For six seasons Carrie Bradshaw and friends Samantha, Miranda, and Charlotte offered us their hilarious, outspoken and outrageous look at dating, mating and relating in the big city. Celebrate the show that explores the day-to-day -- and night-to-night -- world of single women in this, the definitive collector's edition.
Jessica Alba stars as a hard-working dancer and choreographer who makes good but finds that working with a group of neighbourhood kids is worth far more than success.
Andrew Divoff returns as the evil Djinn bent on world domination in this "too good for cinema" sequel to Wishmaster. Released from his prison gem during a failed museum robbery, Djinn transforms from a gooey blob to a demon in human form after granting his first venom-laced wish and takes the rap for the heist and a couple of murders. Meanwhile Morgana (Holly Fields, looking like a B-movie version of Angelina Jolie, without the lips) is haunted by nightmares of the demon and discovers the meaning behind his command, "Fulfill the prophecy": he needs to bag 1,000 souls and then he's Armageddon-bound. Like its predecessor, Wishmaster 2 twists the classic genie-in-the-lamp legend into a sick joke; every wish is granted in the most literal terms, leaving the recipients victims of their own greed and desire in often gory spectacles. The budgetary constraints are evident in the more ambitious effects, notably a calamity of biblical proportions in a Las Vegas casino with computer-animated locusts and unconvincing dismemberments. Divoff makes a low-rent Freddy Krueger, tossing off pale quips with a tight grin and in a raspy, self-important monotone in this Nightmare on Elm Street knockoff. Best to stick with the real thing. --Sean Axmaker, Amazon.com
Hell on Wheels is back for its fifth and final season. Cullen Bohannon (Anson Mount) is against the clock yet again, in AMC's most thrilling and exciting television series. Cullen's dream of unity through the building of the railroad continues, and the search for his family reaches a finger-biting conclusion.
Hell has frozen over following the brutal winter of 1868 and things have not been easy for Cullen Bohannon (Anson Mount) in the most thrilling season to date. With the harsh weather bringing construction of the railroad at a standstill disgruntled workers inciting chaos in Cheyenne. With his future hanging in the balance Cullen must rise-up once again and regain control of Cheyenne by any means necessary before the hope for a united America turn to ashes.
Deviant, multi-stranded black comedy set in the dark underbelly of modern Berlin. The story follows a group of deadbeats as they act out their bizarre and twisted plans to hit the big time. Satanists, prostitutes, artists and thieves are just some of the unsavoury characters looming large in this anarchically offbeat urban parody.
The story of a rivalry between two comic book shop owners. One (Logue) does it for the love of comics while the other shop run by a husband-and-wife team (Rapaport and Lyonne) are in it strictly for the money. The situation brews to a head when a sneak collector Conan (Masterson) discovers a large collection of perfectly-preserved classic comics leading the two shops to vie to acquire them along with a ""villain"" (Elwes) who hopes to steal them first!
Bruce Weber is a professed animal lover and this film centres on his own dogs a family of gorgeous golden retrievers including True. A Letter To True is a stunning look at the affection loyalty and unconditional love displayed by these animals - which the filmmaker sees as a metaphor for peace and hope in the world. In a highly personalised commentary Weber interweaves his personal obsessions: music of the 50's and 60's home movies of Dirk Bogarde in Provence; conversations with Elizabeth Taylor (another great dog lover) recollections of friendships past and speculation about how our lives have been changed by the events of 9/11. Tying these various stranda together with a poet's logic A Letter To True is a little like staying up late with Bruce Weber listening to great music and peeking into the mind of a world class connoisseur.
Director Victor Nunez's richly photographed Ulee's Gold drew critical acclaim for Peter Fonda's and Patricia Richardson's subtle performances--and premiered as the Festival Centrepiece in 1997's Sundance Film Festival. Vividly photographed and set amid southern Florida's tupelo swamps, the film's narrative hinges on the evolution of a more-than-platonic connection between neighbours Ulysses, "Ulee" for short (Fonda), and Connie (Richardson). Best-known for her role on TV's Home Improvement, Richardson makes a satisfying foray into film with this appropriately smaller role where she manages to hatch out of potential typecasting. Fonda is independent, stubborn, and reserved Ulee anchors the narrative. He is a beekeeper whose struggling small business is all that keeps him focused in the wake of his wife Penelope's death, his daughter-in-law Helen's (Christine Dunford) drug addiction, and the de facto single-parent obligations he takes on to his adolescent granddaughters (notice the Homeric references). Soon the plot twists, however, in the sociopathy of Eddie and Ferris, friends of Ulee's jailed son--a sociopathy that is also the impetus for the family to confront its dysfunction and for Connie and Ulee to see more in each other than mere neighbourliness. Thankfully, Nunez foregoes the bathos of a Hollywood ending and leaves us satisfied on one hand with Helen's healing and Eddie's justice but uncertain, though hopeful, about Ulee's next step. --Erik Macki, Amazon.com
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