Director Richard Lester (A Hard Day's Night) took over the franchise with this first sequel in the series, though the film doesn't look much like his usual stylish work. (Superman III is far more Lesteresque.) Still, there is a lot to like about this film, which finds Superman grappling with the conflict between his responsibilities as Earth's saviour and his own needs of the heart. Choosing the latter, he gives up his powers to be with Lois Lane (Margot Kidder), but the timing is awful: three renegades from his home planet, Krypton, are smashing up the White House, aided by the mocking Lex Luthor (Gene Hackman). The film isn't nearly as ambitious as its predecessor, but the accent on relationships over special effects (not that there aren't plenty of them) is very satisfying. --Tom Keogh
Live and Let Die - Roger Moore finds himself immersed in the world of heroin, voodoo and black magic in his debut as Bond. The Man with The Golden Gun - Bond is assigned to retrieve a top secret solar power converter, but finds himself the target of the world's greatest professional assassin. The Spy Who Loved Me - Britain and Russia both send their best agents to negotiate for a tracking system that has lost them each a nuclear submarine. Moonraker - When a Moonraker space shuttle disappears the chase leads Bond into outer space. For Your Eyes Only - In the race to beat the Russians to a missing communications device Bond finds himself involved with the Greek underworld. Octopussy - Stolen art treasures lead to a plan that will see Europe fall to a Russian invasion unless Bond can stop it in time A View To A Kill - In pursuit of new computer super chips, Bond uncovers a plan which could destroy Silicon Valley and the West's computer industries.
Preceding Bonnie and Clyde by a year, Arthur Penn's (Mickey One) acclaimed film boasts enviable pedigree produced by the legendary Sam Spiegel, with a screenplay by Lillian Hellman from the novel by Horton Foote, a rousing score by John Barry, and a stellar cast of the hottest stars of the day (including Marlon Brando, Jane Fonda, Robert Redford, Angie Dickinson and James Fox). The story of an escaped con making his way back to the corrupt Texas town and the people who sent him to prison, The Chase is a telling indictment of violence in American society. A seminal work which is ripe for rediscovery. Extras 4K restoration from the original negative Original mono audio Audio commentary with film historians Lem Dobbs, Julie Kirgo, and Nick Redman Step Back and Let Him Go: Arthur Penn on The Chase' (1996, 26 mins): previously unseen interview footage from Paul Joyce's documentary Marlon Brando: The Wild One Cut to The Chase' (2017, 24 mins): a new interview with renowned actor James Fox, conducted by Richard Ayoade Matthew Penn on The Chase' (2017, 9 mins): a new interview with director Arthur Penn's son Super 8 version: original cut-down home cinema presentation Isolated Score: experience John Barry's original soundtrack music Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
In World War II North Africa an actor is set the task of posing as Field Marshal Montgomery in an effort to confuse the Nazis. Based on a true story.
Set in Queens, New York City, The Transfiguration is an atmospheric drama that focuses on 14-year-old Milo, a troubled outsider who takes refuge in the vampire mythology he studies to the point of obsession. When a chance encounter with equally lonely neighbour Sophie leads him to develop new, romantic feelings, Milo begins struggling to suppress his dark urges - and a terrible secret. The directorial debut from indie filmmaker Michael O'Shea won plaudits at the 69th Cannes Film Festival for its bold and unusual take on the classic coming-of-age tale, with added bite.
In Roger Moore's first outing as 007 he investigates the murders of three fellow agents he soon finds himself a target evading vicious assassins as he closes in on the powerful Kananga (Yaphet Kotto). Known on the streets as Mr Big Kananga is co-ordinating a globally threatening scheme using tons of self-produced heroin. As Bond tries to unravel the mastermind's plan he meets Solitaire (Jane Seymour) the beautiful Tarot card reader whose magical gifts are crucial to the crime lord. Bond of course works his own magic on her and the stage is set for a series of pulse-pounding action sequences involving voodoo hungry crocodiles and turbo-charged speedboats.
In Roger Moore's first outing as 007 he investigates the murders of three fellow agents he soon finds himself a target evading vicious assassins as he closes in on the powerful Kananga (Yaphet Kotto). Known on the streets as ""Mr Big"" Kananga is co-ordinating a globally threatening scheme using tons of self-produced heroin. As Bond tries to unravel the mastermind's plan he meets Solitaire (Jane Seymour) the beautiful Tarot card reader whose magical gifts are crucial to the crime lord. Bond of course works his own magic on her and the stage is set for a series of pulse-pounding action sequences involving voodoo hungry crocodiles and turbo-charged speedboats.
