A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease and seduce him into staying for their night-time soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death", mutters one of them as they await the cabal where he is the guest of honour. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerising fantasy. --Sean Axmaker, Amazon.com
Far And Away (1992): Tom Cruise and Nicole Kidman star in this critically acclaimed romantic adventure from director Ron Howard. This breathtaking epic opens on the West Coast of Ireland 1892. Joseph Donelly (Cruise) a poor tenant farmer is determined to bring justice to an oppressive landlord. Instead he finds himself accompanying the landlord's daughter Shannon (Kidman) to America in a quest for land. Arriving in Boston Joseph finds a place for them to live while proving a natural at bare-fisted boxing. But his triumph is short-lived as he and Shannon are thrown out into the bitter cold. Joseph sets off for work on the railroad until a passing wagon train reminds him of his original goal to possess his own land. Preparing to stake his claim in the new territory he runs into Shannon who is unhappily reunited with her former fiance. In the excitement of the Oklahoma land rush they realise their dreams of land and life together in this satisfying grand-scale adventure that has been called ""a wondrous epic!"" The Boxer (1997): When Danny Flynn (Daniel Day-Lewis) returns to his Belfast neighbourhood after 14 years in prison all he wants is to find peace resume his career and reclaim the love of the woman who has remained etched in his mind. As they slowly embrace the possibilities of renewed romance they realise cultural taboos stand in the way and fighting for love could cost them their lives. Angela's Ashes (1999): Angela's Ashes the Pulitzer Prize-winning memoir comes to life in this stirring film from acclaimed director Alan Parker starring Academy Award-nominee Emily Watson and Robert Carlyle. Life in impoverished Depression-era Ireland holds little promise for young Frank McCourt the oldest son in a tightly knit family. Living by his wits cheered by his irrepressible spirit and sustained by his mother's fierce love Frank embarks on an inspiring journey to overcome the poverty of his childhood and reach the land of his dreams: America.
A beautiful woman and her gang of criminals attempt to match their wits with Sherlock Holmes in this murder/mystery set in Dartmoor and London's antique auction rooms.
James Mason stars in this powerful suspense drama as Johnny McQueen the leader of a quasi-IRA group. When he's wounded in a botched robbery he becomes the object of an intense police manhunt and must scramble desperately about Belfast in an attempt to escape. Kathleen (Kathleen Ryan) the woman who loves him also takes off in pursuit of Johnny hoping to reach him before the police do.
Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late. Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon
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