Join Pingu his friends and family in all new adventures! In this fantastic collection of stories see Pingu get up to all kinds of mischief; from learning to snowboard to escaping the ice-maze you'll be grinning from ear to ear. It's 'snow-wonder' everyone loves Pingu! Pingu The Snowboarder: Robby has all the snowboarding moves; Pingu just has a sore bottom. Will Pingi be able to teach Pingu to be as good as Robby? Pinga Has Hiccups: Pinga has very loud hiccups but r
When 19-year-old Lucy arrives in Tuscany to spend the summer with her late Mother's free spirited Bohemian friends she soon finds herself in pursuit of an unfulfilled romance. Guided by the kindness and wisdon of Max Lucy finds herself battling with her emotions in a sensual adventure that leads to the ultimate enlightenment. From the director of 'The Last Emperor' Bernardo Bertolucci 'Stealing Beauty' explores one girl's intriguing journey into womanhood in a provacative story
Italian star and filmmaker Massimo Troisi was dying of heart failure even before this film, his dream project, began production, and he prevailed upon British director Michael Radford (White Mischief) to see him and the film through to the end. (The 40-year-old Troisi, a beloved comic actor in Italy, died the day production wrapped.) Based on true events, Troisi plays a shy postman who strikes up an unlikely friendship with exiled Chilean poet Pablo Neruda (Philippe Noiret). Through Neruda's example and tutelage, the hero learns to think of his Italian fishing village in lyrical terms, as well as how to talk to women and even find the strength to take his political stands. Sweet as it is, the film finally pushes beyond its charming borders to become an even more complex and poignant story about the pain of growing into one's destiny. --Tom Keogh, Amazon.com
This disastrous 1996 film by Sir Richard Attenborough was meant to be part of his informal series of movies about great men, including Gandhi, Chaplin, Cry Freedom (the Steven Biko story) and Shadowlands (CS Lewis). In Love and War is a recounting of young Ernest Hemingway's World War I love affair with Red Cross nurse Agnes von Kurowsky, who was eight years older than he and who became the basis for the Catherine Barkley character in A Farewell to Arms. O'Donnell is terrible, in a word, and Bullock mostly seems out of sorts when playing someone real. Except for the scene in which Hemingway is introduced, fearlessly making his way to a trench under heavy bombardment, you have no idea that this person O'Donnell "portrays" will eventually change the direction of American literature. For a much better experience, look toward Attenborough's previous works. --Tom Keogh
Pingu's Bouncy Fun: Pingu just wants to bounce; on his bed on the armchair even on Pinga's favourite toy! Mother is not pleased. Will Pingu find a way to have bouncy fun? Pingu Finishes The Job: Father is busy repairing a table for Mother and Pingu thinks that DIY looks like fun... Pingu Digs A Hole: After Father digs his snow-cart out of the snow Pingu gets a bit shovel-happy and sets out on a digging spree! Pingi's Valentine Card: Pingu receives a Va
Following the success of his debut feature, The Bird with the Crystal Plumage, distributor Titanus tasked writer / director Dario Argento with delivering a follow-up in short order. The resulting film, granted a greatly enhanced budget and heralded in its US marketing campaign as nine times more suspenseful than its predecessor, was The Cat O Nine Tails. When a break-in occurs at a secretive genetics institute, blind puzzle-maker Franco Arnò (Karl Malden, Patton, One-Eyed Jacks), who overheard an attempt to blackmail one of the institute s scientists shortly before the robbery, teams up with intrepid reporter Carlo Giordani (James Franciscus, Beneath the Planet of the Apes) to crack the case. But before long the bodies begin to pile up and the two amateur sleuths find their own lives imperilled in their search for the truth. And worse still, Lori (Cinzia De Carolis, Cannibal Apocalypse), Franco s young niece, may also be in the killer s sights... This second entry in the so-called Animal Trilogy found Argento further refining his distinctive style and cementing his reputation as the master of the giallo thriller. Co-starring Catherine Spaak (Il Sorpasso) and Rada Rassimov (Baron Blood), and featuring another nerve-jangling score by the great Ennio Morricone (The Bird with the Crystal Plumage, The Good, The Bad and the Ugly), The Cat O Nine Tails remains one of Argento s most suspenseful and underrated films. SPECIAL EDITION CONTENTS: Brand new 4K restoration of the film from the original camera negative High Definition Blu-ray (1080p) presentation Original mono Italian and English soundtracks Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by critics Alan Jones and Kim Newman New interviews with co-writer/director Dario Argento, co-writer Dardano Sacchetti, actress Cinzia De Carolis and production manager Angelo Iacono Script pages for the lost original ending, translated into English for the first time Original Italian and international theatrical trailers Reversible sleeve featuring original and newly commissioned artwork by Candice Tripp
In 1866 the U.S. Government and the leaders of the Sioux Nations met to negotiate a passage through Indian territory, when gold is discovered in the mountains of Montana. Unable to reach an agreement, the U.S. Cavalry defy the peace treaty and build a fort to protect their new road. Van Heflin stars as Jim Bridger, a scout hired by the cavalry and the only man capable of defusing the powder-keg situation. Against the backdrop of a potential war, Bridger must also face personal demons when he runs into Lieutenant Rob Dancy, a bigoted army officer with a dark history.