Is it time, after the anonymous disaster of Mission to Mars, to give Brian De Palma's famously doomed film of Tom Wolfe's bulky novel Bonfire of the Vanities another chance? The uproarious ins and outs of the film's troubled production have become well-known via Julie Salamon's account of its making, The Devil's Candy, and fans of that might want to flick between page and screen to see just when Melanie Griffith caused untold continuity problems by having her breasts inflated. Techno buffs will surely appreciate the pointless but somehow wonderful trickery of an extended tracking shot at the outset that exists only to last a few seconds longer than the one in Orson Welles Touch of Evil (1958). Tom Hanks was rather better cast than was generally allowed, as "master of the universe" Sherman McCoy, who comes a cropper after a hit-and-run accident, since his nice-guy act shows intriguing cracks. And even Bruce Willis does his best on a hiding to nothing as the drunken writer. It is funny in parts, agonising in others, and misses Wolfe's tone--but somehow its failures might make it as symptomatic of the long-gone excesses of the early 90s as the novel was of the 80s. --Kim Newman
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately re-established Bond as an uncomplicated and wooden fellow for the feel-good 70s. Live and let Die also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting supervillains on the order of Goldfinger. --Tom Keogh
This classic movie directed by John Guillerman has been beautifully restored as part of the Vintage Classics Collection. It is based on the true story of one of the best intelligence operations of World War II. An actor, trained by Major Harvey (John Mills), is seconded to impersonate General Montgomery on a tour of North Africa. The plan is to divert the Germans' attentions away from the real Monty and his plans for D-Day. Starring the real life actor and lookalike M.E. Clifton James and a formidable supporting cast including Cecil Parker, Leslie Phillips, Bryan Forbes and John Le Mesurier, this is a gripping retelling of those fateful few weeks before the Normandy campaign. The Vintage Classics collection from Studiocanal celebrate the most iconic and beloved films in British cinematic history by giving these masterpieces of yesteryear stunning restorations fit for the 21st Century. Extras: New interview with author/historian Terry Crowdy John Mills Home Movie footage Monty's Double (1947) Behind the Scenes stills gallery
It's the most hilarious suspense ride of your life! In this wild comedy adventure rail passenger George Caldwell (Gene Wilder) finds that a romantic escapade with a sultry secretary (Jill Clayburgh) puts him in the middle of a Hitchcockian murder plot. Leaping on and off the train in and out of roomettes bars and dining cars George teams up with an amiable small-time crook (Richard Pryor) to defy the murderer's henchmen FBI agents and a host of other outrageous characters!
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately re-established Bond as an uncomplicated and wooden fellow for the '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting super-villains on the order of Goldfinger. --Tom Keogh, Amazon.comOn the DVD: Anyone old enough to remember the old milk marketing board commercials will relish the sight of James Bond exhorting everyone to "drink a pinta milka day" in one of the TV spots included here. Elsewhere in the special features, the characteristically in-depth "making of" featurette has a mixture of both contemporary and new interviews plus behind-the-scenes footage (the alligator-jumping sequence is positively hair-raising). The first of two audio commentaries is hosted by John Quark of the Ian Fleming Foundation and features a variety of cast and crew members, notably director Guy Hamilton; the second has writer Tom Mankiewicz on his own, who in between pauses has the occasional interesting thing to say. Overall another good package of features to accompany another excellent anamorphic print. --Mark Walker
The adventures of the fast-drivin' rubber-burnin' Duke boys of Hazzard County. Welcome to Hazzard County where cousins Bo and Luke Duke (John Schneider and Tom Wopat) spend their days eluding the crooked Boss Hogg (Sorrell Booke) and his dimwit Sheriff Roscoe P. Coltrane (James Best). Living with their uncle Jesse (Denver Pyle) and sexy cousin Daisy (Catherine Bach) Bo and Luke somehow find themselves entangled in mess after mess in this well-loved television series. Episodes
In Roger Moore's first outing as 007 he investigates the murders of three fellow agents he soon finds himself a target evading vicious assassins as he closes in on the powerful Kananga (Yaphet Kotto). Known on the streets as Mr Big Kananga is co-ordinating a globally threatening scheme using tons of self-produced heroin. As Bond tries to unravel the mastermind's plan he meets Solitaire (Jane Seymour) the beautiful Tarot card reader whose magical gifts are crucial to the crime lord. Bond of course works his own magic on her and the stage is set for a series of pulse-pounding action sequences involving voodoo hungry crocodiles and turbo-charged speedboats.
James Bond (Roger Moore) may have met his match in Francisco Scaramanga (Christopher Lee) a world-renowned assassin whose weapon of choice is a distinctive gold pistol. When Scaramanga seizes the priceless Solex Agitator energy converter Agent 007 must recover the device and confront the trained killer in a heart-stopping duel to the death!
This critically acclaimed film from the legendary American director John Sayles is an intelligent and thought provoking drama that follows two women who return to their Florida hometown and are forced to deal with a variety of personal and practical issues...
Director Joel Schumacher's acclaimed story of a group of young US infantry men in 1971, in training for Viet Nam, at a time when not even many of the soldiers themselves believed in what they were doing.
This classic movie directed by John Guillerman has been beautifully restored as part of the Vintage Classics Collection. It is based on the true story of one of the best intelligence operations of World War II. An actor, trained by Major Harvey (John Mills), is seconded to impersonate General Montgomery on a tour of North Africa. The plan is to divert the Germans' attentions away from the real Monty and his plans for D-Day. Starring the real life actor and lookalike M.E. Clifton James and a formidable supporting cast including Cecil Parker, Leslie Phillips, Bryan Forbes and John Le Mesurier, this is a gripping retelling of those fateful few weeks before the Normandy campaign. The Vintage Classics collection from Studiocanal celebrate the most iconic and beloved films in British cinematic history by giving these masterpieces of yesteryear stunning restorations fit for the 21st Century. Extras: New interview with author/historian Terry Crowdy John Mills Home Movie footage Monty's Double (1947) Behind the Scenes stills gallery
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
A terrorist threat. A captain in panic. And only one man who can end the danger.... Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics the 'Britannic' now in high sea with 1200 passengers. He is asking for a 500 000 ransom otherwise 7 bombs aboard will explode. An experienced anti-bomb squad is sent to the 'Britannic' but although all the bombs are located a very high skill level will be necessary to dismantle them. perhap
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