Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... where long-forgotten stories are revealed to those who travel through the wood. Two brothers named Wirt and Greg find themselves lost in The Unknown: a strange forest adrift in time. With the help of a shadowy Woodsman and a foul-tempered bluebird named Beatrice, they travel through the foggy land in hope of finding a way home.
Roger Moore lends humour, elegance and lethal charm to his final performance as James Bond in A View to a Kill. Bond confronts Max Zorin (Christopher Walken), who has devised a plan to corner the world’s microchip market, even if he has to kill millions to do it! But before Bond can stop the madman, he must confront Zorin’s beautiful and deadly companion, May Day (Grace Jones).
Agent 007 (Roger Moore, in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge, James Bond can't be stopped.
Thora Hird (Last of the Summer Wine) brings her inimitable humour to the role of Ivy Unsworth in this much-loved comedy series set in a fictional Lancashire mill town. As the widow of funeral director Jeremiah (who dies in the first episode) Ivy is left to run Unsworth and Co. along with her equally accident-prone nephew Billy (Christopher Beeny - Upstairs Downstairs). In Loving Memory was a huge success for Yorkshire Television and ran for fi ve series between 1979 and 1986; this complete first series which also features appearances by Richard Wilson Liz Smith and Joan Sims was originally screened in 1979.
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
In exchange for political asylum Polish defector Leiser (Jones) agrees to return behind the Iron Curtain to confirm the suspicions of the British Security Chief that East Germany is building a rocket in violation of the disarmament pact. Once in East Berlin Leiser falls in love with a beautiful young girl and the couple decide to flee the espionage experts - both East and West - to start a new life together. But they soon find themselves pawns in the brutal game where the stakes are
Includes: Beethoven Beethoven's 2nd Beethoven's 3rd Beethoven's 4th Beethoven's 5th Beethoven's Big Break Beethoven's Christmas Adventure Beethoven's Treasure Tail
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr. Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaohnic Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. "The Serpent's Song" is a cry for help from the team's nemesis--Apophis--who they've been fighting since the beginning. It's a morality showcase all-round. Although deserving a "Holiday", the team just can't leave alien artefacts alone, which gets them into all manner of trouble playing with Ma'chello's body-swapping machine. This episode gives everyone a fantastic opportunity to impersonate one another. "One False Step" of another kind lays a guilt trip on them all for accidentally infecting a race with a disease. Then in "Show and Tell" the central story arc takes a dramatic turn when a child arrives to warn that some survivors of a Goa'uld attack are determined to eliminate anyone who might host their enemy--which means Earth as a whole. --Paul Tonks
The biggest change for Stargate's sixth season was its move to the Sci-Fi Channel. Financial rescue or genre haven from cancellation? Whatever the behind-the-scenes politics, the departure of Daniel Jackson (actor Michael Shanks) the previous year most certainly contributed to the need to run a tighter ship somewhere. With the addition of his replacement, Jonas Quinn, the new show dynamic (hinted at by the new title theme tune) meant far more convoluted arc-stories and less individual focus. One of very few solo spotlights came from Christopher Judge writing his own show, when "The Changeling" saw Teal'c act out a life as a fireman. One reason for being a fan favourite was its cameo from still-alive-after-all Daniel Jackson. There'd be several more through the year, culminating in a finale that tested how much attention you'd been paying to that all-important back-story. Other kooky cameos included Dean Stockwell in one of the many spotlights on the energy resource n'quadria, Ian Buchanan as one of the devilish Replicators (and hopefully the end of that plotline) and regular spots from John DeLancie, Ronny Cox and Tom McBeath as the Earth-bound series baddies. More pertinently, we also saw Byers from The X-Files (Bruce Harwood) as a scientist involved with the Antarctic Gate. Lest we forget, there are other portals on Earth. Is that an already planned spin-off on the horizon? --Paul Tonks
New Order Part One: While Sam and Teal'c go to the planet of the former human-form Replicators to contact the Asgard to cure Jack Daniel and Dr. Weir must deal with Goa'uld System Lords who wish the Ancients weapon they used to destroy Anubis. New Order Part Two: As the Replicators overwhelm the new Asgard homeworld SG-1 works to revive Jack create an Ancients weapon to stop the invaders and tries to find the missing Sam who is held captive by the humanform Replicator Fifth in a virtual reality. Lock Down: A Russian Air Force Colonel comes to join SGC as an alien creature shows up at the same time. The creature starts taking over members of the SGC. General O'Neill orders SGC to be locked down until the creature can be contained. Zero Hour: Five days in the life of SGC as Jack assumes full command of the base and has to deal with a rapidly growing alien plant the capture of SG1 by Ba'al arguing alien delegates and a tricky traitorous System Lord.
