Based on the book by Danielle Steel Bill Grant (John Ritter) is the popular producer of a top TV soap but separated from his ex-wife and two young sons he badly misses family life. Adriane (Polly Draper) is a happily married news executive at the same TV station. But when she unexpectedly becomes pregnant her child-phobic husband deserts her rather than compromise his career with the responsibilities of parenthood. Both alone and lonely Bill and Adriane eventually meet and quickly become close - their friendship soon deepening into love despite Adriane's pregnancy and inner longing for her husband. Caring and supportive right up to the birth Bill never doubts his love for Adriane though she secretly hopes the baby's arrival may rekindle her marriage. Will Bill's heart be broken again... or will Adriane finaly realise who will make more loving husband and father?
Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis.When Morlar is viciously assaulted and left for dead the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing complex.
Considering their reputation for hating interviews and photo sessions, Belle & Sebastian's Fans Only is a surprisingly intimate affair. Over 136 minutes, the main feature documentary follows Belle & Sebastian from their inception in 1996 through every step of their six-album career, tracking the band to America, Brazil, and Japan, and hanging out with them in their hometown of Glasgow. At times, Fans Only feels like a lovingly crafted home video, with private photos and previously unseen segments of super-8 footage merging with the commercial promos and television appearances. It's all here: childhood snaps, Stuart Murdoch behind the wheel of an orange city bus, a song from the legendary Session At West 54th (still the holy grail for some devotees), a self-made documentary of a band rehearsal from 1999, Richard and Mick's acceptance speech at the Brits (with Richard captioned as Nick Cooke), Stevie and Stuart serenading the queue at the Bowlie Weekender, the band appearing on a Brazilian chat show, it goes on and on. Belle & Sebastian have always been a fans' band, close to those that understand them and inaccessible to those that don't. Fans Only is that relationship caught brilliantly on video. On the DVD: Fans Only on disc also includes live versions of "Dog on Wheels", "Landslide" and "The Kids are Alright" from The Bowlie Weekender. There are questions from the band's press conference for Fold Your Hands, You Walk Like a Peasant, plus Stevie singing "Darlin'" at Coachella, a 60s' version of "Jonathan David" and a Discography. --Ian Watson
A respectable and picturesque realisation of DH Lawrence's novel, 1989's The Rainbow is director Ken Russell's prequel to his 1969 version of Women in Love. By Russell's standards, this is a remarkably restrained treatment of Lawrence's novel, set in the Midlands in the 19th century: with its lush, rural setting and quaint bucolic soundtrack there are moments when you might imagine you're watching The Railway Children--until the sex scenes kick in, that is. Her soul infused with infinite longing by the sight of a rainbow as a child, Ursula Brangwen grows up restless at the prescribed roles set out for women in Victorian England, which are stoically endured by her mother (Glenda Jackson, who played Ursula's sister Gudrun in Women in Love). She idealises her swimming instructor--the older, more experienced Winifred (Amanda Donohoe) with whom she enjoys a passionate, borderline lesbian relationship. She becomes a schoolteacher against her parents' wishes, and takes up with Paul McGann, who is somewhat tepid as a Boer War officer. Ultimately, however, she finds all of these limitations too constraining and finally strikes out on her own in search of true spiritual and sexual freedom. On the DVD: This is a full-screen version of the film, ratio 4:3. The sound quality is fine as is the colour and sharpness, though like the film itself, not quite as ravishing as you might hope. Special features consist of a routine trailer ("She played by her passion, not by their rules") and disappointingly perfunctory "filmographies" of the director and cast: merely lists of their previous movies. --David Stubbs
This visually stunning film explores passion betrayal vengeance and revenge and their effect on the life of a naive and unseasoned young man. Basil yearning for freedom from the constraints of aristocracy disregards his position and wealth to pursue the passionate love of a beautiful woman. Betrayed by this love and deceived by the man he thought a friend Basil finds he is the victim of a sinister plot for revenge. He hunts down his tormentor and in a violent fight comes face to face with the price of vengeance. He escaped to the coast of Ireland to face his demons comes to terms with his past and discovers a future that holds the promise of new beginnings.
The Medusa Touch: Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis. When Morlar is viciously assaulted and left for dead the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing co
Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis. When Morlar is viciously assaulted and left for dead on the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing complex...
Elijah Wood has one of his first post-Frodo leading roles in the mild-mannered comedy All I Want (the original title of which was Try Seventeen in its film festival showings). He's a 17-year-old college dropout who moves into a funky old apartment building and becomes intrigued by his wacky neighbours. Mandy Moore plays the self-absorbed actress across the hall and Run Lola Run goddess Franka Potente is a cranky photographer. The movie has a few surprises (the casting seems to suggest a teenybopper romance for Wood and Moore, but not so fast), although the energy level rarely perks up and it's pretty thin on actual narrative happenings. Wood's tendency toward fantasy is an especially tired device. A furtive sense of humour, plus the big adoring close-ups of the highly photogenic leading ladies, provides the low-key interest. Trivia: Elizabeth Perkins plays the hero's irresponsible mum; she was also Elijah Wood's mother in Avalon. --Robert Horton
Four young friends spend a crazy night on the streets of Manhattan that quickly turns into a night they'll never forget!
