This mysterious film tells the extraordinary tales of spine chilling events in West End theatres, the Underground and the Tower of London. From royal palaces to ordinary suburbs, eyewitness accounts offer a glimpse into the world of the unseen.
Exploring London's real ghost stories from Biggin Hill airfield to a haunted Underground station, including interviews with eye-witnesses
This limited edition coffin contains eight of the most iconic cinematic masterpieces of the horror genre. Digitally restored in perfect high-definition picture and sound The Coffin includes a never-before-seen featurette about the restoration of Dracula and the first ever offering of Creature from the Black Lagoon in its restored Blu-ray 3D version. Dracula (1931)The original 1931 movie version of Bram Stoker's classic tale has for generations defined the iconic look and terrifying persona of the famed vampire. Dracula owes its continued appeal in large part due to Bela Lugosi's indelible portrayal of the immortal Count Dracula and the flawless direction of horror auteur Tod Browning. Frankenstein (1931)Boris Karloff stars as the screens most tragic and iconic monster in what many consider to be the greatest horror film ever made. Dr. Henry Frankenstein (Colin Clive) dares to tamper with the essential nature of life and death by creating a monster (Karloff) out of lifeless human body parts. Director James Whale's adaptation of the Mary Shelley novel and Karloff's compassionate portrayal of a creature groping for identity make Frankenstein a timeless masterpiece. The Mummy (1932)Horror icon Boris Karloff stars in the original 1932 version of The Mummy in which a team of British archaeologists accidentally revives a mummified high priest after 3 700 years. Alive again he sets out on an obsessive-and deadly-quest to find his lost love. Over 50 years after its first release this brooding dream-like horror classic remains a cinematic masterpiece. The Invisible Man (1933)Claude Rains delivers an unforgettable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses Rains arrives in a small English village and attempts to hide his amazing discovery but the drug's side effects slowly drive him to commit acts of unspeakable terror. The Bride of Frankenstein (1935)The acclaimed sequel to the original Frankenstein has become one of the most popular horror classics in film history. The legendary Boris Karloff reprises his role as the screen's most misunderstood monster now longing for a mate of his own. Colin Clive is back as the proud and overly ambitious Dr. Frankenstein who creates the ill-fated bride (Elsa Lanchester). The last horror film directed by James Whale features a haunting musical score that helps make The Bride of Frankenstein one of the finest and most touching thrillers of its era. The Wolf Man (1941)Originally released in 1941 The Wolf Man introduced the world to a new Universal movie monster and redefined the mythology of the werewolf forever. Featuring a heart-breaking performance by Lon Chaney Jr. and groundbreaking make-up by Jack Pierce The Wolf Man is the saga of Larry Talbot a cursed man who transforms into a deadly werewolf when the moon is full. The dreamlike atmospheres elaborate settings and chilling musical score combine to make The Wolf Man a masterpiece of the genre. The Phantom of the Opera (1943)This lavish retelling of Gaston Leroux's immortal horror tale stars Claude Rains as the masked phantom who haunts the Paris Opera House. A crazed composer who schemes to make beautiful young soprano Christine DuBois (Susanna Foster) the star of the opera company the Phantom also wreaks revenge on those he believes stole his music. Nelson Eddy as the heroic baritone tries to win the affections of Christine as he tracks down the murderous horribly disfigured Phantom. The Creature from the Black Lagoon (1954) - including Blu-ray 3D versionCaptured and imprisoned for scientific study a living amphibious missing link becomes enamoured with the head researcher's female assistant (Julie Adams). When the hideous creature escapes and kidnaps the object of his affection a crusade is launched to rescue the helpless woman and cast the terrifying creature back to the depths from which he came. Featuring legendary makeup artist Bud Westmore's brilliantly designed monster Creature from the Black Lagoon is an enduring tribute to the imaginative genius of its Hollywood creators. Special Features: Limited Edition Coffin packaging Dracula (1931): Dracula (1931) Spanish Version Introduction to the Spanish Version by Lupita Tovar Kohner Dracula: The Restoration The Road To Dracula Lugosi: The Dark Prince Feature Commentary by Film Historian David J. Skal Alternate Score By Philip Glass performed by the Kronos Quartet Dracula Archives Monster Tracks Pop-Up Facts (pop-up facts about the making of Dracula that can be read while watching the film) Trailer Gallery: Centennial Dracula Dracula's Daughter Son Of Dracula House of Dracula Frankenstein (1931): 100 Years of Universal: Restoring the Classics The Frankenstein Files: How Hollywood Made A Monster Karloff: The Gentle Monster Monster Tracks Pop-Up Facts (pop-up facts about the making of Frankenstein that can be read while watching the film) Universal Horror Frankenstein Archives Boo!: A Short Film Feature Commentary With Film Historian Rudy Behlmer Feature Commentary With Historian Sir Christopher Frayling Trailer Gallery: Centennial Frankenstein The Bride of Frankenstein The Ghost of Frankenstein Frankenstein Meets the Wolf Man House of Frankenstein The Mummy (1932): Mummy Dearest: A Horror Tradition Unearthed He Who Made Monsters: The Life and Art of Jack Pierce Unraveling the legacy of The Mummy The Mummy Archives 100 Years of Universal: The Carl Laemmle Era Feature Commentary's with: Film Historian Paul M Jensen Rick Baker Scott Essman Steven Haberman Bob Burns Brent Armstrong Trailer Gallery: Centennial The Mummy Theatrical The Mummy's Tomb Theatrical The Mummy's Ghost The Mummy's Curse The Mummy's Hand The Invisible Man (1933): Now You See Him: Invisible Man Revealed 100 Years of Universal: Unforgettable Characters Production Photographs Feature Commentary with film historian Rudy Behlmer Centennial Trailer The Bride of Frankenstein (1935): 100 Years of Universal: Restoring the Classics She's Alive! Creating The Bride of Frankestein The Bride of Frankenstein Archives Feature Commentary with Scott MacQueen Trailer Gallery: Centennial Frankenstein The Bride of Frankenstein The Ghost of Frankenstein House of Frankenstein Trailer The Wolf Man (1941): 100 Years of Universal: The Lot Monsters By Moonlight: An Original Documentary The Wolf Man: From Ancient Curse to Modern Myth Pure In Heart: The Life and Legacy of Lon Chaney Jr. He Who Made Monsters: The Life and Art of Jack Pierce Wolf Man Archives Feature Commentary with Film Historian Tom Weaver Trailer Gallery: Centennial The Wolf Man (1941) Frankenstein Meets the Wolf Man Werewolf of London She-Wolf of London House of Frankenstein House of Dracula The Phantom of the Opera (1943): 100 Years of Universal: The Lot The Opera Ghost: A Phantom Unmasked Production Photographs Feature Commentary with Film Historian Scott MacQueen Phantom of the Opera Theatrical Trailer Centennial Trailer The Creature from the Black Lagoon (1954): The Creature From The Black Lagoon in Blu-ray 3D 100 Years of Universal: The Lot Back to the Black Lagoon Production Photographs Feature Commentary With Film Historian Tom Weaver Trailer Gallery: Centennial The Creature From The Black Lagoon Trailer 1 The Creature From The Black Lagoon Trailer 2 Revenge of the Creature The Creature Walks Among Us
In Fever Pitch rumpled, amiable Colin Firth plays a rumpled, amiable English teacher named Paul. He's also an obsessive football fan who's been avidly following Arsenal for 18 years. When he falls into a relationship with a new teacher named Sarah (Ruth Gemmel), his deep attachment to Arsenal proves an obstacle. This sounds like some cheap men-and-women-don't-understand-each-other setup, but instead Fever Pitch not only explores the origins of Paul's football fandom, it actually communicates an infectious sense of what that kind of sports enthusiasm can mean, how it can provide an almost tribal identity. Even better, the movie takes this devotion seriously without ever losing sight of how it can be completely ridiculous at the same time, resulting in some amazing, funny scenes. Gemmel is charming, and Firth is simply superb. He's a great actor who, despite his memorable turn as Mr Darcy in Pride and Prejudice, never quite fits into conventional leading man roles and so has tended to play oddballs and redeemable villains, as in Shakespeare in Love and The English Patient. He's a perfect fit for this script, written by Nick Hornby (author of High Fidelity and About a Boy) from his novel of the same name. The humour of Fever Pitch is all the more engaging because it's grounded in richly developed characters and emotions. --Bret Fetzer, Amazon.com
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Ewan McGregor and his brother Colin explore the heroism and extraordinary collective spirit of Bomber Command through to the pilots who risked their lives in the dangerous aerial sorties of World War II.
