"Actor: Caterina Boratto"

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  • Salo [DVD + Blu-ray]Salo | Blu Ray | (23/05/2011) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £22.99

    The world's most controversial film comes to DVD and Blu-ray in 2-disc editions. Presented fully uncut and in its most complete version the film has been re-mastered from the original Italian restoration negatives. Pier Paolo Pasolini's final and most shocking film has been banned censored and reviled the world over since its first release in 1975. Salo did not receive UK certification until late 2000 when it was passed uncut. The BFI then released it on DVD in 2001 and despite having been out of print for almost three years the title still ranks amongst BFI's all-time top 10 best-selling DVDs. The film's content and imagery is extreme and it retains the power to shock repel and distress even today. A brutal allegory based on the novel 120 Days of Sodom by the Marquis de Sade the film is a cinematic milestone - culturally significant politically vital and visually stunning.

  • Castle Keep [1969]Castle Keep | DVD | (23/08/2004) from £9.47   |  Saving you £3.52 (37.17%)   |  RRP £12.99

    Near the end of World War II American Major Falconer (Lancaster) leads his weary eight-man squadron to a perfectly preserved medieval castle in the Ardennes Forest. Castle Keep's owner the aging Count of Maldorais (Jean-Pierre Aumont) shelters the servicemen in hopes they will defend his fortress and his priceless collection of art masterpieces from the advancing German troops. But the servicemen have plans of their own. Major Falconer begins an illicit affair with the count's beau

  • Salo Or The 120 Days Of Sodom [1975]Salo Or The 120 Days Of Sodom | DVD | (02/04/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews

  • Fellini's 8 1/2 [Blu-ray]Fellini's 8 1/2 | Blu Ray | (03/02/2020) from £16.33   |  Saving you £N/A (N/A%)   |  RRP £N/A

    Fellini's most acclaimed work, 8 1/2 won two Oscars ® including Best Foreign Film. Fellini is unanimously voted by film critics - and notably, by filmmakers - as one of the greatest directors of all time. And Fellini's 8 ½ is revered as the most important European film ever made and film buffs' ultimate film of all time! MARCELLO MASTROIANNI is Fellini's alter ego, Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete director's block: he has no story to tell ! Harassed by his producers, his mistress (SANDRA MILO) and his wife (ANOUK AIMEE) while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy - personified by the heavenly beautiful CLAUDIA CARDINALE - his memories and reality merge in the director's mind and on screen - in an astonishing, masterful spectacle which culminates in an electrifying triumph of optimism. As Guido, Fellini's alter-ego says at the end of 8 ½: Life is a party, let's live it together Special Features: New unique intimate interview with Sandra Milo the film's co-lead and off-screen real life ˜companion' of Fellini. Filmed especially for this CultFilms release Interview with Lina Wertmuller, Fellini's Assistant Director on 8 ½. Filmed especially for CultFilms. Lost Sequence documentary on the making of 8 ½ with interviews with cast crew and Fellini himself: the focus is on one of film-lore's great mystery! Where a massive sequence was shot with all the cast, but not included in the film, and it was never seen again. Tribute to Fellini's speech on receiving his Academy Award Oscar

  • Fellini's 8.1/2 [1962]Fellini's 8.1/2 | DVD | (19/11/2012) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    Federico Fellini's 8 1/2, his 1963 semi-autobiographical story about a worshipped filmmaker who has lost his inspiration, is still a mesmerising mystery tour that has been quoted (Woody Allen's Stardust Memories, Paul Mazursky's Alex in Wonderland) but never duplicated. Marcello Mastroianni plays Guido, a director trying to relax a bit in the wake of his latest hit. Besieged by people eager to work with him, however, he also struggles to find his next idea for a film. The combined pressures draw him within himself, where his recollections of significant events in his life and the many lovers he has left behind begin to haunt him. The marriage of Fellini's hyper real imagery, dreamy sidebars and the gravity of Guido's increasing guilt and self-awareness make this as much a deeply moving, soulful film as it is an electrifying spectacle. Mastroianni is wonderful in the lead, his woozy sensitivity to Guido's freefall both touching and charming--all the more so as the character becomes increasingly divorced from the celebrity hype that ultimately outpaces him. --Tom Keogh

  • Salò, or The 120 Days of Sodom  [Blu-ray]Salò, or The 120 Days of Sodom | Blu Ray | (29/09/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

    Pasolini's controversial film has been widely regarded to be one of the most disturbing ever made based on the book The 120 Days of Sodom by the Marquis de Sade. Pasolini transposes the setting of De Sade's book from 18th century France to the last days of Mussolini's regime in the Republic of Sal''.

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