Directed by William Friedkin this cult classic stars William Petersen as Chance the risk-seeking maverick Secret Service agent and Willem Dafoe as the slick and stylish yet truly psychopathic Rick Masters. Chance's partner Jack who is near to retirement is close to completing a case against Rick Masters a ruthless ex-con and expert counterfeiter who has been selling millions worth of almost undetectable fake currency to support his weird fetishes. Unfortunately Jack gets a l
Starring Robert Carlyle as the Nazi dictator, Hitler: The Rise of Evil is a lavish made-for-TV two-parter that traces Adolf Hitler's early life, including his boyhood in Austria and impoverished period as a struggling artist in Vienna, culminating in 1934, by which time he had assumed the chancellorship of Germany. We bear witness to the rhetoric, ruthlessness and obsessive determination that propelled him to power, despite the best efforts of opponents like Matthew Modine's campaigning journalist. His inadequate but despotic relationships with women, such as his tragic half-niece Geli Raubal, are also examined. Carlyle fares very well in what is traditionally considered the invidious task of bringing Hitler to dramatic life, conveying him plausibly as an impenetrably evil man, complex but irredeemable. However, this drama fails to explain just how and why such a pathetic, psychotic, unattractive individual such as Hitler could make such an immediate, profound impression on, for example, Ernst Hanfstangl and his wife Nina (ER's Julianne Margulies). Disproportionate attention is paid to Hitler's relationship to this American-born couple, perhaps as a sop to US audiences. In contrast, the social, cultural and political context of inter-war Germany is skimpily depicted here, making Hitler's ascendancy seem almost absurd. On the DVD: Hitler: The Rise of Evil is, as you would expect, a decent transfer from the TV original, but there are no additional features. --David Stubbs
20 of the greatest British films ever produced by the world renowned Hammer film studio! Includes: 1. Blood From The Mummy's Tomb (Dir. Seth Holt 1971) 2. Demons Of The Mind (Dir. Peter Sykes 1972) 3. The Devil Rides Out (Dir. Terence Fisher 1968) 4. Viking Queen (Dir. Don Chaffey 1967) 5. Dracula Prince Of Darkness (Dir. Terence Fisher 1966) 6. Fear In The Night (Dir. Jimmy Sangster 1972) 7. Frankenstein Created Women (Dir. Terence Fisher 1967) 8. The Horror Of Frankenstein (Dir. Jimmy Sangster 1970) 9. The Nanny (Dir. Seth Holt 1965) 10. One Million Years BC (Dir. Don Chaffey 1966) 11. Plague Of The Zombies (Dir. John Gilling 1966) 12. Quatermass And The Pit (Dir. Roy Ward Baker 1967) 13. Rasputin The Mad Monk (Dir. Don Sharp 1966) 14. The Reptile (Dir. John Gilling 1966) 15. The Scars of Dracula (Dir. Roy Ward Baker 1970) 16. SHE (Dir. Robert Day 1965) 17. Slave Girls (Dir. Michael Carreras 1967) 18. To The Devil A Daughter (Dir. Peter Sykes 1967) 19. The Vengeance Of SHE (Dir. Cliff Owen 1968) 20. The Witches (Dir. Cyril Frankel 1966)
Marvel Studios presents the global phenomenon Marvel's Avengers: Age of Ultron. Good intentions wreak havoc when Tony Stark (Robert Downey Jr.) unwittingly creates Ultron (James Spader), a terrifying A.I. monster who vows to annihilate humanity. Now, Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and The Hulk (Mark Ruffalo)alongside Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Nick Fury (Samuel L. Jackson) must reassemble to defeat Ultron and save mankind if they can!
