Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
With the Civil War over Frank and Jesse James (Bill Paxton and Rob Lowe) retreat to the family farm where they witness the murder of their younger brother while Yankee soldiers turn their backs. The James boys feel they have no choice but to seek their own justice. They join the younger brothers to form a gang of rebels that wage a bloody war against its corrupt enemies in robbing their banks stagecoaches and train. In retaliation their adversaries hire famed detective Allan Pinkerton (William Atherton) to stop them. When his nephew is gunned down by the James Gang Pinkerton vows he will not rest until the day the notorious brothers are brought to justice at the end of a rope.
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
Fletch (1985): Meet the only guy who changes his identity more often than his underwear. Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's novel. Fletch is an investigative reporter who's constantly changing his identity. While working on a drug expose Fletch attracts the attention of a strange business man (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam and soon he's up to his byline in frame-ups murder police corruption and forbidden romance. It'll be the story of the year if he can stay alive to meet his deadline! Fletch Lives (1989): Director Michael Ritchie and Chevy Chase team up once again for Fletch Lives with Chase reprising the role of Irwin ""Fletch"" Fletcher newspaper journalist and master of disguise. When his recently deceased aunt bequeaths her decrepit manor to him Fletch travels down south to rural Louisiana. Initially things go well especially when he hooks up with a flirtatious southern belle. But when he wakes up the morning after he's shocked to find that she has been murdered. In order to catch the killers and clear himself the intrepid chameleon-like Fletch must infiltrate the congregation of Jimmy Lee Farnsworth (R. Lee Ermey) a greedy local preacher who wants to gain control of Fletch's land in order to build a Bible-themed amusement park.
The classic Western tale tale of the Jesse James gang! With the Civil War over Frank and Jesse James (Bill Paxton and Rob Lowe) retreat to the family farm where they witness the murder of their younger brother while Yankee soldiers turn their backs. The James boys feel they have no choice but to seek their own justice. They join the younger brothers to form a gang of rebels that wage a bloody war against its corrupt enemies in robbing their banks stagecoaches and train. In retaliat
Sam Lester is looking for an apartment in a city where affordable accomodation is hard to find. One advert leads him to the ideal place but there is a catch; he must share with two other tenants who are already using the apartment on alternate days...
King Ralph: This heart warming comedy starring John Goodman as the unlikliest king ever.... A freak accident kills off the whole Royal Family and a new heir must be found. The last person anyone expects it to be is lounge singer Ralph Jones who goes from one disaster to another as he reluctantly becomes King Ralph.... Sgt. Bilko: Sgt. Bilko is back and up to his old tricks. The arrival of Major Thorn threatens to put a stop to the casino under-the-table deals and Bilko's other illicit businesses... Fletch: Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's novel. Fletch is an investigative reporter who's constantly changing his identity. While working on a drug expose Fletch attracts the attention of a strange business man (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam and soon he's up to his byline in frame-ups murder police corruption and forbidden romance. It'll be the story of the year if he can stay alive to meet his deadline!
With the Civil War over Frank and Jesse James (Bill Paxton and Rob Lowe) retreat to the family farm where they witness the murder of their younger brother while Yankee soldiers turn their backs. The James boys feel they have no choice but to seek their own justice. They join the younger brothers to form a gang of rebels that wage a bloody war against its corrupt enemies in robbing their banks stagecoaches and train. In retaliation their adversaries hire famed detective Allan Pinkerton (William Atherton) to stop them. When his nephew is gunned down by the James Gang Pinkerton vows he will not rest until the day the notorious brothers are brought to justice at the end of a rope.
Walter Woods (Rob Lowe) is an ambitious young architect on his way to Los Angeles for the assignment of a lifetime. He has been hired to design a Beverly Hills mansion for a rich client (James Belushi) and speeds unknowingly along Pacific Coast Highway towards a disastrous and violent turn of events that will change his life... or end it. Along the way Walter narrowly avoids a high speed collision with a maniacal truck driver and arrives visibly shaken to his Apartment where an oddball assortment of residents make his acquaintance. His new neighbors include a beautiful hooker an East German comedian and a cranky building manager (Dean Stockwell) who is as lazy as he is grumpy. As Walter prepares to design his masterpiece a series of strange unexplained events soon begin to unravel the normally calm and controlled designer. These minor nuisances quickly escalate into perilous and terrifying encounters with a mysterious stalker. As his wife pressures him to return home his boss pushes him to finish the job and his new client becomes increasingly unreasonable Walter starts to buckle under the pressure of his tormentor. These dangerous encounters turn deadly and Walter is pushed to the breaking point. With the police in pursuit Walter confronts his vicious attacker in a fight not only for his sanity but for his survival.
Walter is an ambitious young architect who believes he is at the turning point of his career. He speeds towards a wealthy new client in L.A. unaware of the turn of events that will change his life or end it altogether.
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