In 18th century France, the Chevalier de Fronsac and his native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.
A stunning new restoration of the director's cut of the thrilling 2001 cult classic BROTHERHOOD OF THE WOLF by director Christophe Gans, starring Samuel Le Bihan, Mark Dacascos, Jérémie Renier, Vincent Cassel and Monica Bellucci.During the reign of Louis XV an isolated district of south-central France is haunted by the Beast of Gévaudan which has savagely killed over 100 people, mostly women and children. As panic sweeps across the region, the King sends his finest military minds, the scientist and adventurer Grégoire de Fronsac and his martial-arts-trained Iroquois blood brother Mani to flush out the Beast and kill it...Product FeaturesBLU-RAY 1BROTHERHOOD OF THE WOLF Director's Cut (2022 restoration)Audio Commentary with Christophe GansAudio Commentary with Vincent Cassel & Samuel Le BihanNEW TrailerBLU-RAY 2NEW Interview with Christophe Gans & Jean-Baptiste ThoretThe Guts of the BeastBehind the scenesDeleted Scenes:The FightThe CrowFronsac and SardisThe Frozen LakeThe House TessierMontageLa Legend: a programme on the origins of The BeastTheatrical TrailerRestored Original trailer
Over the years, many film directors have attempted to tell the story of legendary 15th-century heroine Joan of Arc, a simple country girl who claimed she was inspired by God to lead the French troops in a victorious assault on the mighty English army. Luc Besson's 1999 epic might not be the best version of her life, but it's certainly the biggest. The movie cost a reported $60 million. Even if you are terminally unimpressed by the scale of such recent blockbusters as Gladiator, your eyes will pop out at the sheer number of bodies (living and dead) that Besson has assembled for the dynamic battle scenes. The lavish sets and costumes are almost equally gobsmacking, though neither will show to maximum advantage on the small screen. That's a pity because size is the only thing Joan of Arc really has going for it--as a human drama, it falls completely flat.The historical Joan was eventually made a saint by the Catholic Church, and earlier biopics tended to treat her celestial visions as literal fact. It was probably a mistake for Besson and his co-screenwriter Andrew Birkin to take a more psychological approach and present them as figments of her hysterical imagination. It makes it hard to work up the necessary empathy when the spectacle revolves around a confused and neurotic babe who couldn't organise a Tupperware party, let alone a vast military campaign. Milla Jovovich (the star of Besson's previous The Fifth Element and formerly his wife) doesn't help matters with her shrill and amateurish performance. But a couple of the supporting players are passably amusing--John Malkovich camps it up energetically as Charles, the dispossessed French king whom Joan reinstates, while Faye Dunaway wears outlandish headgear and carries on like a science-fiction creation in the role of his scheming mother-in-law. (The less said the better about Dustin Hoffman's pompous turn as Joan's personified conscience.) Besson keeps to the same glossy visual style even when the Maid is burning at the stake, but it isn't enough to prevent this empty shell of a movie from being a colossal yawn. --Peter Matthews
The young D'Artagnan (Michael York) arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men Athos (Oliver Reed) Porthos (Frank Finlay) and Aramis (Richard Chamberlain) each of whom challenges him to a duel. D'Artagnan finds out that they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu (Charlton Heston) who wishes to increase his already considerable power over the king. D'Artagnan must also juggle
Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mummy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Horton
A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.
Jacques Mesrine, last of the great French gangsters, was declared Public Enemy Number One during his lifetime. He regularly finished atop the list of newsmakers in opinion polls.
After a decade of honing their signature characters, Richie and Eddie, across TV and stage-show appearances, British comedy legends Rik Mayall and Adrian Edmondson (The Comic Strip Presents..., The Young Ones) finally gave the pair the big-screen outing which they truly deserved in the riotous, vomit-soaked entertainment that is Guest House Paradiso. When Mr Nice (Simon Pegg, Shaun of the Dead) and his family check in to the cheapest hotel in Britain' run with maximum inefficiency and malfeasance by Richie and Eddie it sets off an outrageous chain of events involving rubber underwear, a beautiful Italian film star (Hélène Mahieu), her abusive fiancé (Vincent Cassel, Irreversible), and a consignment of radioactive fish. Featuring a spectacular supporting cast, which also includes Fenella Fielding (Carry On Screaming!, Hammer's The Old Dark House) and Bill Nighy (Love Actually), this slapstick tour-de-force is a latter-day classic of disreputable British comedy, which has to be seen to be believed. INDICATOR STANDARD EDITION SPECIAL FEATURES 4K restoration from the original interpositive Original 5.1 surround sound and stereo audio tracks The Making of Guest House Paradiso' (1999, 38 mins): archival documentary featuring interviews with actor, co-writer and director Adrian Edmondson, actor and co-writer Rik Mayall, producer Phil McIntyre, and actors Fenella Fielding, Hélène Mahieu and Simon Pegg Paradiso Pegg (2023, 12 mins): interview with celebrated actor, writer and comedian Simon Pegg in which he looks back at his time making the film All the Right Noises (2024, 16 mins): prolific film and television composer Colin Towns talks about his score Finely Tuned Madness (2024, 8 mins): veteran editor Sean Barton discusses his working methods and the art of cutting comedy Squalid Precision (2024, 19 mins): production designer Tom Brown explores the guest house Outtakes (1999, 9 mins): mishaps and bloopers Original theatrical trailers Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Perhaps the quintessential exemplar of New French Extremism, Irreversible amazed and outraged audiences across the world upon its release in 2002, with its harrowing scenes of rape and violence. Now Gaspar Noé's nauseating, thrilling, ingenious masterwork returns in a new 4K restoration, both in its original Theatrical Cut and a potent new Straight Cut, assembled in 2020, that re-orders the film's reverse narrative into a linear chronology. Extras 4K restoration supervised by writer-director Gaspar Noé Two versions of the film: the 2002 Theatrical Cut (98 mins); and the 2020 Straight Cut, which re-orders the narrative into a linear chronology (90 mins) Original 5.1 surround sound and 2.0 stereo audio tracks Audio commentary by Gaspar Noé on the Theatrical Cut (2003) The Irreversible Odyssey (2019): retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci and Vincent Cassel, and others SFX (2003): visual effects supervisor Rodolphe Chabrier discusses his team's work on the film Original theatrical trailer 2020 Straight Cut trailer Image gallery: publicity and promotional material New and improved English subtitles Limited edition exclusive 80-page booklet with a new essay by Anna Bogutskaya, archival interviews and articles, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 5,000 copies
Starring Academy Award Winner Natalie Portman and directed by Darren Aronofsky (The Wrestler) this provocative psychological thriller exhilarated audiences and critics on its way to becoming the must-see film of the year. Portman gives the performance of a lifetime as Nina a stunningly talented but dangerously unstable ballerina on the verge of stardom. Pushed to breaking point by her driven artistic director (Vincent Cassel) and the threat posed by a seductive rival dancer (Mila Kunis) Nina's tenuous grip on reality starts to slip away. As the pressure builds Nina's all-consuming obsessions spin out of control plunging her into a waking nightmare that will threaten not only her sanity but her life.
Matt Damon returns to his most iconic role in Jason Bourne. Paul Greengrass, the director of The Bourne Supremacy and The Bourne Ultimatum, once again joins Damon for the next chapter of Universal Pictures' Bourne franchise, which finds the CIA's most lethal former operative drawn out of the shadows. Jason Bourne, now remembering who he truly is, tries to uncover hidden truths about his past. Click Images to Enlarge
Inspired by an actual incident, this unassuming, wonderfully good-natured romantic comedy tells the story of a New York City street cop named Charlie (Nicolas Cage) who makes a promise to a coffee-shop waitress named Yvonne (Bridget Fonda) that will change both their lives. One day after coffee, Charlie is embarrassed to discover he doesn't have money for a tip, so he tells Yvonne that he'll share half of his winnings if the lottery ticket he's holding comes up a winner. Sure enough, he wins the jackpot--a whopping US$4 million payoff--and Charlie's wife, Muriel (Rosie Perez), goes ballistic when he tells her about his deal with Yvonne. From this point, It Could Happen to You follows Charlie's dilemma as he is forced to decide the proper course of action, and director Andrew Bergman smoothly incorporates a gentle love story into this amusing crisis of conscience. Fonda and Cage have an easygoing chemistry that adds a pleasant touch to the movie's fairy-tale plot, and It Could Happen to You's kindhearted sentiment is never so thick that it becomes sticky-sweet or artificial. As feel-good comedies go, this one's a class act. --Jeff Shannon
Viggo Mortensen and Naomi Watts star in this new thriller which centres on one of London's most notorious organized crime families.
The incredible and brutal story of Jacques Mesrine (Vincent Cassel) continues in "Mesrine: Public Enemy No 1". Now back in France, Mesrine is finally in police custody and facing justice for his crimes but he is soon on the run once again.
Returning home from prison, a Vietnam War veteran sets out to clean up his hometown which has come under the control of a violent motorcycle gang.
In 18th century France, the Chevalier de Fronsac and his native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.
Tale of Tales unleashes a barrage of mind-bogglingly gorgeous and fantastical imagery as it brings to life the (mis)adventures of three kings.
Charismatic villain Dobermann leads a gang of depraved henchmen in a world of crime drugs and endless violence. The gang boldly pull off a blood-soaked Paris bank heist in broad daylight under the noses of police. One renegade cop takes the law into his own hands and makes it his mission to stop Dobermann by any means necessary.
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