Spinning off from the legendary television pop show Six-Five Special this star-studded song-filled feature centres on an aspiring young singer taking her first step towards fame when she catches the 'Six-Five Special' to London. To her surprise she finds the train packed with an array of '50s showbiz talent – and as the musical artistes rehearse en route she gets a ringside seat to performances by Lonnie Donegan Cleo Laine and Johnny Dankworth Petula Clark The John Barry Seven and many more! Scripted by Carry On stalwart Norman Hudis and featuring comic relief from Mike and Bernie Winters Six-Five Special is presented here in a brand-new High Definition transfer from the original film elements. Also included is the edited 1962 re-release: Calling All Cats. Special Features: Original theatrical trailers Calling All Cats Promotional material PDF Film and Music Notes by Geoff Leonard and Pete Walker
Two restless teens from Southend go on a Saturday night spree of girls boozing and vandalism; however when even this heady concoction loses its appeal they add murder to their itinerary...
Norman Granz initiated the concept of Jazz At The Philharmonic in the forties. The idea was to gather band leaders and soloists in one large venue who would otherwise only be seen individually in small clubs. For this 1975 Montreux concert the players gather around the great Benny Carter for a night of competitive improvisation. The line up includes Clark Terry Zoot Sims Roy Eldridge Joe Pass Tommy Flanagan and Bobby Durham. Tracklist: 1. For You 2. Autumn Leaves 3
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
The Age Of Exploration. South is the extraordinary chronicle of one of history's greatest epics of courage and leadership. In 1914 Sir Ernest Shackleton embarked on an expedition to cross Antarctica via the South Pole. Before it could reach shore the explorer's ship Endurance was trapped in pack ice held frozen in a sea of icebergs for eight months and finally crushed. After five months adrift on ice floes the crew embarked on a perilous sea voyage to rocky windswept Elephant
A Mexican-American sheriff must resort to violence against a powerful rancher in order to get just compensation for the pregnant Indian widow of a wrongly killed black man.
The terrifying tale by Stephen King is also a beloved adaptation of the best-selling author's work. Newly ing's terrifying novel remastered for its 30th Anniversary, Pet Sematary follows the tragic story of the Creed family. After their cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery. When the cat comes back, it's only the beginning of an unthinkable evil leading to hell and back. Sometimes, so it seems, dead is better. FEAR AND REMEMBRANCE A look back at this classic with the cast and crew of 2019's Pet Sematary. REVISITATION NEW INTERVIEW WITH MARY LAMBERT Director Mary Lambert shares memories of the movie. 3 NEW BEHIND-THE-SCENES IMAGE GALLERIES Including NEVER-BEFORE-SEEN Storyboards Commentary by Director Mary Lambert Stephen King Territory The Characters ยข Filming the Horror
Big game trapper Victor Marswell (Gable) has his hands full when the feisty Eloise Kelly (Ava Gardner) and a couple on safari descend on his company in Kenya...
Riding Giants is more than another blissful surfing movie. It's an outstanding documentary about one era in American alternative lifestyles, when surfing was well-suited to a radical culture of social dropouts. Using an amazing array of amateur film clips, shot for the most part in Hawaii and California from the late 1950s and early '60s, director Stacy Peralta traces the rise of surfing's appeal to young men looking to test themselves in an unorthodox (and sexy) milieu--of "living life to the fullest," as former surfer-turned-screenwriter John Milius (Big Wednesday) puts it at one point. Lengthy chapters on the glories of Oahu's Makaha and the "superstition and dread" that accompanied the big-wave challenge of Waimea Bay are riveting and sometimes heroic, particularly told through the memories of surf legend Greg Noll. Great material, too, about the deadly wonders of surfing Mavericks, California, where the rocks will get one if the violent tides don't. --Tom Keogh, Amazon.com
The generic title of Martha - Meet Frank, Daniel and Laurence suggests a bland, by-the-numbers romantic comedy. Its dialogue certainly doesn't help--there's a lot of piffle about destiny and "having only one chance", etc.--but there are some surprising differences. The plot centres around Martha (Monica Potter), an American trying to start a new life in London. She meets three men (Tom Hollander, Rufus Sewell and Joseph Fiennes, who played the title role in Shakespeare in Love). These three are best friends and all three fall in love with her but the one she falls in love with feels like he's betraying the others to be with her. Despite the resulting confusion, she pursues him to the end--which makes it unlike most current romantic comedies where the woman is a hapless love object to be captured by the right guy. But more entertainingly, Martha - Meet Frank, Daniel and Laurence pays particular attention to the ways men delude themselves because the two friends Martha doesn't care for are both convinced she's hankering for them, which allows for some fairly subtle skewering of the male ego. It's a flimsy movie but no more so than Notting Hill and Joseph Fiennes, in particular, has a relaxed, winning charm that marks him as a rising star. --Bret Fetzer
Music from Dire Straits. Tracks include: 'Calling Elvis' 'Walk Of Life' 'Heavy Fuel' 'Romeo And Juliet' 'Private Investigations' 'Your Latest Trick' 'On Every Street' 'You And Your Friend' 'Money For Nothing' 'The Bug' 'Solid Rock' Local Hero' 'Wild Theme' and 'Brothers In Arms'.
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes movie-making back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marvelling at the glory that was Rome, when you're not marvelling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a Colosseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart, Amazon.com
How Not To Live Your Life is a brand new sitcom which centers around Don a twenty something man with bad luck and even worse instincts. Ever wanted to tell your boss what you really think of her/him? Or wished you could say what you really feel after a one night stand? Well in this exciting new comedy we get to see Don's overactive imagination in the form of quick fire fantasy sequences. Written by and Starring Dan Clark.
Can we talk? Everybody is pretty well agreed that Great Britain's Ken Loach is one of our most important filmmakers. On the basis of his work with actors alone--often actors who are unknown until showcased in his films--he commands a place in the modern Pantheon. The problem is that he sounds terminally "worthy"; his films invariably reflect a commitment to framing harsh sociopolitical realities and steeping us in the fight for justice, a square deal or a square meal. They sound, in short, as if they're "good for you"--whereas the fact is that they are almost always damned good, period.My Name Is Joe makes for an excellent introduction to Loach country--partly because it's just a tad more immediate in its basic viewer appeal. Joe Kavanagh (Peter Mullan), out-of-work Glasgow housepainter, is a terrifically attractive fellow, and though he is also a recovering alcoholic, he seems eminently pulled-together and ready for yeoman service as a movie leading man. The main story line concerns his encounter with and growing attraction to a smart social worker (Louise Goodall). There is nothing star-crossed about their potential love, but each is tough enough to set limits till they've travelled over a distance of mutual ground. Meanwhile, Joe's status as role model among his more emotionally and economically precarious neighbours--an extended family of man--is good for a surprising number of lusty laughs and one fatal, criminal complication that could jeopardise his future. Peter Mullan won a well-deserved Best Actor award at Cannes in 1998, and subsequently directed a family comedy-drama of his own, Orphans. --Richard T. Jameson, Amazon.com
This 1967 film took home lots of Oscars for its fascinating drama about a Philadelphia detective (Sidney Poitier) who assists a redneck Southern sheriff (Rod Steiger) in solving a murder. A study in racism that ebbs a bit through the collective and shared need between a black man and a white man who don't want to be working together, In the Heat of the Night continues to strike a chord today. Steiger is a mass of snarling danger, Poitier a bundle of nerves covered in class. Norman Jewison (Moonstruck) directs with a keen feeling for the cultural and social atmosphere of the setting. --Tom Keogh
Don't Say A Word Michael Douglas is tremendous (Tribune New Services) in this psychological thriller in the classic Hitchcock tradition (The New York Observer). When the daughter of a prominent New York psychiatrist (Douglas) is kidnapped his only hope for her safe return is to pry a 6-digit number from the memory of a troubled teenage girl; time is running out... One Hour Photo In this unnerving thriller an employee in a one-hour photo lab (Robin Williams) becomes obsessed with a young suburban family... What Lies Beneath It had been a year since Dr. Norman Spencer (Ford) betrayed his beautiful wife Claire (Pfeiffer). But with Claire oblivious to the truth and the affair over Norman's life and marriage seemed perfect. So perfect that when Claire tells him that she is hearing mysterious voices and seeing a young woman's ghostly image in their home he dismisses her mounting terror as delusion. However as Claire moves closer to the truth it becomes clear that this apparition will not be dismissed and has come back for Dr. Norman Spencer... and his beautiful wife.
During an otherwise routine babysitting gig, a high-school student is harassed by an increasingly threatening prank caller.
The mighty warrior Kain (David Carradine) crosses the barren wastelands of the planet Ura where two arch enemies Zeg (Luke Askew) and the evil degenerate Balcaz (William Marin) fight incessantly for control of the village's only well. Kain sees his opportunity and announces that his sword is for hire... but his eyes stay clearly on the beautiful captive sorceress Naja (Maria Socas) and his newly awakened purpose.
Paul is now the new Laird of Glenbogle and gets involved in a land dispute between newcomer Isobel and her neighbour. Hector's brother Donald MacDonald has been forced to return home by the police placing him under the supervision of his estranged family. Lexie organises Molly's 60th birthday party in an effort to forget her marital problems. There is a tense atmosphere between Paul and Lexie and Duncan shines as a DJ when Ewan is temporarily out of action. Molly and Donald revea
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