When Michael Kissane was sent to prison for stealing Church funds, he lost his reputation along with his freedom. On his release two years later even Shelah, his former sweetheart, refuses to accept that he might be innocent, and her rejection drives him into the arms of seductive fellow-outsider Blanche. Only Ma Murnighan, a wily old spinster with a penchant for prophesy, believes in Michael's innocence and when she falls ill she hits upon an ingenious plan to winkle out a confession from the real villain and clear Michael's name for good... This marvellously engaging comedy-drama once again saw Gainsborough lynchpin Leslie Arliss directing Irish star Kieron Moore, two years after their collaboration on the hit thriller A Man About the House. Also starring British bombshell Christine Norden, Saints and Sinners is featured here in a brand-new transfer from the original elements, in its as-exhibited theatrical aspect ratio. SPECIAL FEATURES: Image Gallery Promotional Material PDF
Featuring the film debut of British screen siren and post-war sex symbol Christine Norden this Soho-set Brit Noir tells the story of two wartime friends whose civilian lives take very different paths. Featuring Ben Frankel's excellent musical score Nightbeat is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Don and Andy two young commando sergeants are demobilised from the army. Unable to find jobs that suit they both join the police – where Don does well and is soon promoted but Andy's rebellious nature makes it hard for him to accept discipline. When he becomes involved with a "good-time girl" Andy finds himself on a downward slope which puts both his career and life in jeopardy.
With compelling sympathetic performances from double Oscar nominee Burgess Meredith and accomplished Irish actor Kieron Moore this powerful psychological drama shows the almost super-human demands of a profession that ranks amongst the most challenging. Adapted from his own novel by BAFTA-winning author and screenwriter Nigel Balchin Mine Own Executioner is presented in a brand-new High Definition transfer from the original film elements. Meredith stars as Felix Milne a lay psychiatrist in post-war London who is enlisted to treat Adam Lucian a fighter pilot deeply traumatised by his experiences in a Japanese prisoner-of-war camp. Beleaguered by emotional problems of his own Milne embodies the mixture of dedication self-distrust and self-criticism that characterises someone with a genuine vocation for the psychiatrist's work; but is he qualified to treat a patient as disturbed and potentially destructive as Adam? Special Features: Image Gallery Promotional Material PDFs
With compelling sympathetic performances from double Oscar nominee Burgess Meredith and accomplished Irish actor Kieron Moore this powerful psychological drama shows the almost super-human demands of a profession that ranks amongst the most challenging. Adapted from his own novel by BAFTA-winning author and screenwriter Nigel Balchin Mine Own Executioner is presented in a brand-new High Definition transfer from the original film elements. Meredith stars as Felix Milne a lay psychiatrist in post-war London who is enlisted to treat Adam Lucian a fighter pilot deeply traumatised by his experiences in a Japanese prisoner-of-war camp. Beleaguered by emotional problems of his own Milne embodies the mixture of dedication self-distrust and self-criticism that characterises someone with a genuine vocation for the psychiatrist's work; but is he qualified to treat a patient as disturbed and potentially destructive as Adam? Special Features: Image Gallery Promotional Material PDFs
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
If we men married the women we deserved...We should have a very bad time of it. 1890s high society provides the setting for Oscar Wilde's sparkling comedy of morals and manners in which an 'ideal' husband must fight to save both his marriage and reputation when a blackmailing adventures threatens him with a political scandal.
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