David Lean's wintry adaptation of Boris Pasternak's melodramatic Russian Revolution romance, Doctor Zhivago, is a masterpiece of epic filmmaking, but one that risks leaving the viewer cold. Though none of the film was shot in the then USSR, Lean's assured technique nevertheless illuminates the breathtaking backgrounds magnificently: from the snowy wastes of the Urals to the strife-torn streets of Moscow, Lean stages a series of wonderful set-pieces showing war, revolution and its terrible aftermath. The problem lies in the foreground. Omar Sharif's entirely passive Zhivago is, we are told, a romantic poet of great sensitivity who internalises all his emotions and expresses them in verse. The trouble is the audience never gets to see a line of his poems, not even the centrally important "Lara" cycle. Thus Zhivago at the end of the picture is as much an emotional blank to us as he was at the beginning. His affair with the idealised beauty that is Julie Christie's Lara is also taken for granted by the filmmakers rather than set up in any convincing way, their mutual attraction remaining a mystery that creates a vacuum at the core of the picture. Given that none of the central characters with the exception of Rod Steiger's fire-breathing lecher Komarovsky ever give way to strong emotions, the romantic heart of the film remains oddly frigid. Matters are not helped by composer Maurice Jarre's incessant "Lara's Theme", which many will find teeth-grindingly irritating. Still, any David Lean epic, even a flawed one, is always going to be a first-class cinematic experience, and Zhivago is assuredly that. On the DVD: A stunning anamorphic widescreen print is the ideal way to appreciate David Lean's craftsmanship and this movie's glorious, wintry cinematography. Maurice Jarre's "Lara's Theme" and the rest of his patchwork score can be heard in a music-only track, while Omar Sharif is joined by Lean's widow Sandra and Rod Steiger for an intermittent commentary. The second bonus disc contains a good hour-long making-of documentary plus 10 shorter contemporary documentaries giving various insights into the location shooting and the cast and crew. But it's the sheer beauty of the picture that will astonish and make this disc forever treasurable. --Mark Walker
All three series of the BBC sitcom about three twenty-something flatmates. The series follows childhood friends Matthew (Ben Chaplin and Neil Stuke), Mandy (Samantha Janus) and Martin (Matthew Cottle) as they live together in Matthew's London pad. Martin and Mandy navigate relationships and the working world while Matthew struggles to venture beyond the flat door. Series 1 episodes are: 'Big Wednesday', 'Working Girls', 'The Great Escape', 'Bad Timing', 'Matthew, a Suitable Case of Treatment' and 'Fame'. Series 2 episodes are: 'Roundheads and Cavaliers', 'Slime Surfers and Jissom Monkeys', 'Double Hard Ba*****s and Girly Shirt-Lifting T***pieces', 'Heavy Bondage and Custard Creams', 'Tangerine Candyfloss and Herne Bay Rock' and 'Bruce Willis and Robert De Niro Holding a Fish'. Series 3 episodes are: 'Palms, Pigs and Bad Debts', 'Martin's Baby', 'Marines and Vacuum Cleaner', 'Crabs', 'Laura' and 'Wedding Day'.
Remarkable for its psychological nuance and its boldly modern perspective on an independent woman's search for fulfillment, Charlie Chaplin's long-overlooked silent masterpiece A Woman of Paris is a revelation.
Taboo follows James Keziah Delaney (Tom Hardy), a man who has been to the ends of the earth and comes back irrevocably changed. Believed to be long dead, he returns home to London from Africa to inherit what is left of his father's shipping empire and rebuild a life for himself. But his father's legacy is a poisoned chalice, and with enemies lurking in every dark corner, James must navigate increasingly complex territories to avoid his own death sentence. Encircled by conspiracy, murder and betrayal, a dark family mystery unfolds in a combustible tale of love and treachery.
Martin Scorsese does not sound like the logical choice to direct The Age of Innocence, an adaptation of Edith Wharton's novel about the manners and morals in New York society in the 1870s. But these are mean streets, too, and the psychological violence inflicted between characters is at least as damaging as the physical violence perpetrated by Scorsese's usual gangsters. At the centre of the tale is Newland Archer (Daniel Day-Lewis), a somewhat diffident young man engaged to marry the very respectable May Welland (Winona Ryder). But Archer is distracted by May's cousin, the Countess Olenska (a radiant Michelle Pfeiffer), who has recently returned from Europe. As a married woman seeking a divorce, the Countess is an embarrassment to all of New York society. But Archer is fascinated by her quick intelligence and worldly ways. Scorsese closely observes the tiny details of this world and this impossible situation; this is a film in which the shift of someone's eyes can be as significant as the firing of a gun. The director's sense of colour has never been keener, and his work with the actors is subtle. --Robert Horton, Amazon.com
Taboo follows James Keziah Delaney (Tom Hardy), a man who has been to the ends of the earth and comes back irrevocably changed. Believed to be long dead, he returns home to London from Africa to inherit what is left of his father's shipping empire and rebuild a life for himself. But his father's legacy is a poisoned chalice, and with enemies lurking in every dark corner, James must navigate increasingly complex territories to avoid his own death sentence. Encircled by conspiracy, murder and betrayal, a dark family mystery unfolds in a combustible tale of love and treachery.
