Mulholland Falls tells the story of four no-nonsense cops nicknamed the ""Hat Squad"" who formed an elite unit of the Los Angeles Police Department in the early 1950's. Both feared and revered they made their own rules to enforce the law but when a routine murder investigation case involves one of their own it forces the ""Hats"" into a confrontation with a power greater than organised crime: one that could bring down the squad itself...
A rambunctious group of five college friends steals away for a weekend of debauchery in an isolated country cabin, only to be attacked by horrific supernatural creatures in a night of endless terror and bloodshed. Sound familiar? Just wait. As the teens begin to exhibit standard horror-movie behaviour, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make! With their efforts continually thwarted by an all-powerful eye in the sky, do they have any chance of escape? Disc 1 4K Ultra HD (Movie + Special Features) AUDIO COMMENTARY WITH WRITER/DIRECTOR DREW GODDARD & WRITER/PRODUCER JOSS WHEDON WE ARE NOT WHO WE ARE: MAKING THE CABIN IN THE WOODS PRIMAL TERROR: VISUAL EFFECTS AN ARMY OF NIGHTMARES: MAKE-UP & ANIMATRONIC EFFECTS Disc 2 Blu-Ray (Movie + Special Features) THE SECRET SECRET STASH WONDERCON Q&A THEATRICAL TRAILER IT'S NOT WHAT YOU THINK: THE CABIN IN THE WOODS BONUSVIEW⢠MODE (BLU-RAY⢠ONLY)
Chronicling the work of the Miami-Dade crime investigations CSI: Miami is set against the sun fun and tropics of the Florida tourist haven. Leading the team is Horatio Caine played with steely calm by Emmy-award winning film and tv veteran David Caruso. An ex-bomb squad detective Horatio is no stranger to confrontations with criminals and the underworld. Episode List: 1. Bunk 2. Forced Entry 3. Dead Woman Walking 4. Evidence of Things Unseen 5. Simple Man 6. Dispo Day 7.
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright, Amazon.com
Ten years ago, Slade Wilson aka the super-assassin called Deathstroke made a tragic mistake, and his wife and son paid a terrible price. Now, a decade later, Wilson's family is threatened once again by the murderous Jackal and the terrorists of H.IV.E. Can Deathstroke atone for the sins of the past or will his family pay the ultimate price?
After a foolproof scam turns sour, Jimmy the Saint (a soulful but miscast Andy Garcia, who mainly acts with his hair) and his hard-bitten crew must put their various sordid affairs in order before facing their final bloody curtain call. It's not nearly as clever as it thinks it is, but Things To Do In Denver When You're Dead is a terminally wise-ass (and extremely violent) caper flick, and is still one of the better post-Tarantino crime opuses, with some sharp dialogue, a scenery-chewing Christopher Walken (as a paraplegic archcriminal) and unhinged performances by Treat Williams and the obsequious Steve Buscemi that must be seen to be (dis)believed. Neophyte scripter Scott Rosenberg would later pen hipper-than-thou scripts for Beautiful Girls, Con Air and Armageddon, while director Gary Fleder moved on to the somewhat more reputable Kiss the Girls. The tongue-twisting title is from a Warren Zevon song. --Andrew Wright
A ferocious day-glo-coloured complement to Michael Lehmann's majestically spiteful late-80s teen black comedy Heathers, Jawbreaker invites us into the immaculately turned-out and deeply, deeply venal world of a quartet of high-school princesses led by one Courtney Shayne (Rose McGowan)--or "Satan in heels", as she's known to her peer group. The only thing is, Courtney's gang don't stay a quartet for long after the one vaguely likeable member of the group, Liz (Charlotte Ayanna) dies following a malicious birthday prank executed by her caring, sharing girlfriends. (All we can say is that it involves the titular hunk of candy.) Triumphantly convincing the world Liz was, in fact, the victim of a serial killer, Courtney gets on with ruling school with a manicured iron fist--except she didn't bargain for the sudden discovery of a conscience by her lieutenant Julie (Rebecca Gayheart), or the rumbling of her plan by class geek Fern Mayo (Judy Greer). In truth, no matter how badly Jawbreaker wants to be Heathers, there's little of the sharp, acidic wit or satirical glee which Lehmann brought to the table in the earlier movie--just a sticky and a faintly unpleasant aftertaste. That said, there's a certain cartoonish vibrancy to the proceedings, however predictably they unfold, and if McGowan's Joan Crawford Jr shtick as the vampish queen-bitch Shayne hardly extends her range as an actress, it's an accomplished piece of type-casting. --Danny Leigh
Billy Doc and Chavez find themselves jailed in the same place and plan an escape. Together with new recruits they head for the Mexican border not knowing that Billy The Kid's one-time friend now wears a badge and is leading the posse to get them...
Two new students at Harvard join an elite secret fraternity, but when they begin to realise the true nature of the organisation things become dangerous for them.
The Rock stars as a bounty hunter sent to retrieve a fast-talking double dealer from the Amazonian jungle. But he hasn't reckoned on stumbling upon a gold-mine treasure or an unhinged despot in this ripping action adventure.
Dick Tracy's Dilemma: Super-sleuth Dick Tracy is hot on the trail of 'The Claw' a ruthless crook with a heart of stone. Dick Tracy Meets Gruesome: When a scientist's invention of a mysterious paralysing gas is taken by a villainous gang of robbers supersleuth Dick Tracy is called to the rescue. Dick Tracy vs Cueball: Cueball a monstrous bald-headed strangler is stalking Dick Tracy's girl.
Low-budget Canadian horror. Kayla (Freya Ravensbergen) and Jesse (Christina Caron) visit their grandparent's cottage in the New England woods with their boyfriends Dean (Matt Turner) and Tobe (Jon Deitcher) to escape the hustle and bustle of their New York City lives. While exploring the surrounding area Jesse is split up from the group, and it isn't long before the others realise there are malevolent forces in the woods who take none too kindly to strangers...
When a bus breaks down in the desert the passengers decide to stage a production of Shakespeare's 'King Lear' to pass the time until they are rescued. However jealousies and divisions between members of the group threaten the security of all... Intellectual and offbeat horror film from acclaimed Danish director Kristian Levring adhering to the 'Dogme95' principles of film making.
Good weather for hanging. Billy the Kid's outlaw ingrates are penned like sows in a Lincoln County pit and the Kid is strapped in a nearby hotel. But the hangman will go home disappointed tonight. Billy cleverly breaks himself - then his gang - free. One of the West's greatest legends lives on to ride another day. Emilio Estevez, Keifer Sutherland, Lou Diamond Phillips and Christian Slater saddle up for Young Guns II, featuring Jon Bon Jovi's 1990 Oscar® - nominated* and Golden Globe® Award-winning Best Original Song ʻBlaze of Glory'. By 1879, the Lincoln County Wars have ended but bad blood endures. Billy and his men look to Mexico for haven - if they can elude Billy's one-time friend, pursuing sheriff Pat Garrett (William Petersen).
In 1980, Randal Kleiser's remake of The Blue Lagoon had its critics well and truly divided. On the one hand adolescent nudity, however tasteful, was enough to give the censors the vapours. On the other, the story--essentially a reworking of Robinson Crusoe based on Stacpoole's Edwardian adventure novel with two young children as the castaways growing up on a desert island--seemed just too removed from reality. Kleiser set out to make "the ultimate South Seas film", and indeed the location shooting is a richly beautiful complement to the intimate tale of two young people coming to terms with their own adulthood. He teases out touching performances from Brooke Shields (Emmeline) and Christopher Atkins (Richard) as the marooned pair, and a nicely ambivalent cameo from Leo McKern as Paddy, the ship's cook who gets them set up on the island before rum gets the better of him. A stilted script helps none of them. But the moments of awkward self-discovery and dawning sexuality are handled with a tenderness which ultimately triumphs over some of the more implausible elements: Shields' perpetually manicured nails, for example, or the fact that she unexpectedly gives birth without breaking sweat. To say nothing of the pair's extraordinary home-building skills, which would have been beyond the remit of the average Edwardian governess to teach. Today, for all its efforts to be taken seriously as a tale of preserved innocence and discovery, it succeeds best as a good old-fashioned adventure. On the DVD: This widescreen presentation positively bulges with extras. A choice of director's commentaries means that you can hear Randal Kaiser (who had previously directed Grease) reminiscing in fine detail with writer Douglas Day Stewart, and both Brooke Shields and Christopher Atkins. Some might think this overkill for a non-landmark film, but the discussions are genuinely interesting. The film was clearly a formative experience in Shields' adolescent career --she has also provided an album of personal snapshots as another extra--and it is fascinating to hear her talk about it from her current position as a star of sophisticated television sitcom. The crystal-clear digital remastering and anamorphic stereo picture and sound quality of the main film don't extend to this scratchy, sometimes inaudible documentary. --Piers Ford
Christian Slater and Kevin Bacon star in this inspiring true story about two men who formed an unlikely friendship and fought against all odds to break an inhumane and unjust system. Alcatraz - the most feared prison in the world where no man has ever escaped with his life. Henri Young is caught attempting this impossible task and is condemned to the ""hole"" - a six by nine foot dungeon with no light or heat for ""rehabilition"". For three long years he is left naked to rot in solitary
Rusty James (Dillon) is the leader of a small dying gang in an industrial town. He lives in the shadow of the memory of his absent older brother - The Motorcycle Boy (Rourke) - his mother has left his father drinks school has no meaning for him and his relationships are shallow. He is drawn into one more forbidden gang fight and the events that follow begin to change his life.
He had to choose between his best friend... The woman he loved... And the greatest rock 'n' roll band in the world. A reconstruction of the legendary British rock group's early days before the advent of Beatlemania and world-wide fame. The story focuses on the turbulent and exciting period that the Beatles' spent in Hamburg Germany in 1960-62 when they played in a series of rough-and-tumble dives and came into contact with cutting-edge artists. Among them was photographer A
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