A failed novelist takes his best friend for a week in California's wine country in this life affirming flick.
When Amazon princess Diana of Themyscira chooses to save fighter pilot Steve Trevor, it's a choice that will change her world and ours. Fulfilling the role of both ambassador as well as protector, Diana earns the name Wonder Woman from the gracious people of Earth. But her heart is as strong as her will as she is determined to help a troubled and embittered young girl whom has fallen in with a deadly organization known only as Villainy, Inc! Get ready for an exciting adventure packed with brutal battles, myth and wonder!
Set in a fictitious suburb rather like, say, Pinner (only more so), The Thin Blue Line is the wickedly funny story of a rather down-at-heel police station headed by Inspector Raymond Fowler (Rowan Atkinson), a pompous, repressed but well-intentioned anachronism who wants to do the right thing but who is constantly hampered by his own shortcomings, not to mention his blundering CID colleagues. Atkinson expertly balances his character's inflated sense of self-importance with the insight born of old-school police values, for which his galumphing, shiny-suited CID counterpart, DI Grim (David Haig) has no time at all. Strongest among the supporting cast is Sgt Pauline Dawkins (Serena Evans), who also happens to be Fowler's live-in lover--a moral dilemma that his traditional values won't allow him to resolve. He salves his conscience by avoiding sex with her whenever possible, an amusing subplot enhanced by Evans's brilliant performance--she positively vibrates with contained, ladylike lust in a manner only equalled by Penelope Keith in the classic sitcom To the Manor Born. Scripted by Ben Elton, this series manages to satirise provincialism, institutionalised pig-headedness and dated moral values in one fell swoop, while also being chock-full of quick-fire, Blackadder-esque dialogue. --Roger Thomas
Based on the best-selling controversial novel by Pulitzer and Nobel Prize-winning author Ernest Hemingway 'For Whom the Bell Tolls' graces the screen with legendary stars Gary Cooper and Ingrid Bergman. The story follows expatriate American demolition expert Robert Jordan who aides anti-fascist freedom fighters of Spain. Assisting him is a band of warriors including the strong-willed Pilar (Katina Paxinou in an Oscar winning performance) the dangerously undependable Pablo and th
A critically acclaimed film that won a total of eight 1970 Academy Awards (including Best Picture) Patton is a riveting portrait of one of the 20th century's greatest military geniuses. One of its Oscars went to George C. Scott for this triumphant portrayal of George Patton the only Allied general truly feared by the Nazis. Charismatic and flamboyant Patton designed his own uniforms sported ivory-handled six-shooters and believed he was a warrior in past lives. He outmaneuv
Con Air is proof that the slick, absurdly overblown action formula of Hollywood mega-producers Don Simpson and Jerry Bruckheimer (Top Gun, Days of Thunder, The Rock, Crimson Tide) lives on, even after Simpson's druggy death. (Read Charles Fleming's exposé, High Concept: Don Simpson and the Hollywood Culture of Excess, for more about that). Nicolas Cage, sporting a disconcerting mane of hair, is a wrongly convicted prisoner on a transport plane with a bunch of infamously psychopathic criminals, including head creep Cyrus the Virus (John Malkovich), black militant Diamond Dog (Ving Rhames), and serial killer Garland Greene (Steve Buscemi, making the most of his pallid, rodent-like qualities). Naturally, the convicts take over the plane; meanwhile, on the ground, a US marshal (John Cusack)and a DEA agent (Colm Meaney), try to figure out what to do. As is the postmodern way, the movie displays a self-consciously ironic awareness that its story and characters are really just excuses for a high-tech cinematic thrill ride. Best idea: the filmmakers persuaded the owners of the legendary Sands Hotel in Las Vegas to let them help out with the structure's demolition by crashing their plane into it.--Jim Emerson
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play.
The producers of Godzilla reimagine the origins of one the most powerful monster myths of all in Kong: Skull Island, from Warner Bros. Pictures, Legendary Pictures and Tencent Pictures. A compelling, original adventure from director Jordan Vogt-Roberts (The Kings of Summer), the film tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong. Click Images to Enlarge
Bresson achieves the pinnacle of his art in the tale of a gentle creature's journey through a cruel world. A profound masterpiece from one of the most revered filmmakers in the history of cinema, Au hasard Balthazar, directed by Robert Bresson (Pickpocket), follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations outside of his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly. Through Bresson's unconventional approach to composition, sound, and narrative, this simple story becomes a moving parable about purity and transcendence. Special Edition Features: New 2K digital restoration, with uncompressed monaural soundtrack Interview from 2005 with film scholar Donald Richie Un metteur en ordre: Robert Bresson, a 1966 French television programme about the film, featuring Bresson, filmmakers JeanLuc Godard and Louis Malle, and members of Balthazar's cast and crew Original theatrical trailer Plus: An essay by film scholar James Quandt
A brilliant film a classic black comedy. A group of war-eager military men plan a nuclear apocalypse that is both funny and frightening - and seems as relevant today as ever. Through a series of military and political accidents two psychotic generals - U.S. Air Force Commander Jack D. Ripper (Sterling Hayden) and Joint Chief of Staff Buck Turgidson (George C. Scott) - trigger an ingenious irrevocable scheme to attack Russia's strategic targets with nuclear bombs. The brains behind the scheme belong to Dr. Strangelove (Peter Sellers) a wheelchair-bound nuclear scientist who has bizarre ideas about man's future. The President is helpless to stop the bombers as is Captain Mandrake (Sellers again) the only man who can stop them...