Jefferson Pierce (Cress Williams) is a man with many faces. A former Olympic athlete, respected educator and a father of two, he's also Black Lightning, superpowered protector of Freeland with the ability to sense and harness electricity. Jefferson is not the only one with powers and multiple faces. His oldest daughter, Anissa Pierce (Nafessa Williams) is a medical student, part-time teacher and dedicated social activist. She is also the super hero known as Thunder who possesses the ability to drastically increase her density, giving her invulnerability and super strength for as long as she can hold her breath. Finally, Jefferson's youngest daughter, Jennifer Pierce (McClain) is a fiery teen who inherited her father's athletic gifts but not his desire to be an athlete. Jennifer also inherited super powers. Her body generates pure electrical energy and she possesses the potential to be more powerful than Anissa or Jefferson. Lynn Stewart (Adams) is Jefferson's ex-wife but they are still very much in love in addition to sharing the load as co-parents. She's also an accomplished medical researcher who is fast becoming an expert in metahuman medicine. Together, the Pierce family faces the challenges of the declined urban community that is the fictional city of Freeland, including corrupt officials and a menacing gang that calls itself The 100. Worse, Tobias Whale (Jones) an infamous gangster plagues this city and increasingly, metahumans with superpowers will prey upon the city, too. Fortunately, the family has allies in their fight, Jefferson's surrogate father and a former covert superspy, Peter Gambi (Remar) as well as Jefferson's friend and neighbor, the committed and scrupulously honest Deputy Police Chief Henderson (Gupton).
Wayne's World 2 was a successful follow-up for Wayne and Garth's Adventures, full of the same madcap humour from their TV characters and previous film. Somewhere in the world, there are probably people who don't understand why Mike Myers' eponymous Wayne's World character is funny--feel sorry for them. Granted, the laughs are often cheap and silly, but there's no one who can embody a comic character and riff within that character the way Myers does. Wayne and his pal Garth (Dana Carvey) were fixtures on Saturday Night Live before the unexpected success of Wayne' s World, a movie about what happened when they tried to take their local cable-access citywide. This time, they want to stage Waynestock, a mammoth rock festival in their little Chicago suburb, even as Wayne copes with girlfriend Tia Carrere's interest in record-company exec Christopher Walken. For extra fun, Garth gets involved with the babelicious Kim Basinger. Yes, the humour is scattershot and the plot is lame--but you'll find yourself laughing none the less. --Marshall Fine, Amazon.com
In early 1970's England, a traditional Pakistani father (Om Puri) finds his family spinning in decidedly non-traditional directions.
An epic tale of the Spanish conquest of Peru. This film will keep you glued to the screen in anticipation of the fateful ending. ""The world will remember me promises Spanish General Francesco Pizarro to the King of Spain. He tells of a land of endless gold enough to make Spain the most powerful of nations. But Pizarro is a dreamer a man of failures. The King allows him to search but at his own expense. Thus armed with a band of ruthless gold-seeking soldiers of fortune Pizarro journeys over vast mountains and harsh desert to reach Monchepechu. When faced with the life or death of the Inca God-King Atahualpa Pizarro struggles with his duty as a soldier and his loyalties to God his men and himself all of which are called into question by his fascination with the devotion and worship of the mystical man-god. Pizarro must choose between life or death and his god or another. This true epic adventure of undying faith brave yet greedy men loyalty to god king and country and one's own sense of morality hurtles towards an ending that answers humankind's hardest question ""Whose God is the real God?""
Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichéd soldiers with nary a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings (Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. On the DVD: Resident Evil on disc has the expected trailers, both teaser and theatrical; a half-hour making-of; zombie make-up tests; featurettes on music (with Marilyn Manson), production design and costume. A lively commentary track features Anderson, Jovovich, Rodriguez and producer/zombie Jeremy Bolt--Jovovich upbraids Anderson for talking about different gradings of film stock over her nude scene and everyone else talks about how much she hurt them by punching them out during action sequences. Anderson mentions an alternate commentary track with visual effects designer Richard Yuricich, but it isn't included. --Kim Newman
IN WHITEWOOD, TIME STANDS STILL Christopher Lee was already a horror icon when he started filming The City of the Dead in 1959. Having played Frankenstein's Monster, Count Dracula and The Mummy for Hammer, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small New England village Lee plays Professor Driscoll, an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven's Inn, she soon learns that devil worship among the locals hasn't been consigned to the past. Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier's Hamlet to Horrors of the Black Museum), The City of the Dead is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries. SPECIAL EDITION CONTENTS: New 4K digital restoration by the Cohen Film Collection and the BFI High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: An Authorised Screen History, recorded exclusively for this release Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Vic Pratt
Miami, 1991. When his bloodthirsty urges can't be ignored any longer, young Dexter Morgan must learn to channel his inner darkness as he transitions from student to avenging serial killer with the guidance of his father, Harry.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Look who became a star. Barbie comes to life in the computer-animated Barbie in the Nutcracker, taking the longtime-favorite doll into a new realm. The 76-minute tale is a slight variation on the traditional story based on Tchaikovsky's music. Instead of an open-ended dream, Barbie and her escort, the Nutcracker (soon to be Ken, natch), are on an adventurous quest. Along the way there are more creatures and derring-do than the original. The sole known voice talent, Tim Curry, has a good old time as the Mouse King, and the animated dancing is gracefully adapted from New York City Ballet members. A few clever characters, bright animation and wonderful music should entrance any Barbie fan from age three to nine. --Doug Thomas, Amazon.com
A New York hairstylist and a would-be musician, get caught up with the mob and are forced to deliver $50,000 to Australia, but things go haywire when the money is lost to a wild kangaroo!