From the Queen of Crime, Agatha Christie, comes a tale of dark forces, black magic and murder. Sculptor Mark Easterbrook finds himself in the wrong place at the wrong time when he stumbles across a murdered priest and the murder weapon turns out to be his. What is the meaning of the list of names the priest was clutching in his hand? And why are the people on that list dying one at a time of apparently natural causes? Money continues to be the root of all evil - but where those roots lead, and how Easterbrook is to prove his innocence, makes for a tale of foul black magic, a misplaced bet, deep deception and of course, 'the pale horse' upon which 'our visitors become the rider.'
Opening with a Dido theme tune and featuring character-driven, sweet-natured melodrama, Roswell was a show with a surprisingly dedicated fan base, who twice won it reprieve from cancellation. One of its main strengths was, of course, the extent to which its premise--alien teenagers trying to sort out their identities while involved emotionally with their human contemporaries--was a free-floating metaphor for race and sexuality issues. Another was the strong ensemble that its cast developed; you believed in the strangeness of the alien trio and the well-intentioned normality of their three human friends. Jason Behr gave the alien Max a quiet authority and Majendra Delfino took the sidekick role of Maria and gave it both intensity and fine comic timing. It was also a show in which you were never sure what adults you could trust--William Sadleir trod a fine line of ambiguity as the local sheriff and Julie Benz was silkily sinister as an FBI agent. Anyone who ever loved this show will want these DVDs--and many others may want to find out what the fuss was about. On the DVD: Roswell is presented in 1.85:1 anamorphic widescreen. The special features include commentaries on six episodes by writer Jason Kanims, the directors and various of the cast as well as a featurette on the making of the show and another on its adaptation from the original Roswell High series of young adult novels. The commentaries are unusually insightful on the casting process and the discs also include the auditions for the part of Tess as well as a deleted scene and a music video. --Roz Kaveney
Denzel Washington adopts a British accent for the grim if compelling, 1989 social drama, For Queen and Country. Akin in mood and story to several American films (notably Rolling Thunder) about Vietnam veterans who return home to face indifference or hostility, For Queen and Country stars Washington as paratrooper Reuben James, a decorated veteran of the Falklands war and Britain's occupation of Northern Ireland. Returning to civilian life in the early '80s, Reuben discovers Thatcher's England (specifically London's East End) to be an intensely racist, violent ground for class warfare, crime, and drugs. Unable to find work, hassled by white cops, pressured by old mates to run afoul of the law, and rejected by a woman (Amanda Redman) who sees him as another product of a cruel and bloody era, Reuben's hope diminishes despite efforts to do the right thing. The downbeat, predictable drama is elevated by Washington's charismatic performance. --Tom Keogh
This fantastic film features a never before seen documentary capturing the Police from their inception in 1978 through to their peak in 1982 and their split in 1984. All the footage was culled from Stewart Copeland's Super 8 archives and the man himself edited directed and narrated. Features classic performances archive footage and interviews with the key players. Tracklist: 1. The First Two Years 2. I Got This Movie Camera 3. And It May Sound Strange 4. Europe Summer Festivals 5. Next To You 6. First Frenzy 7. Chat to Camera During Show 8. Rock Star Trashes Road Store 9. Blond Life 10. News Reels 11. Zenyatta Bull Rings 12. Arena Band in America 13. Do Do Inna Snow Snow 14. Life Becomes a Duran Duran Video 15. Japanese Valentines 16. Wretched In Montserrat 17. World Conquest 18. This Is What We Came For 19. US festival With Real Cameras 20. End Titles
Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
Boris Karloff stars as the screen's most tragic and iconic monster in what many consider to be the greatest horror film ever made. Dr. Henry Frankenstein (Colin Clive) dares to tamper with the essential nature of life and death by creating a monster (Karloff) out of lifeless human body parts. Director James Whale's adaptation of the Mary Shelley novel and Karloff's compassionate portrayal of a creature groping for identity make Frankenstein a timeless masterpiece. Special Features: The Frankenstein Files: How Hollywood Made a Monster Karloff: The Gentle Monster Monster Tracks: Interactive Pop-Up Facts About The Making of Frankenstein Universal Horror Frankenstein Archives Boo!: A Short Film Feature Commentary with Film Historian Rudy Behlmer Feature Commentary with Historian Sir Christopher Frayling 100 Years Of Universal: Restoring the Classics Trailer Gallery
