A woman gives her hot-shot music producer boyfriend 30 days to change from a partying bachelor into a respectable marrying man...
Featuring the tracklist: 'March Of The Lost Children' 'Solitude' 'Little Rootie Tootie' 'Medicine Man' 'Shadow And Light' 'Carnavalito' 'Black Water' and 'Improvisation'.
A predictable vehicle for the resistable Martin Lawrence, Black Knight is yet another rerun of Mark Twain's Connecticut Yankee at the Court of King Arthur concept which here plays like a horror-free, considerably less funny take on Army of Darkness. Jamal (Lawrence), minion in a mediaeval theme park, reaches into a moat for a magic amulet and is transported to the 14th century, where he is appalled by the toilet facilities, pals around with a disgraced knight (an equally disgraced Tom Wilkinson), romances a feminist lady-in-waiting (Marsha Thomason), introduces soul music to the court in a bit done better in A Knight's Tale, and becomes the legendary black knight to help the rebels overthrow the wicked king. It has a bigger, more lavish feel than most of Lawrence's makeshift knockabouts, but that may also be why it is even less funny, since his rants are rather reined-in and his screen character comes across as just overly pleased with himself rather than a comic foul-up who turns heroic. --Kim Newman No-one tries very hard in Big Momma's House so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you are able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large. Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. Paul Giamatti is wasted as Malcolm's partner, while director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3). Eddie Murphy in The Nutty Professor 2: The Klumps is far more accomplished, versatile and funny. --David Kronke
When the mysterious Henry Wooten offers a struggling actor the dream of fame fortune and eternal youth 'a no questions asked' pact is forged between the two. Enjoying a self-indulgent life of sex drugs and rock 'n' roll Louis realises too late the price of staying forever young. But a deal is a deal...especially when it's a deal with the devil.
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
The Secret Weapon (Dir. Roy William Neill 1942): The inventor of a secret weapon and its prototype are abducted leaving the wartime Allies in dire need of assistance. Sherlock Holmes is called and begins to do battle with Professor Moriarty who will later become his arch-enemy... Dressed To Kill (Dir. Roy William Neill 1946): A beautiful woman and her gang of criminals attempt to match their wits with Sherlock Holmes in this murder/mystery set in Dartmoor and London
A live show shot in Nashville in 1971 during Lewis' most potent creative period roping in several of his famous friends and his sister for one mind-blowing set!
Tracklist: 1. Introduction 2. That'll Be The Day - The Crickets 3. Summertime Blues - The Crickets 4. Peggy Sue - The Crickets 5. STORY 1 6. Well All Right - Joe Ely & The Crickets 7. Not Fade Away - Joey Ely & The Crickets 8. It's So Easy To Fall In Love - John Foggerty 9. Cotton Fields - John Foggerty 10. Rave On - John Foggerty 11. STORY II 12. Changing All Those Changes - Sweethearts Of The Rodeo 13. Rock Around With Ollie Vee - Brian Setzer From Stray Cats 14. Oh Boy - Brian Setz...
A local high school harbours a sinister secret society. They are a strange group of students who revel in demonic fantasy role play breaking in to the school after hours decked in all manner of satanic costumes carrying fake weapons. Their games soon turn into nightmares when a mysterious force takes control. One by one the supernatural presence possesses their souls and transforms them into young demons. It's up to one resourceful student to save his friends and exorcise the evil power that threatens to destroy them all!
If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny Brown
Carl Barron: Live!
A big-budget, mega-event epic motion picture that revolves around an abrupt climate change that has cataclysmic consequences for the planet.
The Little Rascals
Carl Cox 24/7 is the exclusive documentary covering the everyday life of one of the worlds most loved and revered DJs. Never before has anyone been granted this kind of access into Carls life outside of DJing. Features interviews with Josh Wink Sven Vath Dub_re John Digweed Moby Loco Dice Fatboy Slim and many more talking openly and honestly about their dear friend and colleague. Shot continuously over 12 months the film follows Carl around the globe taking in London America Australia Ibiza and Barbados while giving you a personal insight into Carls everyday life as he splits his time between jet-setting across the world riding his beloved motorbikes kicking back on his rare moments and hanging out with friends family and collaborators. With over 80 minutes of exclusive interviews and footage and an additional 45 minutes of bonus live footage from Carl's set on the momentous opening night of one of the worlds most advanced new venues. Tracklist: 1. The Quasar - Shining 2. Duel - Absence 3. The Quasar - Nectarin 4. Marcelinho CIC Time For My Rhode 5. Bobby Bennett Funky Take Off 6. Morfeen - Cream Royale 7. Owl - Vanilla 8. Jamie Evans - Spangled Ballet Destruction Friday (Orig.) 9. Jean-Denis Catelan - 2 Guys On The Rock - Eskomo 10. Carl Cox - Give Me Your Love 11. DJ Gruja - Tom & Snaree 12. Typically Tropical - Barbados 13. Carl Cox - Spoon (Mastered Mix) 14. Duel & Gasper - Gotta Move (Extended Original Mix) 15. Alex Dias - Scientific 16. Mavann Take Me High (Muzzaik Remix) 17. The Quasar- Nektarin (Add2Basket Back In The 80s Space) 18. Miro Krizman & Damjan - Bizilj Ghost 19. Owl - Velvet 20. Ilya Shvets Phantom Project - Dance Reflex (Original Mix) 21. Trandel - Aspera (Mihai Popoviciu Remix) 22. Trande l- Aspera (Nikola Kunich Remix) Bonus Material: 1. Carl Cox - I Want You (Tech House Mix) 2. Carl Cox - K Passa (Elio Riso & Horuss Mix) 3. Carl Cox Family Guy (Version 2) 4. Carl Cox & Jon Rundell - Twisted Machine 5. Sander Van Doorn Sanders Riff (Cox Remix) 6. Carl Cox & Eric Powell - Funky To The Max 7. Carl Cox & Jon Rundell - Under The Wire 8. Carl Cox - Moroccan Chant (Original) 9. Carl Cox - Moroccan Chant (Eric Powell Mix) 10. Carl Cox - Brighton Ride
Curse, directed by Esan Sivalingam, tells the chilling tale of a military squad sent to an island to investigate the mysterious disappearance of a group of soldiers. Accidentally disturbing a burial site, they unleash a supernatural curse and start to experience an evil presence. The island offers little refuge as they fight for survival and discover the truth behind the disappearance.
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