Five men heist the Camp Pendleton payroll and kidnap a pilot and his daughter who are forced to fly them to Mexico. En route a double cross has one of the thieves parachute with the loot into an abandoned graveyard surrounded by strange scarecrows. The rest of the team jump after their loot and their former partner. Everything happens during the course of one very dark night.
Macaroni combat action focusing on the Battle of the Ardennes.
The Village: (Dir. M. Night Shyamalan) (2004): A small community are plagued by fear of the unknown forest that surrounds them. For years they have kept a truce with mysterious creatures in the woods by vowing never to breach a clearly defined border. However when a young man (Joaquin Phoenix) becomes determined to explore the nearby towns his actions are met with menacing consequences. The Sixth Sense (Dir. M. Night Shyamalan) (1999): After the assault and suicide of one of his ex-patients award-winning child psychologist Malcolm Crowe (Bruce Willis) is left determined to help a young boy named Cole who suffers from the same diagnosis as the ex-patient - they both see dead people. Malcolm cannot rest until he makes amends for his feelings of failure created by the mental breakdown of the first patient. Cole is a young boy who is paralyzed by fear from his visions of dead people. His mother is at her wits end trying to cope with Cole's eccentricities. With the help of Dr. Crowe Cole goes on a journey of self as he learns to overcome his fears all the while discovering the purpose of his gift.
Danny DeVito's adaptation of the Roald Dahl book for children is mostly just fine, helped along quite a bit by the charming performance of Mara Wilson (Mrs Doubtfire) as the eponymous young Matilda, a brilliant girl neglected by her stupid, self-involved parents (DeVito and Rhea Perlman). Ignored at home, Matilda escapes into a world of reading, exercising her mind so much she develops telekinetic powers. Good thing, too: sent off to a school headed by a cruel principal, Matilda needs all the help she can get. DeVito takes a highly stylized approach that is sometimes reminiscent of Barry Sonnenfeld (director of Get Shorty, a DeVito production), and his judgement is not the best in some matters, such as letting the comic-scary sequences involving the principal go on too long. But much of the film is delightful and funny.--Tom Keogh
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