The mystical tale of a World War One veteran (Matt Damon) and championship golfer who returns to his sport with the aid of his caddy (Will Smith) who teaches him how to master any challenge in life.
This drama follows the political rivalries and romance of Queen Elizabeth II's reign and the events that shaped the second half of the 20th century. The fourth season covers the time period between 1979 and 1990, is set during Margaret Thatcher's premiership, and introduces Lady Diana Spencer. Episode 01 Gold Stick As Elizabeth welcomes Britain's first woman prime minister and Charles meets a young Diana Spencer, an IRA attack brings tragedy to the royal family. Episode 02 The Balmoral Test Margaret Thatcher visits Balmoral but has trouble fitting in with the royal family, while Charles finds himself torn between his heart and family duty. Episode 03 Fairy-tale After Charles proposes, Diana moves into Buckingham Palace and finds her life filled with princess training, loneliness, and Camilla Parker Bowles. Episode 04 Favourites While Margaret Thatcher struggles with the disappearance of her favourite child, Elizabeth re-examines her relationships with her four children. Episode 05 Fagan As Thatcher's policies create rising unemployment, a desperate man breaks into the palace, where he finds Elizabeth's bedroom and awakens her for a talk. Episode 06 Terra Nullius On a tour of Australia, Diana struggles to balance motherhood with her royal duties while both she and Charles cope with their marriage difficulties. Episode 07 The Hereditary Principle Grappling with mental health issues, Margaret seeks help and discovers an appalling secret about estranged relatives of the royal family. Episode 08 48:1 As many nations condemn apartheid in South Africa, tensions mount between Thatcher and Elizabeth about their clashing opinions on applying sanctions. Episode 09 Avalanche Charles is caught in a deadly avalanche, prompting both him and Diana to re-evaluate their commitment to their troubled marriage. Episode 10 War Amid a growing challenge to her power, Thatcher fights for her position. Charles grows more determined to separate from Diana as their marriage unravels.
In the savage and deadly world of the gangland king the man at the top is ruler only for as long as he controls everything in his territory. For that man the rewards can be infinite but so are the dangers. Harold Shand is enjoying the height of his powers and he is on the verge of something that would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long and bloody day of terror an Easter Good Friday he is to see his empire begin to crack and crumble.
In the screwball comedy Speechless, Michael Keaton and Geena Davis are political speechwriters with bad cases of insomnia who meet, fall in love, and then discover that they are working for opposing candidates. The subsequent short-lived war of dirty tricks and one-upmanship is one of those contrivances that is soon (and thankfully) discarded in light of their instant rapport and mutual respect. In a world where candidates are for sale and campaigns are fought like poker games, these idealists are made for each other--they just don't know it yet. Director Ron Underwood (City Slickers) has a light touch with comedy and a nice feel for romantic fun, but it's the charm of Keaton and Davis that puts the bounce in an otherwise limp political satire. --Sean Axmaker
The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Set in 1880 in New Mexico. Chino an American of Indian/Mexican descent breaks horses on his smallholding. When a youth turns up one night seeking work he takes him in teaching the ropes. When Chino falls in love with the sister of Maral his wealthy Mexican rancher neighbour Maral will stop at nothing to ensure the two don't marry.
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. This box set contains all 32 episodes, with newly remastered picture and Dolby 5.1 surround sound. The DVD box also includes extra features on each disc, plus a sixth documentary disc, "Captain Scarlet: S.I.G.". In its new digital incarnation, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Raid On Entebbe tells the amazing true story of a daring mission by Israeli commandos to free hostages of a terrorist hijacking at Entebbe Airport in Uganda and is presented here in its full length version.In 1976 four militants hijacked an Air France plane, diverting it to Entebbe, their cause was to secure the release of militants in Israel and four other countries. They held the hostages captive for three days before releasing a large number, keeping 100 passengers who were Israelis or Jews on board. What followed has gone down in history as one of the most daring rescue opertaions ever mounted.Directed by Irvin Kershner this Golden Globe winning film grips to the very end. The stand out cast includes Peter Finch as Prime Minister Yitzhak Rabin, alongside Charles Bronson and Martin Balsam.
The DVD extras follow the adage that if one has lemons, make lemonade. This "special" edition has no commentary track, and no new input from stars Kevin Costner, Sean Connery, and Andy Garcia or writer David Mamet. Yet DVD director Laurent Bouzereau has an ace up his sleeve that makes the four new featurettes (about 50 minutes of content) worth listening to: candid talk. The usual, stiff promotional take is jettisoned as producer Art Linson and director Brian De Palma honestly talk about the film's origins, the tricks of shooting, and the casting of Robert De Niro. These refreshing comments (plus insight from the cinematographer Stephen H. Burum and actor Charles Martin Smith), and better-than-average vintage interviews makes for valuable watching--even if the footage is intercut too often with film clips. To top it all off, there's a new Dolby Digital 5.1 EX soundtrack. --Doug Thomas
Acclaimed writer Andrew Davies turns his talents to one of Charles Dickens' most brilliant novels - arguably the greatest ever depiction of Victorian London. Fresh and imaginative yet faithful to the original this thrilling fast-paced adaptation is shot with a contemporary edge. At its heart is the story of the icily beautiful Lady Dedlock who nurses a dark secret and the merciless lawyer Tulkinghorn who seeks to uncover it. The generous John Jarndyce struggling with his own past and his two young wards Richard and Ada are all caught up like Lady Dedlock in the infamous case of Jarndyce vs. Jarndyce which will make one of them rich beyond imagination if it can ever be brought to a conclusion. As Tulkinghorn digs deeper into Lady Dedlock's past he unearths a secret that will change their lives forever and which is almost as astounding as the final outcome of the Jarndyce case.
Academy Award-winning historical drama starring Benedict Cumberbatch as British codebreaker and computer scientist Alan Turing. The film follows Turing from his teenage years to his wartime work and the trouble he later faced in his private life. Along with his friend and colleague Joan Clarke (Keira Knightly) and the rest of his team at the Government Code and Cypher School in Bletchley Park, Turing races against time to decipher the Nazi's Enigma machine during World War II. Despite playing a significant role in helping Britain defeat Germany, Turing is later convicted of homosexual acts and suffers greatly in his personal life as a result. The cast also includes Charles Dance, Mark Strong, Matthew Goode and Rory Kinnear. The film was nominated for eight Academy Awards including Best Picture, Best Actor (Cumberbatch) and Best Director, and won for Best Adapted Screenplay.
Nicholas Van Orton (Michael Douglas) is a shrewdly successful businessman who is accustomed to being in control of each facet of his investments and relationships. His well-ordered life undergoes a profound change however when his brother Conrad (Sean Penn) gives him an unexpected birthday gift that soon has devastating consequences. There are no rules in The Game...
Newly deceased playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades, where he asks a bemused Satan for permission to enter the gates of hell. Though the Devil doubts Henry's sins will qualify him for eternal damnation, Henry proceeds to recount a lifetime spent wooing and pursuing women, his long, happy marriage to Martha (Gene Tierney) not withstanding. Nominated for Academy Awards for best picture and director, Heaven Can Wait is an enduring cl...
A two-part US TV miniseries here edited into a 122-minute feature, Asteroid was originally rushed onto (television) screens in 1996, well before the one-two big screen punch of Deep Impact and Armageddon. Single mum-cum-astronomy boffin Dr Lily McKee (Annabella Sciorra) works out that a comet is about to divert a meteor shower towards Earth ("at its present rate, Helios would hit with the force of a thousand Hiroshimas and the heat of the Sun") and spends the first half of the film alerting the authorities to the danger, and the second half helping rugged rescue guy Jack Wallach (Michael Biehn) haul survivors out from under the rubble caused when a bunch of minor asteroids collide with the planet (well, America); all while as the usual shenanigans go on to cope with the big, preventable chunk. The script explains everything in children's science lecture terms ("Mom, are we going to die like the dinosaurs?" "I don't think so, honey, we're much smarter than the dinosaurs") and is written in pure comforting cliché-speak ("I'm sure she's serious, but is she for real?"). With its hymn to the quick-thinking authorities and intently cooperating heroes, this may be the most pro-Establishment disaster film ever made: only a few panicky civilians cause any trouble, and we need plot contrivances to get made-for-TV he-man Biehn into danger as he outruns a flood in Kansas City or searches for the heroine's missing kid (Zachary B Charles) in the burning wreckage of Dallas. A large supporting cast of no-name labcoats, uniforms and victims clutter up the screen between the effects. Of course, this can't compete with its big-screen counterparts, but it did get there first, coopting the CGI and modelwork techniques of Independence Day to the rock-from-space sub-genre (cf: Meteor) as cities are smashed, crowds submerged, the planet battered and multitudes saved to order. --Kim Newman
Buddy Holly laid the foundations for a generation of popular music with his ground-breaking combination of country music and rhythm and blues. This film tells his story from it's explosive beginning to its tragic end with Gary Busey giving an electrifying Oscar nominated performance (Best Actor 1978) as the young genius from Lubbock Texas who changed the tune of rock 'n' roll history. Young Buddy's studious appearance gave no hint of the 'new music' which was about to take the worl
