Some pundits called it a flawed, exploitative action film that glamorised drug dealing and the luxury of a lucrative criminal lifestyle, spawning a trend of films that attracted youth gangs and provoked violence in cinemas. Others hailed it as a breakthrough movie that depicted drug dealers as ruthless, corrupt, and evil, leading dead-end lives that no rational youth would want to emulate. However you interpret it, New Jack City is still one of the first and best films of the 1990s to crack open the underworld of cocaine and peer inside with its eyes wide open. It's also the film that established Wesley Snipes as an actor to watch, with enough charisma to bring an insidious quality of seduction to his role as coke-lord Nino Brown, and enough intelligence to portray a character deluded by his own sense of indestructible power. Director Mario Van Peebles stretched his otherwise-limited talent to bring vivid authenticity and urgency to this crime story, and subplots involving a pair of tenacious cops (Ice-T, Judd Nelson) and a recovering coke addict (Chris Rock) provide additional dramatic tension. Although some critics may hesitate to admit it, New Jack City deserves mention in any serious discussion about African American filmmakers and influential films. --Jeff Shannon
Can a kid from Kansas come to New York to conquer the business world and maneuver his way from the mailroom to the boardroom in a matter of weeks? Michael J. Fox proves it can be done in this very funny lampoon of corporate business life. Fresh out of college he's determined to climb New York's corporate ladder in record time by masquerading as an up-and-coming executive even though he's really the new mail boy. However Fox's plans begin to go awry when the boss's wife falls in love with him and he falls in love with a junior executive who also happens to be the boss's mistress...
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series All Creatures Great and Small continued to satisfy the Herriot hysteria of the British public.
It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
One man is dead. Two men are accused of his murder. The entire Marines Corps is on trial. And 'A Few Good Men' are about to ignite the most explosive episode in US military history. Universally acclaimed A Few Good Men unites the big screen's biggest stars as Hollywood heavyweights Jack Nicholson Tom Cruise and Demi Moore lead an all star cast in director Rob Reiner's powerful account of corruption cover-up and a relentless quest for justice within the sacred corridors of the US Navy. With powerful performances from Kevin Bacon and Kiefer Sutherland A Few Good Men makes its mark as the major movie triumph of the decade.
The SmurfsWhen the evil wizard Gargamel chases the tiny blue Smurfs out of their village they tumble from their magical world and into ours - in fact right in the middle of Central Park. Just three apples high and stuck in the Big Apple the Smurfs must find a way to get back to their village before Gargamel tracks them down. The Smurfs 2Evil wizard Gargamel creates a couple of mischievous Smurf-like creatures called the Naughties hoping they will let him harness the magical Smurf-essence. However he soon discovers that he needs the help of Smurfette who knows the secret to turning the Naughties into real Smurfs. When Gargamel and his Naughties kidnap Smurfette from Smurf Village and bring her to Paris it's up to Papa Clumsy Grouchy and Vanity to reunite with their human friends Patrick and Grace Winslow and rescue her!
The second and last of Anthony Mann's historical epics is a smart, handsome spectacle of the decadence, corruption, and intrigue that tore apart the greatest empire the world has seen. The sprawling story spreads itself thin over a number of characters and stories. At the centre are handsome but stiff Stephen Boyd as Livius, the loyal soldier and symbolic son of the ageing emperor Marcus Aurelius(Alec Guinness), and Christopher Plummer as Commodus, the corrupt heir to the throne. They are boyhood friends turned enemies when the latter accedes to the throne and sells out the values of his father for greed and hedonistic pleasures. The three-hour running time is filled out with the tales of Sophia Loren (as the beautiful Lucilla in love with Livius but coveted by greedy Commodus) and a gallery of heroes and villains that includes James Mason, Mel Ferrer, Anthony Quayle, John Ireland, Omar Sharif, and Eric Porter. The film is highlighted with spectacular scenes--a grandiose funeral fit for an emperor, brutal battles in the provinces as the barbarians threaten the empire, and a climactic duel to decide the destiny of Rome--which Mann weaves into the shadowy intrigue of the halls of power. Like his previous epic El Cid, The Fall of the Roman Empire remains one of the best of the 1960s epics: well written (and historically accurate up to a point) with strong performances and a consistently elegant style, It lacks a central core and the magnetic hero of its superior predecessor. Ridley Scott's Gladiator (2000) tackles the same story with an updated action-adventure slant. --Sean Axmaker
A slasher-inspired drama this series is about a group of friends and family who meet to celebrate a wedding on an island just outside Seattle - an island that is famous for a streak of unsolved murders seven years ago... Suspense ensues when they end up dead one by one. Has the killer returned or is someone else to blame?
In an effort to teach Future Zeno about martial arts, Zeno calls for an exhibition match between the 7th and 9th Universes. Afterwards, Goku searches for the 7th Universe's ten best fighters. With only 48 hours until the Tournament of Power officially begins, will he put together a strong enough team in time, or will the Z Fighters be at a major disadvantage from the get-go?!