In a dystopian Detroit, abandoned brick mansions left from better times now house only the most dangerous criminals. Unable to control the crime, the police constructed a colossal containment wall around this area to protect the rest of the city.
A group of yuppies charter a plane for a camping getaway only to find themselves making an emergency landing on an isolated island. They are taken in for the night by the only inhabitants the rabidly-religious ""Ma & Pa"" who seem trapped in a Rockwellian time-warp. This proves to be every bit as unpleasant as it seems.
Throughout film history, Hollywood has produced a number of sweeping epics and generation-defining movies. However, one film - Cecil B. DeMille's The Ten Commandments - has stood the test of time. Universally recognised among critics as a cinematic masterpiece, this unforgettable motion picture has also been recognised by The American Film Institute as one of the Top Ten epics of all time. From its Academy Award-winning director and revolutionary Oscar-winning special effects to its memorable music score and all-star cast, The Ten Commandments presents the story of Moses in all of its stunning glory. Starring Charlton Heston, Yul Brynner, Anne Baxter and a who's who of legendary screen talent, the film was nominated for seven Academy Awards, including Best Picture of 1956. Now available for the first time ever on Blu-ray and restored to a stunning new visual experience, The Ten Commandments can be relived in the best picture and sound possible.
A likeable 1977 French farce (and the basis for the 1996 American remake, The Birdcage), this popular comedy was one of the most successful international films of all time, and even spawned a Broadway musical and two sequels. It tells the story of a gay couple who--when one man's son from a previous liaison brings home his fiancée--masquerade as husband and wife for their prospective in-laws. Le Cage Aux Folles is saved from becoming an exercise in silliness by the heartfelt characterisations of the gay nightclub owners. La Cage aux Folles is one of the funniest imports from Europe and a great comedy in any venue. --Robert Lane
Join Pingu and his family for this momentous occasion. There's huge excitement all around when a special wedding invitation arrives. However things do not go as planned with a missing groom a new arrival and a crazy wedding gift it's certain to be a day to remember! This is your one and only chance to go to a special place where the penguins are GREEN! See Pingu team up with his new green pal and get in to all kinds of mischief. This extended special never seen on TV and never previously available will excite and delight all who see it.
This vigorously entertaining film, sharply directed by Robert Redford fr om Paul Attanasio's brilliant screenplay, is based on the game-show scandals of the 1950s, when TV quiz shows were rigged to attract higher ratings and lucrative sponsorships. The fact-based story focuses on the quiz show Twenty-One and popular contestant Charles Van Doren (Ralph Fiennes), a charming, well-bred intellectual who agreed to win the game by using answers supplied by the show's producers. This unfair advantage turned Van Doren into a prototypical media darling at the expense of reigning Twenty-One champion Herbie Stempel (John Turturro, in a bravura performance), a working-class Jewish contestant who, according to the show's sponsors, had worn out his welcome in the public eye. When a congressional investigator (Rob Morrow) catches on to the scam and Stempel blows the whistle on this backstage manipulation, Quiz Show becomes a smart, political exposè about the first generation of television, the corrupting effect of celebrity and success, and the ongoing loss of innocence in American society. Bristling with superior dialogue and energized by an excellent cast including Paul Scofield as Van Doren's morally upstanding father, Quiz Show succeeds as history lesson, intelligent thriller, and morality tale, setting the stage for the countless scandals that would follow in a nation addicted to television. --Jeff Shannon, Amazon.com
Bugsy represents an almost miraculous combination of director, writer and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realise them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerising as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon
Rome Open City: Roberto Rossellini's startling depiction of Nazi-occupied World War II Rome and one of the most prominent examples of his neorealist cinematic style is the story of a tenaciously held underground resistance against the Germans. When its leader Manfredi (Marcello Pagliero) and a priest Don Pietro (Aldo Fabrizi) are captured the resistance collapses with disastrous personal results to all. The film was nominated for an Oscar for Best Screenplay; Fellini collaborated with Rossellini in the writing of the script. 