A gradual shift in overall style, character homecomings and departures, and evolving on and off-screen roles for the major players are among the attractions of the complete seventh season of Stargate SG-1. Spread out over five discs, these 21 episodes are ample indication that changes notwithstanding--and admittedly, not all of them are for the better--the series remains arguably the best-made, most compelling sci-fi program on television. Perhaps most noticeable is the reduced role of star Richard Dean Anderson, who opted to limit his number of trips to Vancouver, where Stargate SG-1 is filmed. But that's not a bad thing. The show's ability to poke fun at itself has always been a strong suit, and while Anderson still brings a welcome sense of humor to his portrayal of wiseacre and loose cannon Col. Jack O'Neill, his act is getting a little smug by now. What's more, the other principal cast members have taken up the slack, both behind and in front of the camera: Michael Shanks (Daniel Jackson, who rejoins the cast in episode 1) wrote one episode and co-wrote another; Christopher Judge (Teal'c) wrote one as well; Amanda Tapping (Lt. Col. Samatha Carter) directed episode 19, "Resurrection"; and even Corin Nemec (Jonas Quinn, who appears in just a few episodes) contributed one story. The seventh season also finds the series somewhat more earthbound than in the past; indeed, there are episodes in which the Stargate (the "wormhole" our heroes use to travel to different worlds) doesn't appear at all. On balance, the stories are more personal, and more political--especially the final two, with the newly elected U.S. President (William Devane) struggling to decide the fate of the Stargate program (and, of course, the fate of the entire known universe as well!). And then there's the ultimate villain, Anubis, who makes perennial nemeses the Goa'uld (of which Anubis is one... sort of) look tame. He's a combination of Star Wars' Darth Vader and evil Emperor, but hey, at least these guys borrow from the best. Stargate SG-1's production values remain first-rate. The bonus DVD features are also much better than they once were, with audio commentary (mainly by directors and writers) for every episode, as well as director profiles and "Beyond the Gate" featurettes focusing on individual characters. --Sam Graham
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
The Stargate is an intergalactic gateway developed by an ancient civilization that links other planets from other solar systems to ours. Boasting incredible special effects sequences rapid-fire pacing and awesome scenes of alien warfare Stargate SG-1 is your gateway to pulse-pounding sci-fi action! All the exciting adventures from the eighth season of the sci-fi series with a plethora of extra features. Episodes Comprise: 1. New Order (Part 1) 2. New Order (Par
20th Anniversary Limited Collector's Edition On Blu-Ray INCLUDES 40-PAGE BOOK OF THE WASHINGTON IRVING CLASSIC STORY, THE LEGEND OF SLEEPY HOLLOW. Master storyteller Tim Burton (Batman, Edward Scissorhands) weaves an eerie, enchanting version of this classic tale of horror. Johnny Depp is Ichabod Crane, an eccentric investigator determined to stop the murderous Headless Horseman. Christina Ricci is Katrina Van Tassel, the beautiful and mysterious girl with secret ties to the supernatural terror. This release includes Special Features never before available on Blu-ray in the UK: Commentary by Director Tim Burton Sleepy Hollow - Behind the Legend Reflections on Sleepy Hollow
Cy Endfield cowrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives--the British contingent was outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land none the less is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift that followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks
Brilliant documentary that looks at the concept of the corporation throughout recent history up to its present-day dominance.