Controversial, compelling and critically acclaimed, THE SHIELD reinvented the police genre and gave us one of the greatest antiheroes in television history. Vic Mackey, a corrupt cop, runs hie elite Strike Team under his own set of rules, bringing conflict to not only the streets of Los Angeles, but also within his precinct. THE SHIELD showcases acting, directing and writing of the highest caliber.
Director JIM JARMUSCH followed up his brilliant breakout Stranger Than Paradise with another, equally beloved portrait of loners and misfits in America. When fate lands three hapless menan unemployed disc jockey (Short Cuts' TOM WAITS), a small-time pimp (Fishing with John's JOHN LURIE), and a strong-willed Italian tourist (Life Is Beautiful's ROBERTO BENIGNI)in a Louisiana prison, a singular adventure begins. Described by Jarmusch as a neo-Beat noir comedy, Down by Law is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white photography by esteemed cinematographer ROBBY MÃLLER (Paris, Texas) Special Features High-definition digital restoration, with uncompressed monaural soundtrack Thoughts and reflections on the making of the film from director Jim Jarmusch in 2002 Interview with director of photography Robby Müller from 2002 Footage from the 1986 Cannes Film Festival, including a press conference featuring Jarmusch and actors John Lurie, Roberto Benigni, and Nicoletta Braschi, and an interview with Lurie, with commentary Sixteen outtakes Music video for Tom Waits's cover of Cole Porter's It's All Right with Me, directed by Jarmusch Q&A with Jarmusch in which he responds to fans' questions Recordings of phone conversations between Jarmusch and Waits, Benigni, and Lurie Production Polaroids and location stills Isolated music track Optional French dub track, featuring Benigni Trailer PLUS: An essay by critic Luc Sante
With a story that's too flimsy to support its running time, this road-mo vie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss' high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot of Nothing To Lose is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon, Amazon.com
A box set featuring many of Clint's finest movies from the Universal stable. Films Comprise: 1. Play Misty For Me (1971) 2. Joe Kidd (1972) 3. Two Mules For Sister Sara (1970) 4. Coogan's Bluff (1968) 5. The Beguiled (1971) 6. The Eiger Sanction (1975) 7. High Plain's Drifter (1973) 8. Breezy (1973)
The producers of Godzilla reimagine the origins of one the most powerful monster myths of all in Kong: Skull Island, from Warner Bros. Pictures, Legendary Pictures and Tencent Pictures. A compelling, original adventure from director Jordan Vogt-Roberts (The Kings of Summer), the film tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong. Click Images to Enlarge
Loving thy neighbour continues to be an uphill struggle for the residents of Latimer Crescent. Two Doors Down returns to the street for another dose of neighbourly interference. Beth (Arabella Weir) and Eric (Alex Norton), Cathy (Doon Mackichan) and Colin (Jonathan Watson), Ian (Jamie Quinn) and partner Gordon (Kieran Hodgson), new neighbours Alan (Graeme Grado' Stevely) and Michelle (Joy McAvoy) and the indomitable Christine (Elaine C Smith) look out for each other and drive each other to distraction on a regular basis. They also all do their very best to endure everything friends and family can throw at them - which this year includes a dubious trifle, an unconventional wake, an extended stay in hospital and overbearing pressure to love rhubarb.
Made in 1984, The Hitcher is an update--in spirit at least--of Steven Spielberg's first feature film, 1971's Duel. Here C Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary and teetering on the brink of "must see". --Andy Spletzer
A Tweenies adventure featuring brand new material and an all-new character Eddie the Dream Genie!
Tautly directed and superbly photographed, this crowd-pleasing thriller from 1997 is indebted to Steven Spielberg's Duel but more closely resembles Dead Calm in its strengths and weaknesses. Kurt Russell plays a stressed-out husband whose wife (Kathleen Quinlan) disappears after their car breaks down in the desert. Tracking down her whereabouts leads to an interstate theft and kidnapping ring, and as Russell pursues--and is pursued by--a vicious redneck played to perfection by J T Walsh (in one of his final film roles), the movie succumbs to several tense but utterly conventional action sequences. That doesn't stop the movie from being an above-average nail-biter. It is so effectively directed by co-writer Jonathan Mostow that even the more surreal situations seem plausible and altogether unsettling. Russell's performance is key to the film's success--he's smart enough to be admirable and we can readily identify with his frustration, confusion and torment. Through him, Breakdown takes on the edgy quality of a wide-awake nightmare. --Jeff Shannon
Bo and Luke Duke, with a little help from Daisy and Uncle Jesse egg on the authorities of Hazzard County.
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