Writing, memory and architecture flow together in this sensual nocturnal wandering through the streets of Istanbul, which becomes a vibrant archive of life lived. Orhan Pamuk Turkey's Nobel laureate for Literature opens a museum in Istanbul. A museum that's a fiction: its objects trace a tale of doomed love in 1970's Istanbul, brought to life in his international best-selling novel The Museum of Innocence. In Innocence of Memories acclaimed documentary filmmaker Grant Gee (Meeting People is Easy, Patience: After Sebald) takes a tour of the museum as the starting point for a trip through love stories, landscapes and the chemistry of the city.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The Doctors: 30 Years Of Time Travel And Beyond is a hallmark documentary about the world famous BBC TV series 'Doctor Who', packed with personal insights and views from the very people who made the programme.Arranged in order of the various actors to have played the Doctor, this documentary features a host of specially recorded interviews with the programmes cast and crew. Doctors, companions and production personnel all share their unique experiences on the programme and their opinions as to what makes 'Doctor Who' so special to so many.The programme also features rare, behind the scenes home movie footage of The Smugglers, The Abominable Snowmen, The Daemons and the unfinished Tom Baker story Shada, as well as a unique collection of unpublished photographs spanning all the Doctors from the TV series.In addition to the main feature, this special DVD release comes packed with previously unseen material that could not be included in the original VHS release. Based on the bestselling book by Adrian Rigelsford, this documentary offers a comprehensive, candid and at times controversial look at a series that continues to grow in popularity.
Inside the mind of a superbike racer, what makes these young men risk their lives for the thrill of speed? Spectacular footage, unbelievable crashes, racing psychology and modern surgery, an intimate look inside the world of racing superbikes. The last of the gladiators, racing can mean life or death with a twist of the throttle. Directed by Mark Sloper and featuring interviews with USA racing legends Fast Freddie Spencer & Colin Texas Tornado Edwards, Rick Broadbent of the Times, Rocket Ron Haslam and his son British Champion Leon Haslam, all time fastest TT winner Peter Hicky Hickman, and ex british champs James Whitham and Shakey Byrne.
The Irish hard-shoe sensation Riverdance underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. The dazzling choreography and energetic score remain, but Michael Flatley was replaced by less-flamboyant Colin Dunne, a superb technician who works well with Flatley's former colead, Jean Butler. About half an hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland for other parts of the world. In the most engaging new number, "Trading Taps", a trio of Irish dancers faces off against two urban American tappers. While much of this show will be familiar, it's different enough to be enjoyed on its own terms. It's also more stylishly shot, but that's also its biggest drawback--frenetic editing that allows only brief glimpses of the dancers and leaves the viewer dizzy. --David Horiuchi
""By the power of Greyskull! I have the power!!!"" Episodes comprise: The Curse Of The Spellstone The Time Corridor The Dragon Invasion A Friend In Need Masks Of Power and Evil-Lyn's Plot.
A Family At War is the classic ITV series chronicling the fortunes of the Ashton family living in Liverpool during the Second World War. This eight disc box set features the entire third series.
This is a feature-length, 106-minute documentary which presents in refreshingly straightforward fashion a portrait of 20th-century piano playing. The format is simple: short chapters on virtually all of the great pianists who have ever been captured on film, augmented by extracts from interviews, sometimes with the pianists themselves, or with later conductors and musicians of international stature, including specially filmed contributions from Daniel Barenboim, Sir Colin Davis, Egveny Kissin, Gennadi Rozhdestvensky, Tamás Vásáry. The narration by John Tusa offers an overview of piano music through the century, though the heart of the film is the great quantity of rare archive historic footage, with extracts from performances by Gould, Horowitz, Paderwski, Rachmaninov, Richter, Rubinstein and many others. The interviews are short, but offer considerable insight, while the film of so many revered pianists brought together is a literal eye-opener, especially for those who have previously only known these masters from LP and CD. This is, like the companion programme The Art of Singing, as close to definitive as can a single film can get, even going so far as to include footage from the "silent" era with sound from corresponding recordings.On the DVD: There are no special features, though the booklet provides a useful, very detailed chapter breakdown, an overview of the film, photographs and short biographies of many of the pianists. Because all the archive footage was shot that way, the film is presented in 4:3 television ratio. The archive material varies considerably in picture and sound quality, ranging as it does from early black and white to colour television video footage, all in mono. The new interviews are letterboxed within the 4:3 frame and are in colour and stereo. --Gary S. Dalkin
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