Good weather for hanging. Billy the Kid's outlaw ingrates are penned like sows in a Lincoln County pit and the Kid is strapped in a nearby hotel. But the hangman will go home disappointed tonight. Billy cleverly breaks himself - then his gang - free. One of the West's greatest legends lives on to ride another day. Emilio Estevez, Keifer Sutherland, Lou Diamond Phillips and Christian Slater saddle up for Young Guns II, featuring Jon Bon Jovi's 1990 Oscar® - nominated* and Golden Globe® Award-winning Best Original Song ʻBlaze of Glory'. By 1879, the Lincoln County Wars have ended but bad blood endures. Billy and his men look to Mexico for haven - if they can elude Billy's one-time friend, pursuing sheriff Pat Garrett (William Petersen).
Miami, 1991. When his bloodthirsty urges can't be ignored any longer, young Dexter Morgan must learn to channel his inner darkness as he transitions from student to avenging serial killer with the guidance of his father, Harry.
Scorching the streets clean... Flamethrowers ready as the alleyways of skid row are set ablaze with the brutal vengeance of one man... The Exterminator!John Eastland has been to ‘Nam and he’s seen things... Things you wouldn’t believe. Surviving torture and witnessing the brutal deaths of his friends, John returns home to a tough neighbourhood in New York and his loving family. But when some local thugs take a crippling dislike to his best friend Mike, leaving him paralysed, something snaps in John. Did he fight the Vietcong for this? Taking the law into his own hands, Eastland sets out to clean the streets of every low life, good for nothing gang banger, mobster and ghetto ghoul across the city in director James Glickenhaus’ (McBain) brutally violent vigilante classic. Special Features: Also Includes an Interview with James Glickenhaus Collector’s Booklet by Author Calum Waddell
Based on the true story of Frank Abagnale Jr., the youngest man to ever feature on the FBI's Ten Most Wanted list who managed to pass himself off with several identities with an FBI agent hot on his trail.
IT'S NOT OVER YET. How do you follow up a film as iconic as Joe Dante's seminal werewolf epic The Howling? With a star turn from horror legend Christopher Lee and a leather-clad Sybil Danning (The Red Queen Kills Seven Times), Howling II is more than up to the challenge! After a young woman dies in violent circumstances, her brother is approached by a stranger (Lee) who reveals that she was in fact a werewolf. The brother's initial skepticism is quickly diffused when he encounters the fanged beasts first-hand. Now the pair, joined by a plucky journalist, must travel to Transylvania to destroy werewolf queen Stirba (Danning), and rid the world of lycanthropes once and for all. Helmed by director Philippe Mora (Mad Dog Morgan, The Beast Within), who would go on to direct the equally barmy follow-up Howling III: The Marsupials, Howling II is a campy horror extravaganza featuring killer dwarves, werewolf orgies and 80s punk rock galore! SPECIAL EDITION CONTENTS: Brand new digital transfer High Definition Blu-ray (1080p) presentation Original Uncompressed Mono PCM audio Optional English subtitles for the deaf and hard of hearing Audio commentary with director Philippe Mora Audio commentary with composer Steve Parsons and editor Charles Bornstein Leading Man an interview with actor Reb Brown Queen Of The Werewolves an interview with actress Sybil Danning A Monkey Phase interviews with special make-up effects artists Steve Johnson and Scott Wheeler Behind-the-Scenes Footage Alternate Opening and Alternate Ending Still Gallery Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Michael Blyth
Anthony Hopkins heads the star-studded cast of the trilogies gripping conclusion. As the powerful and beautiful Paula O'Neill finds her empire under attack it seems that only one man has the expertise and connections to save her.
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