'Open City' is all the more remarkable in that it was made immediately following the liberation of Rome had been developed while Rossellini himself was in hiding and was filmed in the locations where the true events that the story are based on occurred. (Dir. Roberto Rossellini 1945) The Bicycle Thieves: After nearly two years of unemployment Antonio (Lamberto Maggiorani) finally finds work posting bills. But he needs a bicycle to do the job. Unfortunately he was forced to pawn his own bicycle long ago. In a humbling tragic scene Antonio exchanges his family's linen for his bicycle. But when the bike is stolen on his first day of work he must comb the streets of Rome in search of the bike: his family's only means to survival. Shot on location in Rome and using non-actors as a means of heightening the reality of the film Ladri Di Biciclette received the Honorary Award for Best Foreign Film at the 1950 Oscars. (Dir. Vittorio De Sica 1948) Miracle In Milan: Once upon a time an old woman discovered a young child in her cabbage patch. She cared for him until her death at which time the boy was placed into an orphanage. When the child is released from the orphanage he inspires shantytown squatters to improve their huts and enjoy the world. But as they begin to rebuild the squatters strike oil. The landowner evicts them wanting the oil for himself. But the old woman drops down from heaven to give Toto a magical dove which grants them whatever wish they want. Winner of the Grand Prize at the 1951 Cannes Film Festival - tied with Frken Julie. (Dir. Vittorio De Sica 1951) Umberto D: Retired civil servant Umberto struggles to survive on his rapidly dwindling pension in the harsh environment of post-World War II Rome a city plagued by its society's total disregard for the plight of the elderly the poor and the downtrodden. His only companions are his loyal dog Flag and a pregnant housemaid named Maria (Maria-Pia Casilio). Facing eviction from his humble home by his tyrannical landlady (Lina Gennari) Umberto's desperate failed attempts to raise money lead him to contemplate suicide. But first he must find a home for his little dog. Filmed on location in Rome with a totally non-professional cast Vittorio De Sica's compassionate but unsentimental handling of Umberto's tale devastatingly conveys the wretchedness of poverty and old age. 'Umberto D' is a deeply emotional and moving film that has quite rightly been hailed as a timeless classic of modern cinema. (Dir. Vittorio De Sica 1952) I Vitelloni: Five young men linger in post-adolescent limbo dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink women and nights at the local pool hall. Federico Fellini's second solo directorial effort is a semi-autobiographical masterpiece of sharply drawn character sketches. An international success and recipient of an Academy Award nomination for Best Original Screenplay I Vitelloni compassionately details a year in the life of small-town layabouts struggling to find meaning in their lives. (Dir. Federico Fellini 1953)
America's Funniest Family In Their 1966 First Full Length Feature Film The first family of fright from the popular 1964-1966 sitcom series Herman (Fred Gwynne), Lily (Yvonne De Carlo), Grandpa (Al Lewis), Eddie (Butch Patrick) and Marilyn (Debbie Watson) hit the big screen as Herman becomes Lord Munster when he inherits an estate from an English uncle. With Spot guarding 1313 Mockingbird Lane, Herman leaves his job at Gateman Goodbury & Graves Morticians for Munster Hall, he uncovers a counterfeit ring, and upholds the family honour driving his Drag-u-la special in the annual road race. Produced and co-written by series creators Joe Connelly and Bob Mosher (Leave It To Beaver),this frantically funny fright-fest features british comedians Terry Thomas and Hermione Gingold, legendary horror star John Carradine and Family Feud host Richard Dawson. Special Feature Theatrical Trailer
You may have just mortgaged your life! Shock gore master Lucio Fulci's The House by the Cemetery is one of the finest typically single-minded exercises in zombie terror. It s just a shame no-one told the Boyle family who move into a gothic style house (by a cemetery) with a bloody past and a guts spraying future, what is yet to come! You d think they d twig given the basement door is nailed shut that they should get the hell out. Instead they stay long enough to discover their zombified non rent-paying lodger, the cellar-dwelling, flesh-hungry Dr Freudstein and boy is he angry!
Frivolous Lola is a spirited adult production that keeps very much to Italian director Tinto Brass' modus operandi of making light-hearted sex films with a European art house sensibility. The Lola of the title (played with gusto by Serena Grandi) is a flighty young woman, frustrated by her relationship with local baker's son Masetto. Her constant attempts to seduce him meet with little success, resulting in a passionate affair with her mother's lover, André. As with all of Brass' work, Frivolous Lola is an odd combination of European erotica and Carry On film--not helped by the clumsy English language dubbing and the somewhat bizarre appearance of Britain's own Patrick Mower. Aficionados of the director will also spot his primary fascination with a certain part of the female anatomy as Grandi's bottom dominates the shot at every possible opportunity. On the DVD: Frivolous Lola on disc is digitally remastered, and the picture shows off the lushness of the Italian countryside, even though that was probably the last thing on the director's mind. Extras include an erotic photogallery and an interview with Tinto Brass himself, which does nothing to divert from the image of this man as something of an enigma in his chosen field. --Phil Udell
A performance of Verdi's Simon Boccanegra which tells the story of the struggle for power in 14th Century Genoa. Claudio Abbado conducts.
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