The girl's first live concert at the Royal Albert Hall is in just five day's time. With trusty bus driver Dennis (Meatloaf) at the wheel they hurtle from guest appearances to parties photoshoots and even dance camp! But when evil tabloid editor Kevin McMaxford steps up his campaign against them their best friend goes into labour and their manager collapses in hysterics the girls must draw on all their Girl Power to make it to the show on time...
Set in the mid-90s at the height of cool Britannia, My Mad Fat Diary takes a hilarious and honest look at teenage life from the perspective of Rae Earl - a funny, music-mad 16-year-old who, despite an eccentric mother and her own body image and mental health issues, has a huge lust for life, love and trying to get laid.
If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leigh's films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish and biting. His films share a real immediacy with Allen's work: they feel as if they are happening now. Leigh works with actors--real actors--on ideas and language. There is no script at the start (and sometimes not at the end). Secrets and Lies involves Hortense (Marianne Jean-Baptiste), an elegant black woman wanting to learn her birth mother's identity. She will find it's Cynthia (Brenda Blethyn), who is one of the saddest creatures we've seen in film. She's also one of the most real and, ultimately, one of the most loveable. Timothy Spall is Cynthia's brother, a giant man full of love who is being slowly defeated by his fastidious wife (Phyllis Logan). There is a great exuberance of life in Secrets & Lies, winner of the Palme D'Or and best actress (Blethyn) at the 1996 Cannes Film Festival--not Zorba-type life but the little battles fought and won every day. Leigh's honest interpretation of daily life is usually found only on the stage. Secrets & Lies is more realistic than a stage production, however, especially when Leigh shows us uninterrupted scenes. Critic David Denby states that Leigh has "made an Ingmar Bergman film without an instant of heaviness or pretension." If that sounds like your cup of tea, see Secrets & Lies. --Doug Thomas
From Award-winning playwright and dramatist, James Graham and inspired by true events. Two shocking and unexpected murders shatter an already fractured Nottinghamshire community leading to one of the largest manhunts in British history. Suspicion is rife and the tragic murders threaten to inflame historic divisions sparked during the Miners' Strike that tore families apart three decades before. To solve the murders, police inspectors Ian St Clair (David Morrisey), and Kevin Salisbury (Robert Glenister), must reunite and bury a rivalry that stretches back to 1984, to heal wounds, and catch a killer. But can a community repair itself as more is discovered about those who live there, and whether they really are who they say they are?
A drama following a group of inspirational women in a rural Cheshire community during World War II.
Steve Pemberton and Reece Shearsmith's award-winning anthology returns with six more deliciously dark tales where the ordinary and mundane rub shoulders with the extraordinary and macabre. From a haunted church to a remote lakeside love-nest, from online dating to late-night summoning, and from East End gangsters to a fear of Friday 13th, all life (and death) is here. Offering dark comedy and heart-stopping horror, each one of these stories will entertain and terrorise in equal measure. Guest stars include Amanda Abbington (We Are Not Alone), Anita Dobson (EastEnders), Asim Chaudhry (People Just Do Nothing), Phil Daniels (House of the Dragon), Frances Barber (Uncle Vanya), Leon Herbert (Ghosts), Mathew Horne (Gavin & Stacey), Claire Rushbrook (My Mad Fat Diary) and Lee Mack (Not Going Out).
The film explores how the orderly reassuringly clear worlds Enid Blyton created within her stories contrasted with the complexity of her own personal life. It sheds light on the ambitious and driven - but as yet unpublished - young woman from the development of her rich imagination against the adversity of an imperfect childhood two World Wars and a first marriage ending in divorce - to household name. One of the most recognised storytellers of all time Enid Blyton's charming characters and classic tales have enchanted countless generations of children for almost 80 years. Having sold over 500 million books in 40 countries this film follows the woman behind the enduring and compelling stories such as the beloved Famous Five Secret Seven Malory Towers and Noddy series.