The English National Opera has always had an attractively light touch in Handel; this classic production, designed by Nicholas Hytner (director of The Madness of King George and The Crucible), manages to preserve both the work's occasional passion and its undercutting of that passion into urbane absurdity. Anne Murray's Xerxes is a tyrant in love, who learns the hard way that he can neither play with, nor command, his subjects' affections; her forthright declamatory singing, not least in the famous "Larghetto", conveys both the petulance and the final grandeur of a man undergoing a sentimental education. Valerie Masterson and Christopher Hudson, as the principal pair of lovers, combine perfect singing with an attractive romantic ardour; Hudson in particular makes clear just how heroic a counter-tenor can sound, listened to without preconceptions. In the soubrette role of Atalanta, Lesley Garrett is a cute trouble-maker. Sir Charles Mackerras' conducting gives each of the genre arias of which the work consists both an appropriate intensity of emotion and an overall charm. The English libretto is by Hytner. The recording is decent PCM stereo and the picture, originally produced for TV broadcast, is in 4:3 ratio. --Roz Kaveney
An orphan from the tough streets of Cleveland, Irish Danny Greene (Ray Stevenson) rises from working longshoreman to union leader and mob ally. Forced out of the union by the feds, Danny starts anew as an enforcer for loan shark Shondor Birns (Christopher Walken), while still maintaining influence with mafia boss John Nardi (Vincent D'Onofrio).With Detective Joe Manditski (Val Kilmer) in pursuit, Danny rapidly acquires his own power and places himself at odds with the Italians, who find him to be a very difficult man to kill. What follows is a bloody war that breaks out on the streets of Cleveland and gives it the name Bomb City, U.S.A. Based on a true story, Kill The Irishman is the saga of one man who embodies the Irish warrior mentality with a mixture of pride, brutality, ambition and principle, as he became a central figure in the '70s mob war that forever changed organized crime in America.
Although direct-to-video Disney sequels usually try to hide or simply ignore the issue, George of the Jungle 2 gleefully points out the lack of continuity between it and the original movie. Here, the good-natured narrator is happy to explain why Brendan Fraser has been replaced and why the special effects look cheaper: it's all a part of an effort to expand beyond the one-joke idea of a block-headed Tarzan who keeps swinging into trees. It's a pleasant surprise that all these self-referential nods and asides to the camera do indeed make hilarious viewing. Replacement Chris Showerman willingly takes on all manner of humiliation at the hands of CG jungle animals and his new extended family. George junior is the main by-product of the five-year gap, and thankfully has inherited brains from his mother's side (Julie Benz). In a dastardly plot to win back his love, Lyle (Thomas Haden Church, one of the few to reprise his role from the original) has the gang trooping back and forth to Las Vegas. With sight gags aplenty, bumbling George has more than just trees to avoid. --Paul Tonks
Beethoven: A St. Bernard puppy 'adopts' a new home after escaping from dog thieves. The Newton family just haven't realised the trouble that 185lbs of dog can get into... (Dir. Brian Levant 1992) Beethoven's 2nd: Beethoven has fallen in love with the fetching Missy and is ready to settle down with a family of his own. Like it or not George Newton his hapless owner is about to discover the meaning of chaos - times four! Tchaikovsky Chubby Dolly and Mo a quartet of irresistible puppies that have definitely inherited their father's talent for getting into mischief. Trouble ensues when Missy's evil owner Regina heartlessly severs Beethoven from his lady love and plots to steal the pups too. Will Beethoven and the puppies be reunited with Missy? Will Regina get her comeuppance? Will George Newton ever know peace and quiet again? (Dir. Rod Daniel 1993)
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