Julien Duvivier taps into postwar France's paranoia in a long unavailable thriller, adapted from a Georges Simenon novel Proud, eccentric, and antisocial, Monsieur Hire (Michel Simon) has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town (Viviane Romance), discovers that his neighbours are only too ready to be suspicious of him, and is framed for the murder. Based on a novel by Georges Simenon, the first film made by Julien Duvivier after his return to France from Hollywood, finds the acclaimed poetic realist applying his consummate craft to darker, moodier ends. Propelled by its two deeply nuanced lead performances, the tensely noirish Panique exposes the dangers of the knivesout mob mentality, delivering a pointed allegory of the behaviour of Duvivier's countrymen during the war. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack The Art of Subtitling, a new short documentary by Bruce Goldstein, founder and copresident of Rialto Pictures, about the history of subtitles New interview with author Pierre Simenon, the son of novelist Georges Simenon Conversation from 2015 between critics Guillemette Odicino and Eric Libiot about director Julien Duvivier and the film's production history Rialto Pictures rerelease trailer New English subtitle translation by Duvivier expert Lenny Borger PLUS: Essays by film scholar James Quandt and Borger
After Rocky and its sequels, Sylvester Stallone cast about for another character that would bring him the same kind of box-office hit--and found it in disillusioned Vietnam vet John Rambo in First Blood, a solid little action thriller. So when all else failed, Stallone went back to the same well in hopes of recapturing the same commercial success. Which this film did. But where First Blood was a no-nonsense thriller that pitted Stallone against a worthy (and not necessarily bad) Brian Dennehy, this one is a sadistic chest-thumper in which Rambo gets to go back to Vietnam: ostensibly, he is there to rescue missing POWs, but in fact the movie was a lame excuse for him to refight the Vietnam War--and win. Audiences ate up the cruel Vietcong (and their Russian manipulators) and Stallone's bogus heroics, but it was strictly by-the-numbers action. --Marshall FineThe Rambo trilogy is also available on DVD as a complete set.
A 1991 comedy, Delirious stars John Candy as the head writer on a soap opera set in the fictional small town of Ashford Falls, whose naff power dressing and power wrangling is distinctly reminiscent of Dynasty. Candy has a crush on the somewhat imperious and Joan Collins-esque star of the show, played by Emma Samms, although waiting in the wings to be written into the show is the more wholesome and unaffected actress Mariel Hemingway. Delirious takes a turn when Candy is felled in an accident and awakes, supernaturally, to find himself in the very world of his own soap, with Ashford Falls a real town and its fictional characters, including Samms, now real people. Candy discovers, however, that in this world he has the power to "write" situations as they suit him--in this case, by casting himself as a dashing, wealthy and mysterious Wall Street hero, able to sweep Samms off her feet. The film is in some ways a precursor of Pleasantville (in which two teens are sucked into the world of a "Honey, I'm home" black and white 1950s sitcom). However, between them the star, writers and director (Tom Mankiewicz) make a ham fist of Delirious. The parody of soap mores is quite well done but quickly palls in its obviousness; Candy's performance is misjudged, as if trying too hard to make the best of a bad job; while overall, the film feels cheap, tacky and broad, once again raising the question why in the 1980s and 90s America produced such great sitcoms but such poor film comedies. On the DVD: Delirious is presented in 1.85:1 anamorphic widescreen. It's a decent enough edition but looks its age in places, in terms of colour definition in particular. The only extra is the original trailer. --David Stubbs
Arthur Bishop (Bronson) is a mob hit man who operates in a world of his own an uncompromising world where conventional rules of morality don't apply and where one wrong move could cost him his life! He's always worked alone but as age catches up with him Bishop takes on a competent and ruthless apprentice (Jan-Michael Vincent) and teaches him everything he knows. Together they become an unmatchable team of globetrotting killers until the pupil's ruthlessness puts him on a colli
Robert Crumb is known for his disturbing, yet compelling, underground cartoons: his most famous works made counter-cultural icons out of Mr. Natural ("Keep on Truckin'...") and Fritz the Cat. Terry Zwigoff delves into the odd world of the cartoonist in his documentary film Crumb, and the picture that emerges is not always pretty--at moments, it's almost repellent--but it's a fascinating glimpse into a very strange mind. Interviewing immediate family--Crumb has one suicidal brother, one semi-psychopathic brother, two sisters who declined to be interviewed and a tyrannical mother--Crumb begins to look a bit saner. Given his surroundings, it's remarkable that he has survived so well. His hostilities toward women may turn some viewers off but his wife, Aline, seems to be a grounding point and she provides a solid counterbalance to the man. No one shies away from discussing incredibly intimate things (namely, sex!), which explains much of R. Crumb's cartoons. This documentary can definitely be considered a masterpiece for the cult crowd and, as for the rest of us, it's sure to make us feel a little better about our own lives! --Jenny Brown
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