If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leigh's films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish and biting. His films share a real immediacy with Allen's work: they feel as if they are happening now. Leigh works with actors--real actors--on ideas and language. There is no script at the start (and sometimes not at the end). Secrets and Lies involves Hortense (Marianne Jean-Baptiste), an elegant black woman wanting to learn her birth mother's identity. She will find it's Cynthia (Brenda Blethyn), who is one of the saddest creatures we've seen in film. She's also one of the most real and, ultimately, one of the most loveable. Timothy Spall is Cynthia's brother, a giant man full of love who is being slowly defeated by his fastidious wife (Phyllis Logan). There is a great exuberance of life in Secrets & Lies, winner of the Palme D'Or and best actress (Blethyn) at the 1996 Cannes Film Festival--not Zorba-type life but the little battles fought and won every day. Leigh's honest interpretation of daily life is usually found only on the stage. Secrets & Lies is more realistic than a stage production, however, especially when Leigh shows us uninterrupted scenes. Critic David Denby states that Leigh has "made an Ingmar Bergman film without an instant of heaviness or pretension." If that sounds like your cup of tea, see Secrets & Lies. --Doug Thomas
From executive producers and Academy Award® Winners Brian Grazer and Ron Howard*, National Geographic's ï¬rst-ever scripted series, GENIUS, offers an extraordinary look into the life of Nobel Prize-winning physicist Albert Einstein. Academy Award® Winner Geoffrey Rush stars as the rebellious daydreamer who went on to become the greatest scientiï¬c mind of the 20th century. Beyond his ground breaking theories of relativity, you'll witness Einstein's struggles to be a good husband and father and a man of principle during a time of global unrest. With Johnny Flynn as young Albert and Emily Watson as his second wife, Elsa, GENIUS takes you on an unprecedented, 10-episode journey of discovery guided by Einstein's wit, wisdom and insatiable thirst for knowledge.
What if you discovered that your parent had lied to you? That almost everything they'd said about their own history, and yours, was untrue? In 1994, a toddler disappeared from a small Welsh village, never to be seen again. 23 years later, in London, the mother of rising cello star Matilda Gray commits suicide, without apparent reason. Among her possessions, Matilda discovers tantalising evidence, linking her mother to the Welsh girl's disappearance all those years ago, sending her grief-stricken to Wales. Determined to find out who she really is, Matilda unravels her own identity and exposes long buried secrets that a remote community are trying desperately to forget. One secret is more bizarre, terrifying and dangerous than anything she could have imagined one that has been waiting many years for Matilda to return.
All three episodes from the third series of the comedy drama following the life of overweight teen Rae Earl (Sharon Rooney) in the mid-1990s. In this series, 17-year-old Rae is accepted into Bristol University but decides to decline the offer after Finn (Nico Mirallegro) asks her to move in with him. As she ponders tough decisions about her future, Rae continues her therapy with Kester (Ian Hart), gets a job at a record store and realises she doesn't want things to change. However, disaster strikes when the group are involved in a devastating car accident. The episodes are: 'Who Is Stan Ford', 'Rewind' and 'Voodoo'.
If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leighs films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish and biting. His films share a real immediacy with Allens work: they feel as if they are happening now. Leigh works with actors--real actors--on ideas and language. There is no script at the start (and sometimes not at the end). Secrets and Lies involves Hortense (Marianne Jean-Baptiste), an elegant black woman wanting to learn her birth mothers identity. She will find its Cynthia (Brenda Blethyn), who is one of the saddest creatures weve seen in film. Shes also one of the most real and, ultimately, one of the most loveable. Timothy Spall is Cynthias brother, a giant man full of love who is being slowly defeated by his fastidious wife (Phyllis Logan). There is a great exuberance of life in Secrets & Lies, winner of the Palme DOr and best actress (Blethyn) at the 1996 Cannes Film Festival--not Zorba-type life but the little battles fought and won every day. Leighs honest interpretation of daily life is usually found only on the stage. Secrets & Lies is more realistic than a stage production, however, especially when Leigh shows us uninterrupted scenes. Critic David Denby states that Leigh has "made an Ingmar Bergman film without an instant of heaviness or pretension." If that sounds like your cup of tea, see Secrets & Lies. --Doug Thomas
Carrie And Barrie re-unites Neil Morrisey with the team behind Men Behaving Badly. Morrisey stars as part-time cabbie Barry and Claire Rushbrook is his wife Carrie. Faced with the daily challenge of keeping the spice in their marriage alive and dealing with Barry's teenage daughter from his first marriage life could be easier! Fortunately - or not - they have Kirk (The Fast Show's Mark Williams) a man as simple as Barry is complicated a
