At the heart of Henry VIII stands a towering performance by Ray Winstone, who literally grows into the role, impressively doubling in size and ageing 40 years over the course of two feature-length episodes. Focusing on Henry's relationships with his six wives, this lavish mini-series also makes a good job of explaining the complex court intrigues of the period, detailing Henry's split with Rome and the political crisis following the creation of the Church of England. Winstone initially seems to play the King as little more than a London gangster, but he gradually unfolds a complex, brutal, manipulative, romantic, dedicated and driven man with great skill. In a role which harks back to Lady Jane (1986), Helena Bonham Carter makes an intelligent and sardonic Anne Boleyn, her bold performance contrasting strongly with Geneviève Bujold in Anne of the Thousand Days (1969). Emily Blunt impresses as the sexpot Katherine Howard, and Emilia Fox is compelling as Henry's greatest love, Jane Seymour. There's fine support from an all-star cast, including Sean Bean, Charles Dance and David Suchet. The production is unflinching, with burnings, torture, marital violence and executions graphically portrayed. If there's a weakness it lies in too-modern dialogue and an uncertain visual style, with noticeable borrowings from John Boorman's Excalibur and Ridley Scott's Gladiator, as well as setting Shakespeare in Love-style elegance against the ugly colours and graininess of reality TV. Ultimately Henry VIII plays most like a prequel to Elizabeth (1999)--right down to using the same piece of Elgar to underscore the finale--and has most of the same faults and virtues as that Oscar-winning film. --Gary S Dalkin
A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
A rare Carry On with more interest in having a proper plot than tossing off gags every line, Cabby is also one of the friendliest of the series, built around the relationship between a cackling but good-hearted Sid James and an unusually touching Hattie Jacques. Sid's so obsessed with his taxi business that he neglects his wife, spending their wedding anniversary driving expectant father Jim Dale to and from the maternity hospital on a false alarm that naturally pays off with a delivery in the back of the cab. This drives Hattie to set up her own rival firm ("Glam Cabs"), employing dolly birds in tailored uniforms to undercut the likes of Kenneth Connor and Charles Hawtrey. It ends happily, with a pair of hold-up men trapped in a ring of taxis and the marriage saved. Among the expected Carry On bits: Connor in drag, Amanda Barrie in a corset, Hawtrey in a leather jacket as a devout rambler ("We like to go as far as we can"), Liz Fraser as Connor's perky intended. Kenneth Williams is missed, but his role as the obnoxious shop steward (Carry On producer Peter Rogers never missed a chance to be nasty about the unions) is ably taken by Norman Chappell. Other familiar faces are Bill Owen, Peter Gilmore, Milo O'Shea, Renee Houston and Michael Ward as the tweedy businessman who has apparently left a pearl earring in the back of Connor's cab. On the DVD: No extras, but it's a smashing widescreen presentation of a pristine black and white print. --Kim Newman
This fantastic box set of dramas featuring Ray Winstone in leading roles includes: Vincent Winstone's latest ITV drama; Births Marriages And Deaths; as well as Henry VIII.
Carry On Jack was the 1963 offering from a team which had, by then, become a repertory company with special guests dropping in for a dose of innuendo. "What's all this jigging in the rigging?" demands Kenneth Williams, this time playing a ship's captain, and the scene is set for 90 minutes of ribaldry involving cross-dressing, press-ganging and plank walking. The plot scarcely matters. It's set after the Battle of Trafalgar and the sea is awash with Spanish galleons and pirates as the British navy sets about defending its shores with as much incompetence as possible. Sally, a barmaid at the Dirty Duck (Juliet Mills in feisty principal boy mode), knocks Bernard Cribbins on the head and steals his uniform so that she can go in search of her childhood sweetheart. He is promptly press-ganged and they end up on the same ship. Williams, on the brink of his ascendancy as a star turn, just about keeps the mannerisms under control enough to build the character of the naïve and neurotic captain. Familiar Carry On faces on top form include Charles Hawtrey and Jim Dale, while Peter Gilmore--in his pre-Onedin Line days--appears as a pirate. Peter Rodgers' script is not quite vintage Carry On but the jokes keep coming and it's all good, clean fun. On the DVD: This was one of the first Carry On films to be made in colour. The print is in reasonable condition. The picture quality, apart from a couple of scratchy scenes of sailing ships that were probably drafted in from stock footage, is fair, as is the sound. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
Carry On Doctor (1967): Frankie Howerd is the guest star in this classic 'Carry On..' He plays Francis Bigger a charlatan faith healer who ends up in hospital and what a hospital it is! Dr. Kilmore (Jim Dale) seems more interested in the staff nurses and Dr. Tinkle (Kenneth Williams) dismisses all ill health as a weakness. The Matron (Hattie Jaques) can cure any medical problem with a frosty glance and the nurses are always raising the blood pressure of the patients in the male ward.... much to their delight of course. Carry On Matron (1972): Carry On Matron is one of the most loved of all Carry On films - largely because of Hattie Jacques' marvellous performance in the title role. If your funny bone is in need of tickling this is the prescription you need! Carry On Matron finds the team in top form in Finisham Maternity Hospital. Sid James leads a team of less than professional crooks intent on stealing a huge hoard of birth control pills. Carry On Again Doctor (1969): If you are seriously ill and need to go to hospital just make sure it isn't the Long Hampton Hospital as this is where the Carry On team have taken up malpractice. If it's laughter you're after join eminent surgeon Frederick Carver orderly Screwer and Doctors Stoppidge and Nookey for a prescription of smutty smiles. It's the perfect tonic you should take as regularly as your funny bone allows. Where there's a pill there's a way! That's Carry On (1977): Celebrating twenty years of classic Carry On films two of the film's best loved stars Kenneth Williams and Barbara Windsor return to Pinewood Film Studios to unwrap some rib-tickling moments to the series. From the original military mayhem of 'Carry On Sergeant' through to the really ancient archaeological gags of 'Carry On Behind' our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made. With a cast of thousands including legendary Sid James Charles Hawtry Joan Sims Peter Butterworth Bernard Breeslaw and Hattie Jacques everyone is in it..... right in it! Carry On Loving (1970): Number 19 in this famous series. Sid James and Hattie Jacques run The Wedding Bliss computer dating agency and guess what? Chaos follows! Carry On Emmannuelle (1978): The Carry On team are back with this their 30th film and the laughs are filthier and funnier than ever before! Emmanuelle Pervert (Suzanne Danielle) Is the fascinating delectable young wife of Emile (Kenneth Williams) the French ambassador for Great Britain. With his sexual prowess damaged in a freak parachuting accident Emmanuelle happily proves her charms are irresistable to all members of the opposite sex. Even the servants are not immune: With the chauffeur Leyland (Kenneth Connor) the butler Lyons (Jack Douglas) and the elderly bootboy Richmond (Peter Butterworth) falling helplessly under her spell...
Tenth entry in the Carry On series. Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills Charles Hawtrey and Donald Houston. The film was originally to be entitled Up the Armada but the British Board of Film Censors objected to such a rude title.
Carry On Jack was the 1963 offering from a team which had, by then, become a repertory company with special guests dropping in for a dose of innuendo. "What's all this jigging in the rigging?" demands Kenneth Williams, this time playing a ship's captain, and the scene is set for 90 minutes of ribaldry involving cross-dressing, press-ganging and plank walking. The plot scarcely matters. It's set after the Battle of Trafalgar and the sea is awash with Spanish galleons and pirates as the British navy sets about defending its shores with as much incompetence as possible. Sally, a barmaid at the Dirty Duck (Juliet Mills in feisty principal boy mode), knocks Bernard Cribbins on the head and steals his uniform so that she can go in search of her childhood sweetheart. He is promptly press-ganged and they end up on the same ship. Williams, on the brink of his ascendancy as a star turn, just about keeps the mannerisms under control enough to build the character of the naïve and neurotic captain. Familiar Carry On faces on top form include Charles Hawtrey and Jim Dale, while Peter Gilmore--in his pre-Onedin Line days--appears as a pirate. Peter Rodgers' script is not quite vintage Carry On but the jokes keep coming and it's all good, clean fun. On the DVD: This was one of the first Carry On films to be made in colour. The print is in reasonable condition. The picture quality, apart from a couple of scratchy scenes of sailing ships that were probably drafted in from stock footage, is fair, as is the sound. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
In 1960s London a beautiful continental au pair finds herself wrestling with the affections of an earnest peace-protestor a dashing young toff and a roguish older man. But fun and freedom turn to shame and despair when she finds that her naivety has put her lovers and their partners - including the well-meaning Janet (played by Big Zapper's Linda Marlowe in her first role) - at risk. Stylishly shot in crisp black and white and set against a backdrop of smoky jazz clubs 'Ban the Bomb' marches and evocative London locations this finely-tuned cautionary tale was the directorial debut of Gerry O'Hara (All the Right Noises The Brute) and is presented in a new high-definition transfer.
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