A natural successor to the violent thrillers of the 70s, director Joe Carnahan's breakthrough Narc brings the genre screaming into a new era, setting the standard for the modern cop drama with its gritty, unrelenting tone and style. In wintry Detroit, narcotics cop Nick Tellis (Jason Patric, The Lost Boys) is recovering from an undercover operation gone wrong. In the hopes of being assigned a quiet desk job, he agrees to return to active duty and partner up with Detective Henry Oak (Ray Liotta, Goodfellas) to investigate the apparent murder of Oak's former partner. As both men become lost in the depths of the case, boundaries become blurred, and their relationship begins to vacillate between intensely personal and unsettlingly suspicious. One of the best crime films of the 21st century, Narc is back in an intense filmmaker-approved 4K remaster, with brutally immersive Atmos audio, and featuring hours of on-set interviews and bonus features. 4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS 4K remaster from the original negative by Arrow Films Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh Double-sided poster featuring original and newly commissioned artwork by Nathanael Marsh Illustrated collectors' booklet featuring writing by Michelle Kisner, an interview with producer Diane Nabatoff and archival interviews and articles DISC ONE - FEATURE (4K ULTRA HD BLU-RAY) 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original stereo audio and Dolby Atmos surround audio Optional English subtitles for the deaf and hard-of-hearing Archival feature commentary with director Joe Carnahan and editor John Gilroy Introduction from director Joe Carnahan DISC TWO - EXTRAS (BLU-RAY) Shattering the Blue Line, an interview with writer/director Joe Carnahan Shooting Narc, a video essay on the look of Narc featuring an interview with director of photography Alex Nepomniaschy If You Live Another Day, an interview with actor Krista Bridges The Journey of the Costume, an interview with costume designer Gersha Phillips Making the Deal, a vintage promotional featurette looking at the making of the film The Visual Trip, a vintage promotional featurette looking at the visual style of the film The Friedkin Connection, a vintage promotional featurette interviewing William Friedkin and discussing the connections between his body of work and Narc Shooting Up, a vintage promotional featurette looking at the making of the film Vintage EPK interviews with Joe Carnahan, Ray Liotta, Jason Patric, Diane Nabatoff, Alex Nepomniaschy and William Friedkin Theatrical trailers Image gallery
Gone in 60 Seconds opens on Kip Raines (Giovanni Ribisi), a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter". Being young and cocky, Kip messes up, so its up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car-thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage and Ribisi, it would be easy to say this story wastes all their talents--which it does, but thats not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as its about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesnt come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and its fun because its so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film thats not quite a parody of itself, but darn close. --Andy Spletzer, Amazon.com
No one's gonna make it big here. Always remember the cardinal rule of eating out: Never mess with people who handle your food! Ryan Reynolds (The Amityville Horror) Anna Faris (Scary Movie) and Justin Long (Dodgeball: A True Underdog Story) star in this hilarious comedy about the band of mischievous waiters waitresses and cooks just waiting to show guests how extraordinary the service at ShenaniganZ restaurant can be.
When an Eastern European man's country literally disappears from the map in a fiery coup, he has to make a New York airport his home.
