Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain's pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured. FILM INFO - United States - 1944 - 108 minutes - Black & White - 1.37:1 - English 4K UHD + BLU-RAY SPECIAL EDITION FEATURES - New 4K digital restoration, with uncompressed monaural soundtrack - One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features - Audio commentary featuring film critic Richard Schickel - New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment - New conversation between film historians Eddie Muller and Imogen Sara Smith - Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder - Shadows of Suspense, a 2006 documentary on the making of Double Indemnity - Radio adaptations from 1945 and 1950 - Trailer - English subtitles for the deaf and hard of hearing - PLUS: An essay by critic Angelica Jade Bastién - New cover by Greg Ruth
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
Double Indemnity (Dir. Billy Wilder 1944): From the Moment they met it was Murder! Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of course in these plots things never quite go as planned and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who has a feeling that not all is as it seems... All I Desire (Dir. Douglas Sirk 1953): In 1900 Naomi Murdoch deserted her small-town family to go on the stage. Some ten years later daughter Lily invites Naomi back to see her in the Riverdale high school play. Her arrival sets the whole town abuzz wakes up old conflicts and sets off new emotional storms.
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as BARBARA STANWYCK (The Lady Eve)? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter RAYMOND CHANDLER, director BILLY WILDER (Ace in the Hole) launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from JAMES M. CAIN's pulp novel. When slick salesman Walter Neff (The Caine Mutiny's FRED MACMURRAY) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from EDWARD G. ROBINSON and the chiaroscuro of cinematographer JOHN F. SEITZ (Sunset Blvd.), Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. Product Features New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing
25 years 35 albums and not a single live show or public appearance. The documentary film Jandek on Corwood definitively explores the most intriguing mystery in modern music. Featuring revealing interviews evocative imagery and one of the most bizarre and compelling soundtracks in film history Jandek on Corwood will challenge the viewer's conception of music Art and the nature of celebrity.
Marie Galante: (1934 88 min. B&W) Movie newcomer Ketti Gallian plays Marie Galante kidnapped by a drunken sea captain and left stranded in the Yucatan. While working as a cafe singer hoping to pay for her ticket out of the Panama Canal she meets American detective Crawbett (Spencer Tracy) the only person who believes her abduction story. In a series of twists and turns the two find themselves caught in the middle of an unexpected adventure including espionage and a plan
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