"Actor: Cecilia Bartoli"

• Cecilia Bartoli, Nikolaus Harnoncourt -- Haydn | DVD | (19/05/2003) from £4.99   |  Saving you £15.00 (300.60%)   |  RRP £19.99

  CECILIA BARTOLI CONCENTUS MUSICUS WIEN CONDUCTED BY NIKOLAUS HARNONCOURT.Cecilia Bartoli in sensational form for a landmark performance of music by Haydn with Nikolaus Harnoncourt and his Concentus Musicus Wien recorded at a concert performance in Graz Austria.

• Cecilia And Bryn At Glyndebourne - Arias And Duets | HD DVD | (31/12/2007) from £11.53   |  Saving you £18.46 (61.60%)   |  RRP £29.99

  Cecilia And Bryn At Glyndebourne.Arias And Duets.

• Cecilia Bartoli: Mission | Blu Ray | (18/12/2012) from £25.67   |  Saving you £-3.68 (N/A%)   |  RRP £21.99

  I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.

• Don Giovanni / Cosi Fan Tutte | DVD | (28/11/2005) from £52.63   |  Saving you £-2.64 (-5.30%)   |  RRP £49.99

  Cosi Fan Tutte:Live from the Zurich Opera House 2000Don Giovanni:Live from the Zurich Opera House 2001

• Cecilia and Bryn - at Glyndebourne | Blu Ray | (02/06/2008) from £25.45   |  Saving you £4.54 (15.10%)   |  RRP £29.99

  Cecilia Bartoli and Bryn Terfel perform various works by various Composers.Also performing are The London Philharmonic Orchestra, conducted by Myung-Whun Chung.

• Cecilia Bartoli - Sings Mozart And Haydn | DVD | (23/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

  A concert filmed at the Styriarte Festival in Graz Austria where Cecilia performs two Haydn Cantatas and Mozart's Symphony No 38 and the orchestra under the baton of Nikolaus Harnoncourt perform Haydn's Symphony No. 92 'Oxford'.

• Cecilia Bartoli - The DVD Collection | DVD | (08/03/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £33.99

  The DVD CollectionCecilia Bartoli: A PortraitThe original and unique portrait of the amazing Cecilia Bartoli filmed at the outset of her career and giving a fascinating insight into her background personality and approach to her art. Includes her Savoy Hotel recital.Cecilia Bartoli: Live in ItalyCecilia Bartoli's acclaimed 1998 recital in the Palladian splendour of Vicenza's Teatro Olimpico. Accompanied by French virtuoso Jean-Yves Thibaudet it ranges from v

• Arthaus Musik DVD Video Sampler 3 | DVD | (30/05/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Sampler IIIIncludes the following operas ballet and concert: Operas; Alcina Die lustige Witwe Falstaff - Salieri Falstaff - Verdi Les Huguenots Nina Il Ritorno d'Ulisse in Patria Il Turco in Italia Die Meistersinger von Nurnberg Romeo & Juliette Tamerlano Die tote Stadt Peter Grimes Il Barbiere di Siviglia L'Italiana in Algeri. Ballet; Cloud Gate Dance Theatre of Taiwan - Moon Water Bamboo Dream. Concert; G. Verdi - Requiem J.S. Bach - Motetten J. Brahms - Ein Deutsches Requiem G. Bizet - Carmen Prelude R. Wagner - Tannhauser Overture E.W. Korngold - Cello Concert.

• Rossini - Le Barbier De Seville, L'italienne a Alger | DVD | (22/11/2002) from £32.38   |  Saving you £-2.39 (N/A%)   |  RRP £29.99

  Rossini's 'Barber Of Seville' performed at the Schwetzinger Festpiele in 1988 under the musical direction of Gabrielle Ferro. Rossini's 'The Italian In Algiers' which was premiered when he was just 21 in 1813 is performed here at the Zurich Opera House.