Academy Award winners Nicolas Cage and Angelina Jolie ride an unstoppable wave of speed and adrenaline in this hot edgy action hit from high-octane producer Jerry Bruckheimer. Legendary car booster Randall ""Memphis"" Raines (Cage) thought he'd left the fast lane behind - until he's forced out of retirement in a do-or-die effort to save his kid brother (Giovanni Ribisi) from the wrath of an evil mobster! But with speed to burn and attitude to spare Memphis hastily re-assembles his old
Godzilla (a.k.a. Gojira) is the roaring granddaddy of all monster movies. It's also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population's fears, became a beloved international icon of destruction, spawning more than thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original 1954 Japanese version is presented here, along with Godzilla, King of the Monsters, the 1956 Americanized version.Film Info¢ Japan¢ 1954¢ 96 minutes¢ Black & White¢ 1.37:1¢ Japanese¢ Spine #5944K UHD + BLU-RAY SPECIAL EDITION FEATURES¢ New 4K digital restoration, with uncompressed monaural soundtrack¢ [4k ONLY] One 4K UHD disc of the film and one Blu-ray with the film and special features¢ High-definition digital restoration of Godzilla, King of the Monsters, Terry Morse's 1956 reworking of the original, with uncompressed monaural soundtrack¢ Audio commentary for both movies by film historian David Kalat¢ Interviews with actors Akira Takarada and Haruo Nakajima and special effects technicians Yoshio Irie and Eizo Kaimai¢ Interview with legendary Godzilla score composer Akira Ifukube¢ Featurette detailing Godzilla's photographic effects, introduced by special effects director Koichi Kawakita and special effects photographer Motoyoshi Tomioka¢ Interview with Japanese-film critic Tadao Sato¢ The Unluckiest Dragon, an illustrated audio essay featuring historian Greg Pflugfelder describing the tragic fate of the fishing vessel Daigo Fukuryu Maru, a real-life event that inspired Godzilla¢ Trailers¢ PLUS: An essay by critic J. Hoberman¢ Cover by Bill Sienkiewicz
A natural successor to the violent thrillers of the 70s, director Joe Carnahan's breakthrough Narc brings the genre screaming into a new era, setting the standard for the modern cop drama with its gritty, unrelenting tone and style. In wintry Detroit, narcotics cop Nick Tellis (Jason Patric, The Lost Boys) is recovering from an undercover operation gone wrong. In the hopes of being assigned a quiet desk job, he agrees to return to active duty and partner up with Detective Henry Oak (Ray Liotta, Goodfellas) to investigate the apparent murder of Oak's former partner. As both men become lost in the depths of the case, boundaries become blurred, and their relationship begins to vacillate between intensely personal and unsettlingly suspicious. One of the best crime films of the 21st century, Narc is back in an intense filmmaker-approved 4K remaster, with brutally immersive Atmos audio, and featuring hours of on-set interviews and bonus features. LIMITED EDITION BLU-RAY CONTENTS 4K remaster from the original negative by Arrow Films Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh Double-sided poster featuring original and newly commissioned artwork by Nathanael Marsh Illustrated collectors' booklet featuring writing by Michelle Kisner, an interview with producer Diane Nabatoff and archival interviews and articles DISC ONE - FEATURE High Definition (1080p) Blu-ray presentation Original stereo audio and Dolby Atmos surround audio Optional English subtitles for the deaf and hard-of-hearing Archival feature commentary with director Joe Carnahan and editor John Gilroy Introduction from director Joe Carnahan DISC TWO - EXTRAS Shattering the Blue Line, an interview with writer/director Joe Carnahan Shooting Narc, a video essay on the look of Narc featuring an interview with director of photography Alex Nepomniaschy If You Live Another Day, an interview with actor Krista Bridges The Journey of the Costume, an interview with costume designer Gersha Phillips Making the Deal, a vintage promotional featurette looking at the making of the film The Visual Trip, a vintage promotional featurette looking at the visual style of the film The Friedkin Connection, a vintage promotional featurette interviewing William Friedkin and discussing the connections between his body of work and Narc Shooting Up, a vintage promotional featurette looking at the making of the film Vintage EPK interviews with Joe Carnahan, Ray Liotta, Jason Patric, Diane Nabatoff, Alex Nepomniaschy and William Friedkin Theatrical trailers Image gallery
