A sequel to the highly successful anime film Resident Evil: Degeneration.
"Lara Croft: Tomb Raider Archaeologist and explorer extraordinaire Lara Croft (Angelina Jolie) goes on a death-defying journey as she tries to find the mythical Triangle of Light in this pulse-pounding, action-adventure film that will have you sitting on the edge of your seat!Lara Croft Tomb Raider: The Cradle of Life Lara Croft (Angelina Jolie) is back in action and faces her most perilous mission: to recover what ancient civilisations believed to be the essence of all evil, the Pandora's Box, in this heart-stopping, action-packed smash-hit sequel.Special Features:Commentary With Director Simon WestDigging Into Tomb RaiderCrafting Lara CroftThe Visual Effects Of Tomb RaiderThe Stunts Of Tomb RaiderAre You Game?Deleted ScenesU2 Elevation (Music Video)Alternate Main TitleTeaser TrailerTheatrical Trailer "
Paul a handsome and talented music student is employed as the page-turner at one of the world famous pianist Kennington's concerts in San Francisco only to find the best way to make it to the top is to sleep his way there with older gentlemen who can assist him...
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio and subtitles.
Featuring Avid Merrion as the Scandinavian stalker/host and sketches in which he plays the parts of pop stars like Craig David and Britney Spears in lurid, latex masks, Bo' Selecta! is a brilliantly surreal take on celebrity culture. This first series (originally broadcast in 2002) features a number of cameos and guest appearances from minor celebs: Boyzone's Keith Duffy, Davina McCall, Vanessa Feltz and the hapless Christine Hamilton, one of numerous guests to be interviewed by a puppet bear played by Merrion whose feverish line of questioning invariably results in him sprouting a little erection. Another character is hauled up in a neckbrace (following an altercation with Lisa Tarbuck), but Merrion's innocent broken English can't conceal the fact that he's a psychotic sex maniac who explicitly lusts after celebs who "make me do a sex wee", keeps Craig from Big Brother locked in a cupboard and his dead mother in a wardrobe. Merrion's pop spoofs are also masterly: rather than mimic the stars, he reinvents them--Mel B and Britney Spears--as farting, hairy-chested Northerners, slobbing out on fry-up breakfasts washed down with lager and, most improbably, Michael Jackson as a cussing, jive-talking black dude à la Huggy Bear. Bo' Selecta! doesn't so much satirise celebrities as debase them, exposing their humiliating none-dimensionality by drawing them into a vortex of vulgar absurdity, not unlike Vic Reeves' Shooting Stars. Of course, they play along--they're on television. Although initially off-putting to some, once you get into Bo' Selecta! there is, as for Big Brother's Craig, no escape. On the DVD: Bo' Selecta! on disc features numerous extras, including a behind the scenes feature in which the production team discuss making the show ("like directing a squirrel on roller-skates"), deleted scenes including Gareth Gates as a Tourette's victim, which was deemed a little beyond the pale, some unfunny bloopers and a feature on the life story of "Craig David" with Kate Thornton, including an unmissable nativity scene in which the infant Craig plays Jesus. There's also a commentary, with Merrion as his stalker self watching himself with consternation (It's strange seeing yourself on TV"). It's a pity we don't get to hear from the "real" Merrion. --David Stubbs
Aided by ""The Bear"" and rubber masked celebrities obsessive fan Avid Merrion hosts two full series of Bo' Selecta! from the squalor of his bedroom guiding us through an eclectic mix of celebrity stories interviews and gossip.
The canals of Venice might have been the basis for a red-coated killer in the classic Don't Look Now' but that feels like a mere warm-up for the knife-play of Bloodstained Shadow', a certified giallo masterpiece! Directed by Antonio Bido (Watch Me When I Kill), and starring the sensational Stefania Casini (Suspiria), the story focuses on a slew of slayings that all point towards someone harbouring some particularly horrifying past secrets. With all of the stylish black-gloved mayhem that the Italians specialise in, Bloodstained Shadow is a crimson-caked crime-thriller in the tradition of Dario Argento.