Two lovers (Christian Slater Patricia Arquette) are thrust into a dangerous game of high-stakes negotiations and high-speed adventure. The pair come into unexpected possession of a suitcase of mob contraband. Fleeing to Los Angeles they hope to sell the goods and begin a new life. But both sides of the law have other ideas...
Unbeknown to the ordinary citizens of a quiet New Jersey town some of the local teenagers harbour a terrifying secret that they are about to unleash upon the community. Revealing himself as an evil vampire lord Charles and his hand-picked cohorts terrorise everyone in their path including rival vampires Viktoria and Alicia. When all hell breaks loose Viktoria and Alicia seek the assistance of a dark stranger Zeth whose own terrifying secret will be revealed in the light of a full moon.
ChronicleIf you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realises he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton JumperAs preposterous action movies go, Jumper is pleasantly unpretentious and breezily entertaining. A young man named David (Hayden Christensen) discovers he has the power to teleport (or "jump") anywhere he can visualise. After using this power to steal and make a comfortable life for himself, he pursues the girl he longed for in school (Rachel Bilson, The O. C.). But as he does so, another jumper (Jamie Bell, Billy Elliot) and a pack of fanatical jumper-hunters called paladins (led by a white-haired Samuel L. Jackson) crashes into David's freewheeling life. Jumper wastes no time trying to explain how jumping works or delving into the hows and whys of the paladins; this is an alluring fantasy of power directed at a pell-mell pace by Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Go). There's a brief moment when it feels like the movie will bog down in romance and vague gestures towards character development--happily, that's the moment when Bell appears and the whole movie shifts into overdrive. You might wish that Bell and Christensen had swapped roles; Bell has a far more engaging personality, and Christensen's bland good looks might better suit a more aggressive character. Nonetheless, Jumper has oodles of dynamism and nifty visual effects to propel its comic-book storyline forward. A variety of recognisable actors in bit parts (such as Diane Lane and Kristen Stewart, Panic Room) suggest that the filmmakers are laying the groundwork for sequels. Based on a critically-acclaimed science-fiction novel by Steven Gould. --Bret Fetzer, Amazon.com
Directed by Leonard Nimoy and starring off-the-wall comedian Gene Wilder as New York cartoonist Duffy Bergman 'Funny About Love' is about Bergman's desire to father a child and the surreal and slightly obscure elements of being in love. Wilder's often deranged and paranoid portrayal of one man's desire to enter the realm of parenthood and responsibility reveals a humorous yet touching insight into the battlefield that love can be. Bergman's inability to socially interact with peop
Ryan and Pete are 27-year old best friends living in Miami born on the same day and each searching for the perfect woman. Ryan is a rookie stockbroker living with his psychic Mom. Pete is a slick surfer dude yet to find commitment. Each meets the women of their dreams on the same day. Ryan knocks heads in an elevator with the gorgeous Jessica passing out before getting her number. Pete falls for the insatiable Tiara but Tiara's Uncle is mob boss Vincent Bublione charged with her p
King of the Cage is the finest in mixed-martial-arts competition and a true evolution of combat. Featuring only professional elite fighters from around the globe King of the Cage is a competitive event pitting warrior against warrior in hand-to-hand battles of skill honour and art. From Brazilian Jiu-Jitsu to wrestling Muay Thai to boxing all styles are encouraged but in order to consistently win participants must be well versed in every aspect of th
Some Mistakes Can Never Be Fixed! Kelby is reluctantly returning to his Indiana hometown of Bisbee for the funeral of his father who had a heart attack while on Death Row for the murder of Kelby's infant sister. His childhood friend James has become a sadistic serial killer luring women into his house to unspeakable ends - but that's not the only horror that awaits his homecoming. Written and directed by Travis Bertz Joshua draws Kelby his fiance Amelia and the rest of his family into a gruesome cycle of deadly terror that began thirteen years earlier. As boys Kelby James and Wally embarked upon an evil experiment to ""bring nightmares to life "" and those nightmares now threaten to destroy them all. With its dread-laden atmosphere take-no-prisoners storytelling style and gut-wrenching special effects make-up this is not a film for the faint of heart.
The ""Main Event"" Of Mixed Martial Arts Competition. It's good to be king! From its humble beginnings King of the Cage has developed into the premiere Mixed Martial Arts competition in the world packing the house wherever it goes. Why? Bone-crushing strikes beautiful K.O.'s precise submissions technical showcases and a lot of heart. The featured matches in this collection are the best of the best of King of the Cage. The Greatest Hits! If you're already a fan of no holds barre
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