Shooting Fish is the kind of movie that evaporates once the end credits roll, but it's lightweight fun while it lasts. An amusing prologue sets the tone: two young orphan boys--one in America, one in England--demonstrate their precocious ability to subvert the strict rules of society. Eighteen years later, the clever Yankee schemer Dylan (Dan Futterman) and techno-geek Jez (Stuart Townsend) are fast friends in London, pulling off a series of royal scams to finance their dream of building a luxurious home for orphans--of course, it's a selfish cause since they're the orphans. Their newly hired secretary Georgie (played by the delightful Kate Beckinsale) goes along with their con games in the belief that their intentions are good, and when she discovers their selfish motivations... well, let's just say the boys (who are both smitten with the charming medical student Georgie) manage to rise to the occasion and do the right thing. Despite a few clever twists, this frothy plot meanders too much to be very involving, but the three young co-stars make it all worthwhile. (Futterman had already played Robin Williams's son in The Birdcage and Beckinsale made a strong impression in The Last Days of Disco.) It's one of those featherweight British comedies that's so good-natured you feel Scroogey if you resist it, and director and co-writer Stefan Schwartz has made the movie just smart enough to hold its own against a wall-to-wall soundtrack of kitschy pop songs. If you don't consider "cute" a derogatory term, this movie will offer an agreeable diversion. --Jeff Shannon
Reimagining Roald Dahl's beloved story for a modern audience, Robert Zemeckis's visually innovative THE WITCHES tells the darkly humorous and heartwarming tale of a young orphaned boy (Bruno) who, in late 1967, goes to live with his loving Grandma (Spencer) in the rural Alabama town of Demopolis. The boy and his grandmother come across some deceptively glamorous but thoroughly diabolical witches, so Grandma wisely whisks our young hero away to an opulent seaside resort. Regrettably, they arrive at precisely the same time that the world's Grand High Witch (Hathaway) has gathered her fellow cronies from around the globeundercoverto carry out her nefarious plans. Extras: Deleted Scenes
For a limited time only, Universal Pictures are re-releasing five of their most beloved Cinema Classics in cinemas around the UK. The following films will be released: Spartacus, Blues Brothers, Scar Face, The Thing and Animal House.
Space battles, quantum entanglement, and love triangles with snack dispensers, are just some of the problems facing the boys as they return on the small rouge one. Rimmer receives an SOS distress call from an old foe and is suddenly faced with the dilemma of his life. Lister grapples with the problem of being his own father, gets romantically involved with snack dispensers 23 and 34, while Kryten and Cat become quantum entangled forcing them to do everything in unison. The posse also find themselves marooned in 23 AD where they rescue a famous historical figure with a beard. Packed with over 150 minutes of extras including an exclusive making-of documentary, deleted scenes and a brand-spanking-new collection of 'Smeg Ups'. DVD comes with special collector's reversible sleeve.
Unseen for many years these four made-for-TV Christmas Carry On spectaculars feature favourite stories and timely traditions including Treasure Island A Christmas Carol pantomime and much more in the only way the Carry On team know how... pure slapstick comedy and scripts full of trademark innuendo! This is Carry On at its Christmas best! Carry On Christmas 1969: sees Sid James Barbara Windsor et al in a re-working of literary classic 'A Christmas Carol' - obviously thou
"Raging Bull" is arguably the finest work from the Scorsese and De Niro partnership. De Niro gives an amazing portrayal of a man whose animal side lurks just beneath the surface, ever ready to erupt.
Mike Myers returns as International Man of Mystery Austin Powers for a third time. When his arch nemesis Dr. Evil teams up with new villain Goldmember its up to Austin to save the day!