One of the cinema's great disappearing acts came to a close with the release of The Thin Red Line in late 1998. Terrence Malick, the cryptic recluse who withdrew from Hollywood visibility after the release of his visually enthralling masterpiece Days of Heaven (1978), returned to the director's chair after a 20-year coffee break. Malick's comeback vehicle is a fascinating choice: a wide-ranging adaptation of a World War II novel (filmed once before, in 1964) by James Jones. The battle for Guadalcanal Island gives Malick an opportunity to explore nothing less than the nature of life, death, God, and courage. Let that be a warning to anyone expecting a conventional war flick; Malick proves himself quite capable of mounting an exciting action sequence, but he's just as likely to meander into pure philosophical noodling--or simply let the camera contemplate the first steps of a newly born tropical bird or the sinister skulk of a crocodile. This is not especially an actors' movie--some faces go by so quickly they barely register--but the standouts are bold: Nick Nolte as a career-minded colonel, Elias Koteas as a deeply spiritual captain who tries to protect his men, Ben Chaplin as a G.I. haunted by lyrical memories of his wife. The backbone of the film is the ongoing discussion between a wry sergeant (Sean Penn) and an ethereal, almost holy private newcomer (Jim Caviezel). The picture's sprawl may be a result of Malick's method of "finding" a film during shooting and editing, and in some ways The Thin Red Line seems vaguely, intriguingly incomplete. Yet it casts a spell like almost nothing else of its time, and Malick's visionary images are a challenge and a signpost to the rest of his filmmaking generation. --Robert Horton
A lonely boy discovers a mysterious egg that hatches a sea creature of Scottish legend that enchants and mystifies to this day.
Based on the much-loved novel by Ian McEwan (Atonement) and brought to the big screen by director Richard Eyre (Notes on a Scandal, Iris), The Children Act is a compelling and powerful drama telling the story of Fiona Maye (Emma Thompson), an eminent high court judge presiding over ethically complex cases. As the demands of her job cause her marriage to Jack (Stanley Tucci) to reach tipping point, Fiona is asked to rule on the case of Adam (Fionn Whitehead), a brilliant young boy who is refusing a life-saving blood transfusion on religious grounds. With her private life in turmoil, Fiona finds herself drawn into the case, taking the unorthodox step of halting proceedings in order to visit Adam in hospital. As the two form a profound connection and powerful emotions come to light, Fiona's judgement is put to the test with momentous consequences as she must ultimately decide whether Adam lives or dies.
All the episodes from the British television drama adapted from Louise Doughty's novel. Emily Watson stars as Yvonne Carmichael, a married woman living a quiet life with her husband and two children. Her world is turned upside down however, when a chance meeting with alluring stranger Mark Costley (Ben Chaplin) leads to a passionate affair. Despite her best attempts to keep her home life and career separate from her affair, Yvonne begins to lose control as a series of bad decisions soon leave her facing a court trial. The cast also includes Kezia Burrows, Mark Bonnar and Rhashan Stone.
Martin Scorsese's lavish period piece, an achingly beautiful adaptation of the classic novel. No filmmaker captures the grandeur and energy of New York like Martin Scorsese (Goodfellas). With this sumptuous romance, he meticulously adapted the work of another great New York artist, Edith Wharton, bringing to life her tragic novel of the cloistered world of Gilded Age Manhattan. The Age of Innocence tells the story of Newland Archer (My Beautiful Laundrette's Daniel DayLewis), whose engagement to an innocent socialite (Heathers' Winona Ryder) binds him to the codes and rituals of his upbringing. But when her cousin (Dangerous Liaisons' Michelle Pfeiffer) arrives in town on a wave of scandal after separating from her husband, she ignites passions in Newland he never knew existed. Swelling with exquisite period detail, this film is an alternately heartbreaking and satirical look at the brutality of oldworld America. Features: New, restored 4K digital transfer, approved by director Martin Scorsese, with 5.1 surround DTSHD New interviews with Scorsese, coscreenwriter Jay Cocks, production designer Dante Ferretti, and costume designer Gabriella Pescucci Innocence and Experience, a 1993 documentary on the making of the film Trailer PLUS: An essay by critic Geoffrey O'Brien
England is on the brink of a devastating war with France that will last over a hundred years, and The Bubonic Plague, which will wipe out a third of Europe's population before it is done, is spreading.