Trying to explain the cult appeal of John Carpenter's Big Trouble in Little China to the uninitiated is no easy task. The plot in a nutshell follows lorry driver Jack Burton (Kurt Russell) into San Francisco's Chinatown, where he's embroiled in street gang warfare over the mythical/magical intentions of would-be god David Lo Pan. There are wire-fu fight scenes, a floating eyeball and monsters from other dimensions. Quite simply it belongs to a genre of its own. Carpenter was drawing on years of chop-socky Eastern cinema tradition, which, at the time of the film's first release in 1986, was regrettably lost on a general audience. Predictably, it bombed. But now that Jackie Chan and Jet Li have made it big in the West, and Hong Kong cinema has spread its influence across Hollywood, it's much, much easier to enjoy this film's happy-go-lucky cocktail of influences. Russell's cocky anti-hero is easy to cheer on as he "experiences some very unreasonable things" blundering from one fight to another, and lusts after the gorgeously green-eyed Kim Cattrall. The script is peppered with countless memorable lines, too ("It's all in the reflexes"). Originally outlined as a sequel to the equally obscure Adventures of Buckaroo Banzai Across the Eighth Dimension, Big Trouble is a bona fide cult cinema delight. Jack sums up the day's reactions perfectly, "China is here? I don't even know what the Hell that means!". On the DVD: Big Trouble in Little China is released as a special edition two-disc set in its full unedited form. Some real effort has been put into both discs' animated menus, and the film itself is terrific in 2.35:1 and 5.1 (or DTS). The commentary by Carpenter and Russell may not be as fresh as their chat on The Thing, but clearly they both retain an enormous affection for the film. There are eight deleted scenes (some of which are expansions of existing scenes), plus a separate extended ending which was edited out for the right reasons. You'll also find a seven-minute featurette from the time of release, a 13-minute interview with FX guru Richard Edlund, a gallery of 200 photos, 25 pages of production notes and magazine articles from American Cinematographer and Cinefex. Best of all for real entertainment value is a music video with Carpenter and crew (the Coupe de Villes) coping with video FX and 80s hair-dos.--Paul Tonks
One movie-lover's nightmare is another's raucous joyride, and this special effects-laden horror comedy is bound to split both camps right down the middle. Michael J Fox plays a psychic investigator who can actually see ghosts, and lives with a trio of spirits who scare people to promote Fox's ghost-busting business. In a town infamous for serial killings, a new series of deaths prompts Fox to induce his own out-of-body experience so he can battle death in a spirit-plagued netherworld where evil reigns supreme--or something like that. So much happens in this chaotic film that you might feel like you're watching several movies at once--a slasher pic, a supernatural thriller, and a black comedy all rolled into one non-stop showcase for grisly makeup and a dozen varieties of special effects. It's an odd but wildly inventive film from New Zealand director Peter Jackson, who earned critical acclaim for his previous film Heavenly Creatures and would later create the ingenious pseudo-documentary Forgotten Silver. --Jeff Shannon, Amazon.com
Godzilla (a.k.a. Gojira) is the roaring granddaddy of all monster movies. It's also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population's fears, became a beloved international icon of destruction, spawning more than thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original 1954 Japanese version is presented here, along with Godzilla, King of the Monsters, the 1956 Americanized version.Film Info¢ Japan¢ 1954¢ 96 minutes¢ Black & White¢ 1.37:1¢ Japanese¢ Spine #594¢ High-definition digital restoration of Godzilla, King of the Monsters, Terry Morse's 1956 reworking of the original, with uncompressed monaural soundtrack¢ Audio commentary for both movies by film historian David Kalat¢ Interviews with actors Akira Takarada and Haruo Nakajima and special effects technicians Yoshio Irie and Eizo Kaimai¢ Interview with legendary Godzilla score composer Akira Ifukube¢ Featurette detailing Godzilla's photographic effects, introduced by special effects director Koichi Kawakita and special effects photographer Motoyoshi Tomioka¢ Interview with Japanese-film critic Tadao Sato¢ The Unluckiest Dragon, an illustrated audio essay featuring historian Greg Pflugfelder describing the tragic fate of the fishing vessel Daigo Fukuryu Maru, a real-life event that inspired Godzilla¢ Trailers¢ PLUS: An essay by critic J. Hoberman¢ Cover by Bill Sienkiewicz