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
The first of 1997's volcano disaster movies (the second being Volcano) was arguably the better of the two but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante's Peak doesn't pretend to be anything more than an updated variation on a whole catalogue of disaster movie clichés. Despite all that, it's reasonably enjoyable. It's an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He's a volcano expert from the US Geological Survey, and she's the mayor of a cosy Washington State town perched beneath a volcano that's about to blow. Tell-tale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody's eager to leave and even some of Brosnan's colleagues think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests and death-defying escapes by Brosnan, Hamilton and some (but not all) of her family, friends and townsfolk. So what if it's all pretty flaky ... and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don't ask too many questions and you'll find Dante's Peak to be (if you'll pardon the pun) a total blast. --Jeff Shannon
The Blue Angel is one of the first German language sound films (filmed simultaneously in an English-language version), and the picture that represents the initial collaboration between Josef von Sternberg and his immortal muse, Marlene Dietrich. Following up his role in Sternberg's great silent The Last Command, Emil Jannings portrays a schoolteacher named Immanuel Rath, whose fateful expedition to catch his students frequenting the cabaret known as The Blue Angel leads to his own rapture with the establishment's main attraction Lola (Dietrich) - and, as a result, triggers the downward spiral of his life and fortune. Directed by Sternberg while on loan from America to the pioneering German producer Erich Pommer, The Blue Angel is at once captivating, devastating, and powerfully erotic, laced-through with Sternberg's masterful cinematography. From here, the director and Dietrich would go on to make six more films together in the span of five years, and leave a legacy of some of the most indelible iconography in the cinema of glamour and obsession. The Masters of Cinema Series is proud to present The Blue Angel in a new Dual Format presentation that incorporates both versions of the film in 1080p HD for the first time in the UK. Special Features: 1080p HD Presentation of both the German-language and English-language versions of the film, with progressive encodes on the DVD Newly translated optional subtitles on the German-language version, and SDH on the English-language version New and exclusive video essay on the films by critic and scholar Tag Gallagher New and exclusive feature-length audio commentary by critic and scholar Tony Rayns on the German-langauage version Original screen test with Marlene Dietrich Archival interview clips with Marlene Dietrich Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery
Death WishIn this explosive story of revenge and urban violence Charles Bronson plays Paul Kersey a bleeding-heart liberal who has a change of opinion after his wife and daughter are violently attacked by a gang of thugs in their apartment. His daughter is raped and his wife is raped and murdered. Bronson then turns vigilante as he stalks the mean streets of New York on the prowl for muggers hoodlums and the like. Death Wish is a violent controversial film that is frank and original in its treatment of urban crime and the average citizen's helplessness in dealing with it. Herbie Hancock wrote the musical score and Jeff Goldblum makes his big screen debut as one of the thugs. Death Wish 2Paul Kersey is trying to pick up the pieces of his life in Los Angeles California. His architectural business is successful he has a new girlfriend and although his daughter hasn't recovered from the trauma of her assault she's slowly becoming happier and learning to speak again. But peace is not destined to last and Kersey soon finds himself the victim of a petty crime when some street punks swipe his wallet but this is only a light premonition of things to come. Not satisfied with the wallets contents decides to escalate their crime to a home invasion. They break into Kersey's home and when he tries to retaliate Kersey is viciously beaten and his maid is kicked to death. The punks kidnap his daughter and bring her to their hideout where they rape her thereby causing her to commit suicide. Now Kersey has lost all faith in the justice system and offers no co-operation with local law enforcement. He has plans of his own for each of the thugs that assaulted his family...plans that include their premature deaths. The UK version is based on the unrated version but was censored approx. 3 mins. by the BBFC. Death Wish 3He's Judge Jury and Executioner! Paul Kersey doesn't seek out violence. It just seems to find him. But when it does... he's not about to back down! Charles Bronson brings out the heavy artillery in this gun-blazing no-holds-barred thriller! Road-worn and battle-weary Kersey longs to leave his fighting days behind him. But when he arrives in New York to visit an old friend he finds him brutally attacked and gasping for breath in a pool of blood! Now the silent avenger must wage war once more on the city's punks thugs and hoodlums. But this time he's brought a small arsenal of guns knives - and even a bazooka - to help him! Death Wish 4: The CrackdownArchitect/vigilante Paul Kersey takes on the members of a vicious Los Angeles drug cartel to stop the flow of drugs after his girlfriend's daughter dies from an overdose. Death Wish 5: The Face of DeathNew York's garment district has turns into Dodge City when mobster Tommy O'Shea muscles in on the fashion trade of his ex-wife Olivia Regent. Olivia is engaged to Paul Kersey who provides a sense of security for herself and her daughter Chelsea. Olivia isn't impressed when Tommy tortures her manager Big Al so Tommy hires an enforcer named Freddie Flakes who is a master of disguise. Freddie dons women's clothing to follow Olivia into a ladies' room where he smashes her face into a mirror causing permanent disfigurement. In the offices of D.A. Tony Hoyle and his associate Hector Vasquez Paul and Olivia vow to see to it that Tommy is prosecuted. Later Freddie and two of his men disguise themselves as cops infiltrate Olivia's apartment and shoot Olivia dead. Now Kersey is ready to take things into his own hands. Kersey follows Tommy's thug Chickie Paconi to the Paconi family bistro where Kersey kills Chickie by lacing his cannelloni with cyanide. Next Paul tricks Freddie out of his fortress-like home and blows him up with a rigged ball. After dispatching the corrupt Hector Vasquez with a gun concealed in a doll Kersey discovers that D.A. Hoyle is in cahoots with Tommy. Using Chelsea as bait Tommy lures Paul to Olivia's factory for a confrontation.