Tomb Raider (Dir. Simon West 2001): Exploring lost empires finding priceless treasures punishing villains in mortal combat: it's all in a day's work for adventurer Lara Croft (Angelina Jolie). A secret from her father's (Jon Voight) past is about to lead Lara to her greatest challenge: the Triangle of Light a legendary artefact with the power to alter space and time. Lara must find the Triangle before it falls in to the clutch of the Illuminati a secret society bent on w
Aided by ""The Bear"" and rubber masked celebrities obsessive fan Avid Merrion hosts another series of Bo' Selecta! from the squalor of his bedroom guiding us through an eclectic mix of celebrity stories interviews and gossip.
George Romero's classic 1968 zombie-fest Night of the Living Dead (shot in black and white) offers some disturbing images, even decades later. In a Pittsburgh suburb people are being stalked by zombies ravenous for human flesh. In a house whose occupant has already been slain, two separate groups of people unite and board themselves in, hoping to fend off the advancing ghouls. Through radio and TV reports they learn that radiation from outer space is thought to be responsible for the wave of zombie attacks all over the eastern United States. Once the humans are trapped, Romero shifts the focus to the internal feuding between them as they decide how to handle their dreadful situation. What unfolds is an examination of human nature, and of the fear and selfishness that keep many citizens from getting involved in the world's problems. Appropriately, both the zombies, and the authorities who later hunt them, are equally soulless. This film could also be read as a criticism of white males--it is not merely a coincidence that the film's two most rational, constructive characters are a woman and a black man. It is also no coincidence that the sequel Dawn of the Dead (1978) takes place in a mall infested by the undead--a perfect analogy for consumer culture. --Bryan Reeseman, Amazon.com
As freezing snow blasts the mountain peaks of wartime Korea. A small platoon of army grunts are ordered to stay behind to protect a 15 000-man division as it moves out under heavy communist fire. One corporal whom the platoon has mistakenly come to believe is a hero is left with the responsibility of protecting the men. It's a mistake that is about to come back to haunt them.
John Ford's colourful screen adaptation of Maxwell Anderson's raucous army comedy stars James Cagney as the hard-boilked Captain Flagg - in charge of a company of U.S. Marines stationed in a French village during the First World War. When the new top Sergeant Quirk (Dan Dailey) arrives his cocky manner soon angers the feisty Captain...
Arucard and the Hellsing organisation face a twofold challenge! A traitor within begins leaking classified information and a TV journalist is out to expose Hellsing's secret mission! Episodes include: Innocent As A Human Brotherhood and Dead Zone.
The worst enemy of the night is one of its own! A secret war brews in the night - a war where humanity is only a pawn. The Hellsing Organization deploys in the shadows to protect the mortal world. But now artificially spawned vampires have appeared forcing Hellsing to call in their ultimate weapon; the rogue vampire - Arucard! After he transforms the dying Seras Victoria into a vampire they join forces to combat the undead army as well as to quell their new found hunger....
The Hellsing Organization's war against the undead intensifies! The organization suffers major losses in battle and Arucard must confront the deadly Pladin Alexander from Iscariot again! Then the stakes are raised as he prepares to face one of the original undead - and Integra fights for her life against her own sister! Episodes comprise: Duel Kill House and Red Rose Vertigo.
The worst enemy of the night is one of its own! The Hellsing Organization makes its last stand against the unknown traitor and Incognito one of the original undead at the Tower of London: with the Queen and Integra's life at stake! Seras must finally make her choice about what she has become and the mysterious bond between Alucard and Integra is revealed... Episodes comprise: Master Of Monster Transcend Force Total Destruction and Hellfire.