• Wolfgang Amadeus Mozart - Mozart: Greatest Operas | DVD | (31/07/2006) from £121.48   |  Saving you £-31.49 (N/A%)   |  RRP £89.99

  This unique boxset a collaboration between Arthaus and TDK presents four great Mozart operas from the Zurich Opera House with some of the world's top artists. Featuring: Le Nozze Do Figaro Don Giovanni Cosi Fan Tutti Die Zauberflote

• Cecilia Bartoli - Mozart Arias | DVD | (03/03/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Cecila Bartoli sings Mozart is alternatively titled Duo on screen, though not on the packaging, and indeed this concert is very much an affair of two halves, giving virtually equal screen time to Bartoli with five Mozart opera arias and Nikolaus Harnoncourt conducting Mozart's Symphony No.38 "Prague". One of two concerts given by these artists at the Stefaniensaal at the 2001 Styriarte Festival, Graz, Austria--the second was a Haydn programme--they certainly find a highly appreciative audience. Bartoli begins with a wonderfully enthusiastic and energetic version of the comic Vol avente un cor fedele, a melodic gem penned when Mozart was 19. Complementing this is the lyrical yet teasing "Uno moto di gioia mi sento", an alternative aria composed for The Marriage of Figaro. Bartoli's final aria is also her most extravagant showcase, the exceptionally difficult Bella mia fiamma , addio here met with spine-tingling intensity and remarkable vocal dexterity. Against this thrilling music-making the excellent performance of the "Prague" Symphony which follows seems almost routine, making one wish for an all-Bartoli programme. Nevertheless, Harnoncourt elicits fine playing making this another performance to be relished. On the DVD: Cecila Bartoli sings Mozart is presented anamorphically enhanced for widescreen TVs at 1.77:1. The picture quality is flawless. Sound options are stereo, Dolby Digital 5.1 and DTs 5.1, each progressively better than the last. The DTS track is exceptionally well focused and filled with rich detail. Extras are a 12-minute making-of feature and a 16-minute segment which contrasts interesting rehearsal footage with Hanoncourt and a very giggly Bartoli discussing the music. Also included is a three-minute preview of the Haydn concert. --Gary S Dalkin

• Cecilia Bartoli - Haydn (Wide Screen) | DVD | (19/05/2003) from £4.99   |  Saving you £15.00 (300.60%)   |  RRP £19.99

  Haydn - Styriarte Festival Graz 2001 (Bartoli)

• Il Barbiere Di Siviglia / The Italian Girl In Algiers | DVD | (03/02/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

  Il Barbiere di Siviglia: The point of a good production of Rossini's Il Barbiere di Siviglia is to have a Rosina and a Figaro who will knock your socks off in their respective arias, while holding back enough in all those crescendo ensembles in which the farce plot reaches its several culminations that the other stars get a chance to shine too. Cecilia Bartoli and Gino Quilico give full-blooded enough performances when on stage by themselves that self-effacement seems far from imminent, yet both are capable of less, and give it when it is needed. Of the others, David Kuebler is an attractively raffish Almaviva, while Robert Lloyd turns Basilio into a memorable cameo. Gabriele Ferro is one of the most intelligent of Rossini conductors--he understands the relationship between the pulse of the music and its dramatic function, and he is also outstanding in the delicacy of phrasing, even in climaxes, that ensures that every voice, every instrument, gets the moment of glory Rossini intended. Michael Hampe's solid reliable unfussy production keeps everything moving without drawing attention to itself. L'Italiana in Algeri: Rossini's first real hit as a writer of comic opera, L'Italiana in Algeri is one of those almost unsinkable works difficult to get entirely right. Michael Hampe's production for the 1987 Schwetzinger festival captures both its charm and its sense of menace--the court of the Bey is both a setting for farce and a place in which the Italian characters are at the mercy of a despot who will not necessarily find things funny. Gunther von Kannen's Mustafa is a convincing Bey of Algiers, with all the arrogance of power and the vulnerability to mockery that goes with it. His adversary, the tough witty proto-feminist Isabella, is given real presence in Doris Soffel's performance--it is entirely credible, listening to her throaty mezzo, that everyone else should be more-than-a-little in love with her. The slightly effete tenor of Robert Gambill as her lover Lindoro makes him a perfect partner in intrigue for her. Conducting Rossini is not just a matter of winding the crescendos up and letting them go; Ralf Weikert is particularly fine in the complicated finale of Act 1 with its imitations of bells and drums and its complicated vocal lines. --Roz Kaveney