Mike Leigh's superlative drama at once hysterically funny and profoundly sad examines a wounded contemporary British family. Hortense (Marianne Jean-Baptiste) a young black optometrist has just buried her beloved adoptive mother. In her sorrow she embarks on a search for her birth mother who turns out to be Cynthia (Brenda Blethyn) a white factory worker living a lonely life with her surly daughter Roxanne (Claire Rushbrook). No one in the family except Cynthia's brother Mauri
Things are going badly for Iris. Her mother has been given only weeks to live and she feels increasingly distant from her happily married and heavily pregnant older sister Rose. Unable to deal with her grief and jealousy Iris ditches her job her flat and her boyfriend and prowls the streets looking for love in all the wrong places. Sexy dark and ultimately uplifting Carine Adler's stylish debut won the Michael Powell award at the Edinburgh Film Festival and the Critics Prize at th
If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leigh's films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish and biting. His films share a real immediacy with Allen's work: they feel as if they are happening now. Leigh works with actors--real actors--on ideas and language. There is no script at the start (and sometimes not at the end). Secrets and Lies involves Hortense (Marianne Jean-Baptiste), an elegant black woman wanting to learn her birth mother's identity. She will find it's Cynthia (Brenda Blethyn), who is one of the saddest creatures we've seen in film. She's also one of the most real and, ultimately, one of the most loveable. Timothy Spall is Cynthia's brother, a giant man full of love who is being slowly defeated by his fastidious wife (Phyllis Logan). There is a great exuberance of life in Secrets & Lies, winner of the Palme D'Or and best actress (Blethyn) at the 1996 Cannes Film Festival--not Zorba-type life but the little battles fought and won every day. Leigh's honest interpretation of daily life is usually found only on the stage. Secrets & Lies is more realistic than a stage production, however, especially when Leigh shows us uninterrupted scenes. Critic David Denby states that Leigh has "made an Ingmar Bergman film without an instant of heaviness or pretension." If that sounds like your cup of tea, see Secrets & Lies. --Doug Thomas
A young woman lies dead in a Nottingham fl at. Her terrified sister is barricaded inside the bathroom. A young man in a bloodstained shirt is pulled over for speeding. It's 2.00am and the three of them only met at noon. What happened in those fatal hours? Using personal testimony, Murder revisits the missing moments in search of the truth. Intercut with CCTV footage, flashbacks and forensic evidence, the protagonists give their version of events, one after the other. The story grips tight and never lets go. But where does the truth lie when the different accounts don't add up?
Secrets And LiesNominated for 5 Oscars winner of 3 BAFTA Awards and the winner of 'Best Film' at the Cannes Film Festival Mike Leigh's hilarious bittersweet comedy is an unmissable and moving slice of real life. Life Is SweetLife is Sweet is the remarkable story of an unremarkable British family told in the classic tragi-comedy style that is uniquely Mike Leigh's. It covers issues of unemployment anorexia failure nervous breakdown and hope as they affect one suburban London family and their friends and acquaintances. The characters and story were created with and by the actors - giving a special edge and momentum to the unfolding events. Leigh's sharply satirical and unsentimentally compassionate view of life strikes a chord with audiences and critics alike. Life is Sweet brings together an impressive cast - including Alison Steadman ('Let Them Eat Cake') Jim Broadbent ('The Avengers') Jane Horrocks ('Little Voice') and Timothy Spall ('Topsy Turvey') - many of whom have worked with Leigh in the past as has producer Simon Channing-Williams. Career GirlsFormer college flatmates Annie (Lynda Steadman) and Hannah (Katrin Cartlidge) decide to meet up in London for the weekend. Naturally both girls have changed since their student days of some 10 years earlier. The curry loving Cure obsessed acne ridden and moody flatmates of yesteryear have been replaced by confident career girls of today. As they talk go flat-hunting get drunk and bump into numerous people from their past the girls start to reminisce upon their earlier friendship.
The past catches up with a ruthlessly ambitious boxing promoter (Caine) when after stumping up everything he has in betting on his son's world title tilt the police begin investigating the death of a fighter in an underground unlicensed bout...
Poor Cynthia (Brenda Blethyn) sharing a small cottage with her only adult daughter Roxanne (Claire Rush Brook). One day she gets a call from one Hortence (Marianne Jean-Baptiste). She claims Cynthia's daughter, who at birth unseen for adoption has been relinquished. Cynthia and Hortence decide on a meeting. If it appears that Hortence has a black skin, Cynthia suspect that a mistake in the game. But nothing is less true.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy