In Charade Audrey Hepburn plays a Parisienne whose husband is murdered and who finds she is being followed by four men seeking the fortune her late spouse had hidden away. Cary Grant is the stranger who comes to her aid, but his real motives arent entirely clear--could he even be the killer? The 1963 film is directed by Stanley Donen, but it has been called "Hitchcockian" for good reason: the possible duplicities between lovers, the unspoken agendas between a man and woman sharing secrets. Charade is nowhere as significant as a Hitchcock film, but in terms of suspense it holds its own; and Donens glossy production lends itself to the welcome experience of stargazing. You want Cary Grant to be Cary Grant and Audrey Hepburn to be no one but Audrey Hepburn in a Hollywood product such as this, and they certainly dont let us down. --Tom Keogh, Amazon.com
Available for the first time on DVD! Thrilling As Love Born Amid A Thousand Fabulous Adventures! A tale of adventure and excitement directed by Howard Hawks. The story focuses on a pilot who delivers mail to remote locations by plane. But when a showgirl sets her sights on him he discovers that some women can be more dangerous than flying solo over the Andes...
How much should a girl sacrifice to get the man of her dreams? That's the question facing an innocent country girl (Doris Day) who is swept into the whirlwind of the rich and famous when a Rolls Royce splashes her with mud. Profound apologies come courtesy of a romantic business tycoon (Cary Grant) who becomes enchanted with the girl's simple direct manner and open honest heart. But he's not interested in marriage...and she's never been interested in anything else. It's a delicious game of cat-and-mouse as working girl and wealthy bachelor pursue each other with hilarious results. 'That Touch Of Mink' is an enchanting romantic comedy featuring wonderful performances from Hollywood favourites Cary Grant and Doris Day. Bouncy dialogue and superb supporting performances from Gig Young and Audrey Meadows earned this dazzling comedy three Oscar nominations including Best Screenplay in 1962.
Available for the first time on DVD! Leading man Cary Grant plays Matt Howard a common man who gains employment as a surveyor through the help of Thomas Jefferson. Howard quickly falls head over heels for his wealthy employer's daughter Jane Peyton (Martha Scott). The couple appear to be set for happiness until Matt becomes involved in politics and the War of Independence arrives...
A newspaper editor played by Cary Grant meets his ex-wife/ex-star reporter's fiancee the day before they are set to be married. She says she will be happy to live a life where she will be treated like a real woman not a newsman. Grant spends the rest of the movie which all takes place in one day trying to lure Hildy back into the life they shared. The greatest screwball comedy of them all... a miracle of comic timing and fizzing chemistry. As close to perfection as you could possibly hope for His Girl Friday is a delirious joy. Channel 4 Film.
She Done Him Wrong
Dr. Noah Praetorius falls in love with Debra, a student who finds out that she is pregnant by her old boyfriend.
A tearjerker! A newly married couple face their future together with optimism only for things to go badly wrong. The story of adoption death and disappointment. This film made even the urbane Cary Grant tearful!
The ultimate must-have Doris Day Collection celebrates one of films most influential and cultural icons. Doris Day - The Collection contains 9 film classics, including Pillow Talk, That Touch of Mink, The Ballad of Josie, Lover Come Back, The Man Who Knew Too Much, Midnight Lace, Send Me No Flowers, The Thrill of it All and Young at Heart.
Charming ladies' man Academy Award winner Cary Grant (1970 Honorary Award) becomes a charismatic matchmaker in his final screen appearance in Walk Don't Run. When English industrialist Sir William Rutland (Grant) arrives in Tokyo on business the influx of tourists for the upcoming Olympic games makes it impossible to find lodging. So Rutland fast-talks his way into sharing an apartment with beautiful Christine Easton (Samantha Eggar) for a few days. To further confuse matters R
A bumper box set of classic films featuring the voluptuous sex-siren Sophia Loren! Pride And The Passion (Dir. Stanley Kramer 1957): Napoleonic forces are sweeping across Europe and Spain is on the brink of falling to the mighty invasion. Standing alone against the onslaught is one brave fighter and his ragtag band of guerillas. Seizing a gigantic cannon Spanish fighter Miguel (Sinatra) plans to attack Napoleon's army by battering the walls of French-occupied Avila. But because he's untrained in complex weaponry he must rely on the expertise of Captain Trumbell (Grant) a British naval officer. Allies on the battlefield Trumbell and Miguel soon find themselves in a bitter struggle over Miguel's mistress (Loren) a sultry beauty drawn to the captain's refined ways even as they race toward the most harrowing battle of their lives... El Cid (Dir. Anthony Mann 1961): El Cid is an epic movie masterpiece a tribute to one of history's greatest legends. This dazzling spectacle with a cast of thousands fills the screen with action and romance - from knights in armour jousting on horseback to massive battles on sea and land where columns of warriors stretch across the horizon. At the centre of this powerful motion picture is Charlton Heston in the role he was born to play... the immortal El Cid. Heston is the Spanish warrior battling to drive the Moors from Spain with the vision to be just and the courage to be merciful whose love and devotion to the radiant Chimene (Sophia Loren) knows no bounds... Anthony Mann's epic was nominated for three Oscars but surprisingly returned home empty-handed. The Fall Of The Roman Empire (Dir. Anthony Mann 1964): This classic film re-enacts the spectacular collapse of perhaps the greatest dominion the world has ever known. Pestilence greed and corruption bring a once-proud empire to its knees. Now restored with stunning scenes and a cast of thousands - in battles gladiatorial and otherwise; martyrs burning at the stake; chariot races in the midst of which is the romance between two people.... White Sister (Dir. Alberto Lattuada 1972): The Key (Dir. Carol Reed 1958): In wartime England circa 1941 poorly-armed tugs are sent into U-Boat Alley to rescue damaged Allied ships. An American named David Ross arrives to captain one of these tugs. He's given a key by a fellow tugboat-man -- a key to an apartment and its pretty female resident. Should something happen to the friend Ross can use the key. Countess From Hong Kong (Dir. Charlie Chaplin 1966): Charlie Chaplin's final film is a delightful romantic comedy filled with the clever touches for which he's famous. Written directed and composed by Chaplin it revolves around Russian ''migr'' countess Natascha (Sophia Loren) forced into prostitution in Hong Kong who stows away in wealthy American Ogden's (Marlon Brando's) stateroom to blackmail her way to the States. Since Ogden has a mind of his own and can even resist Natascha's charms what follows is one of the funniest tugs of war ever devised! A wealth of talent supports these stars. There's Chaplin's son Sydney as Brando's cruise companion Tippi Hedren as his icy wife Patrick Cargill as the ultimate gentleman's gentleman and Margaret Rutherford as a dotty old dame. Chaplin himself tops it off with a cameo as the ship's steward! The gags are pure Charlie and his actors make the most of them sailing in and out of slamming doors and outrageous situations with ease!
Repeated viewings can't dispel the shock of the final scene of Suspicion, Hitchcock's classic 1941 romantic mystery--a brief but disorientating confrontation that suddenly inverts the heroine's mounting conviction that she's married a murderer, forcing us to reconsider virtually every scene and line of dialogue that's preceded it. It's a masterful coup de grĂ¢ce for the director, who has built a puzzle around the corrosive power of suspicion, threaded with deft ambiguities that toy with dramatic conventions and character archetypes in nearly every frame. As embodied by Joan Fontaine, who nabbed an Oscar in this second outing with the director, Lina McLaidlaw is a buttoned-up, bookish heiress whose prim exterior conceals longings for a more engaged emotional life. Her solution materialises in the darkly handsome Johnnie Aysgarth, a gambler, womaniser and spendthrift who flirts, then pursues, and soon marries her. As Aysgarth, Cary Grant is both irresistible and sinister, capable of deceit and petty theft, as well as grander designs on his bride's impending fortune. Lina's passion for Johnnie is clouded by each new revelation about his apparent dishonesty, from clandestine gambling to real-estate development schemes; more troubling are clues implicating him in the death of his best friend, and the prospect that Johnnie may be slowly poisoning Lina herself. By the time we see him ascending a darkened staircase with a suspicious glass of milk, an image made all the more indelible through the spectral glow the director captures in the glass, the evidence seems damning indeed. In fact, even as Hitchcock stacks the deck against Johnnie, and takes full advantage of Grant's skill at conveying such menace, the director also dots his landscape with visual clues to Lina's own neurotic (and erotic) obsessions. The final scene forces us to re-evaluate her behaviour while leaving enough of a cloud over Johnnie to rob him, and us, of a complete exoneration. It's a wicked, unsettling payoff to a brilliantly executed thriller. --Sam Sutherland
With elements of screwball comedy, this sparkling thriller has been called the best Hitchcock movie Hitchcock never made. Stanley Donen's 1963 Academy Award-nominated and BAFTA-winning feature Charade is a romantic suspense thriller starring Cary Grant and Audrey Hepburn. Filmed on location in Paris, the story centres on a young woman who meets a charming stranger on a skiing holiday. She returns home, planning to ask her husband for a divorce, but finds all of their possessions gone. The police notify her husband has been murdered and when she discovers that he was responsible for stealing from the US government, an elaborate charade begins, in which nothing is what it seems to be.
His Girl Friday is one of the five greatest dialogue comedies ever made. Howard Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Rosalind Russell, not Hawks' first choice to play Hildy Johnson--the ace newsperson whom demonic editor Walter Burns is trying to keep from quitting and getting married--is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Cary Grant's Walter Burns is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T Jameson, Amazon.com
A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
Robin And Marian (Dir. Richard Lester 1976): Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in
Mae West's reputation for tweaking the noses of film censors was well-established by the time she made I'm No Angel generally considered her most successful picture. The frank-speaking blonde bombshell delivered some of her most classic double entendres in this 1933 film her second consecutive outing opposite the luminous Cary Grant. The two had made She Done Him Wrong earlier that year and in I'm No Angel West does Grant wrong again to hilarious effect. West plays her typical floozy a carnival dancer who escapes a murder charge and cozies her way into high society where she famously tells her maid: ""Beulah peel me a grape."" Eventually she wins Grant then drops him and sues him for breach of contract. Rarely has a more intelligent sexually powerful and dominant female figure been seen on screen and West is at her sizzling comic peak. Already a major entertainment figure West rode the popularity of I'm No Angel to greater notoriety but she never again teamed up with a male superstar so successfully. West's movies were among those most responsible for bringing a new era of censorship after the early 1930s.
A collection of six classic Doris Day movies in one bumper value box set!; ; Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical, down-on-his-luck musician, who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However, Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee, Laurie (Doris Day) - and promptly falls in love with her! ; ; Lover Come Back (1961) Account exec...
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