Jurassic World Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure based on characters created by Michael Crichton. Jurassic World: Fallen Kingdom It's been three years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who's still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times. With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaursalong with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.
SEPTEMBER 5 unveils the decisive moment that forever changed media coverage and continues to impact live news today. Set during the 1972 Munich Summer Olympics, the film follows an American Sports broadcasting team that quickly adapted from sports reporting to live coverage of the Israeli athletes taken hostage. Starring John Magaro, Peter Sarsgaard, Leonie Benesch, and Ben Chaplin.
Based on the critically acclaimed novel by Patrick Ness and brought to life by visionary director J.A. Bayona (The Impossible) A Monster Calls is a stunning and fantastical tale of loss, courage and hope. A Monster Calls is the story of 12 year-old Conor O'Malley (newcomer Lewis MacDougall) and his attempts to come to terms with his mother's (Felicity Jones The Theory of Everything) illness and the ever-growing presence of his strict grandmother (Sigourney Weaver Alien Anthology). Confused, angry and alone as he struggles to deal with the forces shaping his life, Conor retreats to a magical world where he meets The Monster (Liam Neeson Schindler's List) who tells him three tales that will help Conor confront his nightmare and the truths that threaten to destroy him.
Based on the critically acclaimed novel by Patrick Ness and brought to life by visionary director J.A. Bayona (The Impossible) A Monster Calls is a stunning and fantastical tale of loss, courage and hope. A Monster Calls is the story of 12 year-old Conor O'Malley (newcomer Lewis MacDougall) and his attempts to come to terms with his mother's (Felicity Jones The Theory of Everything) illness and the ever-growing presence of his strict grandmother (Sigourney Weaver Alien Anthology). Confused, angry and alone as he struggles to deal with the forces shaping his life, Conor retreats to a magical world where he meets The Monster (Liam Neeson Schindler's List) who tells him three tales that will help Conor confront his nightmare and the truths that threaten to destroy him.
David Lean's wintry adaptation of Boris Pasternak's melodramatic Russian Revolution romance, Doctor Zhivago, is a masterpiece of epic filmmaking, but one that risks leaving the viewer cold. Though none of the film was shot in the then USSR, Lean's assured technique nevertheless illuminates the breathtaking backgrounds magnificently: from the snowy wastes of the Urals to the strife-torn streets of Moscow, Lean stages a series of wonderful set-pieces showing war, revolution and its terrible aftermath. The problem lies in the foreground. Omar Sharif's entirely passive Zhivago is, we are told, a romantic poet of great sensitivity who internalises all his emotions and expresses them in verse. The trouble is the audience never gets to see a line of his poems, not even the centrally important "Lara" cycle. Thus Zhivago at the end of the picture is as much an emotional blank to us as he was at the beginning. His affair with the idealised beauty that is Julie Christie's Lara is also taken for granted by the filmmakers rather than set up in any convincing way, their mutual attraction remaining a mystery that creates a vacuum at the core of the picture. Given that none of the central characters with the exception of Rod Steiger's fire-breathing lecher Komarovsky ever give way to strong emotions, the romantic heart of the film remains oddly frigid. Matters are not helped by composer Maurice Jarre's incessant "Lara's Theme", which many will find teeth-grindingly irritating. Still, any David Lean epic, even a flawed one, is always going to be a first-class cinematic experience, and Zhivago is assuredly that. On the DVD: A stunning anamorphic widescreen print is the ideal way to appreciate David Lean's craftsmanship and this movie's glorious, wintry cinematography. Maurice Jarre's "Lara's Theme" and the rest of his patchwork score can be heard in a music-only track, while Omar Sharif is joined by Lean's widow Sandra and Rod Steiger for an intermittent commentary. The second bonus disc contains a good hour-long making-of documentary plus 10 shorter contemporary documentaries giving various insights into the location shooting and the cast and crew. But it's the sheer beauty of the picture that will astonish and make this disc forever treasurable. --Mark Walker
Live To Kill. Kill To Live... Meet Rayne. She's every man's dream. She's every vampire's living nightmare. And she's out avenge her Mother's brutal death at the hands of Kagan Kind of the Vampire's before he lays eighteenth century Romania to ruin. Driven by her own vampire bloodlust but refusing to take innocent lives Rayne transforms into Bloodrayne blazing an explosive trail of action packed destruction in this awe-inspiring tale of merciless vengeance.
The iconic children's tale gets an movie update in this version which stars Max Von Sydow.
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