King of New York is a low-budget crime thriller has the feel of a major blockbuster and owes its roots to the hard-edged crime movies of the 1930s. Christopher Walken stars as a drug kingpin who is released from prison and vows to use his position and influence--and criminal enterprise--for charitable means. But a core group of New York cops are all over him and his gang, determined to go to war, whatever the cost, to bring him down. Eventually his empire--headquartered at, of all places, Donald Trump's Plaza Hotel--crumbles under the weight of double-crossing and a body count of open warfare with the cops. This is one of the most stylish films of the last decade, with a strong supporting cast (including Lawrence Fishburne, Wesley Snipes, and David Caruso) and some truly enthralling set pieces, including a stunning car chase and gunfight across a rain-soaked Queensboro Bridge. The film's tongue-in-cheek, over-the-top style offsets its nihilism; and its riveting visuals will have audiences hooked from beginning to end. --Robert Lane
In this semi-autobiographical screenplay Neil Simon's private memoirs in the US Army are made public. Set in 1943 at an army base in Biloxi Mississippi a lowly recruit (Broderick) comes under the command of a very weird drill sergeant (Walken)...
Animated family adventure 'How To Train Your Dragon 2' sees Toothless and Hiccup fly back on to screens for another fantastical adventure. Taking place five years after the first film the story rejoins the Vikings and dragons as they live harmoniously on Berk enjoying races in the sky. During one of their high-flying games Hiccup and Toothless encounter a herd of wild dragons led by a mysterious Dragon Rider and once again they find themselves fighting to keep the peace in their kingdom.
The boys are off to Cuba to drink rum smoke cigars dance the rumba and live 'la vida dulce'! After a job in Russia goes badly wrong and with the help of serendipity and exaggeration the boys are in Havana Cuba rebuilding parts of the British Embassy following hurricane damage. A requisite in the law states that only British Nationals may work on the repair and construction of British diplomatic buildings: enter the 'Magnificent Seven'!
Shy lonely Eric Binford delivers film cassettes and film-related supplies in Los Angeles for a living. But he really exists only to see movies and immerse himself in fantasies about cinematic characters and stars. Frequently bullied and betrayed Eric comforts himself by pretending to be one of the many tough heroes or villains who have captivated him from the silver screen. When a series of unpleasant incidents loosen Eric's already weak grip on reality it sends him into a homicidal rage. He launches a series of grotesque murders all patterned after characters and incidents from his beloved movies. He becomes known as the Celluloid Killer one of the most horrifying murderers the city has ever known.
A new mockumentary from the makers of "Best in Show" captures the reunion of a collection of 1960s folk heroes as they prepare for a tribute show to memorialize a recently deceased concert promoter.
The Zucker clan return with another outrageous spoof, this time taking aim at the glut of comic book films that have taken cinema by storm.
From Primetime Emmy Award-winning Executive Producer Dick Wolf (Law & Order) comes the seventeenth season of this iconic series. Mariska Hargitay (Primetime Emmy Award winner) returns as Lieutenant Olivia Benson, leading a powerhouse cast that includes Ice T, Kelli Giddish, Raúl Esparza and Peter Scanavino. Join them as they tirelessly pursue compelling cases in all 24 episodes.
Before director Ken Russell's name became synonymous with cinematic extravagance and overkill, he actually directed what is one of the most passionate and involving adaptations of DH Lawrence in recent memory. Oliver Reed and Alan Bates star as friends who fall in love with a pair of sisters (Jennie Linden and Glenda Jackson, who won an Oscar for the role). But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Bates and Linden learn to give themselves to each other; the more withdrawn Reed cannot, finally, connect with the demanding and challenging Jackson. Shot with great sensuality, Women in Love was surprisingly frank for its period (1970) and includes one of the most charged scenes in movie history: Bates and Reed as manly men, wrestling nude by firelight. --Marshall Fine
Horror icons Christopher Lee and Peter Cushing team up once again for an Amicus take on Robert Louis Stevenson's classic novella Strange Case of Dr. Jekyll and Mr. Hyde, with Lee occupying the role of the scientist and his deadly alter ego. Directed by Stephen Weeks, making his first feature aged twenty-two, I, Monster presents an inventive take on an iconic tale. Product Features New 2K restoration by Powerhouse Films from original film materials Two presentations of the film: the original 75-minute theatrical cut; and the extended 81-minute version Original mono audio Audio commentary with director Stephen Weeks (2020) Audio commentary with Weeks and film scholar Sam Umland (2005) The BEHP Interview with Peter Tanner Part One, 19141939 (1987, 75 mins): an archival audio recording, made as part of the British Entertainment History Project, featuring the celebrated editor in conversation with Roy Fowler and Taffy Haines I, Maestro (2020, 18 mins): renowned composer Carl Davis discusses his score Introduction by Stephen Laws (2020, 6 mins): appreciation by the acclaimed horror author Stephen Weeks at the Manchester Festival of Fantastic Films (1998, 16 mins): archival video recording of the director in conversation with Stephen Laws Interview with Milton Subotsky (1985, 182 mins): archival audio recording of the famed producer Image galleries: publicity and promotional material Original UK and US theatrical trailers Kim Newman and David Flint trailer commentary (2017, 2 mins): short critical appreciation by the genre-film experts New and improved English subtitles for the deaf and hard of hearing
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