Take off your thinking caps and toss 'em in a corner, 'cos you won't need 'em when you're watching this deliriously dumb thriller from 1997. Bruce Willis stars as a demoted FBI agent who comes to the aid of an autistic boy whose mind holds a potentially deadly secret. It seems that by gazing on a puzzle magazine and making order out of a hidden system of numbers, the 9-year-old autistic boy (Miko Hughes) has accidentally deciphered a sophisticated top-secret government code. This makes him the prime target of the ruthless bureaucrat (Alec Baldwin, in one of his silliest roles) and Willis comes to the rescue. This formulaic thriller sets up this plot with a lot of entertaining urgency but you can't give any thought to Mercury Rising or the whole movie collapses under the weight of its own illogic and nonsense. The redeeming values are the performances of Willis, young Hughes and newcomer Kim Dickens as a woman who agrees (perhaps too easily, it seems) to aid Willis in his plot to out manoeuvre the bad guys. Mercury Rising is not a waste of time compared to other formulaic thrillers but its entertainment value depends on how much you enjoy being smarter than the movie. --Jeff Shannon
The Brothers Solomon tells the hilarious story of Dean and John Solomon (Forte and Arnett) two good-hearted but romantically-challenged brothers. When they find out their dying father's last wish is for a grandchild the brothers set out to find someone to have a baby with. But after spending their formative years being home-schooled by their father in a remote arctic location their social skills prove to be somewhat lacking and their attempts at fatherhood go hysterically and disastrously wrong.
Bodhidharma created the Shaolin Temple where Chinese Kung Fu originated. This is a dramtic retelling of his struggles the secret style he invented and how he became the Grand Master of Shaolin Kung Fu...
Equal parts martial arts movie futuristic prison picture and sci-fi monster flick 'The Story Of Ricky' is set in an alternative universe similar to our own. After killing the drug dealer responsible for his girlfriend's death Ricky (Siu-Wong Fan) finds himself banged up in a prison ruled by a corrupt warden and a group of super-mercenaries known as the Gang of Four. Trained in an especially deadly form of martial arts and possessing super-human strength making him virtually indest
Jackie Chan has become a genre unto himself, and watching Police Story, you'll understand why. The plot is minimal: Chan is a hero cop involved in a raid that goes wrong. He's assigned to guard a witness, the kingpin's attractive female secretary (Brigitte Lin). For the rest of the film, Chan's protecting himself from the secretary, from the gangsters out to silence her and from his own jealous girlfriend (Maggie Cheung). But watching Chan for plot is like watching porno for existential themes. While most modern action films steal cues from Westerns, Chan condenses those open mesas into the dense throngs of modern Hong Kong--and tosses in Buster Keaton slapstick. For example, when the opening raid goes haywire, there's an unbelievable car chase through the steep huddle of a hillside shantytown. That's through. No roads, just shacks. Flimsy shacks. As the film progresses, Chan scales a speeding bus using an umbrella, uses cow dung as an excuse to break into some Shaolin moonwalking and transforms an urban shopping mall into a demented gymnasium (think clothes racks, escalators, and lots of plate glass displays). Chan is amazingly versatile both physically and emotionally--and he's a secure enough star-director to let his co-stars shine, too. --Grant Balfour
Wham, bam, thank you Lau Kar-leung!! The legendary director of such kung-fu mega hits as 36th CHAMBER OF SHAOLIN (1978), TIGER ON THE BEAT (1988) and DRUNKEN MASTER 2 (1994) got his career rolling with the martial arts masterpiece THE SPIRITUAL BOXER (1975) a standout chopsocky classic from the glory days of Hong Kong genre cinema. Adding comedy to the familiar fisticuffs formula, this beloved blockbuster tells the story of a travelling conman who claims to have supernatural powers. Robbing village after village, our antagonist quickly bees expected to use these fictional strengths against some sudden enemies... Resulting in several hilarious moments combined with breakneck examples of all out action and adventure! Fans of head-cracking carnage cannot possibly go wrong with THE SPIRITUAL BOXER... finally unleashed in HD by the Asian celluloid scholars at 88 Films!!!
Waiting: No one's gonna make it big here. Always remember the cardinal rule of eating out: Never mess with people who handle your food! Ryan Reynolds (The Amityville Horror) Anna Faris (Scary Movie) and Justin Long (Dodgeball: A True Underdog Story) star in this hilarious comedy about the band of mischievous waiters waitresses and cooks just waiting to show guests how extraordinary the service at ShenaniganZ restaurant can be. Just Friends: Some friends are just friends. Others you get to see naked. When Chris a likable high-school loser finally gathers the courage to reveal his love to Jamie - the girl of his dreams and a super cool cheerleader - she rejects him saying she just wants to be friends. So he moves across the country and transforms himself into a selfish womanizing and successful music executive. But 10 years later circumstances bring him back to his home town and fate reconnects him with the ""just friends"" girl of his dreams. Suddenly Chris has the chance to undo the past but unbelievably he finds it more difficult to romance Jamie than it was 10 years ago. Can one escape the clutches of the ""friend zone?"" Is it possible to go from ""just friend"" to boyfriend? Chris is about to find out the hard way. Van Wilder: Ryan Reynolds gives a charismatic performance as a seventh year senior Van Wilder who wants nothing more than to continue his cushy life at Coolidge College as ""Campus Legend."" With a personal assistant and a panache for throwing parties graduation is the furthest thing from his mind. But when Gwen Pearson (Tara Reid) enters his life could his priorities start changing?
Many legends have arisen surrounding the mysterious and untimely death of martial arts king Bruce Lee. Was he murdered? Was he involved in drugs and crime? Why did he leave the cryptic message If I die find out why? Whatever the reason fellow martial arts master Bruce Li determines to find the answers. With the assistance of Lee's former mistress Suzy he penetrates the dangerous underworld of Hong Kong. Captured by the criminals Suzy uncovers firm evidence about her lover's death. Bruce is forced to confront the gangsters in a final showdown with such superb fighting skill that he earns the accolade of Bruce Lee's successor...
Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by EDWARD YANG (Yi Yi), finally comes to Blu-ray. Set in the early sixties in Taiwan, A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centres on the gradual, inexorable fall of a young teenager (Crouching Tiger, Hidden Dragon's CHEN CHANG, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil. Special Features: New 4K digital restoration, with uncompressed monaural soundtrack New audio commentary featuring critic Tony Rayns New interview with actor Chen Chang Our Time, Our Story, a 117-minute documentary from 2002 about the New Taiwan Cinema movement, featuring interviews with Yang and filmmakers Hou Hsiao-hsien and Tsai Ming-liang, among others Videotaped performance of director Edward Yang's 1992 play Likely Consequence New English subtitle translation PLUS: An essay by critic Godfrey Cheshire and a 1991 director's statement by Yang Click Images to Enlarge
Released to critical acclaim in 1997, the year of the Hong Kong handover, Fruit Chan's Made in Hong Kong was praised as an anarchic masterpiece, a powerful distillation of urban alienation and youthful despair. Moon (Sam Lee) is a small-time triad, stuck in an endless cycle of pointless violence with no hope of escape. After he and his friends witness the suicide of a young girl, they embark on a journey to deliver two letters she had on her when she died. Produced on a shoestring budget, with non-professional actors and using discarded film reels for stock, the film was rescued from obscurity and fully restored in 4K in time for its 20th anniversary in 2017, thanks to the Far East Film Festival, in collaboration with Andy Lau's Hong Kong production company, Focus Film. Special Features: LIMITED EDITION O-CARD SLIPCASE (2000 Copies Only 1080p presentation on Blu-ray from a 4K digital restoration Uncompressed LPCM 2.0 audio Optional English subtitles New interview with director Fruit Chan New interview with producer Doris Yang New interview with producer Daniel Yu New interview with Marco Muller, former director of the Locarno Film Festival A collector's booklet featuring new writing by film historian Alexandra Heller-Nicholas; and an archival interview with director Fruit Chan
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