Based on the 1950 French novel Le Salaire de la peur and critically hailed upon its original release, The Wages of Fear propelled its director Henri-Georges Clouzot (Les Diaboliques) to international fame, and is rightly considered a classic of world cinema. In a squalid South American village, four desperate men are hired by a US oil company to embark on a treacherous journey, transporting a volatile cargo of nitro-glycerine to a massive oil well fire. Friendships and courage are pushed to the limit in this nail-biting thriller by a director who would go on to be dubbed the French Hitchcock Product Features 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Audio commentary by film critic Adrian Martin (2017) Interview with assistant director Michel Romanoff (2005, 23 mins) Interview with Clouzot biographer Marc Godin (2005, 10 mins) Interview with Professor Lucy Mazdon (2017, 35 mins): an in-depth interview about Henri-Georges Clouzot and The Wages of Fear The Guardian Lecture: Yves Montand in conversation with Don Allen (1989, 99 mins, audio only): the star discusses his distinguished career Original theatrical trailer Other extras TBC **FIRST PRESSING ONLY** Illustrated booklet featuring writing on the film, original reviews and an appreciation of Clouzot by Paul Ryan
A heart-warming story of mistaken identity and idealism, director Ivan Reitman (Ghostbusters) takes on the political establishment in this fresh, funny comedy. Kevin Kline (Sophie's Choice, A Fish Called Wanda) plays Dave Kovic, a sweet man with a big heart running an employment agency. Dave happens to be a dead ringer for the current president of the United States and he hires himself out as an impersonator for parties and mall openings. When the real president has a stroke while in bed with an aide, his ambitious chief of staff (Frank Langella) decides to hold onto the White House by appealing to Dave's sense of patriotism and having him pose as the president. Soon, however, Dave is running the country in a way contrary to what the chief of staff would like, even as he finds himself falling in love with the unsuspecting first lady (Sigourney Weaver). The movie's unbridled optimism is its best asset and it makes this a pleasant comedy worth seeing. --Robert Lane
Tootsie inevitably looks dated in some respects now, but it's still fabulous in others--the sexual politics look distinctly faded in their sniggering approach to sexual ambiguities, while the sardonic portrayal of a showbiz that loathes perfectionism is still both timely and hysterically funny. Dustin Hoffman's portrayal of Michael Dorsey is a memorable self-caricature--the man is so obsessed with the craft of acting that he refuses to sit down when playing a tomato in a commercial, and so producers run away rather than work with him. By playing Dorothy Michaels playing her soap character, Dorsey gives himself the freedom to be a bad and popular actor. He is so busy with the surface of being a woman--the voice, the hair, the frocks--and with all the bad faith of his and Dorothy's emotional lives, that he learns to relax into the pleasure of performance. This aspect of the film is far more interesting, ironic and funny than the corny New Man moralising about sexual roles that goes with it. Jessica Lange got, and earned, an Oscar for her sensitive straight woman performance as the colleague Michael falls for, and Bill Murray, Teri Garr, Geena Davis (momentarily) and Charles Durning all turn in reliable supporting roles. Sydney Pollack directs efficiently rather than inspiredly--oddly, he earns almost more credit for his well-observed performance as Michael's world-weary agent. On the DVD: The DVD is presented in crisp Dolby Digital sound and with the original theatrical visual ratio of 2.35:1; enhanced for 16:9 widescreen televisions. It is dubbed into French, German, Italian and Spanish and has subtitles in most European languages as well as Arabic, Hindi and Hebrew. The only special features are the theatrical trailer and filmographies for the leading performers and director. --Roz Kaveney
A drama about a pilot and a naval flight officer (Owen Wilson and Gabriel Macht) shot down behind enemy lines in Bosnia, and the clandestine mission their commanding officer (Gene Hackman) sets up to rescue them.
Young Danny Madigan (Austin O'Brien) is a lonely 11-year-old boy who escapes from his bleak reality by watching the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). When his best friend, Nick the projectionist, gives him a special ticket to the new Slater film, Danny is magically transported into Jack's world, where the good guys always win. Danny becomes his helper as Jack battles a trio of nefarious bad guys, Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny's magic ticket stub and transports himself into the real world, where crime can, and often does, pay. Jack and Danny must leave fictional Los Angeles for real-life New York and battle the villains without the aid of movie magic or stuntmen.
Harry's Game is the story of two killers. One is Billy Downes (Derek Thompson) cold-blooded assassin of a British Cabinet Minister. The other is Harry Brown (Ray Lonnen) Captain by rank and with orders to eliminate the IRA hitman in his own backyard - the Falls Road Belfast. Both men believe their cause is just. But only one can win. Harry's game - to find the identity of the killer and destroy him before his cover is blown... With powerful performances from Ray Lon
Intense, ferocious and deeply unsettling, I.D. is an excellent examination of Britain's unsavoury contribution to global culture: football hooliganism. Whereas Alan Clarke's The Firm showed the violence that lurked behind a seemingly normal façade, I.D. posits football hooliganism as a feral temptation. Dedicated, ambitious undercover policeman John (Reece Dinsdale) becomes seduced by the violence of an East London gang, ultimately becoming lost from his regular life with his wife (Clare Skinner). Dinsdale delivers a measured performance that sees him spiral from committed, right-minded policeman to shaven-headed, Nazi-saluting monster, revelling in the violent impulses he embraces with glee and, alarmingly, becoming a hero amongst those he is infiltrating. Warren Clarke is absolutely monstrous as the leader of the hooligan gang, a paragon of bigoted hatred and the embodiment of John's future. Often unnervingly realistic, director Phil Davis is adept at creating riotous mob scenes that chillingly accentuate the world into which John is drawn. It could be said that I.D.'s premise is too thin, and that hooliganism is not addressed in an effective manner, but it is without doubt a chilling character study of the temptation of violence and the horrific influences that lurk in the heart of society. --Danny Graydon
The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognise and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruellest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern mid-level businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay and Best Picture. --Jim Emerson Note: this region two DVD is a "flipper" with a break between sides A and B.
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