Maniacal outlaws thirsting for blood! Corrupt capitalists profiting from the suffering of the common folk! Desperate people pushed to violent revenge! The Italian western has never been grittier than in this quartet of later-period cult classics, in which the trademark cynicism of the genre escalates into the radical pessimism of the late 1960s / early 1970s world. In Paolo Bianchini's I Want Him Dead (1968), American actor Craig Hill (The Bloodstained Shadow) stars as an ex-Confederate soldier who vows revenge after his sister is raped and murdered, in so doing setting him on a collision course with a dastardly plot to disrupt peace talks between the North and South. Next, in Edoardo Mulargia's El Puro (1969; a.k.a. The Reward's Yours The Man's Mine), western icon Robert Woods (My Name is Pecos) gives arguably his greatest performance as a legendary gunfighter forced to emerge from hiding after the bounty hunters on his tail murder the tender-hearted barmaid (Rosalba Neri, Smile Before Death) who offered him a new life. Then, in Mario Camus' Wrath of the Wind (1970), genre superstar Terence Hill (They Call Me Trinity) shows his darker side as an assassin who finds his conscience when he and his brother (Mario Pardo, Knife of Ice) are hired by a ruthless landholder (Fernando Rey, The French Connection) to kill the leaders of a growing labor movement. Finally, Fabio Testi (What Have You Done to Solange?) and Tomas Milian (Don't Torture a Duckling) star in Lucio Fulci's The Four of the Apocalypse (1975), in which a quartet of misfits go from sharing the same jail cell to embarking on a savage odyssey that will lead to torture, rape and cannibalism. Preyed upon by a ruthless bandit, the foursome fight for their lives until the time comes for revenge. Four of the Italian western's hardest, cruelest, bloodiest classics erupt from the screen in this feature-packed box set from Arrow Films. Featuring dazzling High Definition restorations and a wealth of bonus materials, Savage Guns delivers from both barrels! 4-DISC SPECIAL EDITION CONTENTS ¢ 2K restorations of all four films from the original 35mm camera negatives ¢ High Definition Blu-ray⢠(1080p) presentations of all four films ¢ Italian and English front and end titles on all four films ¢ Restored original lossless mono Italian and English soundtracks on all four films ¢ English subtitles for the Italian soundtracks ¢ Optional English subtitles for the deaf and hard of hearing for the English soundtracks ¢ Introductions to each film by journalist and critic Fabio Melelli ¢ Reversible sleeves featuring original artwork and a slipcover featuring newly commissioned artwork by Gilles Vranckx DISC 1 I WANT HIM DEAD ¢ Audio commentary by critics Adrian J. Smith and David Flint ¢ The Man Who Hated Violence interview with director Paolo Bianchini ¢ Cut and Shot interview with editor Eugenio Alabiso ¢ Nico Unchained archival interview with composer Nico Fidenco ¢ English theatrical trailer ¢ Image gallery DISC 2 EL PURO ¢ Two versions of the film: the 98-minute cut, presented in Italian and English, and the longer, 108-minute version, assembled from the original camera negative and an archival print and presented in both Italian and a hybrid English/Italian mix* ¢ Audio commentary by critics Troy Howarth and Nathaniel Thompson ¢ Interview with actor Robert Woods ¢ An in-depth appreciation of the soundtrack and its composer, Alessandro Alessandroni, by musician and disc collector Lovely Jon DISC 3 WRATH OF THE WIND ¢ Alternate, 106-minute Spanish-language version of the film, featuring additional and extended scenes not found in the Italian or English versions ¢ Audio commentary by author and critic Howard Hughes ¢ The Days of Wrath interview with camera operator Roberto D'Ettorre Piazzoli ¢ They Call It... Red Cemetery! a short film from 2022 by filmmaker Francisco Lacerda, serving as a love letter to the spaghetti western genre ¢ Alternate Revenge of Trinity opening titles ¢ Image gallery DISC 4 THE FOUR OF THE APOCALYPSE ¢ Audio commentary by author and producer Kat Ellinger ¢ It Takes Four previously unreleased interview with production manager Roberto Sbarigia ¢ In-depth appreciation of the film by author, critic and Lucio Fulci scholar Stephen Thrower ¢ In-depth appreciation of the soundtrack and its composers, Franco Bixio, Fabio Frizzi and Vince Tempera, by musician and disc collector Lovely Jon ¢ Restored Theatrical trailer ¢ Image gallery * For some scenes and dialogue lines in the long version, the Italian audio is either lost or was never produced. These are presented in Spanish with English subtitles.
Jamie age 29 going on 12 looser virgin stumbles upon a group of misfits who meet every week above a pub in order to discover the secrets of love relationships and finding the perfect partner... The Flirting Club. Is it the answer to what he is searching for? Jamie has one month to meet a real girl otherwise he has to marry Laura 'the human pig' from next door. Inadvertently hampered by his best mate Bill stuck with a schoolboy infatuation with his Hot Boss two left feet and zero pulling skills an accidental encounter with his local flirting club might just hold all the answers. The group of six thirty-something singles and Miriam their teacher who has an unusual approach to flirting success seem unlikely to succeed. But as everyone knows the course to true love is never easy and the gang of misfits soon learn that getting it right is more about being yourself then trying to be someone else.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy