A group of college kids hired to help open an aviation museum on a closed U.S. military airbase accidentally unearth an ancient artifact which unleashes an evil spirit whom possesses them one by one making the host kill off the rest...
Based on Astrid Lindgren's famous book 'Mio my Son' this exciting and fantastical film follows Bosse (Nicholas Pickard) on his journey to find the father he'd never known. In a mystical turn of events Bosse is re-united with his father 'The King of the Land of Faraway' and renamed 'Prince Mio' before continuing his horse ridden adventure through the Forest of Mysteries. With the aid of a magic cloak crafted by the Weaver Woman (Susannah York) Mio prevails in a true conquest of good over evil as he brings the Evil Knight Kato to his demise. Come and join Mio on his exciting adventures and be transported to a magical land of sorcery where dreams come true...
The series evolves around the life and times of Newt Call the young cowhand who started out as a boy in Lonesome Dove and now goes on to make his way in the world. Episodes Comprise: 19. The List 20. Ties That Bind 21. Snowbound
Since crime auteur Michael Mann, like his protagonists, plays by his own rules, Public Enemies eschews back story and motivation for a closely-observed, action-packed examination of men at work. FBI supremo J. Edgar Hoover (Billy Crudup) kick-starts a nationwide manhunt when he proclaims John Dillinger (Johnny Depp, in top form) Public Enemy #1. Hoover taps Agent Melvin Purvis (Christian Bale) to bring the Tommy Gun-toting bank robber in by any means necessary (the agency also targets Pretty Boy Floyd and Baby Face Nelson). If Dillinger had split the scene then and there, he might have enjoyed a happier fate, but he falls for beautiful coat-check girl Billie Frechette (Marion Cotillard, whose open-hearted performance makes her the most sympathetic character in the film). In the end, though, Dillinger is the captain of his own destiny: his loyalty to his girl and his gang overpowers his desire to live free. Though the director also set his first film, Thief, and third series, Crime Story, in his native Chicago, Public Enemies plays more like Heat in Depression-era garb. In that L.A. policier, Al Pacino's cop develops a grudging respect for Robert De Niro's criminal, but letting a lawbreaker go free isn't an option. In this case, however, the tight-lipped Purvis never develops the same sort of esteem for Dillinger--or Hoover--making him the more tragic figure. If Public Enemies is less overtly commercial than The Untouchables or Bugsy, it's still the best mainstream gangster epic in ages and ranks among Mann's finest works. --Kathleen C. Fennessy
Best friends Chris (Bale) and Toni (Ross) vow never to become trapped in suburbia's metroland. Escaping by the end of the 1960s Toni decides to go globetrotting whilst Chris moves to France. Years later they meet again and Toni is shocked to find his friend with a wife and child. Chris must choose between his laid-back life before or his newly-found family...
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