-edition collection. Featuring ALL 120 original broadcast episodes ever popular guest stars like Julie Newmar and Cesar Romero The Adam West Scrapbook complete episode guide — and exploding with over 3 hours of all new extras — you can bring home all the crime fighting action that won generations of fans!
Brothers and sisters, can we get a witness for Elmer Gantry, a woeful tale of saints and sinners? Burt Lancaster earned his only Oscar as the wide-smiling, glad-handing, soul-saving charlatan Gantry, a salesman who turns his gift for preaching into a career at the pulpit. Climbing on board the barnstorming evangelical tour of revivalist Sister Sharon Falconer (Jean Simmons), Gantry declaims, invokes, and sermonises his way to the top, until a former flame-turned-prostitute (Shirley Jones in an Oscar-winning performance) threatens to reveal his dark past as a womaniser and con man. Lancaster harnesses all his physical vigour and natural charisma for this role, literally throwing himself into his preaching with the suppleness of an acrobat and the sing-song delivery of a gospel singer--he even brays like a hound to show the Holy Spirit within him. Gantry is a showman, pure and simple, and while he doesn't fool true-believer Sister Sharon, he gives her a few object lessons in playing the crowd. Director Richard Brooks, who also took home an Oscar for his screenplay (adapted from the Sinclair Lewis novel), creates a rousing drama both on and off the pulpit, and provides fine roles for an excellent supporting cast, including Arthur Kennedy, Dean Jagger, John McIntire, and singer Patti Page. --Sean Axmaker
Set in the world of CART (Championship Auto Racing Teams), a seasoned race car driver (Sylvester Stallone) is hired to mentor an up-and-coming racer.
Drama based on the novel by Evan Hunter. Assistant District Attorney Hank Bell (Burt Lancaster) investigates the gangland murder of a blind Puerto Rican boy. Three Italian teenagers from the notorious Thunderbird gang stand trial for the murder, but Bell determines to uncover the motivation behind such a cold, brutal attack. He begins to discover, however, that the facts of the case are not as straightforward as they seem.
In the most exciting series yet life for Danny Trevanion at Leopard's Den is about to be turned upside down. Still recovering from the death of his wife Danny is deprived of his stepdaughter and about to lose his stepson Evan. Meanwhile Caroline Du Plessis' bride to be has also returned to England leaving her feisty and interfering sister Georgina to keep things running. Danny has the assistance of Alice a new vet who arrives with her daughter and looks like she might stay. And Mara has a new and attractive owner who - like many attractive creatures in the wild - may hide deadly venom. With emotions running high nature calls in all its fury leaving injured animals and a terrible storm. But with caring at the core of all they do life at Leopard's Den for Danny and family will prove rich in joy and sorrow sometimes frightening often exciting but always Wild At Heart.
Holy blu-ray bonanza Batman! This super special edition includes hours of thrill-packed extras that take you behind the scenes and let you explore the dynamic duo's background as never before. The fate of the world hangs in the balance when Batman (Adam West) and Robin (Burt Ward) face off against four of the most powerful villains of all time - Catwoman (Lee Meriwether) The Penguin (Burgess Meredith) The Joker (Cesar Romero) and The Riddler (Frank Gorshin)!
An unusual adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One of the real stars of the picture is the gorgeous three-strip Technicolor photography by George J.Folsey. The West has rarely looked more colorful.
Cy Endfield cowrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives--the British contingent was outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land none the less is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift that followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks
Burt Lancaster's one and only feature as star and director, The Kentuckian, has a bedrock American folk tale at its core, but scarcely a clue how to tell it. For all his balletic control as an actor-athlete, Lancaster shows no sense of how a film should move and breathe over an hour and a half, or how to make the characters' growth or changes of mind credible. It's the early 18th century--Monroe is president--and buckskin-clad Lancaster and his son (Donald MacDonald) are lighting out for Texas. "It ain't we don't like people--we like room more." They plan briefly to visit Lancaster's tobacco-dealer brother (John McIntire) in the river town of Humility, and then move on. But there are complications from a long-running feud, and some nasty baiting from a whip-cracking storekeeper (Walter Matthau in his film debut); the need to replace their "Texas money" after buying freedom for a bondservant (Dianne Foster); also the matter of deciding who's prettier, her or the local schoolmarm (Diana Lynn). Lancaster aims for some quaint Americana--a sing-along to the tinkling of a pianoforte, a jaw-dropping riverside production number--and there's one nifty bit of action based on how long it took to reload a flintlock rifle. But mostly this film just lies there in overlit CinemaScope. --Richard T Jameson
Surf’s up... when three intergalactic girls take their spaceship for a spin... and splash down off the California coast! Washed up on shore, the breathtaking babes start making serious waves with a trio of buff beach boys. But before the bronzed bunch can “hang ten,” the sand hits the fan...as the Sun Bun Tanning Lotion Company tried to push the local surfing legend Bud “Big Cajones” Elrick off the beach. It’s up to the three out-of-this-world beauties to help the holistic hipster in the only way they know... by busting loose in a wet and wild bikini contest that sets the strand a-sizzle and proves for once and for all that the Pacific Coast Highway leads straight to a hard-body heaven! Special Features: All region codes. Numbered spine. Videozone behind the scenes documentary. Original trailer. Animated stills gallery. Full moon trailer park. Reversible sleeve incorporating original artwork. Red case.
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